Singer-songwriter Sheryl Crow is one of the few artists to emerge in the first half of the 1990s who has continued to craft new material well into this decade that is still greeted with widespread commercial airplay and welcomed by mainstream audiences eager to hear her latest project.
In a two-hour headlining show Sunday night, Oct. 23, 2005 at the Hollywood Bowl, the nine-time Grammy winner delivered a generous retrospective of her hits-filled career while also casting the spotlight on her latest disc, "Wildflower."
That album, released Sept. 27, is filled with confessional tales focusing on her well-publicized romance with cyclist Lance Armstrong and larger explorations of the world such as her stirring, anti-war "Where has All the Love Gone" and her probing "Letter to God."
Performing more than 20 of her own songs and a few reworked covers by Cat Stevens, Bob Dylan and Elton John, the Los Angeles-based singer-songwriter seemed genuinely delighted to be performing at the fabled Hollywood Bowl, proclaiming during her encore, "It's so nice to come back and play in your back yard."
Backed by her four-member band and a large string section under the direction of David Campbell, Crow used the concert as a showcase for her skills as a vocalist and multi-instrumentalist who moved from guitar to bass to piano throughout the night.
The bad news for the enthusiastic audience was not Crow's choice of material or her performance, but rather the sound itself.
The band (drums, guitars, bass, keyboards) continuously drowned out the string section (which featured more than a dozen musicians), except in the quietest moments.
So while a countrified take on Dylan's "Mississippi" and her own "Strong Enough" were clearly enhanced by strings in the overall mix, they sounded muddled on straightforward rockers such as "If It Makes You Happy" and "My Favorite Mistake."
And, during many songs, such as the reworking of Stevens' "First Cut is the Deepest," the additional musicians simply came off like window dressing.
However, there is no doubt that the majority of fans came to hear Crow deliver her collection of hits, and she did not disappoint.
Many in the audience sat politely through much of the concert, but became more animated and enthusiastic when she performed titles such as "All I Wanna Do," "A Change Will Do You Good" and "Soak Up the Sun."
Show opener Gavin DeGraw is clearly looking to position himself as an artist who can carve out a lasting career in the tradition of Crow.
His seven-song set, highlighted by material such as the emotive "Crush" and accessible "Chariot," pleased many in the crowd, especially when the young singer-keyboardist ventured into the audience.
While songs such as "Chemical Party" and his biggest hit, "I Don't Want to Be," were delivered with zest, his sonic approach clearly recalls artists such as Maroon 5, Train and Billy Joel, and time will tell if he is able to develop a sound he can truly call his own.
Wednesday, October 26, 2005
Monday, October 17, 2005
Aimee Mann just keeps getting better
Only three nights after catching an impressive show from power-pop rockers 9 Ball in Fullerton on Oct. 11, I took in a stunning concert from Aimee Mann. I have seen the talented singer-songwriter a number of times, and she continues to amaze enthusiastic and loyal audiences whenever she performs. Count me as one who is both enthusiastic and amazed.
At the Anaheim House of Blues where I caught her two-hour performance on Friday, Oct. 14, she featured songs off her latest CD, "The Forgotten Arm," a concept album that continues to showcase her skills as a songwriter and keen observer of people and this crazy planet we call home.
She seemed to be especially confident and chatty with the crowd, encouraging people to write down their requests and throw them up to the stage. Dozens seem to take her up on the offer, resulting in her playing many of her classics such as "Red Vines," "Invisible Ink," "Deathly" and "4th of July." She even took a good-natured attempt at "Ray," a song she admitted wasn't ready for its sonic close-up this night. And her band continues to get better everytime I catch them.
But it was an incredible show, and I spent the weekend listening to her music - a bright spot as the Anaheim Angels lost 3 games in a row and the Chicago White Sox are now World Series bound. If I had Aimee's gift, I could turn that into a song...
At the Anaheim House of Blues where I caught her two-hour performance on Friday, Oct. 14, she featured songs off her latest CD, "The Forgotten Arm," a concept album that continues to showcase her skills as a songwriter and keen observer of people and this crazy planet we call home.
She seemed to be especially confident and chatty with the crowd, encouraging people to write down their requests and throw them up to the stage. Dozens seem to take her up on the offer, resulting in her playing many of her classics such as "Red Vines," "Invisible Ink," "Deathly" and "4th of July." She even took a good-natured attempt at "Ray," a song she admitted wasn't ready for its sonic close-up this night. And her band continues to get better everytime I catch them.
But it was an incredible show, and I spent the weekend listening to her music - a bright spot as the Anaheim Angels lost 3 games in a row and the Chicago White Sox are now World Series bound. If I had Aimee's gift, I could turn that into a song...
Friday, October 07, 2005
Society's shift shakes music
There was a time - before interactive cellphones, high speed internet and on-demand everything - when movies were more about quality than box office positioning and music was a connection fans had with a particular act as they journeyed through albums growing and exploring new ground. Think Beatles, Bob Dylan, Neil Young, Peter Gabriel and U2 - you get the idead.
That sounds like a world away, huh? I can think of a number of classic artists who would have never released anything beyond a debut if they had come of age in the late '90s or this century. Cheap Trick is a famous example used by critics; the band's amazing self-titled debut was ignored. You still never hear anything from that LP, even on classic rock stations.
It wasn't until the band's third album they sold anything and scored a hit. Today, if an artist signed to a major label doesn't create a buzz or go Gold from the start, a major label is likely going to cut the chord.
That's one of the reasons I love writing the Orange Pop column for the Orange County Register. It runs just about every Friday (including today, where Michele Rene is featured). Here are artists who aren't selling millions of CDs. In fact, they are likely doing pretty good if they are selling hundreds. But they are doing it because they have no choice; the music matters to them and when it comes to playing original music in So Cal, getting paid is no given either.
This fall is a promising time to go out and see some of these real artists. Sure, the celebrated likes of Aimee Mann, Doves, U2, Paul McCartney and Bruce Cockburn are all coming to town either this month or next, but be sure to check out my column to get wind of the underground. You can read it at www.ocregister.com.
That sounds like a world away, huh? I can think of a number of classic artists who would have never released anything beyond a debut if they had come of age in the late '90s or this century. Cheap Trick is a famous example used by critics; the band's amazing self-titled debut was ignored. You still never hear anything from that LP, even on classic rock stations.
It wasn't until the band's third album they sold anything and scored a hit. Today, if an artist signed to a major label doesn't create a buzz or go Gold from the start, a major label is likely going to cut the chord.
That's one of the reasons I love writing the Orange Pop column for the Orange County Register. It runs just about every Friday (including today, where Michele Rene is featured). Here are artists who aren't selling millions of CDs. In fact, they are likely doing pretty good if they are selling hundreds. But they are doing it because they have no choice; the music matters to them and when it comes to playing original music in So Cal, getting paid is no given either.
This fall is a promising time to go out and see some of these real artists. Sure, the celebrated likes of Aimee Mann, Doves, U2, Paul McCartney and Bruce Cockburn are all coming to town either this month or next, but be sure to check out my column to get wind of the underground. You can read it at www.ocregister.com.
