R.E.M. is back! "Accelerate" a true return

I was wrong; R.E.M. was not down for the count.
The band's latest album "Accelerate" is truly the best collection of songs from the Athens, Georgia outfit since 1991's "Out of Time" or arguably that album's noteworthy follow-up "Automatic for the People."

The 34-minute, 11-song "Accelerate" boasts great indie rockers ("Living Well is the Best Revenge," "Horse to Water"), infectious power pop (the first single "Supernatural Superserious," "Hollow Man") and affecting slower gems ("Houston," the dazzling "Until the Day is Done").

The songs are short and get to their respective destinations in fast and dramatic fashion. Biting lyrics, effective chord changes and emotive vocals from singer Michael Stipe tell part of the story, but the magic that typified songs on "Murmur" and "Reckoning" is back on display here on songs such as the aforementioned "Until the Day is Done" and "Sing for the Submarine."

While the departure of drummer Bill Berry in October 1997 left a long-lasting void in the band, it appears that Stipe, guitarist Peter Buck and bassist Mike Mills have rediscovered something I thought lost on "Accelerate." Produced by Jacknife Lee and R.E.M., "Accelerate" already ranks as one of the best albums of 2008.

"Accelerate" has given me reason to celebrate, and R.E.M (once again) rocks.

Her Voice Remains found its voice behind the drum kit

HER VOICE REMAINS: Drummer Stefan Veselko, bassist Jeffrey P., guitarist Elias Gamboa and singer Danielle will perform at the Coach House in San Juan Capistrano on Friday night, April 4.

Her Voice Remains has the kind of compelling story that could well be the basis of a '00s dramatic film.

The band was formed in 2005, with Elias Gamboa on guitar, Jeffrey P. on bass and Danielle on drums.
"Danielle and I were in a relationship and then we broke up," Jeffrey P. recalled. "She subsequently left the band and we recruited another drummer."
It was then that the trio decided to find a singer to complete the line-up. Ironically, Danielle asked if she could audition.

"She came in and nailed it," recalled Jeffrey P. of the audition roughly eight months or so after Danielle had stopped drumming for the group.
Danielle admits her new role in the band was a challenge.
"It was a big change moving up to the front (as singer) ... but I think I'm a better singer than a drummer," she said.
After an interim percussionist left the troupe, drummer Stefan Veselko was brought in for an audition.
"We found Stefan via MySpace. He came in the day before Thanksgiving (2005) and nailed it," Jeffrey P. said in a recent interview. "Half way through the first song (I knew he was our drummer)."
Added Veselko: "Their influences popped out. I contacted Jeffrey and he sent files. I learned them note by note. It just clicked."

Her Voice Remains has shared the bill with a wide range of well-known acts, including Human League, A Flock of Seagulls, Dead Man's Party and English Beat.
With a sound that has singer Danielle's hypnotic vocals layered atop Gamboa's chain-saw guitars and driving, in-the-pocket grooves delivered by Veselko and Jeffrey P, Her Voice Remains joins fellow area bands such as the Dear & Departed, Rock Kills Kid and Vale as mining new sonic ore in '80s-branded rock.
"Our music is a bit reminiscent (of the past), but it's unique," Danielle said.
From the driving "Love is Gone" and "Into the Sun" to the post-punk of "Dead Arms" and "Let Go Away," Her Voice Remains is an outfit at home playing up-tempo and stylish rock as featured on the band's self-titled 2007 album. The sound of Her Voice Remains recalls seminal acts such as the aforementioned Siouxsie and the Banshees, as well as the Martha Davis-led Motels and modern rock heroes such as Giant Drag and Blonde Redhead.
"We struggle," Jeffrey P. said of how best to describe the sound of Her Voice Remains. "In my opinion, it's Blondie meets Siouxsie and the Banshees in a dark alley."

Berlin, Her Voice Remains and Night Creatures will perform at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on April 4.
Tickets will be available for $23.50 at the box office the evening of the show, or for only $18 in advance when purchased from Her Voice Remains. For information on how to get tickets in advance, visit the band's Web site at www.HerVoiceRemains.com. To hear songs from the band's recent CD release, visit www.myspace.com/hervoiceremains.
For more details on the April 4 show, call the Coach House at 949-496-8930 or visit www.thecoachhouse.com.

7th annual Orange County Music Awards recap

LANCE "ROMANCE" FAULK: The lead singer for the Attraction died of a heart attack in his Huntington Beach home on Nov. 10. He was honored at the Orange County Music Awards on March 29, 2008.

I went to the Orange County Music Awards on Saturday night (March 29). Even if I had not been a presenter, I would have gone to catch all the fine performances and say "hello" to so many of my friends in the local music scene.

For my mind, the performances from The Attraction, Jessica Callahan, CPO (Chris Paul Overall, formerly singer of the incredible Wonderlove), Deccatree and blues outfit Buck Wildstar were all great. The Attraction performed a song written in tribute to Lance "Romance" Faulk, the band's gifted singer who passed away on Nov. 10, 2007. I had a chance to catch up with Attraction guitarist Chris Master John and he plans to keep playing music; that is the ultimate tribute to Lance Romance's winning style and spirit.

Jessica Callahan's performance of "City Streets" was especially sweet, since the talented singer-songwriter-keyboardist was honored a bit earlier with the Best Female trophy.

I got a chance to chat with singer-guitarist TJR, three members of Americana rockers the Fallen Stars and Robert Steffen. Thanks to everyone who came out to support local music, and thanks for the nice applause when I came out on stage. A critic who gets cheered; geez, I must be doing something wrong!

Here is a complete list of winners and congrats to all of you!

Best song: "Red Shoes," Bayadera
Best alternative: Bayadera
Best male: Jonathan Blake
Best female: Jessica Callahan
Best pop rock: Lunar Fiction
Best high school: Marliese
Best jazz: Rare Form Band
Best instrumental:Evan Stone
Best Surf: Reventlos
Best R&B: Jimi E
Best country: Fertitta and McClintock
Best classic Rock: Shawn Jones
Best indie: CPO
Best folk: Marianne Keith
Best electronic: Dead Amps
Best punk: Longway
Best blues: Pamela G
Best rock: Union of Saints
Best hip-hop:Brawdcast
Best urban: Mic Moses and C4mula
Best international: Juan Coronado
Best out of county: A Living Daylight
Best hard rock: Star Off Machine
Best swing: Gary Tole
Best live acoustic band: The Fallen Stars
Best live acoustic female: Robin Lore
Best live acoustic male: AJ DeGrasse
Best metal: Sacred Storm
Best live electric band: Franki Doll and the Broken Toys
Lance Romance Memorial Award: Franki Doll

Local acts release a spring bounty of new albums

VENDETTA VALENTINE: The Orange County band recalls the sounds of the late '70s and early '80s on its new album, "There's Nothing Safe."

Vendetta Valentine “There’s Nothing Safe” (Jungle Music) – Over the past few years, there has been a number of great Orange County artists mining the electronica-anchored sounds of the late 70s and early 80s for new life.
On its 13-song debut released on March 4, Santa Ana-based Vendetta Valentine joins the celebrated likes of Vale, the Dear & Departed and Her Voice Remains as strong proponents of the regional retro-fueled movement.
From the decidedly upbeat synth pop of “Let It Burn” and “Dissidents” to the haunting low-fi rocker “Golden” and gorgeous “Brave New World,” “There’s Nothing Safe” is great from start to finish.
The trio features the strong talents of Daniel Powell (lead guitar, bass, programming), Anna Judd (keyboards) and Thomas Monroe (vocals, rhythm guitar).
Information: www.myspace.com/vendettavalentine.
You might like if you enjoy: New Order, early Cure, the Lucy Show.

Bastard Winos “Empty Bottles…” (independent) – If members of AC/DC and Lynyrd Skynyrd joined forces with blues greats Howlin’ Wolf or Muddy Waters, the sonic outcome might well sound like the new debut from Bastard Winos.
Fronted by singer Chile Thomas, the rip roaring outfit also includes guitarist-singer Harlis Sweetwater, bassist Chris Garcia and drummer Greg Garcia.
Echoes of everyone from Little Richard (“100 Proof Juice”) to the Georgia Satellites (“Bottle of Ink”) abound on this set of raucous rock ‘n’ roll.
Is this band’s boisterous approach the real deal? You bet.
Bastard Winos and Barrelhouse will perform at Fitzgerald’s Pub, 19171 Magnolia St., Huntington Beach, at 9 p.m. on March 29.
Information: www.myspace.com/bastardwinos.
You might like if you enjoy: AC/DC, early Led Zeppelin, the Georgia Satellites.

Andrea Emmes “I’m On My Way” (Aselah Productions) – Armed with songs centered on her Christian faith, Buena Park-based Andrea Emmes has crafted a heartfelt debut.
The 11-song “I’m On My Way” has enough room for ‘80s styled rock (“Lost”), R&B-tinged ballads (“Father”), folk (“Don’t Cry”) and authentic blues (“Thank You”). Emmes has a wealth of experience in the entertainment industry (including stints singing at Disneyworld and as a production assistant on the TV show “Making the Band: O-Town”), but has found a decidedly more personal niche with “I’m On My Way” thanks to uplifting songs that showcase her effective vocals.
Information: www.myspace.com/andreaemmes.com.
You might like if you enjoy: Amy Grant, Natalie Grant.

