The Smithereens are coming to town this week

The Smithereens are back.
Not only is the New Jersey rock quartet issuing a wonderful new collection, “Live in Concert – Greatest Hits and More” on May 27, but the band will be returning to headline at the Coach House in San Juan Capistrano on Thursday night, May 15.

The forthcoming KOCH Records commercial release showcases tracks captured during the Smithereens’ four-night run at the Court Tavern in New Brunswick, New Jersey, that played out Jan. 30-Feb. 2, 2008.

The shows marked a true homecoming celebration since the band (singer-guitarist Pat DiNizio, lead guitarist Jim Babjak, drummer Dennis Diken and bassist Severo ‘The Thrilla’ Jornacion) was launched from nearby Carteret and Scotch Plains, New Jersey and often performed at the Court Tavern at the beginning of their career.

All of the band’s best-known hits are delivered powerfully on the new disc, including gems such as the set-opening “Behind the Wall of Sleep,” explosive “A Girl Like You” and haunting “Only a Memory.” But long-time fans of the group will also be eager to hear two new songs, “Any Other Way” and “Since you Went Away.”
The Smithereens are fronted by DiNizio, who has a distinctive and powerful baritone voice able to fully deliver material that recalls the rich tradition of artists such as the Byrds, Buddy Holly, the Who and Nick Lowe. But the band’s sound is truly its own and the Smithereens’ performances at the Coach House are legendary, with DiNizio and Babjak often walking out on the tables while deploying all their skills on electric guitar.

Anyone who has seen the Smithereens since the outfit exploded on the scene in the mid-1980s knows the powerful approach, best described as the perfect blend of Beatles melody-making and AC/DC riff rock. The Smithereens remain a enduring reminder of how much rock ‘n’ roll matters, and those attending the upcoming show at the Coach House will have plenty of chances to sing-along and cheer for one of America’s few artists able to masterfully blend hard rock, power pop and singer-songwriter instincts together into a perfect brew.

The Smithereens and Orange County's own the Relatives will perform at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on May 15.
Admission is $20 in advance or $23 on the day of the show.
Information: 949-496-8930.

Stagecoach Festival 2008: A Look Back

BIG-RIG-JIG: This impressive sculpture was among the countless visual highlights displayed at the Stagecoach Festival in Indio this year. The music was often good too, as evidenced by Shooter Jennings' (seen here, courtesy of my up-close view) set on May 2.

I didn't make it to the Coachella Festival last month, but I did get to attend my first-ever Stagecoach Festival when I went to check out the action on Friday, May 2. That was day one of the three-day run of the event, and was really the only day I was excited about considering the 90-something degree daytime temps in Indio.

After spending an hour or so inside the Empire Polo Field, checking out the artwork and vendor booths, it was time to head over to the Palomino Stage. I had never seen Shooter Jennings and I was glad I did on this day. His 45-minute set included inventive Southern rockers such as "Bad Magick," the tender fury of "Daddy's Farm" and beauty of "Gone To Carolina." His guitar playing was as inspired as his time behind the keyboards and he proved to be every bit as authentic as I had heard he was. I hope to see him again in concert soon.

Next, I headed over to the Tundra Mane Stage where I would see the next four sets. Shelby Lynne basically sank her own set because from the time she came out, she was angry about a VIP-only area near the stage that kept the crowds and her apart. So with the notable exception of her strong version of "Jesus on a Greyhound," I found very little to recommend about her 50-minute set.

Her latest album, "Just a Little Lovin'," is a loving tribute to Dusty Springfield and has been scoring strong praise since its release in January 2008. However, her anger and approach in Indio derailed the strength of tracks such as "Breakfast in Bed" and "I Only Want to Be With You" as rendered this day.

Trisha Yearwood couldn't have been more different in terms of her approach to playing at Stagecoach. The likeable singer may not be the tour de force entertainer of a Garth Brooks or other stars of country music, but she has a pleasing voice and used it wonderfully throughout her 45-minute set here. Highlights included "Xxxs and Ooos (An American Girl)" and "Cowboys Are My Weakness," as well as the title track from her 2007 album "Heaven, Heartache and the Power of Love."

Anyone who has read my posts here or stories in the Orange County Register over the years knows I am a big - repeat BIG - John Fogerty fan. So it will come as no surprise that I was thrilled with his impressive hour-long set on Friday night. Kicking things off at 7:43 p.m. with "Born On The Bayou" and playing the last notes of "Proud Mary" at 8:52, his 17-song set was another clear and powerful reminder that he is one of the best and most original rock artists in the fiftysomething-year history of the genre. His voice and guitar playing were strong throughout, including on the acoustic-styled "Who'll Stop The Rain" and "Broken Down Cowboy," as well as the fiery "Fortunate Son," guitar-anchored "Keep On Chooglin'" and country-tinged "Bad Moon Rising."