Friday, September 30, 2005
Never-Speechless Bruce Cockburn, Thunderhand Joe
On Wednesday morning, Sept. 28th, I had the chance to chat with Canadian singer-songwriter Bruce Cockburn for about 20 minutes or so. It marked the second time I've been able to interview him, and my preview story built around that insightful phone interview should be published on Nov. 3 in the Dana Point News and Capistrano Valley News, both published by the Orange County Register. After the story runs, I'll also check back with you here; I hope to catch his solo acoustic show at the Coach House in San Juan Capistrano on Friday night, Nov. 4th.
In the meantime, I encourage everyone to run out and purchase his latest album, "Speechless," released this past Tuesday. It is a wonderful all-instrumentals CD that fully casts the spotlight on his amazing skills as a guitarist and composer. In addition to featuring instrumentals stretching back throughout his 30+ career, the Rounders Records release features three new tracks that showcase an artist who keeps exploring new sonic territory. And the results are never less than wonderful. My story will focus on a discussion of his latest CD, "Speechless," as well as a bit about his participation at the Canadian Live 8 Concert held July 2, 2005 in Toronto. Other artists who played at the show included Bryan Adams, the Tragically Hip, Gordon Lightfood and Neil Young...
Also, check out today's edition of the Show section of the Orange County Register. I have a full-length story on one-time Redbone drummer Thunderhand Joe. His story is inspiring. Writing the feature earlier this week, it struck me how few Native Americans have their musical voices heard. For more information on Thunderhand Joe, or to hear selections from his debut CD, check out: http://cdbaby.com/cd/thunderhand
Looking ahead, I'll be checking out the Keane show at the Greek Theatre tonight. I loved the trio's set at Coachella earlier this year; some critics don't appreciate the band. I for one think they're crazy... This will also mark my first time seeing the openers, the Long Winters. I'll report back on the show next week. Promise.
In the meantime, I encourage everyone to run out and purchase his latest album, "Speechless," released this past Tuesday. It is a wonderful all-instrumentals CD that fully casts the spotlight on his amazing skills as a guitarist and composer. In addition to featuring instrumentals stretching back throughout his 30+ career, the Rounders Records release features three new tracks that showcase an artist who keeps exploring new sonic territory. And the results are never less than wonderful. My story will focus on a discussion of his latest CD, "Speechless," as well as a bit about his participation at the Canadian Live 8 Concert held July 2, 2005 in Toronto. Other artists who played at the show included Bryan Adams, the Tragically Hip, Gordon Lightfood and Neil Young...
Also, check out today's edition of the Show section of the Orange County Register. I have a full-length story on one-time Redbone drummer Thunderhand Joe. His story is inspiring. Writing the feature earlier this week, it struck me how few Native Americans have their musical voices heard. For more information on Thunderhand Joe, or to hear selections from his debut CD, check out: http://cdbaby.com/cd/thunderhand
Looking ahead, I'll be checking out the Keane show at the Greek Theatre tonight. I loved the trio's set at Coachella earlier this year; some critics don't appreciate the band. I for one think they're crazy... This will also mark my first time seeing the openers, the Long Winters. I'll report back on the show next week. Promise.
Wednesday, September 28, 2005
Dead Can Dance, indeed
On Sunday, Sept. 25, I was fortunate to see another great show. Dead Can Dance, the Australia-based duo that crafted music that truly defied all genres in the 1980s and 1990s, came to the Hollywood Bowl as part of their first tour since 1994 or something.
Amazing. Performing with the LA Philharmonic, singer-guitarist Brendan Perry and vocalist Lisa Gerrard sounded perfect and performed a mix of Celtic, Renaissance-tinged folk, goth and Middle Eastern-flavored music to lasting and emotional impact. The concert was like being immersed in a sonic dream. Any of the songs performed, including well-known selections such as "How Fortunate the Man With None" and the sparse reworking of the traditional "The Wind That Shakes the Barley," would have been a highlight at any show. But across the more than two hours on Sunday that the concert stretched, it would be impossible to find an artistic element that didn't work.
Lisa Gerrard has a voice that recalls an opera diva, but with the otherworldly sound of a singer one might hear in a Irish pub. And Brendan Perry's far-reaching baritone also hit its marks whether singing alone or with Lisa. A simply wonderful experience.
Now, if only Cocteau Twins might return for another run.
Amazing. Performing with the LA Philharmonic, singer-guitarist Brendan Perry and vocalist Lisa Gerrard sounded perfect and performed a mix of Celtic, Renaissance-tinged folk, goth and Middle Eastern-flavored music to lasting and emotional impact. The concert was like being immersed in a sonic dream. Any of the songs performed, including well-known selections such as "How Fortunate the Man With None" and the sparse reworking of the traditional "The Wind That Shakes the Barley," would have been a highlight at any show. But across the more than two hours on Sunday that the concert stretched, it would be impossible to find an artistic element that didn't work.
Lisa Gerrard has a voice that recalls an opera diva, but with the otherworldly sound of a singer one might hear in a Irish pub. And Brendan Perry's far-reaching baritone also hit its marks whether singing alone or with Lisa. A simply wonderful experience.
Now, if only Cocteau Twins might return for another run.
Tuesday, September 20, 2005
Hall of Confusion
Okay, let me get this. The Rock and Roll Hall of Fame has just announced its next list of those being considered for induction. I get John Mellencamp; put him in pronto. The Sex Pistols and Lynyrd Skynyrd likely should be included, although their contributions don't match the likes of the Fab Four, Elvis and Stones.
But Miles Davis. Wasn't he jazz? Put him in the Jazz hall or something. Should they include opera tenor Placido Domingo too? Or Luciano Pavarotti?
And while they didn't put in Gram Parsons (the most significant alt country rock architect of the 20th century), they also have Blondie, the J. Geils Band and Cat Stevens on the list of those eligible. And the J. Geils Band. If they are simply looking at well-known names, shouldn't they have put in Hall & Oates? They scored a ton of hits and they have crafted great Blue-Eyed soul since the 1970s; put them in...
The Percy Sledge and O'Jays thing drove me crazy. Each had one hit that people know today. Shouldn't the Chantays ("Pipeline") and Surfaris ("Wipe Out") get in too?
By putting in weaker artists, the Hall of Confusion waters down the contributions of those pioneering artists who deserve a spot there. There is a reason the Beatles, Rolling Stones, Buddy Holly, Jimi Hendrix and Neil Young have crafted rock music that has lasted. If it doesn't meet that test, flunk it...
But Miles Davis. Wasn't he jazz? Put him in the Jazz hall or something. Should they include opera tenor Placido Domingo too? Or Luciano Pavarotti?
And while they didn't put in Gram Parsons (the most significant alt country rock architect of the 20th century), they also have Blondie, the J. Geils Band and Cat Stevens on the list of those eligible. And the J. Geils Band. If they are simply looking at well-known names, shouldn't they have put in Hall & Oates? They scored a ton of hits and they have crafted great Blue-Eyed soul since the 1970s; put them in...