NEVERWONDER “(3-song demo)” (independent) – Even when singers get voted off “American Idol,” the widespread exposure can often help them launch a successful career in music.
Such should be the case with vocalist Megan Bobo, who finished in the top 24 during Season 5 of the popular show and has now been recruited as the singer of the band NEVERWONDER.
The group (whose members come from Los Angeles and Orange counties) has just released a three-song sampler from a forthcoming sophomore effort and the results are solid. The band’s ability to deliver accessible pop is displayed courtesy of “Is This the End,” while NEVERWONDER’s full-force rock instincts come via “Movin’ On” and “Lucky.”
Information: www.neverwonder.com or www.myspace.com/neverwonder.
You might like if you enjoy: Evanescence, Taming Ingrid.

ORANGE SLICES

What does Orange County’s RX Bandits have in common with classic rockers such as Neil Young, John Lennon, Roger Waters and Bruce Springsteen?
Tracks by all those artists are featured on “Body of War: Songs That Inspired an Iraq War Veteran,” issued by Sire Records on March 18.
Inclusion of the RX Bandits’ reggae-styled rocker “Overcome (The Recapitulation)” will put a well-deserved renewed spotlight on the band’s dazzling 2003 effort “The Resignation” (the album where the song first appeared).
“Body of War” also features songs from Eddie Vedder, Bad Religion, Ben Harper, Pearl Jam and Bright Eyes.
Information: www.bodyofwarmusic.com.

Swallow's Day in San Juan Capistrano

With the arrival of Swallow’s Day in San Juan Capistrano this week, it’s no surprise the Swallow’s Inn is hosting top-notch entertainment all weekend.

The Working Cowboy Band will perform traditional country-western music on Thursday and Saturday night, while acclaimed singer Jann Browne will perform at the venue on Friday evening. In addition, the Road Kill Kings will perform a special afternoon concert from 2-6:30 p.m. on Friday, while the Dalton Gang will play classic rock there at noon on Saturday.
The Working Cowboy Band was founded by singer-guitarist Rick Robledo in 1995 and has been a mainstay on the regional country music scene for more than a decade.
What happens when a band blends traditional country-western, rockabilly and bluegrass with rock ‘n’ roll?

The results more than likely sound something like the intoxicating sound made by Orange County’s own Road Kill Kings.
Given the group’s wide-range of influences and original sound, it’s no wonder that the Road Kill Kings have played in support of such well-known artists as Hank Williams III, Junior Brown, Robert Earl Keen, the Knitters and Big Sandy.
The quintet features fiddle player Mike Stave, singer-guitarist Darren Ellis (a founding member of the James Theroux Band), drummer Mark Obey, lead guitarist Jeremy Long and upright bass fiddle player Randy Cochran. The group’s original and energetic remakes celebrate its Americana influences, with songs such as “Truck Driving Man,” “Folsom Prison Blues” and “Thrown Out of the Bar” favorites with the band’s fans.

Released in 2007, Jann Browne’s most recent commercial disc “Buckin’ Around” is an authentic set that will please fans of traditional country pioneer Buck Owens, as well as audiences who enjoy contemporary roots music. Browne is a wonderful singer and brings a wealth of style to the 11 timeless Owens gems covered on “Buckin’ Around,” including “Love’s Gonna Live Here” and “I Don’t Care.”
However, the Anderson, Indiana native’s acclaimed career includes a wealth of releases encompassing both honky tonk and singer-songwriter instincts wrapped in blues and other related styles.

The Dalton Gang is a Temecula-based outfit that performs performs classic rock. However, singer-guitarist Gary Dalton, bassist Billy Dalton, keyboardist-guitarist Doc Dalton and drummer Bob Dalton specialize in playing popular bands’ lesser-known songs.

The Working Cowboy Band will perform at Swallow’s Inn, 31786 Camino Capistrano, San Juan Capistrano, at 8 p.m. on March 27 and at 8 p.m. on March 29. Jann Browne will perform at the same venue at 7:30 p.m. on March 28.
Road Kill Kings will play from 2 to 6:30 p.m. on March 28, while the Dalton Gang will play at noon on March 29.
Admission to the shows is free.
Information: 949-493-3188.

TJR takes a side trip to Liverpool

The Fullerton artist gets Fab on latest release

Millions tuned into "American Idol" over the past two weeks to see contestants on the popular TV show sing Beatles classics.
Fullerton-based singer-songwriter Timothy John Ramirez (better known by his performance moniker TJR) has just released a decidedly daring counterpart to that show's proponents, releasing "In My Life: A Piano Tribute to the Beatles."

The 7-track release marks TJR's first digital-only album and features instrumental versions of Lennon & McCartney classics such as "The Long and Winding Road," "Strawberry Fields Forever" and "She's Leaving Home," as well as a ragtime-tinged "Got to Get You Into My Life."
"Between writing and recording, it took three years to record my last album," TJR said of his 2007 disc "Another Roll of the Dice." That CD features original songs such as the bluesy folk rocker "Peace Love and Don't Trust MTV" and affecting acoustic ballad "Home to Me."
"Then I started to learn to record at home with my Apple (computer). I was tinkering with Beatles songs and thought, 'Why not record an album of this?' I became a better pianist as a result."

Although fans of TJR are well aware of his fiery and virtuoso skills playing guitar, they might be surprised to learn that his first instrument was the piano. Indeed, he was recently recruited to play keyboards in singer-songwriter Michael Ubaldini's band.
"Working on these arrangements, I wanted to make them interesting and good. I looked at this as a way to get my (piano) chops back up. It also allowed me to play with Michael (Ubaldini) too," said TJR, noting his most recent show with the acclaimed Fountain Valley artist was a St. Patrick's Day show at Fitzgerald's in Huntington Beach on March 17.
"Another Roll of the Dice" was released in September 2007 and TJR went on a tour of England, Ireland and France in October.
"In November, I started arranging the (tracks for) the Beatles CD," TJR recalled.
"I didn't want to just (mirror the original arrangement of) each song. I think most have a light classical feel."
It took five months to arrange, record and master the tracks for "In My Life: A Piano Tribute to the Beatles." Because of the high cost to issue the collection of copyrighted songs on a physical CD, TJR is offering the set as a digital album via his Web site and CDbaby.com.
And while his tribute to the Beatles will be sure to please fans of the Fab Four and piano music, his original rock songs are also worth getting a hold of courtesy of "Another Roll of the Dice" and 2003's "Mixed Emotions."
And TJR couldn't make it easier for discerning listeners to connect with his song craft.
"I want people to join my e-mail list. I give them eight free songs," he said.
TJR performs a free solo acoustic show at Fitness Grill, 103 W. Imperial Highway, Brea, from 6-9 p.m. every Thursday.
He will also perform at Lighthouse Café, 30 Pier Ave., Hermosa Beach, at 11 a.m. on April 19. Admission to that is also free.
Information: www.tjrmusic.com.

7th Annual Orange County Music Awards are coming

The Fallen Stars were nominated in several live music categories this year.

Although the 7th annual Orange County Music Awards ceremony won't be held until March 29 at the Grove of Anaheim, there are a number of live music performances leading up to the event where the public can help participate in the selection of winners in each of the live music categories.

Artists vying for best live acoustic female, best live acoustic male and best live acoustic band will be playing at the Gypsy Den in Santa Ana from noon to 7 p.m. on March 9, while 18 acts will perform at DiPiazza's in Long Beach over the course of three nights, March 7, 15 and 16 in hopes of earning best live electric band/artist honors.
"Corvette" Sandy Struckhoff, who oversees the OCMA live music competition categories, said there are several nominees who have competed in their respective categories before, but many new names are on the bill this year.
"It will be difficult and intense for the judges to make their determinations and interesting for the public, who will no doubt, be sitting on the edge of their seats at the Gypsy Den this Sunday," she said. "Part of the judging criteria is based upon the audience reaction and response, so we will no doubt be observing and vigilant regarding their performance. The 'grace under fire' factor comes into play, as each participant only has 15 minutes to bring us their message through music."

Martin Brown, founder and producer of the OCMAs, said the forces that inspired him to launch the event still ring true today.
"This give exposure and recognition for local, unsigned artists who slave away week after week and get no recognition," Brown said.
Artists interviewed agreed with Brown's overview of the OCMAs.
"The OCMAs give artists a chance to play in front of people and that's all you can ask for," said singer-songwriter Michael Ubaldini, a finalist performing in the acoustic field on Sunday afternoon. "It has brought me followers from different audiences and broadened my fan base."

The Fallen Stars recently opened for Ubaldini at the Coach House in San Juan Capistrano and will be sharing the bill with him again this Sunday at the Gypsy Den.
"It's definitely an honor for the Fallen Stars to be nominated for best live band and best live acoustic band as well," said Gregg Braught, lead guitarist of the Huntington Beach-based Americana rock troupe.
"The OCMAs are a fine opportunity for us and our fellow musicians to be seen, heard and recognized as forces to be reckoned with in the music business. This is especially true now with artists seeing that a successful career isn't necessarily dependent on being signed to a major label anymore. You can record and distribute your music to fans old and new, locally and around the globe, and have more control over your musical future than ever before," Braught said.
Singer-songwriter Sarah Green noted the OCMAs are an event that actually builds a bridge between talented artists and discerning music listeners.
"There are a handful of us in Orange County trying to get good music to you the fan, and the people who make the OCMAs happen understand the battle it can be to be an artist in a place where there's not many places to play. Being nominated for an OCMA bridges another gap between the artist and the fan; it makes a lot of noise in a place where people hardly listen."
Brown said while he received submissions from about 300 artists representing a wide range of styles including punk, hip-hop, country-western, modern rock and world music this year. There is a core of about 50 artists who have submitted every year since the launch of the OCMAs.
"It's interesting to see the progression of some of the artists. It's rewarding to see even though they were not nominated (in the early years), they stuck with it and they have improved so much, their nomination is pretty much assured now," Brown explained.
Added Ubaldini: "It started from a grass roots level and provides a chance for artists to be heard."
Information: www.orangecountymusicawards.com.

