There is so much music news today it's best to simply include in one lengthy post while celebrating that 2021 has truly been the 'year of the reissue.' We have news today about highly-anticipated reissues featuring Nirvana, XXXXXX as well as tour details for celebrated singer-songwriter/guitar hero Samantha Fish...Robert Kinsler
NIRVANA
NEVERMIND 30th ANNIVERSARY EDITIONS TO BE RELEASED BEGINNING NOVEMBER 12th
Configurations Ranging From 8LP+7-inch and 5CD + Blu-ray Super Deluxe Editions to Standard Digital/CD
Los Angeles, CA – September 23, 2021 – The September 24, 1991 release of Nirvana's Nevermind touched off a seismic shift in global youth culture. Rising to #1 worldwide over the next few months, its impact would elevate Kurt Cobain, Krist Novoselic and Dave Grohl from a promising Pacific Northwest cult band to one of the most successful and influential artists of all time. Nevermind returned rock ’n’ roll integrity and passion to the top of the charts, and continues to be a singular inspiration to fans and musicians alike over the last three decades--as it no doubt will for generations to come.
Beginning November 12, 2021, Geffen/UMe commemorates the 30th anniversary of Nevermind with several multi-format reissues. A total of 94 audio and video tracks--70 previously unreleased--will be made available across configurations ranging from Super Deluxe Editions to standard digital/CD and single disc vinyl with bonus 7-inch. In all formats, Nevermind is newly remastered from the original half-inch stereo analog tapes to high-resolution 192kHz 24-bit.
Among the previously unreleased material exclusive to various versions of the Nevermind 30th Anniversary Editions are four complete live shows that document Nirvana’s historic ascension on the concert stage – Live in Amsterdam, Netherlands (recorded and filmed on November 25, 1991 at the famed club Paradiso); Live in Del Mar, California (recorded on December 28, 1991 at the Pat O’Brien Pavilion at the Del Mar Fairgrounds); Live in Melbourne, Australia for triple j (recorded February 1, 1992 at The Palace in St. Kilda); and Live in Tokyo, Japan (recorded at the Nakano Sunplaza on February 19, 1992).
All four newly remastered live shows are included in the Nevermind Super Deluxe Editions, which will be available in both vinyl (8LPs – 180-gram black vinyl – all in premium tip-on jackets — plus the new 7-inch – A-side: “Endless, Nameless” / B-side: “Even In His Youth” and “Aneurysm”) and CD+Blu-ray (5 CDs plus Blu-ray – Live in Amsterdam, Netherlands complete concert video newly remastered audio & video in HD).
For pre-orders, full track listings and release dates for all configurations go HERE.
Yusuf / Cat Stevens
Teaser and the Firecat
50th Anniversary Super Deluxe Edition Box Set Reissue
Due For Release November 12th via A&M/UMe - Pre-Order Here
“Moonshadow (Olympic Studio Demo, 1970)”
Listen To Previously Unheard Recording Here
View Album Trailer Here
A previously unheard recording of the Cat Stevens classic and Teaser album highlight "Moonshadow (Olympic Studio Demo, 1970)" is released today. Actually recorded at Olympic before the release of the two 1970 albums, Mona Bone Jakon and Tea For The Tillerman, this version provides a fascinating insight into the origins of one of the most enduring songs of the 1970s. Listen HERE.
Cat Stevens achieved phenomenal success with his early work, but it was Teaser and the Firecat, his third LP with Island Records – A&M in the U.S. – that propelled Cat Stevens into superstardom, spawning some of his most unforgettable hits including “Moonshadow,” “Peace Train” and “Morning Has Broken,” songs by a youthful spiritual seeker, wise beyond his years that would lay the pretext for a poignant new wave of soulful troubadours and poets. Later, “The Wind” would see Teaser and the Firecat celebrated anew, rising to prominence following the song’s use in Wes Anderson’s much celebrated film “Rushmore” as well as the Oscar-winning Cameron Crowe film, “Almost Famous.” Through his spell-binding gift for songwriting and his introspective vision, Cat delivered a universal sense of hope and peace in Teaser and the Firecat that still resonates profoundly to this day.