Going into the home stretch on Friday night, I had high hopes with the Eagles. I saw the band back in the early 1990s during the "Hell Freezes Over" tour or whatever it was called, and the band was great. But while I enjoyed the Eagles when they played Eagles classics such as "Peaceful Easy Feeling," "Lyin' Eyes" and "Hotel California," there were too many bumps in the road for me this night. Maybe it was I just don't want to see Joe Walsh sing "Life's Been Good" or Don Henley "Dirty Laundry" sounds as dated as its 1982 release date, I wish the Eagles would have stuck to Eagles stuff. And the magic that I felt when I saw the Eagles the first time just wasn't there for me at Stagecoach. Sorry guys.

To the band's credit, I did like the Eagles kicking off with a new song, "How Long," which benefited from some great harmonies and emotive musicianship. But by the time the band ended the night with "Desperado" at 11:25 p.m., I was ready to saddle up and head for home.

The Fallen Stars are on the rise

Note: This story was originally published on www.ocregister.com on May 7, 2008.

For fans of the Fallen Stars, good things truly come to those who wait.
The Fallen Stars are celebrating the release of their latest studio collection, the 13-song "Where the Road Bends," and the bonus seven-song concert recording, "Vayo Con Queso," with two shows this weekend. The Fallen Stars perform at the Marlin Bar in Huntington Beach on Saturday, May 10, and then play at the Grand Ole Echo in Los Angeles on Sunday, May 11.

"We started recording the tracks in November of '06," said lead guitarist Gregg Braught. The Huntington Beach-based group also features singer-guitarist Bobbo Byrnes, singer-bassist Tracy Byrnes, drummer John Vowell and keyboardist-mandolin player Geoff Geib.
There were a number of reasons it took 18 months to complete "Where the Road Bends," including a process of recording with Rami Jaffee at Chicasa Studios in Malibu, and then more recently, with Shawn Lindell at Lindell Productions in Westminster.

"Without deadlines, nothing would ever get done," admitted singer-guitarist Bobbo Byrnes. "Thirty-five songs were tracked in the studio; a couple of them were recorded a couple of times."
Tracy Byrnes noted the band had a good reason for doing a sonic double-take: "One of the reasons why we rerecorded at the end was we were a better band."

Highlights on "Where the Road Bends" include the freewheeling alt-country rocker "St. George's Bank," heartland-flavored "One, Two, Three," the folk rock of "Raining in Hollywood" and traditional country-western gem "Diner Door."
"We recorded more songs than what landed on the CD," Vowell explained. "We're not in a hurry to be rushed into something."
The aforementioned "One, Two, Three" was among the songs written only a few weeks before the CD was sent into production.

"The last five (songs) we cut were kind of tough," Bobbo Byrnes said of favorite tracks left off "Where the Road Bends."
Added Geib: "But they are still a big part of our live set list."

Geib was recruited to join the band last year.
"In July or August '07, Geoff came in and almost immediately was in the recording studio doing something," Vowell recalled.
Another winning element in the Fallen Stars' sound is the effective way that husband-and-wife team of Bobbo and Tracy Byrnes handle lead vocal duties, as well as the adventurous way they blend those voices beautifully together on songs such as "House of Cards" and "APB."
"Combined vocals are really what we're going for," said Tracy Byrnes, adding that Braught also provides vocal harmonies on many of the new songs.
"I have so much fun singing with them," Braught said. "That adds a big element to our sound."

Another successful component of the Fallen Stars' live shows is the masterful presentation of select covers.
"We only play covers from people we like," Vowell said. Members noted that songs by the Clash, Bruce Springsteen, Gram Parsons and the Rolling Stones have made that grade.
"Vayo Con Queso" is a live recording of the Fallen Stars captured when the band played at the Coach House on Feb. 21 of this year. Tracks on that set include "Sioux City," "Outlaws & Angels" and "Vegas."
Anyone who purchases "Where the Road Bends" at the band's shows this weekend will get a free copy of "Vayo Con Queso."
Whether recording in the studio or performing live, the Fallen Stars are truly on the rise, as evidenced by the group taking top honors as best live acoustic band at the 2008 Orange County Music Awards held in March.
"It's all about what's best for the song," Tracy Byrnes said.
Information: www.TheFallenStars.com or www.myspace.com/thefallenstars.

Michael Ubaldini has issued another winning album, the aptly-titled "Street Singin' Troubadour."

It's almost impossible for many modern rock artists to comprehend issuing a new full-length album every year. For example, Coldplay's forthcoming "Viva La Vida or Death and All His Friends" will be the band's first studio effort since 2005. R.E.M.'s recently-issued "Accelerate" marked the group's first new studio album in four years and fans of Radiohead had to wait just as long between the release of 2003's "Hail to the Thief" and 2007's "In Rainbows."

Fountain Valley singer-songwriter Michael Ubaldini has been on an unbelievable tear since the beginning of the decade, issuing one memorable album after another at a breathtaking pace – especially impressive since he books his own shows, including out-of-state and European tours. In addition to the release of 2007's "Storybook," 2006's "Empty Bottles & Broken Guitar Strings" and 2004's "Avenue of Ten Cent Hearts," he even had time to pen a book filled with his original writings, "Lost American Nights: Lyrics & Poems," published by Moon Tide Press in 2006.

His latest disc, "Street Singin' Troubadour," boasts 13 songs written at the end of 2007 and beginning of this year. Fans can get the new disc when Ubaldini appears at two album release parties, including an afternoon show at Pepperland Music in Orange on May 10 and an evening performance at Alta Coffee in Newport Beach on May 15. Admission to both shows is free.