Beoga thrills at San Juan Capistrano Regional Library

Beoga (from left) features guitarist Seán Óg Graham , accordian player Damian McKee, bodhrán champion Eamon Murray and singer-fiddle player Niamh Dunne.

The San Juan Capistrano Regional Library might not share much in common with an Irish pub or a musical destination such as the nearby Swallow's Inn, but not everything is always as it seems.

On Saturday evening, March 1, Irish music quintet Beoga (Irish word for "lively") made their first-ever appearance in San Juan Capistrano and (and if I heard Eamon Murray correctly) the band's first-ever performance at a library. At the first of two shows that evening, Beoga delivered a breathtaking performance featuring material off the troupe's two full-length CDs.

Performing strong instrumentals such as "Soggy's" and "Mischief," as well as artful songs with fiddle player/singer Niamh Dunne taking the spotlight, Beoga is the perfect ambassador for traditional Irish music. Material from the group's 2007 second album was especially well-chronicled at the show, with a sing-along cover of the Steely Dan classic "Dirty Work" and the jazzy-styled "Please Don't Talk" among many highlights of the memorable set. All five musicians were excellent and the arrangements couldn't have been better.

I had a very difficult time not tapping my fingers and feet throughout this infectious night of music making and that was a good thing.

Going Acoustic a good move for Chris Cruz

Photo credit: Craig Yoneda

For more than a decade Chris Cruz has played bass in Orange County-based Doom Kounty Electric Chair, a hard rocking band headed by his brother, singer-guitarist Jose Cruz.

So it may come as a surprise that Chris Cruz has not only stepped out from the shadow of that alternative rock band to his release his first-ever solo CD, but that "In My Heart" is at the opposite end of the sonic universe; the 11-song disc is a beautiful and sparse acoustic album filled with material sure to please fans of heartfelt folk music.

"I was ground up with Doom Kounty," Chris Cruz admitted in an interview at a coffee shop near his Anaheim home last week. "We started in '95 and put our first record out in '97. I was just ground up by the music business."

So when Curt Sautter, a producer who runs Upland-based Delirium Records, offered to demo some of his songs in 2006, Cruz decided that the timing seemed right.
"Curt and I get along great," Cruz said. "He has a punk rock ethic and great ears."
Despite the seemingly simple process of recording an album built around straightforward acoustic material, "In My Heart" took more than a year to complete. Cruz would first record demos of the material at his home and then drive to Delirium Records almost every Saturday to record final sessions with Sautter.
He acknowledged that during the extended period, he also did a good deal of listening to other acoustic recordings to see how many of his favorite artists were able to create magic.
"I listened to a lot of old (Bob) Dylan, Woody Guthrie. I also got into (Bruce Springsteen's) 'Nebraska' and Michael Ubaldini's 'Acoustic Rumble.' I wanted to do an acoustic record, so I thought I'd listen to everything acoustic and start from there.
"Curt has instilled in me: it's about emotion."

"In My Heart" sparkles. Although there is a simplicity to the recordings, the melodies and Cruz's affecting delivery of the songs shine across the CD. Echoes of the Beatles, Buddy Holly, Tom Petty and Roy Orbison come to mind listening to gems such as "I'm In Love With a Girl," "When You Look at Me," "Blame it on Love" and "The Other Side."
Although Cruz has been playing music for most of his life, "In My Heart" might seem at odds with the majority of his time making music. He sang in a church choir during elementary and junior high school, and played trumpet in the jazz, concert and marching bands at Cerritos High School.
While at Cal State Long Beach, Cruz picked up guitar and began playing and writing songs, going on to form Arbitrage with fellow Cerritos High School alumni Marc Ford (best known for his subsequent stints in Burning Tree and the Black Crowes) and Jim Ashhurst (Broken Homes, Buckcherry).
After the demise of that band, Cruz taught himself bass and joined his brother's band.
In addition to his burgeoning solo acoustic career, Cruz recently joined power pop band the Relatives. His strong skills as a songwriter and singer should prove to be an asset to that group on stage and in the studio. The band will open for Stan Ridgway at the Coach House on March 14.
But Cruz acknowledged that he is very serious about touring and promoting his solo project.
"Around October 2006, I entertained the idea to do two records. I'd come into the studio. Some songs were political, and some songs sappy love songs. We thought, 'Why don't we record two records.' "
So while "In My Heart" will see its official release in March 2008, an album of political-minded material will be issued later in July or August.
"People have said I'm punk rock with this record because of the quirkiness of the arrangements," Cruz explained.
"I'm going with the theory that it's tough to screw up a good song," Cruz said.

The Relatives open for Stan Ridgway at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on Friday, March 14.
For more information on getting tickets to that show, email Cruz at cruz@persuasionrecords.com.
For more information on Cruz' solo project, visit www.myspace.com/chriscruzacoustic.

Beoga coming to San Juan Capistrano

Beoga features Niamh Dunne, Damian McKee, Seán Óg Graham, Eamon Murray and Liam Bradley.

With St. Patrick’s Day less than a month away, there are a number of Irish music concerts coming to Orange County.
One of the most anticipated Celtic concerts is coming courtesy of Beoga, a five-member traditional group based in County Antrim, Ireland.

Beoga (an Irish word meaning “lively”) will perform two shows in San Juan Capistrano as part of the Music at the Library concert series on Saturday evening, March 1.

The group traces its inception to a music jam session in August 2002, which brought together button accordion players Seán Óg Graham and Damian McKee with bodhrán master Eamon Murray and pianist Liam Bradley.
That foursome released the wonderful “A Lovely Madness” CD in 2004, which was greeted with critical acclaim throughout Ireland, as well as Europe and America.

With the later addition of Irish singer Niamh Dunne, the group continued its artistic climb with the recording of 2007’s “Mischief.”
Beoga’s sophomore CD features thrilling jigs (“Kick’n the Box,” “Ryan’s Air”), instrumental reels (“Cu Chullain’s Despair”), traditional folk songs (“Factory Girl,” “A Delicate Thing”) and even a reworked cover of the Steely Dan classic “Dirty Work” and the 1920s swing-styled standard “Please Don’t Talk About Me When I’m Gone.”

It’s no wonder that “Mischief” was praised by Irish Music Magazine and the U.S. publication the Celtic Connection as one of the best albums of 2007.
Beoga is truly able to blend a wealth of traditional folk styles together whether performing original material or revised classics.

Beoga will perform at San Juan Capistrano Regional Library, 31495 El Camino Real, San Juan Capistrano, playing at 6:30 and 8:30 p.m. on March 1.
Tickets are $10 for adults and $5 for children under age 12.
Information: 949-493-1752.

Third Day, The Myriad impress in Anaheim show

Outside it was cold and raining, but inside the House of Blues Anaheim on Thursday night, Feb. 21, 2008, a capacity-crowd was warmed by a strong set from headliner Third Day and a groundbreaking appearance from relative newcomer the Myriad.

One of Christian music's most successful rock outfits, Third Day came to Anaheim as part of a short six-date club tour to gear up for a full-fledged spring tour. So while the band only played 75 minutes, fans were treated to the band's best-known hits, as well as some particularly promising songs set for release on the band's next studio release.

Third Day has honed a Southern rock sound that is rooted in the territory of Lynyrd Skynyrd but also boasts a heavy guitar crunch associated with neo-grunge bands such as Three Doors Down and Creed. That doesn't tell the full story, since Third Day's material is always melodic and features uplifting choruses that draw comparisons to U2's approach.
The band explored the full range of its sonic territory, playing the scorching "Rockstar," midtempo material such as "Who I Am" and praise songs ("King of Glory," "God of Wonders") that had many in the audience lifting their arms into the air.

Singer Mac Powell sang with power and conviction throughout the night, his baritone showcased on the soaring "Tunnel" and "My Hope Is You."
The group also played several new songs, with "Call My Name" especially effective with its undeniable chorus.

The Myriad is a young, up-and-coming band out of Seattle whose sound draws comparisons with the Cure, Radiohead and Snow Patrol, but is unique enough to warrant the band's growing buzz.
"A Clean Shot," one of the six songs performed by the band, was a highlight of the 30-minute set. But the lush and artful sound made by the quintet is as much a part of the Myriad as the songs themselves. Following the lead of Sigur Ros, the band even used a violin bow on the electric guitar at times to dramatic effect.
The Myriad is set to release "With Arrows, With Poise" on Koch Records in April and based on the group's wonderful set in Anaheim, it should rank on one of the most anticipated rock albums of 2008.

The night's opening group Revive performed a short set of four songs. The Australian group is one of the Christian rock's emerging voices and has a strong card in lead singer Dave Hanbury, whose impressive voice was especially forceful on the riff rock-styled "Can't Change Yesterday."

Michael Ubaldini returns to play his 'Americana' songs

Since its opening in 1980, acclaimed modern rock artists such as the Call and Brother have recorded concerts for commercial release at the Coach House in San Juan Capistrano.

Now one of Orange County's best-known artists is going to chronicle a special full-length concert for release as a combo DVD-CD collection. Fountain Valley-based Michael Ubaldini will headline at the San Juan Capistrano venue on Thursday night, Feb. 21, performing Americana-styled material from across his acclaimed discography.

"We're going to do stuff off every record," explained Ubaldini in a recent interview. "Some songs I'll just play acoustically with guitar and harmonica. Then the band will play with me on the other songs."