The Percy Sledge and O'Jays thing drove me crazy. Each had one hit that people know today. Shouldn't the Chantays ("Pipeline") and Surfaris ("Wipe Out") get in too?
By putting in weaker artists, the Hall of Confusion waters down the contributions of those pioneering artists who deserve a spot there. There is a reason the Beatles, Rolling Stones, Buddy Holly, Jimi Hendrix and Neil Young have crafted rock music that has lasted. If it doesn't meet that test, flunk it...
Monday, September 12, 2005
Smithereens, Katrina concerts keep me listening
I think I heard so much music over the weekend, my eardrums are buzzing!
It started Friday night, Sept. 9th. There was a long night at the Coach House in San Juan Capistrano. After listening to two opening bands (one was awful, bad, ughh!), the Smithereens finally came on well after 10 p.m. - I think it was actually around 10:30 or something. But the good news is they rocked so hard and so effectively, I forgot how tired I was.
They performed all their classic cuts, including "Blood and Roses," "Behind the Wall of Sleep," "Only a Memory," etc. Although their bassist Mike Mesaros was not there (his wife just had a baby and he was busy being dad), the fill-in guy was good and the show was loose and indicitive of the magic the ultimate bar band delivers everytime I see them.
Pat DiNizio remains a strong singer, while lead guitarist Jim Babjak smiles as he plays distinctive licks and Dennis Diken still plays with fury when the song ("Room Without a View" notably) demands. A great show.
On Saturday, I caught up and watched the tape of the hour-long "Shelter from the Storm" concert broadcast on Friday, as well as the four-hour benefit videocast by Vh1 and MTV. The highlights were in short supply. Neil Young was great both days, performing material off his forthcoming "Prairie Wind" CD. On Saturday he performed the beautiful "When God Made Me," a song that songs like it could have been penned another time. Especially the way he played it at the piano, with the beautiful but sparse backing efforts of a choir.
On Saturday, he was joined by Emmylou Harris and sang "This Old Guitar," a simple but authentic-sounding country western song. Can't wait to hear this CD when it's released later this month.
Also turning in solid entries were the Foo Fighters, with the flannel shirt-attired Dave Grohl leading the quartet through CCR's "Born on the Bayou," and Garth Brooks and Trisha Yearwood teaming up for CCR's "Who'll Stop the Rain?"
The important thing about the Hurricane Katrina efforts is obviously helping get people to donate and help out. But I'm just nitpicking about the music here. Mary J. Blige ruined U2's version of "One." I repeat, she ruined it. She has a vast range and big voice, but her voice was not up to the emotional challenge of singing the song.
At the Sunday event, leaders included U2 powering through "Love and Peace or Else," while Trent Reznor - in a hushed performance featuring him alone at his piano - brought chills with an emotive "Hurt." Pearl Jam ("Given to Fly") and Coldplay ("Fix You") also played well in support of the Gulf Coast suffering.
My thoughts were also with the survivors of 9/11 and their loved ones. Where have the four years gone, and have we forgotten?
It started Friday night, Sept. 9th. There was a long night at the Coach House in San Juan Capistrano. After listening to two opening bands (one was awful, bad, ughh!), the Smithereens finally came on well after 10 p.m. - I think it was actually around 10:30 or something. But the good news is they rocked so hard and so effectively, I forgot how tired I was.
They performed all their classic cuts, including "Blood and Roses," "Behind the Wall of Sleep," "Only a Memory," etc. Although their bassist Mike Mesaros was not there (his wife just had a baby and he was busy being dad), the fill-in guy was good and the show was loose and indicitive of the magic the ultimate bar band delivers everytime I see them.
Pat DiNizio remains a strong singer, while lead guitarist Jim Babjak smiles as he plays distinctive licks and Dennis Diken still plays with fury when the song ("Room Without a View" notably) demands. A great show.
On Saturday, I caught up and watched the tape of the hour-long "Shelter from the Storm" concert broadcast on Friday, as well as the four-hour benefit videocast by Vh1 and MTV. The highlights were in short supply. Neil Young was great both days, performing material off his forthcoming "Prairie Wind" CD. On Saturday he performed the beautiful "When God Made Me," a song that songs like it could have been penned another time. Especially the way he played it at the piano, with the beautiful but sparse backing efforts of a choir.
On Saturday, he was joined by Emmylou Harris and sang "This Old Guitar," a simple but authentic-sounding country western song. Can't wait to hear this CD when it's released later this month.
Also turning in solid entries were the Foo Fighters, with the flannel shirt-attired Dave Grohl leading the quartet through CCR's "Born on the Bayou," and Garth Brooks and Trisha Yearwood teaming up for CCR's "Who'll Stop the Rain?"
The important thing about the Hurricane Katrina efforts is obviously helping get people to donate and help out. But I'm just nitpicking about the music here. Mary J. Blige ruined U2's version of "One." I repeat, she ruined it. She has a vast range and big voice, but her voice was not up to the emotional challenge of singing the song.
At the Sunday event, leaders included U2 powering through "Love and Peace or Else," while Trent Reznor - in a hushed performance featuring him alone at his piano - brought chills with an emotive "Hurt." Pearl Jam ("Given to Fly") and Coldplay ("Fix You") also played well in support of the Gulf Coast suffering.
My thoughts were also with the survivors of 9/11 and their loved ones. Where have the four years gone, and have we forgotten?
Wednesday, September 07, 2005
Hurricane relief
Many of you are worn out by the endless coverage of Hurricane Katrina-related news 24/7. Of course, that is nothing compared to those who have endured the tragedy. My heart really goes out to them; the loss is simply beyond words or pictures or anything I've experienced.
There have already been countless efforts on behalf of the victims and I really believe most Americans do want to help, and many have. It's great that the Rolling Stones, Paul McCartney and Neil Young are among those going to perform this weekend on MTV/VH1. I hope in addition to asking us poor folk to give, they do something themselves. Paul McCartney or Mick Jagger wouldn't miss $1 million, so lets hope they are willing to give a bit. Neil Young's assistance with Farm Aid and his Bridge School Benefit demonstrates clearly where his heart and wallet are. America has been pretty good to them, so it would be great for them to go the extra mile this weekend! I don't expect Motley Crue, Sheryl Crow, Melissa Etheridge or Usher to be any good, but then they might look pretty fine compared to Kid Rock!
I didn't need to have a rock star tell me to give. I did it twice last weekend on my own, and I'll give more when I can. I did after 9/11 too. I'll be watching.
There have already been countless efforts on behalf of the victims and I really believe most Americans do want to help, and many have. It's great that the Rolling Stones, Paul McCartney and Neil Young are among those going to perform this weekend on MTV/VH1. I hope in addition to asking us poor folk to give, they do something themselves. Paul McCartney or Mick Jagger wouldn't miss $1 million, so lets hope they are willing to give a bit. Neil Young's assistance with Farm Aid and his Bridge School Benefit demonstrates clearly where his heart and wallet are. America has been pretty good to them, so it would be great for them to go the extra mile this weekend! I don't expect Motley Crue, Sheryl Crow, Melissa Etheridge or Usher to be any good, but then they might look pretty fine compared to Kid Rock!