"The album was written at the end of '07 and beginning of '08. Songs like 'Sound of the Age,' 'World Peace in 10 Easy Lessons' and "Sidewalk Musicians' all were written in '08," Ubaldini explained when we got together for a recent interview chat.

"I've been doing lots of acoustic gigs. This ('Street Singin' Troubadour') is different from 'Acoustic Rumble' (his 1999 release). I wanted to have lyrics that were not about finger pointing. I don't care about blue/red divisions," Ubaldini said. "I write from the point of being an outsider from all these trendy groups."

Indeed, his album takes a thoughtful approach to weighty subjects such as war, terrorism, faith and our own mortality.
"I just write what I feel like writing," he said.

With the exception of collections such as Bruce Springsteen's "The Ghost of Tom Joad," there have not been many folk albums like "Street Singin' Troubadour" issued in years. Building his lyrical tales with nothing but an acoustic guitar, harmonica and his own emotive baritone, Ubaldini wanted to tap into the forces that make folk so timeless.
"It's straight," he said of his album. "Like early records from Bob Dylan and the late (Rick Rubin-produced) ones from Johnny Cash. It's my answer to all the overproduced, over-compressed records."
"The record is a natural extension of all my records. A lot of artists tap into that."

Material ranges from a confessional tale "Dem' Ol' Pneumonia Blues" he wrote when returning from the hospital to a moving tale of a Catholic priest who takes his own life when he is falsely accused of a crime in the artfully delivered "Ballad of Father Patrick." And "Sad Empty Streets of Sunday" is one of the most beautiful and sparse songs Ubaldini has ever recorded.

"It's an intimate record set in an intimate setting," Ubaldini said.
Although there is a thriving regional and national Americana and roots scene now, it's easy to forget that Ubaldini has been at the forefront of the movement since his Lee Rocker-produced "Mystery Train" was released in 1994. The Fallen Stars, Mike Ness, Limbeck and Dusty Rhodes and the River Band are among the crop of locals whose current work ultimately celebrates the territory Ubaldini has been exploring since the early 1990s.
Ubaldini used a mere 18 hours of studio time to record "Street Singin' Troubadour" and is proud of the authentic sound and emotion that comes across the album. Like on his previous discs, Ubaldini hopes the songs will stand the test of time.
"I'm just playing guitar and signing, but I don't think that's retro."

Ubaldini will perform at Pepperland Music, 850 N. Tustin Ave., Orange, at 2 p.m. on May 10. He will also be at Alta Coffee, 506 31st St., Newport Beach, from 8-10 p.m. on May 15.
Information: www.rocknrollpoet.com.

A tale of two shows: Matt Costa vs. Sly Stone

Sly Stone, photographed by Kelly A. Swift at the House of Blues in January 2007, performed a full-length show at the same venue over the weekend.

I reviewed shows two nights in a row (Matt Costa and Satisfaction on April 24 and Sly & the Family Stone and Jupiter Rising on April 25) and the experiences couldn't have been more different.

When an artist keeps an audience waiting two hours just to hear a mere hour's worth of music, the show better be amazing.
Sly Stone's own remarks early in his set at the House of Blues in Anaheim on Friday night (April 25, 2008) were likely a bit revealing: "Everybody made the rehearsals except me, but I made the gig!"

And while the concert marked the first full-length appearance by Sly and the Family Stone in decades, the reclusive and little-understood 65-year-old leader of the pioneering '60s-spawned funk act did show up as promised to lead his large band through their best-known hits.
And to be fair, Stone was much more impressive and engaging at the Mouse House on Friday night than the odd reunion appearance at the 2006 Grammy Awards.

"Dance to the Music," "Everyday People," "I Want to Take You Higher" and "Family Affair" are among Stone's best-remembered tracks and it was historic to hear them performed by their architect in the intimate setting.
But Stone, who blended funk, soul and psychedelia in the late 1960s and early '70s, came off much like Brian Wilson, a man truly alone even in the largest and most public of settings. Stone's voice was strong in brief spurts, but both his singing and keyboard playing reflected the fragile nature of his condition.
From the opening strains of "Sing a Simple Song" that kicked off the show to an a cappella version of a new tune featuring the lyrics "I'm a Real Model, not a role model," there was more of a sense of being at a historic event rather than at a great show.

Opening act Jupiter Rising played an energetic mix of hip-hop and pop that failed to connect with the crowd.
Although lead singer Jessie Payo and rapper Spencer Nezey delivered songs such as the sexually-charged "Flip My Switch" and melodic "Electropop" with fire, this crowd was on hand to hear Sly. Little did they know when Jupiter Rising left the stage after a quick six-song set at 8:24 p.m., they would have to wait until 10:15 for Sly & company to show.

What about the show I caught a night earlier featuring headliner Matt Costa and opening outfit Satisfaction?

Indeed, Costa's laid back approach proves to be a perfect fit with his intricate style of songcraft, while Satisfaction impresses with a retro-tinged attack.