The cast of sonic players slated to join Ubaldini on stage includes Gavin Jones (bass), Larry Green (guitar), Mitch Ross (drums), Jimmy Zeiger (saxophone), Chris Lawrence (pedal steel guitar), TJR (keyboards), and Tricia Freeman and Deanie Wood on backing vocals.
"All are great musicians in their own right and it's a pleasure to be back together for this special event," Ubaldini said.

And while Ubaldini and his talented band have been rehearsing in anticipation of the upcoming show at the Coach House, he has also been going into the studio to record new material. Many of the songs are destined to appear on an upcoming acoustic collection, while more up-tempo material will be included on a forthcoming rock album.
"It has been a good year for songs," Ubaldini said.

Ubaldini, the Fallen Stars and Niki Smart will perform at 8 p.m. Thursday, Feb. 21 at the Coach House, 33157 Camino Capistrano, San Juan Capistrano. Admission to this special concert recording event is $10.

Information: 949-496-8930.

Road Kill Kings celebrate America's music in SJC

What happens when a band blends traditional country-western, rockabilly and bluegrass with rock 'n' roll?
The results more than likely sound something like the intoxicating sound made by Orange County's own Road Kill Kings. The band will perform a free show at 8 p.m. tonight (Jan. 31, 2008) at the Swallow's Inn in San Juan Capistrano.

Given the group's wide range of influences and original sound, it's no wonder that the Road Kill Kings have played in support of such well-known artists as Hank Williams III, Junior Brown, Robert Earl Keen, the Knitters and Big Sandy.
The quintet features fiddle player Mike Stave, singer-guitarist Darren Ellis (a founding member of the James Theroux Band), drummer Mark Obey, lead guitarist Jeremy Long and upright bass fiddle player Randy Cochran. The group's original songs and energetic remakes celebrate its Americana influences, with songs such as "Truck Driving Man," "Folsom Prison Blues" and "Thrown Out of the Bar" favorites with the band's fans.
Admission is free.
Information: 949-493-3188.

Over at the Renaissance
Renaissance Dana Point is offering several tribute shows this weekend for those who want to enjoy some live entertainment in the days leading up to the Super Bowl.
Beatles tribute band Help will perform at 8:30 p.m. on Friday, Feb. 1 at Renaissance Dana Point, 24701 Del Prado, Dana Point, while the Oreo Divas will celebrate the sounds of Motown with a full-length showcase at 8:30 p.m. on Saturday, Feb. 2.
Information: 949-661-6003.

'U2 3D' is the best concert movie of the decade

Photo information: U2 at the premiere of 'U2 3D' held at the Sundance Film Festival in Salt Lake City, Utah, on Jan. 19, 2008.


I am not exaggerating when I tell you that “U2 3D” is the best concert movie I’ve seen this decade (maybe ever!). With every frame on its breathtaking 85-minute trajectory through a rock ‘n’ roll fantasy-filled trip, this epic experience fully showcases why U2 is the greatest band today.

The technology displayed in the film I saw at the Edwards IMAX Theatre at the Irvine Spectrum on Saturday afternoon (Jan. 26, 2008) is wonderful, but it would be nothing but a high-tech curiosity without the riveting performances put together using a dozen or so 3-D cameras used to shoot this film shot on U2’s “Vertigo” tour at a number of locations in South America.

Directors Catherine Owens and Mark Pellington, National Geographic, 3ALITY Digital and everyone else who developed and utilized the 3-D digital technology used to bring the concert to the screen deserve credit.

And the quartet’s performance of classics such as “New Year’s Day,” “Bullet the Blue Sky” and “With or Without You,” as well as more recent gems such as “Vertigo” and “Beautiful Day” are also extraordinary. When Bono displays his operatic tenor on “Miss Sarajevo,” just try not to cry.

Do yourself and everyone you really care about a big favor. Go catch “U2 3D” on the big screen. Now.

http://www.u23dmovie.com/.

More NAMM images and thoughts

Before NAMM fades into memory, I wanted to post a few other photos from my visits to the music trade show.

The first photo is off Rickenbacker Sales Manager Kenny Howes (left) and the company's owner and CEO John C. Hall. There is nothing as beautiful as a display of Rickenbacker guitars, bass guitars and mandolins.

There is also a photo here of violinist Lisa Viscuglia, who demonstrated the sound and ease of using Yamaha's "Silent Violin." I always feel like I'm stepping into the future when I go to the Anaheim Convention Center every January.

Too much cool stuff: NAMM 2008

Photo information: The photo I took shows a working prototype of the POCKETRAK 2G Pocket Recorder. The Yamaha-made device is on my wish list of things to get in 2008!


With Yamaha Corporation of America being the world's largest music products manufacturer, its not surprising the Buena Park-based company is celebrated for digital and acoustic keyboards, state-of-the-art mixing boards, as well as drums, guitars and an assortment of band and orchestral instruments.
However, it was the smallest of products that created a bona fide buzz at the 106th NAMM show (NAMM is the acronym for the International Music Products Association's previous name, but is still used for the convention) held at the Anaheim Convention Center, Jan. 17-20.
The POCKETRAK 2G Pocket Recorder seems poised to do for the home recording industry what Apple's portable iPod digital player did for those who enjoy listening to music.
Weighing a mere 1.7 ounces, the 1/2-inch wide gizmo has a built-in USB 2.0 computer connection, a high-sensitivity tilt-up microphone and a built-in speaker. The device is able to record three hours of CD-quality music, while several MP3 modes provide up to 19 hours of continuous recording with a single rechargeable battery.
"It is a built-in studio that doubles as data storage. This allows you to record lectures, record music and then drag and drop (the files) into your computer," said Athan Billias, who is a member of the Yamaha team that developed the revolutionary product that is scheduled to hit the market in April 2008.
Information:www.yamahasynth.com.

But just as impressive were a number of digital drum kits and a Concert Silent Violin that Yamaha unveiled at the show.
"This is a prototype. It will come out in July '08. Every string player will want one," said Las Vegas-based violinist Lisa Viscuglia of the SV-150K Concert Silent Violin. "It's more comfortable to play than my 200-year-old Italian violin."
The new SV-150K Silent Electric Practice Plus Violin takes silent practice to the final frontier, thanks to a built-in tuner, metronome and approximately 25 processed effects including reverb, distortion and vibrato. It will retail for $1,295.
Information:www.yamaha.com.

Local multi-instrumentalist Kevin Moran of Gypsy's Kiss saw a number of things that impressed him this year.
"I got to demo an acoustic guitar preamp from Seymour Duncan that neutralizes the pick-up and restores a natural acoustic guitar sound. It's definitely something I'd like to try with the band," Moran said.
Moran also made it a point to swing by the Martin Guitar Company's large exhibit, an impressive celebration of America's oldest guitar manufacturer's 175th anniversary.
"It's always great to see what's new at NAMM. I always check out the guitars and Martin had some beautiful stuff, as always, including a reproduction of one of Elvis' guitars," Moran said of the new D-28M Elvis Presley leather-covered acoustic guitar.
Information:www.mguitar.com.
Gypsy's Kiss will perform at the Harp Inn, 130 E. 17th St., Costa Mesa, from 4-7 p.m. on Jan. 27. Admission is free.
Information:www.gkirishband.com.

No trip to NAMM would be complete without a visit to the Rickenbacker booth. The Santa Ana-based company continues to be celebrated for its wonderful line of guitars, bass guitars and mandolins. Tom Petty and R.E.M.'s Peter Buck are among the famed modern-day players who champion Rickenbacker instruments.
"We have a two-year backlog. Everything is made in Santa Ana; we have more than 60 employees and they all work in Orange County," said John C. Hall, owner and CEO of Rickenbacker.
Information: www.rickenbacker.com.

Huntington Beach-based singer-songwriter James Grey is a longtime user of acoustic Taylor Guitars and has an endorsement deal with the El Cajon-based company, so he had to check out the company's first solid body electric guitar that made its debut at the NAMM show.
"The buzz this year is that Taylor came out with a full-on electric guitar," Grey said of the Taylor SolidBody.
Indeed, the Taylor SolidBody boasts an original design and uses magnetic pickups developed specifically for the electric guitar. "I'm a lefty and they are talking about doing this (making a left-handed model) for me. What I liked is it is well balanced and light."
Information:www.taylorguitars.com.
Checking out the latest in high tech gear and old school style is not the only draw for those hitting NAMM. The trade show has increasingly become a place to see pop icons in a more intimate setting (Stevie Wonder, John Legend and Jon Anderson headlined at a Yamaha dealer show for 2,000 at Disney's California Adventure Park's Hyperion Theater on Jan. 18, while John Mayer played in front of an invitation-only crowd at the nearby Hilton the same night), as well as up-and-coming artists.
Among the young artists making their first appearance at NAMM was Jacob Jeffries, a superb 19-year-old singer-songwriter-keyboardist based in Fort Lauderdale, Fla., who appeared on Jan. 19. Performing on a prototype of a new Baldwin Gallery Series piano, Jeffries tore through a 25-minute set of brilliant original songs, including the infectious "Wonderful," confessional "And I Say" and poetic "Fairfax."
And despite the wealth of high-tech keyboards and digital pianos on display at NAMM, Jeffries takes a decidedly-retro approach when it comes to writing his songs.
"I write them all on the (acoustic) piano," he admitted.
Information:www.myspace.com/jacobjeffriesband.

Streamline fines Brian Ireland back in the sonic game

Drummer Brian Ireland, seen here second from right, will play with his newest project Streamline at the Coach House on Friday night, Jan. 11.