I didn't need to have a rock star tell me to give. I did it twice last weekend on my own, and I'll give more when I can. I did after 9/11 too. I'll be watching.
Tuesday, August 30, 2005
Topeka leads to Gypsy's Kiss
Is it Tuesday? Yes, it's Tuesday. Catching up late on the weekends musical happenings.
I caught two wonderful local shows this past weekend. On Saturday night, it was a double bill with Topeka and Walter Clevenger & the Dairy Kings at the Bamboo Terrace restaurant in Costa Mesa, while on Sunday I enjoyed an afternoon show at with Irish music outfit Gypsy's Kiss at the Harp Inn - also in C.M.
Topeka features singer-songwriter-guitarist Fletcher Harrington (of Cowboy Buddha fame), lead guitarist Brit Collins (of Moonhead) and singer Tanya Livingstone (of Blind Ruby). Performing excellent songs from their first CD, "Land Rush," as well as material from Fletcher's most recent solo CD, it was a powerful show. This is alt country with heart. The blending of voice and layers and arrangements worked strongly on Saturday night. I'm hooked. Information: www.lopie.com.
Next was the always rocking-good-time Walter Clevenger & the Dairy Kings. When a band rocks out with original tunes such as "Radio Sea" and "Supermarket Checkout Queen," as well as the infectious "Jonathan Doe," well the night is great. Clevenger is a songwriter whose material draws comparisons with artists ranging from Buddy Holly and Tom Petty to Nick Lowe, but his blend of power pop meets country is definitely his own. And his band is great. Learn more about this wonderful artist at www.walterclevenger.com.
And on to Sunday for a totally different kind of show. Gypsy's Kiss is an acoustic-styled Irish-Celtic music ensemble. The group put on a wonderful show, playing a blend of instrumental numbers and emotive songs.
"Star of the County Down" and "Black Velvet Band" were among many of the group's highlights. The group features the talents of Krysta Townsend (fiddle), Fred Salmon (electric bass, guitar), Kevin Moran (guitar, whistle, vocals), Heidi Kuyper (lead vocals) and Heidi Halbur (wooden flute, whistles).
Information: www.gypsykiss.us.
I caught two wonderful local shows this past weekend. On Saturday night, it was a double bill with Topeka and Walter Clevenger & the Dairy Kings at the Bamboo Terrace restaurant in Costa Mesa, while on Sunday I enjoyed an afternoon show at with Irish music outfit Gypsy's Kiss at the Harp Inn - also in C.M.
Topeka features singer-songwriter-guitarist Fletcher Harrington (of Cowboy Buddha fame), lead guitarist Brit Collins (of Moonhead) and singer Tanya Livingstone (of Blind Ruby). Performing excellent songs from their first CD, "Land Rush," as well as material from Fletcher's most recent solo CD, it was a powerful show. This is alt country with heart. The blending of voice and layers and arrangements worked strongly on Saturday night. I'm hooked. Information: www.lopie.com.
Next was the always rocking-good-time Walter Clevenger & the Dairy Kings. When a band rocks out with original tunes such as "Radio Sea" and "Supermarket Checkout Queen," as well as the infectious "Jonathan Doe," well the night is great. Clevenger is a songwriter whose material draws comparisons with artists ranging from Buddy Holly and Tom Petty to Nick Lowe, but his blend of power pop meets country is definitely his own. And his band is great. Learn more about this wonderful artist at www.walterclevenger.com.
And on to Sunday for a totally different kind of show. Gypsy's Kiss is an acoustic-styled Irish-Celtic music ensemble. The group put on a wonderful show, playing a blend of instrumental numbers and emotive songs.
"Star of the County Down" and "Black Velvet Band" were among many of the group's highlights. The group features the talents of Krysta Townsend (fiddle), Fred Salmon (electric bass, guitar), Kevin Moran (guitar, whistle, vocals), Heidi Kuyper (lead vocals) and Heidi Halbur (wooden flute, whistles).
Information: www.gypsykiss.us.
Wednesday, August 24, 2005
More thoughts about "greatest hits"
Not long ago I wrote how funny it was that artists who were too young to yet deserve a career retrospective, as well as those who never really had enough hits to warrant such a collection.
I was online today and discovered some other funny people who already have released such offerings. "The Best of Mandy Moore" is available, why? I likely couldn't name a single hit she has released, and even if I could, I'm sure it isn't worth the disc it's burned on.
Here are some "best of" collections you should seek out, in addition to my recommendations from earlier this month.
"The Best of...Lee Rocker - Burnin' Love"; this disc is great. If you think Rocker's career ended with the Stray Cats, you owe it to yourself to get this disc.
"Anything Anytime Anywhere," Bruce Cockburn's amazing 2001 collection of his best-known material. "If I Had a Rocket Launcher," "Lovers in a Dangerous Time," "Pacing the Cage" and "The Coldest Night of the Year" are only a few of the great songs on this powerful set.
Neil Young's "Greatest Hits" is exactly that. After all, we're talking "Like a Hurricane," "Heart of Gold," "Old Man," "The Needle and the Damage Done" and the list goes on. If you haven't discovered his music yet, do.
I was online today and discovered some other funny people who already have released such offerings. "The Best of Mandy Moore" is available, why? I likely couldn't name a single hit she has released, and even if I could, I'm sure it isn't worth the disc it's burned on.
Here are some "best of" collections you should seek out, in addition to my recommendations from earlier this month.
"The Best of...Lee Rocker - Burnin' Love"; this disc is great. If you think Rocker's career ended with the Stray Cats, you owe it to yourself to get this disc.
"Anything Anytime Anywhere," Bruce Cockburn's amazing 2001 collection of his best-known material. "If I Had a Rocket Launcher," "Lovers in a Dangerous Time," "Pacing the Cage" and "The Coldest Night of the Year" are only a few of the great songs on this powerful set.
Neil Young's "Greatest Hits" is exactly that. After all, we're talking "Like a Hurricane," "Heart of Gold," "Old Man," "The Needle and the Damage Done" and the list goes on. If you haven't discovered his music yet, do.
Tuesday, August 23, 2005
Tale of two concerts
Wow, don't be surprised I'm so tired. On Sunday night, Aug. 21st, I went to Coldplay in Irvine. Last night, Monday, I went to James Taylor at the Hollywood Bowl.
Both concerts were worth attending, but it was the James Taylor show that really blew me away. Surprised? Don't be. Coldplay was amazing when I saw the band at Coachella on April 30, 2005. But here, with a longer set and only a night after playing a full-length show at the same venue (Verizon Wireless Amphitheatre in Irvine), the band was good, but not great. Maybe it was because I was way back in the lawn area, a million miles from the stage. But there were plenty of great moments; "Yellow" and "Speed Of Sound" immediately coming to mind. Chris is a great lead singer, but the natural comparisons with U2 will always hurt. There is only one U2.
James Taylor is an original, and draws comparisons to ... James Taylor! He was amazing! It was my first time ever catching him in concert and it was worth the long drive to L.A. and the even more daunting journey home.