Performing before a sold-out crowd as part of the Orange County Performing Arts Center's Off Center Series on Thursday night, Huntington Beach native Matt Costa delivered exactly the kind of pleasing, no-frills show a casual listener might expect.

Whereas many of his contemporaries are all about in-your-face style and attitude, Costa proved his prowess continues to be about intricate song craft and how he can help listeners connect with those tunes.
Armed with his acoustic guitar – and occasionally adding harmonica or electric keyboards to his on-stage arsenal – Costa and his four-man band offered up solid versions of his best-known folk rock and alt country-styled material over the course of 90 minutes.

Although he wears many of his influences on his sonic sleeve – notably Donovan, the Beatles and Neil Young – it would not be smart to dismiss Costa's gifts as something strictly out of the past packaged for today's audiences. He proved throughout his set that complex chord patterns, melodic choruses and an emotive voice can be lethal weapons in the quest to get ears turned his way.

Although fans seem most delighted with the performance of the breezy '70s-styled "Cold December" and "Yellow Taxi," the upbeat country of "Sweet Rose" and "Ballad of Miss Kate" also got the general admission audience on the floor moving to the music.
Material from his most recent album, 2008's "Unfamiliar Faces," also worked well in the set, notably the Kinks-flavored "Trying to Lose My Mind" and bouncy "Miss Magnolia."

If members of the Dave Clark Five, Raspberries and Franz Ferdinand had bridged the distance between their respective generations and formed a band together, it might well sound like Orange County's own Satisfaction.
Led by ex-Smile frontman singer-guitarist Michael Rosas, the quartet's propulsive attack was truly formidable.
Playing eight songs across 40 minutes, Satisfaction (rounded out by bassist Aaron Wahlman and brothers Matthew Fletcher on keyboards and James Fletcher on drums) featured songs from the band's wonderful 2007 release "Cougars, Sharks & Flying Sparks."
It's not a surprise that Costa specifically praised Satisfaction during his set. Songs such as the infectiously raucous "Feel So Stupid" and "So We'll Just Take the Night" should continue to draw new audiences to this wonderful troupe.

The Smithereens to release new live CD in May

Talk about wiping away the Monday blues.

KOCH Records has just announced that The Smithereens will be releasing a concert CD on May 27, 2008! The 18-song collection will not only feature many of the quartet's best-known classics, but several new songs too.

Here is the official Press Release:
Source: KOCH Records
The Smithereens to Release New, High Energy, Live Album, "Live in Concert - Greatest Hits and More," on May 27th, 2008 on KOCH Records

Monday April 14, 2008
Album Features Two Brand New Songs!

NEW YORK, NY--(MARKET WIRE)--Apr 14, 2008 -- KOCH Records is pleased to announce the newest album by rock band The Smithereens. "Live In Concert - Greatest Hits and More" features music from The Smithereens' four-night stint at The Court in New Brunswick, New Jersey, a musical home away from home for the group, which took place January 30th - February 2nd, 2008. The band, all hailing from surrounding Central Jersey towns, played the Court Tavern often at the start of their career.

The album features live recordings of two brand new songs, "Any Other Way" and "Since You Went Away." The set also includes Buddy Holly's classic (and a big influence for The Smithereens) "Well Alright," and the ripping interpretation of the "Batman" theme, a live staple for the band.
For the past 25 years, The Smithereens have toured non-stop, recording and releasing Gold and Platinum albums that spawned Top 40 radio hits such as "A Girl Like You," "Too Much Passion," "Blood And Roses," "Only a Memory" and "Behind The Wall Of Sleep." But at the beginning of that long and successful road, the loved group spent many sweaty, rock filled evenings in the damp, close quartered basement of The Court.
Live at The Court takes us back to that hallowed ground and brings back the energy and edginess that was present at the beginning of The Smithereens' career. The club was packed for every performance, and the love and energy for the Smithereens is evident on each track.
This album features the Smithereens in their natural habitat, playing great music for their hometown fans. It shines a light on the love of their fans, and what the group is about.
For more information go to www.officialsmithereens.com
Track Listing:

1. Wall of Sleep

2. Drown in My Own Tears

3. Miles from Nowhere

4. Room Without a View

5. Only a Memory

6. House We Used to Live In

7. Spellbound

8. Since You Went Away

9. She's Got a Way

10. Yesterday Girl

11. Well Alright

12. Especially For You

13. Any Other Way

14. Top of the Pops

15. Time and Time Again

16. Blood And Roses

17. A Girl Like You

18. Batman

Mike Peters coming to the Coach House on April 13

Mike Peters (seen here) will perform at the Coach House on Sunday night, April 13.


Anyone familiar with modern alternative rock knows the Alarm, a group formed in Rhyl, Wales in 1981. Like Ireland's U2 and America's own The Call, the Alarm wrote and performed anthems that soared while also offering up political spiritual messages.
The band scored a number of top 40 hits and top-selling albums during the decade. The group's full-length debut, 1983's "Declaration," yielded the stellar track "Sixty-Eight Guns." Other radio staples followed, including "Where Were You Hiding When the Storm Broke," Spirit of '76," "Absolute Reality," "Strength" and "Rain in the Summertime."