Brian Ireland is no stranger to success, having served as one of the founding members and the full-time drummer of Dana Point-based Something Corporate during the band’s successful run from 1998 to 2004.
Now, Ireland is once again in the spotlight thanks to Streamline.

Something Corporate was a winning, alternative rock band fronted by Andrew McMahon (now leader of the successful Jack’s Mannequin) that found favor with a mostly teenage and early-twenties crowd.
Streamline, however, is aiming for discerning listeners of all ages.

Indeed, songs such as the infectious “All I Need” and driving “Higher” from the group’s recently-issued debut have the accessible sound charted by recent tastemakers such as John Mayer and Maroon 5. Other strong songs on the band’s heartfelt release include “Flicker” and “The Only Thing That Matters.”

In a phone interview earlier this week, Ireland noted he is excited to perform and be a full-time member of Streamline during Something Corporate’s continuing hiatus.
“Really, we’re still together. I’m close with all the guys,” said Ireland, noting he recently got together with McMahon. “Jack’s Mannequin came out at a time when morale (in Something Corporate) was low. We had been touring four plus years. But we’re all still really close and everything is good amongst us.”
The good news for fans of Ireland’s strong skills behind a drum kit is he is bringing that same energy and enthusiasm to Streamline. That rock quintet performs at the Coach House in San Juan Capistrano tonight.
In addition to Ireland, Streamline also includes singer-guitarist Mike Hogan, keyboardist-vocalist Jon Scholl, bassist John Viavattine and guitarist Brad Ourso.
It was Ireland’s high-profile role in Something Corporate that ultimately led to his joining Streamline in December 2006.
Ireland recalled he was just as he was arriving on the first day of recording drum tracks for Something Corporate guitarist William Tell’s 2007 solo debut “You Can Hold Me Down” when he ran into Hogan and Scholl as they were leaving the studio.
“They knew who I was. Later they phoned me at the studio and asked if I would sit in and do a drumming session…It was for ‘All I Need.’ I was so impressed with them. They are great players and have a real sensibility for music.”
Ireland is back to where he was a decade ago, when Something Corporate was just a largely-unknown outfit writing and rehearsing songs, as well as out playing daytime gigs at colleges and nights at small clubs.
“For me, it doesn’t matter if you are playing in front of 2,000 or 20 people, it’s all the same,” Ireland said.

Streamline was originally launched out of Upstate New York, but is now based in Los Angeles. Ireland, 27, still lives in Dana Point. He noted Streamline went on several tours earlier this year and has a strong fan base in Baton Rouge; the rock troupe is tentatively planning on relocating to Louisiana to take advantage of fan support in that region to nurture the band.
“It’s definitely still fun,” Ireland said of playing in a band full-time. “I learned a lot from that experience (playing with Something Corporate).”

Streamline, Get Back Loretta, Knockout Charlies and Space Pilot perform at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on Jan. 11.
Admission to the all ages-welcome show is $10.
Information: www.streamlineworld.com.

Best Albums of 2007 (my list, anyway...)

Never heard of Band of Horses? Neither had I until a few months ago, but the Seattle group floored me this year with "Cease to Begin," rating number one. Read all my top picks below and have a great 2008!

Band of Horses “Cease to Begin” (Sub Pop) – This South Carolina-based outfit may recall Neil Young and My Morning Jacket, but Ben Bridwell and company crafted an original masterpiece with “Cease to Begin.” Bridwell’s soaring voice is perfectly suited to material that is beautiful and majestic (“Ode to LRC,” “No One’s Gonna Love You”), rousing sing-alongs (“The General Specific”) and country-styled sorties (“Marry Song”).

Arcade Fire “Neon Bible” (Merge Records) – Arcade Fire is one of modern rock’s best bands and it comes as no surprise that “Neon Bible” is one of the best albums of 2007. From the anthemic “No Cars Go” to the driving “The Well and the Lighthouse,” Arcade Fire’s second full-length effort is arena rock for the 21st century.

Bruce Springsteen “Magic” (Sony) – The boss has released so many wonderful CDs, it’s easy to shelve his current work. Don’t. “Magic” sounds great in 2007 and this collection that should continue to resonate as long as there are those who love rock ‘n’ roll.

Radiohead “In Rainbows” (TBD Records/ATO Records Group) – Forget about the endless insider industry chatter about “In Rainbows” being offered for download at whatever fans wanted to pay, Radiohead’s music plays front and center across “In Rainbows.” From the guitar-driven “Bodysnatchers” hypnotic “Reckoner” to the beautiful “Nude” and “Weird Fishes/Arpeggi,” Radiohead continues to thrill.

Neil Young “Chrome Dreams II” (Reprise) – Rock’s most consistently- and prolific-songwriter checked in with one of the most eclectic efforts of his long career. Beautiful ballads (“Shining Light,” “The Way”), extended rockers (“Ordinary People,” “Spirit Road”) and country-tinged confessionals (“The Believer,” “Ever After”) all get equal billing here.

John Fogerty “Revival” (Fantasy) – Although there are times when John Fogerty sounds as if he is simply mining the past, at least he is tilling the sonic soil that gave rise to his own legacy. Fogerty’s latest is actually one of the strongest releases of 2007, highlighted by the hopeful “Don’t You Wish It Was True,” retro-styled “Summer of Love” and country-tinged “Broken Down Cowboy.”

Paul McCartney “Memory Almost Full” (Hear Music) – Sir Paul followed up his wonderful 2005 album “Chaos and Creation in the Backyard” with an even strong disc this year. “Only Mama Knows” is McCartney’s best rocker since his “Live and Let Die” and his Beatles-styled magic touch enlivens the genuine mood on “Ever Present Past” and “See Your Sunshine.”

Gary Allan “Living Hard” (MCA Nashville) – Modern country and cliché-free introspection don’t necessarily go hand-in-hand, which makes Gary Allan’s “Living Hard” such a prize. In the wake of the suicide death of his wife, nuggets such as “We Touched the Sun” and “Yesterday’s Rain” express a rare power.

Travis “The Boy with No Name” (Sony) – The band that paved the way for Coldplay, Snow Patrol and Keane seemingly re-materialized in 2007 with “The Boy with No Name.” There is plenty to recommend on this effort, notably “Closer” and “My Eyes.”

Jars of Clay “Christmas Songs” (Nettwerk Records) – Modern Christian outfit Jars of Clay waited until the release of their 10th full-length effort to focus on Christmas. But “Christmas Songs” was worth the wait. The group offers up a few artfully-reworked covers into the mix (McCartney’s “Wonderful Christmastime,” the traditional “God Rest Ye Merry Gentlemen”), but many of the songs are originals that drive home that the band approached this fantastic project with purpose of their other acclaimed works.

Top 10 Local (Orange County area) of 2007 named

Dusty Rhodes and the River Band released the sterling debut “First You Live” in October 2007.

Photo credit: Brent Murrell

With 2008 officially here, it’s time to rate and highlight my favorite local releases of 2007.

Dusty Rhodes and the River Band “First You Live” (SideOneDummy Records) – If members of the Band and progressive rock’s Yes had decided to fuse their distinct styles, it might sound a bit like Dusty Rhodes and the River Band. From the country-western shout along “Keys to the Truck” and the 1970s-styled prog rocker “Street Fighter” to the shimmering alt country gem “Goodnight, Moonshine,” “First You Live” is a wonderful debut.
Information: www.myspace.com/dustyrhodes.
You might like if you enjoy: Arcade Fire, Neil Young, the Band.

Michael Ubaldini “Storybook” (Blackwater Records) – Michael Ubaldini is likely Orange County’s most prolific recording artist, issuing a winning album every year. “Storybook” finds the Fountain Valley artist exploring themes such as life, death, love and war set against timeless American landscapes. “Apricot Wind” looks at the Civil War and is a standout, and other gems focus on graveyards, riverboats and other images that fit nicely into his Americana sound.
Information: http://www.rocknrollpoet.com/.
You might like if you enjoy: John Fogerty, Johnny Cash, Neil Young.

Fletcher Harrington “Under the Shadow of the San Gabriel” (Lopie Records) –Fletcher Harrington’s “Under the Shadow of the San Gabriel” marks another leap forward for the Tustin resident, with indie rockers (“Clean Desire,” “Who Won?”), beautiful acoustic ballads (“If I Could Say Where to Begin”) and authentic alt country (“Let’s Get Liquored Up,” “Sweet Jezebel”) that explore the vast stretches of Harrington’s creative range.
Information: http://www.lopie.com/.
You might like if you enjoy: Gram Parsons, Neil Young.

The Attraction “The Attraction Presents…” (Econo Records) – The release of the Attraction’s sophomore release just weeks before the death of 36-year-old frontman Lance “Romance” Faulk, “The Attraction Presents…” serves as a touching and lasting memorial to the lead singer and his wonderful band.
The Attraction’s modern rock approach is wide enough to include melodic 80s-tinged tunes (“Home Again”), reggae (“Cruisin’”), Irish-flavored pub rock (“Happi”) and forceful punk (“Can’t Wait,” “Steps of the Dakota”).
Information: http://www.theattraction.net/.

Limbeck “Limbeck” (Doghouse Records) – The ghost of Gram Parsons may haunt Joshua Tree in the Mohave Desert, but his musical offspring are alive and well thanks to modern-day proponents such as Limbeck. The band’s 2007 release is a wonderful 11-song set highlighted by the Tom Petty-styled “Keepin’ Busy” and glorious “Let Me Come Home.”
Information: http://www.limbeck.net/.
You might like if you enjoy: Gram Parsons, Wilco, Walter Clevenger & the Dairy Kings.