With the possible exception of recent shows by Aimee Mann and some of the better sets at Coachella, I can’t recall a concert where so many people stopped chattering and ignoring their cell phones in favor of listening to the music making – which is exactly the way it should be at a James Taylor concert.
Performing before an enthusiastic and capacity crowd at the legendary Hollywood Bowl on Monday night, the personable singer-songwriter demonstrated that his skills as vocalist, guitarist, bandleader – and comedian – remain formidable.
And while the audience was unusually hushed during beautifully-rendered acoustic-styled songs such as “Fire and Rain” (a masterpiece that never sounds dated; it brought tears to my eyes), “Carolina in My Mind” and “Sweet Baby James,” they would clap along without prompting during upbeat numbers such as “Your Smiling Face” and Latin-flavored “Mexico.”
Performing 25 songs stretching across more than two hours, Taylor and his 11-member band performed plenty of hits, but also took the audience on well-timed detours displaying his skills playing the blues, Celtic and even country-western styled material. His reading of the traditional Irish folk song “The Water is Wide” was simply gorgeous, with his rich baritone and acoustic guitar conquering the song’s timeless melody with a mix of authenticity and emotion as he was accompanied by virtuoso fiddle player Andrea Zonn.
Early in his show, Taylor introduced two songs he had written for the late Ray Charles. Both the tender “Nothin’ Like a Hundred Miles” and more driving “Everybody Has the Blues” also featured Taylor’s impressive guitar playing.
And recalling how he had toured with the Dixie Chicks last year, his band performed a rousing country version of that group’s “Some Days You Gotta Dance.”
Between songs, Taylor would tell stories and engage in humorous exchanges that usually hit home. At one point, a woman yelled out, “I love you James.” The singer replied, “I love you too,” before pausing and adding with a Bob Newhart-styled manner, “It seems like a funny time to bring it up.”
At another point, someone yelled out a request for a song. Taylor picked up a small chalkboard that featured the set list, looked at it and noted the band would get to that song later in the night.
His stories often recalling when and why specific songs were written, as well as engaging exchanges with the audience – including signing autographs for fans who made it to the edge of the stage – only added a dimension to the concert. Who knew “Sweet Baby James” was a cowboy lullaby or that a photo he saw in National Geographic magazine inspired the introspective “The Frozen Man”?
Toward the end of the night, Taylor and company performed energetic songs such as “How Sweet It Is (To Be Loved by You),” “Steamroller Blues” and “Summertime Blues” getting the audience to their feet.To close the night, Taylor returned to the stage with his three backing singers to perform a hushed and beautiful “You Can Close Your Eyes.” This was a night where offering up classic hits and nostalgia took a unquestionably back seat to Taylor’s loving and emotional delivery of the songs.
Both concerts were worth attending, but it was the James Taylor show that really blew me away. Surprised? Don't be. Coldplay was amazing when I saw the band at Coachella on April 30, 2005. But here, with a longer set and only a night after playing a full-length show at the same venue (Verizon Wireless Amphitheatre in Irvine), the band was good, but not great. Maybe it was because I was way back in the lawn area, a million miles from the stage. But there were plenty of great moments; "Yellow" and "Speed Of Sound" immediately coming to mind. Chris is a great lead singer, but the natural comparisons with U2 will always hurt. There is only one U2.
James Taylor is an original, and draws comparisons to ... James Taylor! He was amazing! It was my first time ever catching him in concert and it was worth the long drive to L.A. and the even more daunting journey home.
With the possible exception of recent shows by Aimee Mann and some of the better sets at Coachella, I can’t recall a concert where so many people stopped chattering and ignoring their cell phones in favor of listening to the music making – which is exactly the way it should be at a James Taylor concert.
Performing before an enthusiastic and capacity crowd at the legendary Hollywood Bowl on Monday night, the personable singer-songwriter demonstrated that his skills as vocalist, guitarist, bandleader – and comedian – remain formidable.
And while the audience was unusually hushed during beautifully-rendered acoustic-styled songs such as “Fire and Rain” (a masterpiece that never sounds dated; it brought tears to my eyes), “Carolina in My Mind” and “Sweet Baby James,” they would clap along without prompting during upbeat numbers such as “Your Smiling Face” and Latin-flavored “Mexico.”
Performing 25 songs stretching across more than two hours, Taylor and his 11-member band performed plenty of hits, but also took the audience on well-timed detours displaying his skills playing the blues, Celtic and even country-western styled material. His reading of the traditional Irish folk song “The Water is Wide” was simply gorgeous, with his rich baritone and acoustic guitar conquering the song’s timeless melody with a mix of authenticity and emotion as he was accompanied by virtuoso fiddle player Andrea Zonn.
Early in his show, Taylor introduced two songs he had written for the late Ray Charles. Both the tender “Nothin’ Like a Hundred Miles” and more driving “Everybody Has the Blues” also featured Taylor’s impressive guitar playing.
And recalling how he had toured with the Dixie Chicks last year, his band performed a rousing country version of that group’s “Some Days You Gotta Dance.”
Between songs, Taylor would tell stories and engage in humorous exchanges that usually hit home. At one point, a woman yelled out, “I love you James.” The singer replied, “I love you too,” before pausing and adding with a Bob Newhart-styled manner, “It seems like a funny time to bring it up.”
At another point, someone yelled out a request for a song. Taylor picked up a small chalkboard that featured the set list, looked at it and noted the band would get to that song later in the night.
His stories often recalling when and why specific songs were written, as well as engaging exchanges with the audience – including signing autographs for fans who made it to the edge of the stage – only added a dimension to the concert. Who knew “Sweet Baby James” was a cowboy lullaby or that a photo he saw in National Geographic magazine inspired the introspective “The Frozen Man”?
Toward the end of the night, Taylor and company performed energetic songs such as “How Sweet It Is (To Be Loved by You),” “Steamroller Blues” and “Summertime Blues” getting the audience to their feet.To close the night, Taylor returned to the stage with his three backing singers to perform a hushed and beautiful “You Can Close Your Eyes.” This was a night where offering up classic hits and nostalgia took a unquestionably back seat to Taylor’s loving and emotional delivery of the songs.
Friday, August 19, 2005
It gets more silly by the second
Are our attention spans really that short? Have computers, MTV, American Idol and all the rest of that stuff really blown out our collective ability to hang in there with an audience?
I don't know how old Hiliary Duff is and I don't really care, but I'm pretty sure she is still in her teens. She already has a greatest hits collection? Do people really need her "Most Wanted" collection. I bet she knows (and the money makers directing her career) know they better strike while the iron is hot.
It reminds me of what they did with Martika earlier this year, a nothing late '80s artist who had been forgotten by the masses. But when Eminem took her sole big hit "Toy Soldiers" and turned it into a hit ("Like Toy Soldiers") on his 2004 "Encore", Sony BMG hurried and released a Martika greatest hits collection. Anyone who saw (or met Martika - we were both on a television show together around 1986?) her knows she had little to no talent.
Here are other greatest hits collections that are a joke (they only had a hit or two, why bother?):
"The Best of Toni Basil: Mickey & other love songs" (I can't believe this was released!)