Now, Alarm frontman Mike Peters is on a short solo tour that includes a stop at the Coach House in San Juan Capistrano on Sunday night, April 13, 2008. He will likely include acoustic versions of Alarm classics, as well as solo material from releases such as "Feel Free" and "Rise."

Orange County's own Beyond 7 and area singer-songwriter Tim Moyer will also open for Peters.

For more information, visit http://www.thecoachhouse.com/ or call the venue at (949) 496-8930.

R.E.M. is back! "Accelerate" a true return

I was wrong; R.E.M. was not down for the count.
The band's latest album "Accelerate" is truly the best collection of songs from the Athens, Georgia outfit since 1991's "Out of Time" or arguably that album's noteworthy follow-up "Automatic for the People."

The 34-minute, 11-song "Accelerate" boasts great indie rockers ("Living Well is the Best Revenge," "Horse to Water"), infectious power pop (the first single "Supernatural Superserious," "Hollow Man") and affecting slower gems ("Houston," the dazzling "Until the Day is Done").

The songs are short and get to their respective destinations in fast and dramatic fashion. Biting lyrics, effective chord changes and emotive vocals from singer Michael Stipe tell part of the story, but the magic that typified songs on "Murmur" and "Reckoning" is back on display here on songs such as the aforementioned "Until the Day is Done" and "Sing for the Submarine."

While the departure of drummer Bill Berry in October 1997 left a long-lasting void in the band, it appears that Stipe, guitarist Peter Buck and bassist Mike Mills have rediscovered something I thought lost on "Accelerate." Produced by Jacknife Lee and R.E.M., "Accelerate" already ranks as one of the best albums of 2008.

"Accelerate" has given me reason to celebrate, and R.E.M (once again) rocks.

Her Voice Remains found its voice behind the drum kit

HER VOICE REMAINS: Drummer Stefan Veselko, bassist Jeffrey P., guitarist Elias Gamboa and singer Danielle will perform at the Coach House in San Juan Capistrano on Friday night, April 4.

Her Voice Remains has the kind of compelling story that could well be the basis of a '00s dramatic film.

The band was formed in 2005, with Elias Gamboa on guitar, Jeffrey P. on bass and Danielle on drums.
"Danielle and I were in a relationship and then we broke up," Jeffrey P. recalled. "She subsequently left the band and we recruited another drummer."
It was then that the trio decided to find a singer to complete the line-up. Ironically, Danielle asked if she could audition.

"She came in and nailed it," recalled Jeffrey P. of the audition roughly eight months or so after Danielle had stopped drumming for the group.
Danielle admits her new role in the band was a challenge.
"It was a big change moving up to the front (as singer) ... but I think I'm a better singer than a drummer," she said.
After an interim percussionist left the troupe, drummer Stefan Veselko was brought in for an audition.
"We found Stefan via MySpace. He came in the day before Thanksgiving (2005) and nailed it," Jeffrey P. said in a recent interview. "Half way through the first song (I knew he was our drummer)."
Added Veselko: "Their influences popped out. I contacted Jeffrey and he sent files. I learned them note by note. It just clicked."

Her Voice Remains has shared the bill with a wide range of well-known acts, including Human League, A Flock of Seagulls, Dead Man's Party and English Beat.
With a sound that has singer Danielle's hypnotic vocals layered atop Gamboa's chain-saw guitars and driving, in-the-pocket grooves delivered by Veselko and Jeffrey P, Her Voice Remains joins fellow area bands such as the Dear & Departed, Rock Kills Kid and Vale as mining new sonic ore in '80s-branded rock.
"Our music is a bit reminiscent (of the past), but it's unique," Danielle said.
From the driving "Love is Gone" and "Into the Sun" to the post-punk of "Dead Arms" and "Let Go Away," Her Voice Remains is an outfit at home playing up-tempo and stylish rock as featured on the band's self-titled 2007 album. The sound of Her Voice Remains recalls seminal acts such as the aforementioned Siouxsie and the Banshees, as well as the Martha Davis-led Motels and modern rock heroes such as Giant Drag and Blonde Redhead.
"We struggle," Jeffrey P. said of how best to describe the sound of Her Voice Remains. "In my opinion, it's Blondie meets Siouxsie and the Banshees in a dark alley."

Berlin, Her Voice Remains and Night Creatures will perform at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on April 4.
Tickets will be available for $23.50 at the box office the evening of the show, or for only $18 in advance when purchased from Her Voice Remains. For information on how to get tickets in advance, visit the band's Web site at www.HerVoiceRemains.com. To hear songs from the band's recent CD release, visit www.myspace.com/hervoiceremains.
For more details on the April 4 show, call the Coach House at 949-496-8930 or visit www.thecoachhouse.com.

7th annual Orange County Music Awards recap

LANCE "ROMANCE" FAULK: The lead singer for the Attraction died of a heart attack in his Huntington Beach home on Nov. 10. He was honored at the Orange County Music Awards on March 29, 2008.

I went to the Orange County Music Awards on Saturday night (March 29). Even if I had not been a presenter, I would have gone to catch all the fine performances and say "hello" to so many of my friends in the local music scene.