Cowboy Buddha “Just Enough To…” (Lopie Records) –Fans of Cowboy Buddha were introduced to the alt country outfit courtesy of the band’s first two discs (1999’s “Guns Ammo Bait Film Gifts Snacks Maps” and 2000’s “Cement Pond”), but likely had given up on the troupe releasing any new music in the wake of frontman Fletcher Harrington’s recent solo career.
However, based on the strength of 2007’s “Just Enough To…,” it was well worth the wait to hear tracks such as the evocative “Sweetheart Smile,” Neil Young-styled country rocker “Crying Shame” and shining “Big Dixie Rain.”
Information: http://www.cowboybuddha.com/.
You might like if you enjoy: Gram Parsons, Limbeck, Son Volt.

The Dear & Departed “Something Quite Peculiar” (Science Records) – The Dear & Departed play ‘80s-tinged rock that recalls the best of the Cure and the Church courtesy of original tracks such as the melodic “I Will Love Again” and propulsive “Fly Me Away.” Singer Dan Under has a voice that brings strength to all of the material.
You might like if you enjoy: the Cure, the Church, early U2.
Information: www.myspace.com/thedearanddeparted.

Micah Dahlberg “Matter of Time” (independent) – Fans of 1970s-influenced melodic songwriting will be thrilled by the strong acoustic folk rock delivered by Macah Dahlberg on “Matter of Time.” From the sensitive “Poetry in Sand” and upbeat “What Am I” (both co-penned with Tyrone Wells) to the breezy title track, Dahlberg’s wonderful tenor and emotive songs make “Matter of Time” a collection that deserves airplay at home or on the road.
Information: http://www.micahdahlberg.com/.

Loose Logic “Before the Storm” (Passion Play Productions) – Writing songs centered on personal experiences is a winning formula for Loose Logic, the moniker for Dana Point-based hip-hop artist Ian Westbrook. Romance (“Love You”), faith (“Take ‘Em to Church”) and death (“R.I.P.”) are among the many weighty areas he tackles with a mix of rap and modern R&B.
The disc’s crown is the haunting “This Dream,” which effectively finds the young singer rapping about social and economic injustice against a lush musical landscape as noteworthy for lush keyboards as the intoxicating rhythm.
Information: www.myspace.com/looselogic and http://www.looselogiconline.com/.
You might like if you enjoy: Dr. Dre, Loose Logic’s first two releases.

Bayadera “Rotation of the Earth” (Bitemark) – There is a joyful spirit on Bayadera’s latest release, with world music, outstanding performances and strong songwriting all playing major roles on the 13-song disc.
Information: http://www.bayadera.com/.

Bayadera: World Music in the O.C.

Photo credit: Tyler Davis

Since Bayadera emerged on the area music scene at the beginning of the decade, the band has been acclaimed for blending modern rock and world music influences together in a way that both challenges and rewards discerning listeners.

And while the group's early recordings, including a 2001 self-titled release and 2003's "90 Million Miles," showcased the quintet's solid songwriting and dazzling live performances, the newly issued "Rotation of the Earth" is clearly a triumph. Produced and mixed by Matthew James Walin at Bitemark Studios in Orange, the CD showcases Bayadera's wide-ranging soul in spades.

"There are countless differences," bassist Chris Payne said in comparing Bayadera's earlier recordings with "Rotation of the Earth."
"The first one was written very early on when we were just beginning to work with Gina (singer Gina Bandy). This one, all of us have written the songs together and are used to each other and where we fit."
The group's dynamic lineup also features electric guitarist Saatara, acoustic guitarist Dat Nguyen and drummer Donn Untiet. Untiet's wife, Evonne Untiet, frequently adds percussion at the band's live shows.

The band's artistic growth isn't the only major ingredient that makes "Rotation of the Earth" so special; Walin's involvement was also critical. Indeed, Payne explained that Walin wouldn't allow the band to settle for lackluster performances, recordings or mixes while in the studio.
"He was all about making it better," Bandy said of Walin.
"Because we have been together so long, we needed that outside someone to refine our music. Matt came in and got us to tackle this."

Walin said he has certain things he considers before working with an artist and signing them to his label.

"The biggest thing is a gut feeling. Technically, the band has to have a great singer and great songs," Walin said.
Walin was especially impressed when the band came into the pre-production stage of working on the CD armed with 40 or so songs.
"They are such a great live band, I wanted to capture that," Walin said.
After three months of pre-production, Walin ultimately recorded about 15 songs – 13 of which appear on "Rotation of the Earth." Most of the basic tracks were recorded over a few days, and many of Bandy's first vocals (often called "scratch vocals") were kept to help keep a strong live sound on the album.
"We're all in this band because we're happy and enjoying it," Bandy said of the band.
That positive approach to working together and making music seems to drive Bayadera and the troupe's burgeoning success.
"The one thing I've always liked about it is everybody is concerned about the song and everybody has the band in mind," explained Donn Untiet.

Bayadera is not a typical band in terms of sound or background. Nguyen is blind, and the group's multi-ethnic lineup provides even more depth to the sonic proceedings.
"The chemistry with us is great," Nguyen said. "We are living proof of a group (with a wide range of backgrounds and experiences) that can work together."
Nguyen is such a fantastic guitar player and has such an engaging personality, the other members of Bayadera noted they often forget that he is blind.
"Most people don't have his confidence," Bandy said.
A highlight of the band's career came in October, when Bayadera was invited by Stevie Wonder to perform "Superstition" with him when he received the Governor's Award of Excellence at the 25th annual Media Access Awards at Universal Studios' Globe Theatre on Oct. 14.
"It was a life-changing experience personally and professionally. I grew up with that music in my house," Payne said.
Information: www.Bayadera.com.

Grammy Nominations announced

Press Release
Source: The Recording Academy

Foo Fighters, Vince Gill, Herbie Hancock, Kanye West and Amy Winehouse Vie for Album Of The Year at 50th Annual GRAMMY(R) Awards on Feb. 10, 2008

Thursday December 6, 12:10 pm ET
Kanye West Leads Nominations with Eight; Amy Winehouse Earns Six
Feist (pictured on left), Ledisi, Paramore, Taylor Swift and Amy Winehouse Up for Best New Artist
SANTA MONICA, Calif.--(BUSINESS WIRE)--Nominations for the 50th Annual GRAMMY® Awards were announced today by The Recording Academy® reflecting one of the most diverse years ever with the Album Of The Year category alone representing the country, hip-hop, jazz, pop and rock genres. The press event was held at The Music Box @ Fonda in Hollywood and was attended by national and international media, as well as key music industry executives. Artists reading nominations this morning included Akon, Chester Bennington (of Linkin Park), Fergie, Vince Gill, Dave Grohl (Foo Fighters), Herbie Hancock, Jimmy Jam, Taylor Hawkins (Foo Fighters), George Lopez, Mike Shinoda (of Linkin Park) and Taylor Swift. The 50th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Feb. 10, 2008, at STAPLES Center in Los Angeles and once again will be broadcast live in high definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT).

Kanye West tops the nominations with eight, Amy Winehouse garners six, and the Foo Fighters, Jay-Z, Timbaland, Justin Timberlake, and T-Pain each earn five nods. Akon, Dierks Bentley, Chris Daughtry, Feist, Tim McGraw, John Newton, Ne-Yo, Rihanna, and Bruce Springsteen receive four each.
"This year's nominations truly reflect a diverse and talented community of artists and creators who represent some of the most exceptional music of the year," said Neil Portnow, President/CEO of The Recording Academy. "The GRAMMY Awards process once again has yielded a comprehensive group of excellent nominees and coupled with the fact that it's our milestone 50th year, this year's telecast promises music fans a spectacular show filled with stellar performances and unique 'GRAMMY Moments' for which Music's Biggest Night™ has come to be renowned."
Following is a sampling of nominations in 110 categories from the GRAMMY Awards' 31 Fields:
GENERAL FIELD
Nominees for Album Of The Year are:
Echoes, Silence, Patience & Grace -- Foo Fighters
These Days -- Vince Gill
River: The Joni Letters -- Herbie Hancock
Graduation -- Kanye West
Back To Black -- Amy Winehouse

Nominees for Record Of The Year are:
"Irreplaceable" -- Beyoncé
"The Pretender" -- Foo Fighters
"Umbrella" -- Rihanna Featuring Jay-Z
"What Goes Around...Comes Around" -- Justin Timberlake
"Rehab" -- Amy Winehouse

Best New Artist nominees are:
Feist
Ledisi
Paramore
Taylor Swift
Amy Winehouse

Song Of The Year nominees include:
"Before He Cheats" -- John Kear & Chris Tompkins, songwriters (Carrie Underwood)
"Hey There Delilah" -- Tom Higgenson, songwriter (Plain White T's)
"Like A Star" -- Corinne Bailey Rae, songwriter (Corinne Bailey Rae)
"Rehab" -- Amy Winehouse, songwriter (Amy Winehouse)
"Umbrella" -- Shawn Carter, Kuk Harrell, Terius "Dream" Nash & Christopher Stewart, songwriters (Rihanna Featuring Jay-Z)

POP FIELD
Nominations for Best Pop Vocal Album go to:
Lost Highway -- Bon Jovi
The Reminder -- Feist
It Won't Be Soon Before Long -- Maroon 5
Memory Almost Full -- Paul McCartney
Back To Black -- Amy Winehouse

Best Pop Collaboration With Vocals nods go to:
"Steppin' Out" -- Tony Bennett & Christina Aguilera
"Beautiful Liar" -- Beyoncé & Shakira
"Gone Gone Gone (Done Moved On)" -- Robert Plant & Alison Krauss
"The Sweet Escape" -- Gwen Stefani & Akon
"Give It To Me" -- Timbaland Featuring Nelly Furtado & Justin Timberlake