Teaser and the Firecat walked tall in what was a year of classic albums and events that would echo down the decades. The 12 months of 1971 was a transitional year in pop culture in which the album joined John Lennon’s Imagine, David Bowie’s Hunky Dory, Joni Mitchell’s Blue, Marvin Gaye’s What’s Going On, The Rolling Stones’ Sticky Fingers and Led Zeppelin IV as the soundtrack to the momentous 500,000 strong anti-Vietnam war March on Washington D.C., the largest demonstration against US war in history, and the “Fight of the Century” at Madison Square Garden, New York City which saw Joe Frazer hand Muhammad Ali his first ever defeat. With the '60s now in the rear-view mirror – The Beatles gone, Jimi Hendrix and Janis Joplin having already passed on, and Jim Morrison tragically joining their number in July '71 – there was a distinct mood of change in the air. Along with burgeoning heavy rock and the socially-conscious R&B of Funkadelic and Sly And The Family Stone, it was the era of the poetical singer-songwriter. As well as being part of this latter movement, Cat Stevens was himself inspired by it.
Half a century later, Teaser and the Firecat has been given the ultimate treatment in a brand new Super Deluxe Edition set; the most in-depth and definitive version of the album possible. Presented in a remastering of Yusuf’s original artwork, the release will include: 41 previously unreleased audio tracks and 21 live video performances on disc for the first time, amongst an entire CD and LP of studio demos and alternate mixes; a stunning 44-page, 12” soft cover replica of the original Teaser and the Firecat book, hand written and illustrated by Yusuf in 1972, and now featuring text in 10 languages; and a 108-page hard-cover 12” essay book, alongside a host of other rarities across 4CDs, Blu-Ray, 2 LPs and 7” vinyl. The set will be presented in a rigid clamshell box and is the latest in a series of boxsets - so far consisting of Back To Earth, Mona Bone Jakon and Tea for the Tillerman - that celebrate the albums in full depth with the direct involvement and direction of Yusuf and his son Yoriyos, who curates and designs each box set.
There will also be a slimmed down version of the Super Deluxe Edition, including the 108-page book in a soft cover format, along with the 4CDs and Blu-ray, housed in a rigid slipcase. Other 50th Anniversary reissue formats include a 2CD Deluxe Edition, plus 1CD and 1LP Remasters.
The 50th anniversary remaster of the album was mixed by David Hefti on CD and LP, the Super Deluxe Edition also includes a CD of previously unreleased studio material and bonus tracks, an alternate version of the album on LP, as well as a third and fourth CD featuring 23 live performances from 1971. The 50th anniversary remaster was completed at Abbey Road Studios, and was overseen by original album producer, Paul Samwell-Smith.
The set includes a remastered 7” single of "Moonshadow," backed with a previously unreleased Spike Milligan narration of the track from the 1977 Teaser and the Firecat animated video. The 50th anniversary edition also includes an exclusive vinyl LP, tracklisted with 5 live performances at Montreux in 1971 and six BBC Recordings, as well as a Blu-Ray disc featuring a restored version of the 1977 animated video for "Moonshadow," a live performance of “The Wind” from 2020, plus 21 live TV performances.
Also featured in the collection is “Bitterblue²,” a newly recorded and never-before-heard version of the classic Teaser album track. Yusuf’s rich vocal, sung a full octave lower than the original, imparts a new sense of experience and gravity to the song whose lyrics seem to resonate with a whole new level of meaning: “I’ve been waiting a long time/To be back beyond.”
Ahead of the 50th anniversary Teaser and the Firecat celebrations, 2021 has seen Yusuf / Cat Stevens partner with New York Timesbestselling author and illustrator Peter H. Reynolds to produce “Peace Train,” a children’s book celebrating the fiftieth anniversary of the iconic song's original release. Featuring joyful illustrations and the timeless lyrics of the much-loved peace anthem, this hopeful picture book – now a New York Times bestseller itself – continues Yusuf’s commitment to children’s education and shared love for people of all cultures and identities.
Elsewhere, July 2021 saw a special Record Store Day release of the 1971 “Harold And Maude” soundtrack, featuring iconic songs from Tea for the Tillerman and Mona Bone Jakon alongside two new compositions for the film, “If You Want To Sing Out, Sing Out” and “Don’t Be Shy.”
50th Anniversary Super Deluxe Editions of Teaser and the Firecat will be released on November 12th via A&M/UMe. Full format details are listed below.