"Walking On Sunshine: the Greatest Hits of Katrina & the Waves" (Oh, please)
"Belinda Carlisle - Her Greatest Hits" (do any of these hold up, no!)
"Tiffany - Greatest Hits" (she should even be embarrassed)
"The Best of Naked Eyes" (if I hear "Always Something There to Remind Me again, I'll scream)
But there are a few bands that only scored big a time or two that should be checked out...Listen to these, really!
"The Very Best of Soft Cell" (artisty beyond "Tainted Love" to be sure)
"Look of Love: the Very Best of ABC" (sounds as good today as ever)
"The Fixx: Ultimate Collection" ("Driven Out," "Red Skies," "Stand Or Fall," "Saved By Zero," and much more. This is great)
"Blown to Smithereens: The Best of the Smithereens" (you can't go wrong here. One great rocker after another...)
"Big Star Story" (if you don't know this band, you should!)
"The Hollies' Greatest Hits" (they are great too)
"Retrospective: the Best of Buffalo Springfield" (Neil Young, Stephen Stills, Richie Furay - amazing stuff)
I don't know how old Hiliary Duff is and I don't really care, but I'm pretty sure she is still in her teens. She already has a greatest hits collection? Do people really need her "Most Wanted" collection. I bet she knows (and the money makers directing her career) know they better strike while the iron is hot.
It reminds me of what they did with Martika earlier this year, a nothing late '80s artist who had been forgotten by the masses. But when Eminem took her sole big hit "Toy Soldiers" and turned it into a hit ("Like Toy Soldiers") on his 2004 "Encore", Sony BMG hurried and released a Martika greatest hits collection. Anyone who saw (or met Martika - we were both on a television show together around 1986?) her knows she had little to no talent.
Here are other greatest hits collections that are a joke (they only had a hit or two, why bother?):
"The Best of Toni Basil: Mickey & other love songs" (I can't believe this was released!)
"Walking On Sunshine: the Greatest Hits of Katrina & the Waves" (Oh, please)
"Belinda Carlisle - Her Greatest Hits" (do any of these hold up, no!)
"Tiffany - Greatest Hits" (she should even be embarrassed)
"The Best of Naked Eyes" (if I hear "Always Something There to Remind Me again, I'll scream)
But there are a few bands that only scored big a time or two that should be checked out...Listen to these, really!
"The Very Best of Soft Cell" (artisty beyond "Tainted Love" to be sure)
"Look of Love: the Very Best of ABC" (sounds as good today as ever)
"The Fixx: Ultimate Collection" ("Driven Out," "Red Skies," "Stand Or Fall," "Saved By Zero," and much more. This is great)
"Blown to Smithereens: The Best of the Smithereens" (you can't go wrong here. One great rocker after another...)
"Big Star Story" (if you don't know this band, you should!)
"The Hollies' Greatest Hits" (they are great too)
"Retrospective: the Best of Buffalo Springfield" (Neil Young, Stephen Stills, Richie Furay - amazing stuff)
Friday, August 12, 2005
You're kidding, right
It's Friday. Why not have some fun.
Billboard reports Ashlee Simpson is in talks with "Saturday Night Live" to host and perform in connection with the release of her second CD in early October. Sick.
Wasn't faking it once bad enough? So "SNL" can't find any real musicians to feature on the show. Are they kidding? Here are a few suggestions: Dada, Dead Can Dance, Neil Young, Keane, Snow Patrol, New Order, Color Theory, Michael Ubaldini, Lee Rocker, Trespassers William, Rusty Anderson, Social Distortion, Aimee Mann, Bruce Cockburn and hundreds more. Maybe they can actually champion some real music. Now that's a stretch...
Check out my Orange Pop column in the Orange County Register today. I talk about Summerfest, a promising six-hour power pop-minded show coming to Stanton tomorrow, kicking off at noon. And it's free. All ages. You can read it via www.ocergister.com and click on the ENTERTAINMENT button on the left and you'll find my story under the Music area.
Have a great weekend everybody!
Billboard reports Ashlee Simpson is in talks with "Saturday Night Live" to host and perform in connection with the release of her second CD in early October. Sick.
Wasn't faking it once bad enough? So "SNL" can't find any real musicians to feature on the show. Are they kidding? Here are a few suggestions: Dada, Dead Can Dance, Neil Young, Keane, Snow Patrol, New Order, Color Theory, Michael Ubaldini, Lee Rocker, Trespassers William, Rusty Anderson, Social Distortion, Aimee Mann, Bruce Cockburn and hundreds more. Maybe they can actually champion some real music. Now that's a stretch...
Check out my Orange Pop column in the Orange County Register today. I talk about Summerfest, a promising six-hour power pop-minded show coming to Stanton tomorrow, kicking off at noon. And it's free. All ages. You can read it via www.ocergister.com and click on the ENTERTAINMENT button on the left and you'll find my story under the Music area.
Have a great weekend everybody!
Tuesday, August 09, 2005
Classical Mystery Tour
Last Friday, I was able to catch a time machine back to the 196os. Indeed, Classical Mystery Tour is just that. Featuring a top-notch Beatles tribute band that performs with a 40-member orchestra, the performance was wonderful.
What makes the experience so amazing isn't simply that the four key players look so much like John, Paul, George and Ringo. But it it how they sound like them, move like them and how the arrangements of classics such as "A Day in the Life" and "Yesterday" benefit from the layers provided by violins, cellos, brass, etc. It truly elevates these concerts to a level seldom reached at rock 'n' roll shows.
The cast features Jim Owen (as Lennon), Tony Kishman (as McCartney), Tom Teeley (as Harrison) and Chris Camilleri (as Starr). Kishman was particularly strong and if he was left handed, people might think he was Paul his voice and look were so dead on...
Information: www.ClassicalMysteryTour.com.
What makes the experience so amazing isn't simply that the four key players look so much like John, Paul, George and Ringo. But it it how they sound like them, move like them and how the arrangements of classics such as "A Day in the Life" and "Yesterday" benefit from the layers provided by violins, cellos, brass, etc. It truly elevates these concerts to a level seldom reached at rock 'n' roll shows.
The cast features Jim Owen (as Lennon), Tony Kishman (as McCartney), Tom Teeley (as Harrison) and Chris Camilleri (as Starr). Kishman was particularly strong and if he was left handed, people might think he was Paul his voice and look were so dead on...
Information: www.ClassicalMysteryTour.com.
Thursday, August 04, 2005
Down and About
Hi Friends,
Where have I been. Listening to tunes - music.
Cowboy Junkies. Remember them? On August 16, they have a new record coming out.
It's called "Early 21st Century Blues" and is a strong 11-song collection featuring a mix of reworked covers by the likes of Bruce Springsteen ("Brothers Under the Bridge" and "you're Missing"), George Harrison ("Isn't It a Pity") and Bob Dylan ("License To Kill"), as well as several original songs penned by Cowboy Junkies guitarist Michael Timmins. And Margo Timmins still is armed with the most haunting and emotive of voices.