Best Pop Instrumental Performance nominees are:
"Off The Grid" -- Beastie Boys
"Paris Sunrise #7" -- Ben Harper & The Innocent Criminals
"Over The Rainbow" -- Dave Koz
"One Week Last Summer" -- Joni Mitchell
"Simple Pleasures" -- Spyro Gyra

DANCE FIELD
For Best Dance Recording, the nominees are:
"Do It Again" -- The Chemical Brothers
"D.A.N.C.E." -- Justice
"Love Today" -- Mika
"Don't Stop The Music" --Rihanna
"Love Stoned/I Think She Knows" -- Justin Timberlake

ROCK FIELD
Nominations for Best Solo Rock Vocal Performance go to:
"Timebomb" -- Beck
"Only Mama Knows" -- Paul McCartney
"Our Country" -- John Mellencamp
"Radio Nowhere" -- Bruce Springsteen
"Come On" -- Lucinda Williams

Best Rock Album nominees are:
Daughtry -- Daughtry
Revival -- John Fogerty
Echoes, Silence, Patience & Grace -- Foo Fighters
Magic -- Bruce Springsteen
Sky Blue Sky -- Wilco

Nods for Best Rock Song go to:
"Come On" -- Lucinda Williams, songwriter (Lucinda Williams)
"Icky Thump" -- Jack White, songwriter (The White Stripes)
"It's Not Over" -- Chris Daughtry, Gregg Wattenberg, Mark Wilkerson & Brett Young, songwriters (Daughtry)
"The Pretender" -- Dave Grohl, Taylor Hawkins, Nate Mendel & Chris Shiflett, songwriters (Foo Fighters)
"Radio Nowhere" -- Bruce Springsteen, songwriter (Bruce Springsteen)

R&B FIELD
Nominees for Best R&B Performance By A Duo Or Group With Vocals are:
"Same Girl" -- R. Kelly Featuring Usher
"Disrespectful" -- Chaka Khan Featuring Mary J. Blige
"Hate That I Love You" -- Rihanna Featuring Ne-Yo
"Baby" -- Angie Stone Featuring Betty Wright
"Bartender" -- T-Pain Featuring Akon

For Best Contemporary R&B Album, the nominees are:
Konvicted -- Akon
Just Like You -- Keyshia Cole
Fantasia -- Fantasia
East Side Story -- Emily King
Because Of You -- Ne-Yo

Best Urban/Alternative Performance nods go to:
"Make A Baby" -- Vikter Duplaix
"That's The Way Of The World" -- Dwele
"Daydreamin'" -- Lupe Fiasco Featuring Jill Scott
"Fantasy" -- Meshell Ndegeocello
"Dream" -- Alice Smith

RAP FIELD
Best Rap/Sung Collaboration nods go to:
"I Wanna Love You" -- Akon Featuring Snoop Dogg
"Kiss, Kiss" -- Chris Brown & T-Pain
"Let It Go" -- Keyshia Cole Featuring Missy Elliott & Lil' Kim
"Umbrella" -- Rihanna Featuring Jay-Z
"Good Life" -- Kanye West Featuring T-Pain

Nominees for Best Rap Song are:
"Ayo Technology" -- N. Hills, Curtis Jackson, Timothy Mosley & Justin Timberlake, songwriters (50 Cent Featuring Justin Timberlake & Timbaland)
"Big Things Poppin' (Do It)" -- Clifford Harris & Byron Thomas, songwriters (T.I.)
"Can't Tell Me Nothing" -- A. Davis & Kanye West, songwriters (Kanye West)
"Crank That (Soulja Boy)" -- Soulja Boy Tell'Em, songwriter (Soulja Boy Tell'Em)
"Good Life" -- A. Davis, F. Najm & K. West, songwriters (Kanye West Featuring T-Pain)

For Best Rap Album, the nominees are:
Finding Forever -- Common
Kingdom Come -- Jay-Z
Hip Hop Is Dead -- Nas
T.I. vs T.I.P. -- T.I.
Graduation -- Kanye West

COUNTRY FIELD
Nods for Best Country Collaboration With Vocals go to:
"Days Aren't Long Enough" -- Steve Earle & Allison Moorer
"Because Of You" -- Reba McEntire & Kelly Clarkson
"I Need You" -- Tim McGraw & Faith Hill
"Lost Highway" -- Willie Nelson & Ray Price
"Oh Love" -- Brad Paisley & Carrie Underwood

For Best Country Song, the nominees are:
"Before He Cheats" -- Josh Kear & Chris Tompkins, songwriters (Carrie Underwood)
"Give It Away" -- Bill Anderson, Buddy Cannon & Jamey Johnson, songwriters (George Strait)
"I Need You" -- Tony Lane & David Lee, songwriters (Tim McGraw & Faith Hill)
"If You're Reading This" -- Tim McGraw, Brad Warren & Brett Warren, songwriters (Tim McGraw)
"Long Trip Alone" -- Brett Beavers, Dierks Bentley & Steve Bogard, songwriters (Dierks Bentley)

Nominations for Best Country Album are:
Long Trip Alone -- Dierks Bentley
These Days -- Vince Gill
Let It Go -- Tim McGraw
5th Gear -- Brad Paisley
It Just Comes Natural -- George Strait

JAZZ FIELD
For Best Contemporary Jazz Album, the nominees are:
Party Hats -- Will Bernard
Downright Upright -- Brian Bromberg
Re-Imagination -- Eldar
River: The Joni Letters -- Herbie Hancock
He Had A Hat -- Jeff Lorber

Nods for Best Jazz Vocal Album go to:
Avant Gershwin -- Patti Austin
Red Earth - A Malian Journey -- Dee Dee Bridgewater
Music Maestro Please -- Freddy Cole
Nightmoves -- Kurt Elling
On The Other Side -- Tierney Sutton
This year's Producer Of The Year, Non-Classical nominations go to: Howard Benson, Joe Chiccarelli, Mike Elizondo, Mark Ronson, and Timbaland.
In the newly added Best Zydeco Or Cajun Music Album category, nominations go to: Le Cowboy Creole (Geno Delafose & French Rockin' Boogie), King Cake (Lisa Haley), Live: Á La Blue Moon (Lost Bayou Ramblers), Blues De Musicien (Pine Leaf Boys), Racines (Racines), The La Louisianne Sessions (Roddie Romero And The Hub City All-Stars), and Live! Worldwide (Terrance Simien & The Zydeco Experience).
In the Latin Field, Best Latin Rock, Alternative Or Urban Album has now been split into two categories. Nominations for Best Latin Rock Or Alternative Album are: No Hay Espacio (Black:Guayaba), Adelantando (Jarabe De Palo), Amantes Sunt Amentes (Panda), Kamikaze (Rabanes), Memo Rex Commander Y El Corazón Atómico De La Via Láctea (Zoé). For Best Latin Urban Album, nods go to: E.S.L. (Akwid), El Abayarde Contra-Ataca (Tego Calderón), Residente O Visitante (Calle 13), El Cartel: The Big Boss (Daddy Yankee), and Vacaneria! (Fulanito).
GRAMMY ballots for the final round of voting will be mailed on Dec. 12 to the voting members of The Recording Academy. They are due back to the accounting firm of Deloitte by Jan. 9, 2008, when they will be tabulated and the results kept secret until the telecast.
The 50th Annual GRAMMY Awards are produced by John Cossette Productions and AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich and John Cossette are executive producers, Walter C. Miller is producer/director, Tisha Fein is the coordinating producer, and Tzvi Small is supervising producer.
Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. In its 50th year, The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit http://www.grammy.com/.

The Dear & Departed: '80s revisited in style

Photo credit: KEVIN ESTRADA

Orange County used to be the place where musicians would seemingly get their start and then move on in search of greater fame or a more prominent place to feed their artistic appetite.
The list of musical exports includes artists such as Jackson Browne, Gary Allan and leading members of No Doubt and Sugar Ray.

But times are truly a changing as artists from as far away as New Jersey (Walter Trout), New York (Lee Rocker) and Hawaii (National Product) now call Orange County home.

Add to that list a fantastic Australian export, the Dear & Departed. The quintet's inception and history is complex, but the members' various backgrounds include extended residences in England, Wales, New Zealand and – most recently – Australia before setting up sonic shop in Orange County in 2006.

The band's full-length debut "Something Quite Peculiar" was released by Science Records on May 22 and the group has found a growing audience for its accessible blend of '80s and '00s styles. Fans of the Cure, New Order and the Church, as well as modern rockers such as Placebo and Rock Kills Kid will enjoy the Dear & Departed.

"I think we are playing just what comes out," said singer Dan Under in a phone interview earlier this week. The Dear & Departed also features guitarist Simon O'Gorman, drummer Joel Bourne, guitarist Darren Parkinson and bassist David Williams.
"We've all had an English music upbringing. My dad is responsible for getting me into music from a very young age," Under said when asked how a group of twentysomethings is so able to masterfully work in a genre first mined before they were born. In addition to the Cure and the Church, he also cites modern rock outfits like AFI, Placebo and Tiger Army as influences.
"As a whole, we look to the '80s," Under explained. "We did the Warped Tour (in June and July 2007) and we didn't fit in. We don't consider ourselves part of that scene but people definitely get it."

It only helps the Dear & Departed that Under lent his spellbinding vocals on AFI's 2006 release "Decemberunderground."