4CD/Blu-ray/2LP/7” SUPER DELUXE EDITION BOX SET
CD1: Teaser and the Firecat (50th Anniversary Remaster)
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
CD2: Demos, Alternate Versions, Bonus Tracks
- The Wind (Dubville Sessions 2020)
- Rubylove (Studio Demo)
- If I Laugh (Studio Demo)
- Changes IV (Alternate Mix, 1971)
- How Can I Tell You (Studio Demo)
- Tuesday's Dead (Studio Demo)
- Morning Has Broken (Basing Street Rehearsal)
- Bitterblue (Basing Street Rehearsal)
- Moonshadow (Olympic Studio Demo, 1970)
- Peace Train (Extended String Mix, 1971)
- The Day They Make Me Tsar (Studio Demo)
- I Want To Live In A Wigwam
- Fisherman Song (Studio Demo)
- Changes IV (Studio Demo)
- Tuesday's Dead (Alternate Mix, 1971)
- Morning Has Broken (Studio Demo)
- Bitterblue² (Reimagined 2021)
CD3: Live On Air, UK, 1971
- Moonshadow (BBC Radio Session, 8th November 1970)
- Tuesday's Dead (BBC Radio Session, 23rd March 1971)
- How Can I Tell You (BBC Radio Session, 23rd March 1971)
- Peace Train (BBC Radio Session, 23rd March 1971)
- Moonshadow (BBC Radio Session, 23rd March 1971)
- Bitterblue (BBC Radio Session, 23rd March 1971)
- Moonshadow (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Where Do The Children Play? (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Longer Boats (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Tuesday's Dead (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Sad Lisa (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Hard Headed Woman (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Father and Son (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- If I Laugh (The Old Grey Whistle Test, BBC TV, 5th October 1971)
- Changes IV (The Old Grey Whistle Test, BBC TV, 5th October 1971)
- Moonshadow (Cat Stevens In Concert, BBC TV, 27th November 1971)
- Tuesday's Dead (Cat Stevens In Concert, BBC TV, 27th November 1971)
- How Can I Tell You (Cat Stevens In Concert, BBC TV, 27th November 1971)
- Bitterblue (Cat Stevens In Concert, BBC TV, 27th November 1971)
- Changes IV (Cat Stevens In Concert, BBC TV, 27th November 1971)
CD4: Live In Montreux, 2nd May 1971
- Intro (Live In Montreux, 2nd May 1971)
- Hard Headed Woman (Live In Montreux, 2nd May 1971)
- On The Road To Find Out (Live In Montreux, 2nd May 1971)
- Wild World (Live In Montreux, 2nd May 1971)
- Longer Boats (Live In Montreux, 2nd May 1971)
- Maybe You're Right (Live In Montreux, 2nd May 1971)
- Sad Lisa (Live In Montreux, 2nd May 1971)
- Miles From Nowhere (Live In Montreux, 2nd May 1971)
- Katmandu (Live In Montreux, 2nd May 1971)
- Lady D'Arbanville (Live In Montreux, 2nd May 1971)
- Father And Son (Live In Montreux, 2nd May 1971)
- Where Do The Children Play? (Live In Montreux, 2nd May 1971)
- Peace Train (Live In Montreux, 2nd May 1971)
BLU-RAY
HD 24bit/48kHz audio
Teaser and the Firecat (50th Anniversary Remaster)
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
VIDEO
- The Wind
- Moonshadow
Cat Stevens Live In Montreux, Switzerland (2nd May 1971)
- Longer Boats
- Sad Lisa
- Wild World
- Katmandu
- Lady D'Arbanville
- Where Do The Children Play?
- Peace Train
Out Front: Cat Stevens And Friends (Yorkshire TV) (7th September 1971)
- Moonshadow
- Where Do The Children Play?