For my mind, the performances from The Attraction, Jessica Callahan, CPO (Chris Paul Overall, formerly singer of the incredible Wonderlove), Deccatree and blues outfit Buck Wildstar were all great. The Attraction performed a song written in tribute to Lance "Romance" Faulk, the band's gifted singer who passed away on Nov. 10, 2007. I had a chance to catch up with Attraction guitarist Chris Master John and he plans to keep playing music; that is the ultimate tribute to Lance Romance's winning style and spirit.

Jessica Callahan's performance of "City Streets" was especially sweet, since the talented singer-songwriter-keyboardist was honored a bit earlier with the Best Female trophy.

I got a chance to chat with singer-guitarist TJR, three members of Americana rockers the Fallen Stars and Robert Steffen. Thanks to everyone who came out to support local music, and thanks for the nice applause when I came out on stage. A critic who gets cheered; geez, I must be doing something wrong!

Here is a complete list of winners and congrats to all of you!

Best song: "Red Shoes," Bayadera
Best alternative: Bayadera
Best male: Jonathan Blake
Best female: Jessica Callahan
Best pop rock: Lunar Fiction
Best high school: Marliese
Best jazz: Rare Form Band
Best instrumental:Evan Stone
Best Surf: Reventlos
Best R&B: Jimi E
Best country: Fertitta and McClintock
Best classic Rock: Shawn Jones
Best indie: CPO
Best folk: Marianne Keith
Best electronic: Dead Amps
Best punk: Longway
Best blues: Pamela G
Best rock: Union of Saints
Best hip-hop:Brawdcast
Best urban: Mic Moses and C4mula
Best international: Juan Coronado
Best out of county: A Living Daylight
Best hard rock: Star Off Machine
Best swing: Gary Tole
Best live acoustic band: The Fallen Stars
Best live acoustic female: Robin Lore
Best live acoustic male: AJ DeGrasse
Best metal: Sacred Storm
Best live electric band: Franki Doll and the Broken Toys
Lance Romance Memorial Award: Franki Doll

Local acts release a spring bounty of new albums

VENDETTA VALENTINE: The Orange County band recalls the sounds of the late '70s and early '80s on its new album, "There's Nothing Safe."

Vendetta Valentine “There’s Nothing Safe” (Jungle Music) – Over the past few years, there has been a number of great Orange County artists mining the electronica-anchored sounds of the late 70s and early 80s for new life.
On its 13-song debut released on March 4, Santa Ana-based Vendetta Valentine joins the celebrated likes of Vale, the Dear & Departed and Her Voice Remains as strong proponents of the regional retro-fueled movement.
From the decidedly upbeat synth pop of “Let It Burn” and “Dissidents” to the haunting low-fi rocker “Golden” and gorgeous “Brave New World,” “There’s Nothing Safe” is great from start to finish.
The trio features the strong talents of Daniel Powell (lead guitar, bass, programming), Anna Judd (keyboards) and Thomas Monroe (vocals, rhythm guitar).
Information: www.myspace.com/vendettavalentine.
You might like if you enjoy: New Order, early Cure, the Lucy Show.

Bastard Winos “Empty Bottles…” (independent) – If members of AC/DC and Lynyrd Skynyrd joined forces with blues greats Howlin’ Wolf or Muddy Waters, the sonic outcome might well sound like the new debut from Bastard Winos.
Fronted by singer Chile Thomas, the rip roaring outfit also includes guitarist-singer Harlis Sweetwater, bassist Chris Garcia and drummer Greg Garcia.
Echoes of everyone from Little Richard (“100 Proof Juice”) to the Georgia Satellites (“Bottle of Ink”) abound on this set of raucous rock ‘n’ roll.
Is this band’s boisterous approach the real deal? You bet.
Bastard Winos and Barrelhouse will perform at Fitzgerald’s Pub, 19171 Magnolia St., Huntington Beach, at 9 p.m. on March 29.
Information: www.myspace.com/bastardwinos.
You might like if you enjoy: AC/DC, early Led Zeppelin, the Georgia Satellites.

Andrea Emmes “I’m On My Way” (Aselah Productions) – Armed with songs centered on her Christian faith, Buena Park-based Andrea Emmes has crafted a heartfelt debut.
The 11-song “I’m On My Way” has enough room for ‘80s styled rock (“Lost”), R&B-tinged ballads (“Father”), folk (“Don’t Cry”) and authentic blues (“Thank You”). Emmes has a wealth of experience in the entertainment industry (including stints singing at Disneyworld and as a production assistant on the TV show “Making the Band: O-Town”), but has found a decidedly more personal niche with “I’m On My Way” thanks to uplifting songs that showcase her effective vocals.
Information: www.myspace.com/andreaemmes.com.
You might like if you enjoy: Amy Grant, Natalie Grant.

NEVERWONDER “(3-song demo)” (independent) – Even when singers get voted off “American Idol,” the widespread exposure can often help them launch a successful career in music.
Such should be the case with vocalist Megan Bobo, who finished in the top 24 during Season 5 of the popular show and has now been recruited as the singer of the band NEVERWONDER.
The group (whose members come from Los Angeles and Orange counties) has just released a three-song sampler from a forthcoming sophomore effort and the results are solid. The band’s ability to deliver accessible pop is displayed courtesy of “Is This the End,” while NEVERWONDER’s full-force rock instincts come via “Movin’ On” and “Lucky.”
Information: www.neverwonder.com or www.myspace.com/neverwonder.
You might like if you enjoy: Evanescence, Taming Ingrid.