Berlin. Another name, band out of the past. The Fullerton-launched outfit, featuring singer Terri Nunn, performed a show at the Pacific Amphitheatre in Costa Mesa last month and among the songs played was an energetic version of Prince's "Erotic City." It led me to seek out getting a copy of the disc featuring the remake, the recently-released "4Play." Not bad, not bad at all. And fans of Peter Gabriel will love the rousing "Big Time." Nunn sounds strong on the album and it works...
On a sad note, I missed yesterday's performance by Harry and the Potters at the Dana Point Branch Library. I kid you not; there really is a punk band where they dress up like the popular wizards and crank out songs such as "Voldemort Can't Stop the Rock" and "Wizard Chess."
Check mate.
That's all folks. Pass me a pork chop.
Where have I been. Listening to tunes - music.
Cowboy Junkies. Remember them? On August 16, they have a new record coming out.
It's called "Early 21st Century Blues" and is a strong 11-song collection featuring a mix of reworked covers by the likes of Bruce Springsteen ("Brothers Under the Bridge" and "you're Missing"), George Harrison ("Isn't It a Pity") and Bob Dylan ("License To Kill"), as well as several original songs penned by Cowboy Junkies guitarist Michael Timmins. And Margo Timmins still is armed with the most haunting and emotive of voices.
Berlin. Another name, band out of the past. The Fullerton-launched outfit, featuring singer Terri Nunn, performed a show at the Pacific Amphitheatre in Costa Mesa last month and among the songs played was an energetic version of Prince's "Erotic City." It led me to seek out getting a copy of the disc featuring the remake, the recently-released "4Play." Not bad, not bad at all. And fans of Peter Gabriel will love the rousing "Big Time." Nunn sounds strong on the album and it works...
On a sad note, I missed yesterday's performance by Harry and the Potters at the Dana Point Branch Library. I kid you not; there really is a punk band where they dress up like the popular wizards and crank out songs such as "Voldemort Can't Stop the Rock" and "Wizard Chess."
Check mate.
That's all folks. Pass me a pork chop.
Monday, July 25, 2005
Payola probe reveals what we all suspect
I'm sure by now many of you have read news reports about major labels allegedly buying airplay for artists such as Jennifer Lopez, Good Charlotte, Franz Ferdinand, Jessica Simpson. This news has come about because of an investigation by the New York state attorney general's and a report written by Fox News columnist Roger Friedman that was published at www.foxnews.com today.
If these charges are true, it should come as no surprise. After all, how do you explain commercial radio's inability to break great music outside of that pushed, promoted and pawned off by the big labels. In my Orange Pop column - which celebrates its 10th anniversary in the Orange County Register on Aug. 1, 2005 - I have written about dozen of great acts that simply can't get any airplay. Even when releasing a well-produced, professional compact disc - they hit one roadblock after the other.
Let me list the names of a number of artists you should all check out. Forget about the hype of the industry. Seek out music that connects with you. Don't listen to Franz Ferdinand or the White Stripes just because the hitmakers tell you to. Listen to national acts that don't get the acclaim they deserve; Aimee Mann (folk rock), DADA (rock), Walter Trout (blues), Lee Rocker (roots-rockabilly), Ocean Colour Scene (Brit rock), Glen Phillips (formerly with Toad the Wet Sprocket). And there are some great Orange County, CA artists worth listening to:
Roots and Americana: Michael Ubaldini. His Web site is at www.rocknrollpoet.com.
Pop-rock/melodic rock: John Hoskinson, Joe Ongie, Walter Clevenger, John Carrillo; all have urls with their name and dot-com. And check out 9 Ball at www.9ballmusic.com.
Singer-songwriters also worth noting: Jannel Rap (www.jannel.org), Bright Blue Gorilla (www.brightbluegorilla.com), Joy Flying (www.joyflying.net), and the list really keeps going. Just read my OC Reg column on Friday and stay up with how great the local scene is!
If these charges are true, it should come as no surprise. After all, how do you explain commercial radio's inability to break great music outside of that pushed, promoted and pawned off by the big labels. In my Orange Pop column - which celebrates its 10th anniversary in the Orange County Register on Aug. 1, 2005 - I have written about dozen of great acts that simply can't get any airplay. Even when releasing a well-produced, professional compact disc - they hit one roadblock after the other.
Let me list the names of a number of artists you should all check out. Forget about the hype of the industry. Seek out music that connects with you. Don't listen to Franz Ferdinand or the White Stripes just because the hitmakers tell you to. Listen to national acts that don't get the acclaim they deserve; Aimee Mann (folk rock), DADA (rock), Walter Trout (blues), Lee Rocker (roots-rockabilly), Ocean Colour Scene (Brit rock), Glen Phillips (formerly with Toad the Wet Sprocket). And there are some great Orange County, CA artists worth listening to:
Roots and Americana: Michael Ubaldini. His Web site is at www.rocknrollpoet.com.
Pop-rock/melodic rock: John Hoskinson, Joe Ongie, Walter Clevenger, John Carrillo; all have urls with their name and dot-com. And check out 9 Ball at www.9ballmusic.com.
Singer-songwriters also worth noting: Jannel Rap (www.jannel.org), Bright Blue Gorilla (www.brightbluegorilla.com), Joy Flying (www.joyflying.net), and the list really keeps going. Just read my OC Reg column on Friday and stay up with how great the local scene is!
Tuesday, July 19, 2005
we'll try it again
Yesterday, I had just about finished my blog entry relating to this past weekend when I had to get off the computer and it was lost.
Anyway, rather than try to rewrite what I penned yesterday, I'll start from scratch. I caught Tears for Fears, Gin Blossoms and Dishwalla on Sunday night at the Pacific Amphitheatre in Costa Mesa. It's an 8,500-seat venue and it was pretty close to capacity. I had seen Tears for Fears before - a decade or so ago at the Universal Amphitheatre - but when it was the version that boasted only Roland Orzabal (so was missing Curt Smith).
This performance, although clocking in at a mere 75 minutes, was so much better than that mid-1990s show. Coming on the heels of last year's "Everybody Loves a Happy Ending" comeback disc, this was a performance that demonstrated Tears for Fears still matters. Indeed, time has only strengthened the craft of some of the duo's best '80s and '90s material. So while the highlight for me was "Call Me Mellow" off the 2004 album, older material such as "Break It Down Again," "Sowing the Seeds of Love" and "Mad World" filled the summer night with a magic that won't be forgotten any time soon.
Like Tonic - who I caught on a bill with Cracker and Hootie & the Blowfish a week ago - I would have ditched Dishwalla and allowed both Tears for Fears and Gin Blossoms to each play a bit more. Gin Blossoms, like the Smithereens, play loose in concert. And like the Smithereens, the style works for them. Songs such as "Until I Fall Away," "Follow You Down," "Allison Road" and "Lost Horizons" continue to sound beautiful in that pop-rock-dipped-in-melancholy kind of way. And just about everyone got to their feet to dance when the band closed with a strong "Hey Jealousy."
2005 is turning out to be a great year for concertgoing.