- Longer Boats
- Tuesday's Dead
- Sad Lisa
- Hard Headed Woman
- Father And Son
The Old Grey Whistle Test (BBC TV) (5th October 1971)
- If I Laugh
- Changes IV
Cat Stevens In Concert (BBC TV) (27th November 1971)
- Moon Shadow
- Tuesday's Dead
- How Can I Tell You
- Bitterblue
- Changes IV
LP1: TEASER AND THE FIRECAT (ALTERNATIVE VERSIONS)
SIDE 1
- The Wind (Dubville Sessions 2020)
- Rubylove (Studio Demo)
- If I Laugh (Studio Demo)
- Changes IV (Studio Demo)
- How Can I Tell You (Studio Demo)
SIDE 2
- Tuesday's Dead (Studio Demo)
- Morning Has Broken (Basing Street Rehearsal)
- Bitterblue (Basing Street Rehearsal)
- Moonshadow (Olympic Studio Demo, 1970)
- Peace Train (Extended String Mix, 1971)
LP2: LIVE 1971
SIDE 1: Live In Montreux, 2nd May 1971
- Hard Headed Woman
- Wild World
- Lady D'Arbanville
- Father And Son
- Peace Train
SIDE 2: Live At The BBC, 1971
- Moonshadow (BBC Radio Session, 23rd March 1971)
- If I Laugh (The Old Grey Whistle Test, 5th October 1971)
- Tuesday's Dead (Cat Stevens In Concert, 27th November 1971)
- How Can I Tell You (Cat Stevens In Concert, 27th November 1971)
- Bitterblue (Cat Stevens In Concert, 27th November 1971)
- Changes IV (Cat Stevens In Concert, 27th November 1971)
7" SINGLE
- Moonshadow
- Spike Milligan narration
4CD/Blu-ray SUPER DELUXE EDITION
CD1: Teaser and the Firecat (50th Anniversary Remaster)
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
CD2: Demos, Alternate Versions, Bonus Tracks
- The Wind (Dubville Sessions 2020)
- Rubylove (Studio Demo)
- If I Laugh (Studio Demo)
- Changes IV (Alternate Mix, 1971)
- How Can I Tell You (Studio Demo)
- Tuesday's Dead (Studio Demo)
- Morning Has Broken (Basing Street Rehearsal)
- Bitterblue (Basing Street Rehearsal)
- Moonshadow (Olympic Studio Demo, 1970)
- Peace Train (Extended String Mix, 1971)
- The Day They Make Me Tsar (Studio Demo)
- I Want To Live In A Wigwam
- Fisherman Song (Studio Demo)
- Changes IV (Studio Demo)
- Tuesday's Dead (Alternate Mix, 1971)
- Morning Has Broken (Studio Demo)
- Bitterblue² (Reimagined 2021)
CD3: Live On Air, UK, 1971
- Moonshadow (BBC Radio Session, 8th November 1970)
- Tuesday's Dead (BBC Radio Session, 23rd March 1971)
- How Can I Tell You (BBC Radio Session, 23rd March 1971)
- Peace Train (BBC Radio Session, 23rd March 1971)
- Moonshadow (BBC Radio Session, 23rd March 1971)
- Bitterblue (BBC Radio Session, 23rd March 1971)
- Moonshadow (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Where Do The Children Play? (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Longer Boats (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Tuesday's Dead (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Sad Lisa (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Hard Headed Woman (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- Father and Son (Out Front: Cat Stevens And Friends, Yorkshire Television, 7th September 1971)
- If I Laugh (The Old Grey Whistle Test, BBC TV, 5th October 1971)
- Changes IV (The Old Grey Whistle Test, BBC TV, 5th October 1971)
- Moonshadow (Cat Stevens In Concert, BBC TV, 27th November 1971)
- Tuesday's Dead (Cat Stevens In Concert, BBC TV, 27th November 1971)
- How Can I Tell You (Cat Stevens In Concert, BBC TV, 27th November 1971)
- Bitterblue (Cat Stevens In Concert, BBC TV, 27th November 1971)
- Changes IV (Cat Stevens In Concert, BBC TV, 27th November 1971)
CD4: Live In Montreux, 2nd May 1971
- Intro (Live In Montreux, 2nd May 1971)
- Hard Headed Woman (Live In Montreux, 2nd May 1971)
- On The Road To Find Out (Live In Montreux, 2nd May 1971)
- Wild World (Live In Montreux, 2nd May 1971)
- Longer Boats (Live In Montreux, 2nd May 1971)
- Maybe You're Right (Live In Montreux, 2nd May 1971)
- Sad Lisa (Live In Montreux, 2nd May 1971)
- Miles From Nowhere (Live In Montreux, 2nd May 1971)
- Katmandu (Live In Montreux, 2nd May 1971)
- Lady D'Arbanville (Live In Montreux, 2nd May 1971)
- Father And Son (Live In Montreux, 2nd May 1971)
- Where Do The Children Play? (Live In Montreux, 2nd May 1971)
- Peace Train (Live In Montreux, 2nd May 1971)
BLU-RAY Teaser and the Firecat (50th Anniversary Remaster) HD 24bit/48kHz audio
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
VIDEO
- The Wind
- Moonshadow
Cat Stevens Live In Montreux, Switzerland (2nd May 1971)
- Longer Boats
- Sad Lisa
- Wild World
- Katmandu
- Lady D'Arbanville
- Where Do The Children Play?