ORANGE SLICES

What does Orange County’s RX Bandits have in common with classic rockers such as Neil Young, John Lennon, Roger Waters and Bruce Springsteen?
Tracks by all those artists are featured on “Body of War: Songs That Inspired an Iraq War Veteran,” issued by Sire Records on March 18.
Inclusion of the RX Bandits’ reggae-styled rocker “Overcome (The Recapitulation)” will put a well-deserved renewed spotlight on the band’s dazzling 2003 effort “The Resignation” (the album where the song first appeared).
“Body of War” also features songs from Eddie Vedder, Bad Religion, Ben Harper, Pearl Jam and Bright Eyes.
Information: www.bodyofwarmusic.com.

Swallow's Day in San Juan Capistrano

With the arrival of Swallow’s Day in San Juan Capistrano this week, it’s no surprise the Swallow’s Inn is hosting top-notch entertainment all weekend.

The Working Cowboy Band will perform traditional country-western music on Thursday and Saturday night, while acclaimed singer Jann Browne will perform at the venue on Friday evening. In addition, the Road Kill Kings will perform a special afternoon concert from 2-6:30 p.m. on Friday, while the Dalton Gang will play classic rock there at noon on Saturday.
The Working Cowboy Band was founded by singer-guitarist Rick Robledo in 1995 and has been a mainstay on the regional country music scene for more than a decade.
What happens when a band blends traditional country-western, rockabilly and bluegrass with rock ‘n’ roll?

The results more than likely sound something like the intoxicating sound made by Orange County’s own Road Kill Kings.
Given the group’s wide-range of influences and original sound, it’s no wonder that the Road Kill Kings have played in support of such well-known artists as Hank Williams III, Junior Brown, Robert Earl Keen, the Knitters and Big Sandy.
The quintet features fiddle player Mike Stave, singer-guitarist Darren Ellis (a founding member of the James Theroux Band), drummer Mark Obey, lead guitarist Jeremy Long and upright bass fiddle player Randy Cochran. The group’s original and energetic remakes celebrate its Americana influences, with songs such as “Truck Driving Man,” “Folsom Prison Blues” and “Thrown Out of the Bar” favorites with the band’s fans.

Released in 2007, Jann Browne’s most recent commercial disc “Buckin’ Around” is an authentic set that will please fans of traditional country pioneer Buck Owens, as well as audiences who enjoy contemporary roots music. Browne is a wonderful singer and brings a wealth of style to the 11 timeless Owens gems covered on “Buckin’ Around,” including “Love’s Gonna Live Here” and “I Don’t Care.”
However, the Anderson, Indiana native’s acclaimed career includes a wealth of releases encompassing both honky tonk and singer-songwriter instincts wrapped in blues and other related styles.

The Dalton Gang is a Temecula-based outfit that performs performs classic rock. However, singer-guitarist Gary Dalton, bassist Billy Dalton, keyboardist-guitarist Doc Dalton and drummer Bob Dalton specialize in playing popular bands’ lesser-known songs.

The Working Cowboy Band will perform at Swallow’s Inn, 31786 Camino Capistrano, San Juan Capistrano, at 8 p.m. on March 27 and at 8 p.m. on March 29. Jann Browne will perform at the same venue at 7:30 p.m. on March 28.
Road Kill Kings will play from 2 to 6:30 p.m. on March 28, while the Dalton Gang will play at noon on March 29.
Admission to the shows is free.
Information: 949-493-3188.

TJR takes a side trip to Liverpool

The Fullerton artist gets Fab on latest release

Millions tuned into "American Idol" over the past two weeks to see contestants on the popular TV show sing Beatles classics.
Fullerton-based singer-songwriter Timothy John Ramirez (better known by his performance moniker TJR) has just released a decidedly daring counterpart to that show's proponents, releasing "In My Life: A Piano Tribute to the Beatles."

The 7-track release marks TJR's first digital-only album and features instrumental versions of Lennon & McCartney classics such as "The Long and Winding Road," "Strawberry Fields Forever" and "She's Leaving Home," as well as a ragtime-tinged "Got to Get You Into My Life."
"Between writing and recording, it took three years to record my last album," TJR said of his 2007 disc "Another Roll of the Dice." That CD features original songs such as the bluesy folk rocker "Peace Love and Don't Trust MTV" and affecting acoustic ballad "Home to Me."
"Then I started to learn to record at home with my Apple (computer). I was tinkering with Beatles songs and thought, 'Why not record an album of this?' I became a better pianist as a result."