Anyway, rather than try to rewrite what I penned yesterday, I'll start from scratch. I caught Tears for Fears, Gin Blossoms and Dishwalla on Sunday night at the Pacific Amphitheatre in Costa Mesa. It's an 8,500-seat venue and it was pretty close to capacity. I had seen Tears for Fears before - a decade or so ago at the Universal Amphitheatre - but when it was the version that boasted only Roland Orzabal (so was missing Curt Smith).
This performance, although clocking in at a mere 75 minutes, was so much better than that mid-1990s show. Coming on the heels of last year's "Everybody Loves a Happy Ending" comeback disc, this was a performance that demonstrated Tears for Fears still matters. Indeed, time has only strengthened the craft of some of the duo's best '80s and '90s material. So while the highlight for me was "Call Me Mellow" off the 2004 album, older material such as "Break It Down Again," "Sowing the Seeds of Love" and "Mad World" filled the summer night with a magic that won't be forgotten any time soon.
Like Tonic - who I caught on a bill with Cracker and Hootie & the Blowfish a week ago - I would have ditched Dishwalla and allowed both Tears for Fears and Gin Blossoms to each play a bit more. Gin Blossoms, like the Smithereens, play loose in concert. And like the Smithereens, the style works for them. Songs such as "Until I Fall Away," "Follow You Down," "Allison Road" and "Lost Horizons" continue to sound beautiful in that pop-rock-dipped-in-melancholy kind of way. And just about everyone got to their feet to dance when the band closed with a strong "Hey Jealousy."
2005 is turning out to be a great year for concertgoing.
Friday, July 15, 2005
Oldies, some goodies
I had another busy musical week. I was assigned to review two shows at the Orange County Fair. I covered Hootie & the Blowfish, Tonic and Cracker on July 12, while I covered another triple act bill last night, July 14, featuring headliner Pat Benatar & Neil Giraldo, Berlin and the Motels. Although you can see my reviews that ran in the Orange County Register to get the full story, general impressions are some of these acts are a lot better than many of the so-called musical press want to admit. Hootie & the Blowfish continue to prove they are the best bar band in America (being a long-time fan of the Smithereens, that's saying a lot for me!). And Cracker rocked. "Low" could be a hit on modern rock radio today - more than a decade since its release.
I was never much of a fan of Pat Benatar (my mom and brother loved them), but I really enjoyed the authentic connection she and husband-guitarist Neil had with the audience and their own music in Costa Mesa last night. Neil is a great guitarist and seems to only have improved over the years too.
I really excited about the weekend; I get to see Tears for Fears and the Gin Blossoms on Sunday night. I'll check in with you early next week about that concert.
I'm also hoping to check out Tim Burton's "Charlie and the Chocolate Factory" at the movies this weekend. Composer Danny Elfman, who led the great Oingo Boingo, is back singing for the first time since "The Nightmare Before Christmas" with the soundtrack here and it should be good. I'll let you know.
I was never much of a fan of Pat Benatar (my mom and brother loved them), but I really enjoyed the authentic connection she and husband-guitarist Neil had with the audience and their own music in Costa Mesa last night. Neil is a great guitarist and seems to only have improved over the years too.
I really excited about the weekend; I get to see Tears for Fears and the Gin Blossoms on Sunday night. I'll check in with you early next week about that concert.
I'm also hoping to check out Tim Burton's "Charlie and the Chocolate Factory" at the movies this weekend. Composer Danny Elfman, who led the great Oingo Boingo, is back singing for the first time since "The Nightmare Before Christmas" with the soundtrack here and it should be good. I'll let you know.
Friday, July 08, 2005
A Look Ahead
Every Friday, time permitting, I'll go ahead and use this space to recommend a few upcoming shows and good reads. I will include the basics and contact info...
First, check out my story in the Orange County Register today. The subject of my Orange Pop column is Lee Rocker, the one-time Stray Cats bassist and a talented solo artist on his own. I saw him at the Hootenanny last Saturday and he was epic. He has two new albums coming out on July 12th. I cover all that and more in my feature story on him today...www.ocregister.com and click on the Entertainment button, etc.
If you don't have any plans for tonight, James Grey and Tyrone Wells perform songs and tell stories at Martini Blues, 5874 Edinger Ave., Huntington Beach, sometime after dark. Call (714) 840-2129 or visit www.jamesgrey.com for more details.
Anyone going to the Orange County Fair on Saturday, July 9th should plan on catching Grampas Grass when they perform from 4-6 p.m. on the Sun Stage. The show is free to anyone with fair admission. The band blends folk, rock, Southern rock and Latin styles. Nice outdoor music, perfect for a July afternoon while you enjoy all the great food in So Cal! Info: www.grampasgrass.com.
My continued prayers and good thoughts for our friends in London who have suffered an attack by suspected al Qaeda bombers. The victims are people like you and I, innocent people going about their lives. Going to work, to see family and friends, etc. It is sick stuff and I hope we never loose touch with how far this evil movement will go to destroy all of the freedoms we enjoy...
First, check out my story in the Orange County Register today. The subject of my Orange Pop column is Lee Rocker, the one-time Stray Cats bassist and a talented solo artist on his own. I saw him at the Hootenanny last Saturday and he was epic. He has two new albums coming out on July 12th. I cover all that and more in my feature story on him today...www.ocregister.com and click on the Entertainment button, etc.
If you don't have any plans for tonight, James Grey and Tyrone Wells perform songs and tell stories at Martini Blues, 5874 Edinger Ave., Huntington Beach, sometime after dark. Call (714) 840-2129 or visit www.jamesgrey.com for more details.
Anyone going to the Orange County Fair on Saturday, July 9th should plan on catching Grampas Grass when they perform from 4-6 p.m. on the Sun Stage. The show is free to anyone with fair admission. The band blends folk, rock, Southern rock and Latin styles. Nice outdoor music, perfect for a July afternoon while you enjoy all the great food in So Cal! Info: www.grampasgrass.com.
My continued prayers and good thoughts for our friends in London who have suffered an attack by suspected al Qaeda bombers. The victims are people like you and I, innocent people going about their lives. Going to work, to see family and friends, etc. It is sick stuff and I hope we never loose touch with how far this evil movement will go to destroy all of the freedoms we enjoy...
Thursday, July 07, 2005
A Sad Day
Today recalls the saddness of 9/11/2001. The terrible attacks by murdering terrorists in London today reminds all of us who value freedom and human life of how far many will go to destroy our way of life.
I've been to London several times, in 1980 and again in June 1995. I loved both my stays in that great city and my thoughts go out to all those who suffer there. I hope authorities catch the terrorists responsible and kill them. Soon.
I hope many of the musicians who worked so hard at Live 8 - especially those who are British - will do something for their own nation. Instead of just slamming how terrible the Western World is, etc...It will be interesting to see if any of the hundreds of nations that Great Britain has helped go to her aid now...
I've been to London several times, in 1980 and again in June 1995. I loved both my stays in that great city and my thoughts go out to all those who suffer there. I hope authorities catch the terrorists responsible and kill them. Soon.
I hope many of the musicians who worked so hard at Live 8 - especially those who are British - will do something for their own nation. Instead of just slamming how terrible the Western World is, etc...It will be interesting to see if any of the hundreds of nations that Great Britain has helped go to her aid now...
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