- Peace Train
Out Front: Cat Stevens And Friends (Yorkshire TV) (7th September 1971)
- Moonshadow
- Where Do The Children Play?
- Longer Boats
- Tuesday's Dead
- Sad Lisa
- Hard Headed Woman
- Father And Son
The Old Grey Whistle Test (BBC TV) (5th October 1971)
- If I Laugh
- Changes IV
Cat Stevens In Concert (BBC TV) (27th November 1971)
- Moon Shadow
- Tuesday's Dead
- How Can I Tell You
- Bitterblue
- Changes IV
2 CD DELUXE EDITION
CD1: Teaser and the Firecat (50th Anniversary Remaster)
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
CD2: Demos, Alternate Versions, Bonus Tracks
- The Wind (Dubville Sessions 2020)
- Rubylove (Studio demo)
- If I Laugh (The Old Grey Whistle Test, BBC TV, 5th October 1971)
- Changes IV (Studio demo)
- How Can I Tell You (Studio demo)
- Tuesday's Dead (BBC Radio Session, 23rd March 1971)
- Morning Has Broken (Basing Street Rehearsal, 1975)
- Bitterblue² (Reimagined 2021)
- Moonshadow (Olympic studio demo, 1970)
- Peace Train (Extended String Mix, 1971)
- The Day They Make Me Tsar (Studio Demo)
- Fisherman Song (Studio Demo)
- I Want To Live In A Wigwam (Morning Has Broken B-side)
1 CD 50th ANNIVERSARY REMASTER
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
1LP 50th ANNIVERSARY REMASTER
Side 1
- The Wind
- Rubylove
- If I Laugh
- Changes IV
- How Can I Tell You
Side 2
- Tuesday's Dead
- Morning Has Broken
- Bitterblue
- Moonshadow
- Peace Train
- Noel Prelude
- Only One Night of the Year
- I’ll Be Home for Christmas
- Christmas Medley: Carol of the Bells / O Come, O Come Emmanuel / Silent Night / Joy to the World
- It’s Christmas
- It’s Just Not Christmas (If I Can’t Spend It With You)
- Silver Bells
- O Holy Night
- Christmas Thoughts
- We’re Here to Love
September 30 - Greensboro, NC - Steven Tanger PAC
October 10 - Myrtle Beach, SC - The Carolina Opry Theatre
October 16 - Hiawassee, GA - Anderson Music Hall
October 22 - Clarksburg, WV - Robinson Grand PAC
October 23 - Winchester, VA - Patsy Cline Theatre
October 24 - Verona, NY - Turning Stone Resort Casino
November 5 - New Braunfels, TX - Gruene Hall
November 6 - Hinton, OK - Sugar Creek Casino
November 26 - Wabash, IN - Honeywell Center
November 27 - Marietta, OH - Peoples Bank Theatre
December 4 - Chandler, AZ - Gila River Hotel and Casino
December 6 - Las Vegas, NV - Golden Nugget
December 12 - Bristol, TN - Paramount Center for the Arts
VARIOUS ARTISTS - THE VINYL SERIES: VOLUME THREE
CURATED BY CHRIS BLACKWELL
AND PRESENTED BY ISLAND RECORDS/UME
RELEASED OCTOBER 29
(Los Angeles – September 23, 2021) Since its beginnings in Jamaica in 1959, the story of the pioneering Island Records label has been inextricably linked to the story of its founder, Chris Blackwell. Now, Blackwell has curated a series of compilation LPs featuring his hand-picked tracks that correspond with his and Island's legendary history.
On October 29, Island Records / UMe will release the third volume of The Vinyl Series, an 18-track double LP compiling some of the label's key releases of the late 1960s and early '70s. Volume One included pivotal songs from 1962 to 1969, and Volume Two, released over the summer, covered the years 1969 to 1973. Taken together, the sets explore the wide-ranging highlights from Island's remarkable and extensive catalog. Volume 1 + 2 are available now HERE. Pre-order The Vinyl Series, Volume 3, or the Volume 1-3 bundle HERE.
"The counterculture, which came to full force in 1967, had coincided with Island's launch as a label," writes Blackwell in the new collection's liner notes, examining the connections that remained strong as the label moved into the evolving world of the '70s. "Most of the acts we started off with remained with Island…To many of us, there didn't seem to be much change."