Having toured with well-known acts such as Avenged Sevenfold and AFI, the members of the Dear & Departed have found themselves the rare young rock troupe able to appeal to fans from several generations.
Under is excited that young fans are embracing the Dear & Departed, and he even salutes the sounds of "Down Under" with a moving version of the Church's 1987 classic "Under the Milky Way Tonight" that has him sharing vocals with fellow Australian singer Jessica Origliasso of the Veronicas.

"I was listening to a lot of the Church before we started to record ('Something Quite Peculiar'). It's such a timeless song; more people need to hear it."

Travis blows the roof off the House of Blues

Travis frontman Francis Healy, shown here performing in Switzerland in August 2007, and the rest of the Scottish band delivered a stirring performance Saturday, Nov. 24, 2007, at the House of Blues in Anaheim.

Story originally posted on the Orange County Register Web site on Sunday, Nov. 25, 2007

Travis' opening at the House of Blues in Anaheim on Saturday night (Nov. 24, 2007) may have been one of the most appropriate in recent history. The house lights went dark and the recorded theme music from the movie "Rocky" was played over the sound system as spotlights suddenly revealed the members of Travis walking from the rear of the venue through the crowd dressed in colorful, Las Vegas-ready boxing robes.

The theatrical opening was not lost on the capacity crowd, which cheered loudly as the Scottish band made it to the stage.

The group opened with several strong cuts from 2007's "The Boy With No Name," both "Selfish Jean" and "Eyes Wide Open" providing the explosive one-two punch to drive the point that Travis is back.
In the late 1990s, Travis appeared to be poised to be a major force in rock. But after the success of "The Man Who" (armed with gems such as "Driftwood" and "Why Does It Always Rain on Me?"), Coldplay released "Parachutes" in 2000 and the rest – as they say – is history.
It didn't help Travis' case that 2003's "12 Memories" lacked the magic of 1999's "The Man Who" and 2001's "The Invisible Band."

But thanks to the group's solid appearance at Coachella in April and a consequent marathon-length tour (the members joked Anaheim was somewhere between stops 83 and 85), the band is better than ever.

Over the course of 23 songs, Travis proved it is not only ready to rumble, but can truly go the distance. Reflective rockers such as "Side," "Closer" and "Sing" showcased the band's love of powerful melancholy, with singer Fran Healy using his wonderful voice to bring beauty and emotion to every line.

Although the majority of songs were not offered up in ways dramatically different from on Travis' studio recordings, the enthusiastic audience packed in on both levels of the venue provided a dramatic element to the concert. "As You Are" attained the rage of an Oasis rocker, with guitarist Andy Dunlop hammering his guitar as much as strumming it.

The group's lengthy encore was particularly interesting, highlights being an acoustic and vocal harmony-heavy "Flowers in the Window" and night-ending "Why Does It Always Rain On Me?" that had everyone in the crowd singing along without the customary bullying from the band (usually pointing a microphone out into the crowd).

Maximo Park opened the show with an energetic 50-minute set that clearly impressed those who arrived in time to catch the outfit's lively rock that is in tune with many of the '00s most successful indie artists from across The Pond.
The five-man group recalls Franz Ferdinand's rapid-fire rock and that worked well in a live setting, with songs such as "Girls Who Play Guitar," "The Unshockable" and the set-closing "Our Velocity" offering solid punk rock-paced songs that were even more dexterous than the group's studio recordings.
The Newcastle quintet did hit a sonic drive out of the Mouse House with a strong performance of the original song "Books From Boxes," which showcased guitarist Duncan Lloyd and offered a more melancholy sound than the rest of the material.

Johnette Napolitano coming to San Juan Capistrano

Although Concrete Blonde is no longer together, the Los Angeles band's outstanding lead singer Johnette Napolitano is back.

Napolitano is not only out on the road, but has released her commercial solo debut on Hybrid Recordings, "Scarred." Recorded in London and Los Angeles, the 12-song collection showcases Napolitano's wonderful songwriting and affecting vocals that have been her trademark since audiences heard her on modern rockers such as "Everybody Knows," "Dance Along the Edge," "Your Haunted Head" and "Joey."

Napolitano penned most of the songs for "Scarred" at the rural California cabin that she now calls home, while the recordings on the disc were co-produced with Danny Lohner. Guitarist James Mankey, who was a member of Concrete Blonde, engineered and mixed the album.
While Napolitano's versions of Coldplay's "Scientist" and Lou Reed's Velvet Underground-era gem "All Tomorrow's Parties" may draw in some listeners, these are the 10 songs that Napolitano wrote or co-wrote that most fully showcase her artistry.

The confessional "Amazing," emotive ballad "My Diane," stark "Poem for the Native" and intoxicating title track are among the many highlights on one of the best rock releases of 2007.
Napolitano, David J and Cat Party will perform at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 7:30 p.m. on Saturday, Nov. 24. Tickets are $20.

Information: 949-496-8930.

OC's Social Distortion rocks the house in Anaheim

Photo by Joshua Sudock/OC Register

Social Distortion's performance in Anaheim on Monday, Nov. 19, 2007 played out exactly how fans of the Orange County troupe might expect. There was a mix of old and new, with Mike Ness and company offering up 16 songs over the course of 90 minutes.

Kicking off a series of 15 shows by the band at the Mouse House that will include dates later this month, throughout December and in early January, Social Distortion is a band that feeds on its adoring audience. The capacity crowd Monday was just what the band ordered, singing along, pumping their fists in the air and – for a couple of dozen brave souls – slamming around in a giant mosh pit in front of the stage for most of the set.

And as fun as it is to watch the band's multi-generational audience get into Social Distortion's pioneering mix of early punk, Johnny Cash-styled country and roots rock, the five musicians on stage displayed that they are up to the challenge of fueling the crowd's thirst without ignoring their roles as musicians.

While the performance of the early '80s punk classic "Mommy's Little Monster" was strong, it was actually Ness' more recent and mature material that lifted the show to something far exceeding the group's shorter, more straightforward shows at Hootenanny.
The performance of "Reach for the Sky" and "Highway 101" offered the best one-two punch of the night, and elsewhere in the set "Winners and Losers" and the newly-penned "You Can't Take it With You When You Go" showcased Ness at his most reflective.
That is not to say Social Distortion didn't rock. The band did, with drummer Charlie Quintana's powerful style helping propel classics such as "Prison Bound" and "Story of My Life" with defiance.

Ness used his powerful baritone to sing the full-size rockers, but was surprisingly emotive while singing a piano-anchored version of Cash's "Ring of Fire" and the old Hank Williams nugget "Six More Miles (To the Graveyard)."

Like Ness, singer-bassist Lee Rocker celebrates his past even while moving confidently about in the 21st century. During his 30-minute opening set, the Orange County rocker focused on recent material that has continued to bring him out of the long shadow of the Stray Cats.
Opening with "Lost Highway" and "Gone" from 2007's "Black Cat Bone," his eight-song set also featured the beautiful "One More Night," a song as wonderful as anything released this year (now, if only commercial radio would champion his art).
Rocker also thrilled the crowd when he balanced on his upright bass like an acrobat while leading his solid four-man band through a wild "Crazy When She Drinks."

Remembering Lance "Romance" Faulk

Lance "Romance" Faulk, lead singer of the Attraction, died on Saturday night, Nov. 10, 2007.

Lance "Romance" Faulk of Huntington Beach, the lead singer of the popular local band the Attraction, has died at age 36. According to the group's Web site, Faulk died Saturday of a heart condition he had suffered from for some time.

"Lance was living on borrowed time, having had heart problems for many years. Somehow this is of absolutely no comfort to me." Martin Brown wrote in an e-mail to music on Monday. Brown is the founder and producer of the Orange County Music Awards and was at the Grove of Anaheim earlier this year when the Attraction picked up best punk band honors at the 6th annual ceremony.

On Oct. 25, the Attraction celebrated the release of the group's sophomore CD "The Attraction Presents …" with a show at Hurricanes in Huntington Beach. The band's debut "Step Right Up!" was issued in 2006.

Although he had suffered from heart-related illness since 2003, Faulk was an energetic and talented frontman for the Attraction (the band's always-the-same lineup featured drummer Humper T., guitarist Chris Master John and bassist Beaver), one of Orange County's best modern rock outfits.

The Attraction performed its show at Gallagher's in Huntington Beach on Oct. 11, 2003, and built a strong and loyal following through a combination of hard-hitting and theatrical-styled live shows, a popular MySpace site and radio airplay (including on Los Angeles' Indie 103.1 FM).
"He was really the heart and soul of the band," guitarist Master John said of his friend. He added that it was Faulk who founded the group four years ago and set the tonewith his fun-loving, dynamic personality.

Brown of the Orange County Music Awards agreed.
"In conservative Orange County, where even musicians blend in easily with the standard crowd at generic restaurants and bars, Lance stood out. His preference for makeup and hats, à la 'Clockwork Orange,' made him noticeable in a positive way. He was having fun at the world's expense," Brown wrote in his e-mail.
"As the lead singer and main songwriter of his band, Lance will – I fear – be irreplaceable. But, more than this, he will be missed by his young son Wylan, who was such an important part of Lance's life."
Faulk is survived by his 12-year-old son, Wylan, longtime girlfriend Vicky Bedrosian, father Richard Faulk of Dana Point, mother Emma Faulk and brothers Jason, Jeff, Richard and Mark Faulk.

Services for Faulk include a 9 a.m. visitation, followed by an 11 a.m. mass at St. John Fisher Catholic Church, 5448 Crest Road, Rancho Palos Verdes, on Nov. 15.
For more information, visit www.myspace.com/theattraction or www.theattraction.net.