This volume of The Vinyl Series includes material which remained rooted in the folk and acoustic-based styles that were crucial to Island's foundation. That side of the label's history is represented by Nick Drake's "Way to Blue" (from his first album, Five Leaves Left) and "Late November" by Sandy Denny, which first appeared on a 1971 label sampler. But it was Cat Stevens who was identified most commonly with Island in the U.K.—he "continued to be Island's biggest seller," notes Blackwell—and this album contains his 1971 global smash "Morning Has Broken," an adaptation of a Christian hymn.
But Island had also broken through into enormous success on the harder rock front. Free hit big with the 1970 album Fire and Water, whose title track opens the Volume Three collection. "Incredibly young, but in many ways wise beyond their years," Blackwell writes, "the four-piece was such a talented group, led at the time I signed them by the 15-year old (!!!) Andy Fraser."
When Paul Rodgers and Simon Kirke split with Free to form Bad Company, they stayed with Island and became a worldwide sensation; "it seemed like a culmination and justification of their great talents," writes Blackwell. And prog-rock supergroup Emerson,
Lake and Palmer, represented here with their biggest hit single, 1970's "Lucky Man," were also "hugely successful on a global scale," as Blackwell puts it.
Island's rock roster reached into the world of glam in the early '70s. Blackwell admits that "When I heard the first Roxy Music album, I confess that I wasn't immediately certain of it." But when he fully absorbed the group's complete sound and vision, he said, "I understood that this was a true artistic endeavor, conceived and executed as such." Along with Roxy's magnificent first single, "Virgina Plain," and lead singer Bryan Ferry's solo cover of "The In Crowd," The Vinyl Series: Volume Three also includes Traffic's "Dear Mr. Fantasy," and "Better By You, Better Than Me," by Spooky Tooth, as well as "This Town Ain't Big Enough for Both of Us," by the enigmatic duo Sparks, whose unparalleled career was recently the subject of an acclaimed documentary film.
But Chris Blackwell and Island Records will forever be associated with the music of Jamaica, and the period addressed in this album includes two landmark events that changed the world. Blackwell observes that he "began to see [reggae] was also starting to be taken up by some of the same audience who were the fanbase for underground rock." Though he had released Bob Marley's first solo single in the UK in 1962, he finally met and signed the Wailers a decade later. "I loved what they recorded in Jamaica for what became the Catch A Fire album," he writes. "Although initially, it didn't sell in colossal terms, it was critically a smash." And it set in motion one of the greatest careers music has ever seen.
Concurrently, Island released the soundtrack for the revolutionary 1972 film The Harder They Come, which introduced reggae to an international audience. This collection includes two classics from that film—"Johnny Too Bad" by the Slickers and Jimmy Cliff, the star of the movie, singing "You Can Get It If You Really Want." The majestic Toots and the Maytals, heard on this set performing 1974's "Time Tough," were also part of the soundtrack, which helped launch them to global prominence. "This Is Reggae Music," a declarative single by the Jamaican band Zap Pow released in the wake of the soundtrack's success, is also included.
In track-by-track essays by noted author and longtime Island Records chronicler Chis Salewicz, the album package features reminiscences that offer Rock and Roll Hall of Famer Blackwell's own perspective. The third volume of The Vinyl Series—which also illustrates the label's ventures into funk (The Meters), dub (Augustus Pablo), and blue-eyed soul (Robert Palmer)—rounds out the tale of Island's visionary, eclectic path as it solidified its place as one of the most distinctive and bold labels in music history.
Volume Three
Various Artists
Disc 1 - Side A:
1. Free- Fire And Water
2. Robert Palmer - Sailin' Shoes
3. The Meters - Cissy Strut
4. Bryan Ferry - The "In" Crowd
Disc 1 - Side B:
1. Zap Pow - This Is Reggae Music
2. Toots and the Maytals - Time Tough
3. The Slickers - Johnny Too Bad
4. Jimmy Cliff - You Can Get It If You Really Want
5. Augustus Pablo - King Tubby Meets The Rockers Uptown
Disc 2 - Side A:
1. Traffic - Dear Mr. Fantasy
2. Bad Company – Bad Company
3. Spooky Tooth - Better By You, Better Than Me
4. Sparks - This Town Ain't Big Enough For Both of Us
5. Roxy Music - Virginia Plan
Disc 2 - Side B:
1. Cat Stevens - Morning Has Broken
2. Nick Drake - Way To Blue
3. Sandy Denny - Late November
4. Emerson, Lake & Palmer - Lucky Man
Queen Legend Roger Taylor To
Release Brand New Solo Album
Roger Taylor
‘OUTSIDER’
Set For Release On October 1, 2021
‘Outsider’ – album available to preorder now: http://RogerTaylor.lnk.to/Outsider
Watch The Clapping Song (lyric video): https://RogerTaylor.lnk.to/TheClappingSong
Los Angeles — September 23, 2021 — Roger Taylor has had plenty of free time recently to reflect on his long, rich, extraordinary journey through life and music. With Queen + Adam Lambert's blockbuster Rhapsody European tour postponed until 2022 by the Covid-19 pandemic, Roger has made good use of his lengthy lay-off. Fired up with creative inspiration, he spent much of lockdown writing and recording new material. Before long, he found himself with his first solo album in eight years, Outsider.
Taylor's world-class skills as a composer, vocalist and multi-instrumentalist served him well during the enforced isolation of the last 18 months. In a tradition dating back to his very first solo album, Fun in Space from 1981, he wrote, produced, sang and performed all the songs on Outsider himself, with just a little help from long-time friends and collaborators. Building on more than half a century in music, Taylor conceived Outsider as a kind of mature late-career statement, its prevailing mood autumnal and bittersweet. “Autumnal is a very good word for it,” he says. “It's slightly nostalgic and wistful, and quite adult, a bit more grown-up than my last couple of albums.”
Outsider offers up a sumptuous widescreen tapestry of ruminative, exquisitely arranged pieces that cast a philosophical eye over human fragility and our brief time on Earth. Composed in Cornwall during the first lockdown in 2020, the album's opening track “Tides” is a mournfully beautiful meditation on mortality set against the vast canvas of cosmic time and the immutable cycles of the ocean, Mother Nature's very own rhythm section.
“Tides just completely came out of a feeling,” Taylor explains. “My house is by the sea, and the tides come in and go out, you can set your watch by them, you can rely on them in a way that they can almost be a friend. It's about the inevitability of our short term here, our sure passing.”
But Outsider is far from a gloomy album. Indeed, it balances world-weary melancholy with optimism, compassion and glimpses of brighter tomorrows ahead. Another lockdown-inspired track, the introspective 2020 single release “Isolation,” concludes with the cautious hope that the scars of solitude and anxiety will soon heal when normal human interaction returns again. Meanwhile the elegant lead single “We're All Just Trying To Get By,” with guest vocalist KT Tunstall adding voluptuous harmonies alongside Taylor, celebrates that most basic of human impulses: survival.
“It's the simplest statement really,” Taylor explains. “It's what every life force on Earth is doing: just trying to get by and proliferate and exist. That's all we are trying to do, from plants to animals to humans, trying to survive. Also, of course, we are in the middle of a bloody pandemic...”
Even the album's cinematic, uplifting title track reminds us that alienated underdogs can rise up to wrestle triumph from the jaws of defeat. “Outsider is about bullying and not being in the in-crowd,” Taylor explains. “It's kind of harking back to school, but we've all had that in some part of our lives. Everyone's an outsider at some point, they feel excluded or picked on.”
Outsider may find Taylor in mellower mode than usual, but his fondness for sensual pleasures and hard-rock hedonism are still part of the package. Soaked in bluesy regret, the gorgeous I Know I Know I Know is a husky-voiced, soul-baring confessional from the viewpoint of a remorseful lover who has made one too many hurtful mistakes. “It's a bluesy apology for some very human wrongdoing,” Taylor says. “Is it autobiographical? I think you should make your own mind.”
By contrast, the narrator of the hard-riffing, raunchy blues-rock stomper More Kicks feels no shame about celebrating his wild youth and insatiable appetites. “That's a bluesy non-apology,” Taylor laughs. The loudest number on Outsider speeds up into a stampeding crescendo with Taylor in his element, pounding away behind the drum kit like a man possessed. “Oh yeah, I can still clobber away,” he grins. “But I like to think I clobber with more subtlety these days. Maybe not quite as much power but more technique.”
Taylor’s albums have never shied away from political statements.
Outsider continues this tradition with the airy, polished, deceptively catchy protest song “Gangsters Are Running This World” and its punchy funk-rock sister track “Gangsters (Purple).” The scathing lyric is aimed squarely at authoritarian leaders across the globe, from Putin to Lukashenko to Bolsonaro.
“In Queen we always tried to be apolitical,” Taylor nods. “But when you have the freedom to express yourself as a single person, you can say what the hell you like, which I've always tried to do. So many gangsters are running countries these days.”
The most delightfully unexpected wild card on Outsider is “The Clapping Song,” best known for its original 1965 Top 10 US smash version by Shirley Ellis, as well as its hit 1982 UK remake by the Belle Stars. This bright, brassy, funky banger is a fond flashback to Taylor's teenage pop tastes. “I loved the original by Shirley Ellis,” he says. “It's just so joyful and simple. It's got a swing to it, and I've tried to recreate that swing using an ancient drum kit. It was just a real pleasure to do that song, it's like a playground nursery rhyme for kids.”
Outsider also revisits and reworks a handful of tracks from Taylor’s extensive solo canon. The lush, heartfelt romantic ballad “Absolutely Anything” first surfaced on the soundtrack to the 2015 sci-fi rom-com of the same name, starring Simon Pegg and Kate Beckinsale, which was written and directed by the late Monty Python legend Terry Jones. Another archive cut, “Foreign Sand,” is a unity anthem co-written by Japanese rocker Yoshiki. The original was a Top 30 UK hit in 1994, but Taylor's new “English Mix” strips the song down to a raw acoustic ballad, his grainy vocal clothed only in luminous, delicate, finger-picking guitar.
“I just think people needed to hear the real kernel of the song,” Taylor explains. “I felt the original was bit over-arranged and over-orchestrated. I like that John Lennon thing of stripping things down so you hear the kernel of an idea instead of dressing it up too much.”
Outsider concludes as it began, reflecting ruefully on the majesty of the cosmos and the finite span of human life on “Journey's End.” First released four years ago as a stand-alone single and mini-movie, this immersive seven-minute epic serves as the perfect finale for Taylor's most ambitious album to date, with its sombre emotional shadings and sumptuous symphonic feel.
“It has a quite whimsical, rather fatalistic atmosphere,” Taylor says. “It’s basically about thoughts of mortality. It is a sort of acceptance of the fact that this is a journey, and that journey will come to an end. It's a very musical piece with a sense of finality about it, but a sort of optimistic finality.”
Launching Outsider in grand style, Taylor and his band are playing a 14-date tour of the UK, beginning at the Newcastle O2 on October 2. Promising a set-list of solo career tracks old and new, plus some crowd-pleasing Queen classics, this is great news for the rock-starved masses as we finally emerge from lockdown hibernation.
“I want everybody to enjoy it,” Taylor insists. “I doubt I will be doing this much longer but I'm still able to do it, so I really embrace it. Will I be playing Queen songs too? Absolutely! I can't stand people who don't embrace a lot of the stuff they are loved for. Come on, admit who you are!”
Roger Taylor may be in autumnal mood on Outsider, but he is not going gently into that good night. This long, rich, extraordinary musical journey is not over yet.
Roger Taylor - Outsider
Track Listing:
1. Tides.
2. I Know, I Know, I Know.
3. More Kicks.
4. Absolutely Anything.
5. Gangsters Are Running This World.
6. We’re All Just Trying To Get By – Featuring K T Tunstall.
7. Gangsters Are Running This World – Purple Version.
8. Isolation.
9. The Clapping Song*
10. Outsider.
11. Foreign Sand – English Mix**
12. Journey’s End.
All songs written by Roger Taylor except:
*The Clapping Song – Written by Kay Werner, Lincoln Chase, Sue Werner.
**Foreign Sand – Written by Roger Taylor and Yoshiki.
Album Produced by Roger Taylor & Joshua J Macrae.
Credits:
Project Management Emma Donoghue
Artwork Concept Roger Taylor
Artwork Design Richard Gray
Front Cover Illustration Tigerlily Taylor
Photography Lola Leng Taylor and Sarina Taylor
Painting on reverse Mervyn Peake (with kind permission of the estate of
Mervyn Peake).
Formats: 1LP 180g Black Vinyl, 1LP 180g Transparent Blue Color Vinyl,
1x Transparent Blue Color Cassette, 1CD, Digital Download and Streaming.
Coinciding with the release of his Outsider album, Taylor will make his first live performances outside of Queen in over two decades. Taylor will tour across the UK throughout October playing 14 shows with his especially formed band made up of Queen + Adam Lambert’s keyboardist Spike Edney, supporting drummer Tyler Warren, bassist Neil Fairclough, plus guitarist Christian Mendoza.
Official site: www.rogertaylorofficial.com
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