Although fans of TJR are well aware of his fiery and virtuoso skills playing guitar, they might be surprised to learn that his first instrument was the piano. Indeed, he was recently recruited to play keyboards in singer-songwriter Michael Ubaldini's band.
"Working on these arrangements, I wanted to make them interesting and good. I looked at this as a way to get my (piano) chops back up. It also allowed me to play with Michael (Ubaldini) too," said TJR, noting his most recent show with the acclaimed Fountain Valley artist was a St. Patrick's Day show at Fitzgerald's in Huntington Beach on March 17.
"Another Roll of the Dice" was released in September 2007 and TJR went on a tour of England, Ireland and France in October.
"In November, I started arranging the (tracks for) the Beatles CD," TJR recalled.
"I didn't want to just (mirror the original arrangement of) each song. I think most have a light classical feel."
It took five months to arrange, record and master the tracks for "In My Life: A Piano Tribute to the Beatles." Because of the high cost to issue the collection of copyrighted songs on a physical CD, TJR is offering the set as a digital album via his Web site and CDbaby.com.
And while his tribute to the Beatles will be sure to please fans of the Fab Four and piano music, his original rock songs are also worth getting a hold of courtesy of "Another Roll of the Dice" and 2003's "Mixed Emotions."
And TJR couldn't make it easier for discerning listeners to connect with his song craft.
"I want people to join my e-mail list. I give them eight free songs," he said.
TJR performs a free solo acoustic show at Fitness Grill, 103 W. Imperial Highway, Brea, from 6-9 p.m. every Thursday.
He will also perform at Lighthouse Café, 30 Pier Ave., Hermosa Beach, at 11 a.m. on April 19. Admission to that is also free.
Information: www.tjrmusic.com.

7th Annual Orange County Music Awards are coming

The Fallen Stars were nominated in several live music categories this year.

Although the 7th annual Orange County Music Awards ceremony won't be held until March 29 at the Grove of Anaheim, there are a number of live music performances leading up to the event where the public can help participate in the selection of winners in each of the live music categories.

Artists vying for best live acoustic female, best live acoustic male and best live acoustic band will be playing at the Gypsy Den in Santa Ana from noon to 7 p.m. on March 9, while 18 acts will perform at DiPiazza's in Long Beach over the course of three nights, March 7, 15 and 16 in hopes of earning best live electric band/artist honors.
"Corvette" Sandy Struckhoff, who oversees the OCMA live music competition categories, said there are several nominees who have competed in their respective categories before, but many new names are on the bill this year.
"It will be difficult and intense for the judges to make their determinations and interesting for the public, who will no doubt, be sitting on the edge of their seats at the Gypsy Den this Sunday," she said. "Part of the judging criteria is based upon the audience reaction and response, so we will no doubt be observing and vigilant regarding their performance. The 'grace under fire' factor comes into play, as each participant only has 15 minutes to bring us their message through music."

Martin Brown, founder and producer of the OCMAs, said the forces that inspired him to launch the event still ring true today.
"This give exposure and recognition for local, unsigned artists who slave away week after week and get no recognition," Brown said.
Artists interviewed agreed with Brown's overview of the OCMAs.
"The OCMAs give artists a chance to play in front of people and that's all you can ask for," said singer-songwriter Michael Ubaldini, a finalist performing in the acoustic field on Sunday afternoon. "It has brought me followers from different audiences and broadened my fan base."

The Fallen Stars recently opened for Ubaldini at the Coach House in San Juan Capistrano and will be sharing the bill with him again this Sunday at the Gypsy Den.
"It's definitely an honor for the Fallen Stars to be nominated for best live band and best live acoustic band as well," said Gregg Braught, lead guitarist of the Huntington Beach-based Americana rock troupe.
"The OCMAs are a fine opportunity for us and our fellow musicians to be seen, heard and recognized as forces to be reckoned with in the music business. This is especially true now with artists seeing that a successful career isn't necessarily dependent on being signed to a major label anymore. You can record and distribute your music to fans old and new, locally and around the globe, and have more control over your musical future than ever before," Braught said.
Singer-songwriter Sarah Green noted the OCMAs are an event that actually builds a bridge between talented artists and discerning music listeners.
"There are a handful of us in Orange County trying to get good music to you the fan, and the people who make the OCMAs happen understand the battle it can be to be an artist in a place where there's not many places to play. Being nominated for an OCMA bridges another gap between the artist and the fan; it makes a lot of noise in a place where people hardly listen."
Brown said while he received submissions from about 300 artists representing a wide range of styles including punk, hip-hop, country-western, modern rock and world music this year. There is a core of about 50 artists who have submitted every year since the launch of the OCMAs.
"It's interesting to see the progression of some of the artists. It's rewarding to see even though they were not nominated (in the early years), they stuck with it and they have improved so much, their nomination is pretty much assured now," Brown explained.
Added Ubaldini: "It started from a grass roots level and provides a chance for artists to be heard."
Information: www.orangecountymusicawards.com.

Beoga thrills at San Juan Capistrano Regional Library

Beoga (from left) features guitarist Seán Óg Graham , accordian player Damian McKee, bodhrán champion Eamon Murray and singer-fiddle player Niamh Dunne.

The San Juan Capistrano Regional Library might not share much in common with an Irish pub or a musical destination such as the nearby Swallow's Inn, but not everything is always as it seems.

On Saturday evening, March 1, Irish music quintet Beoga (Irish word for "lively") made their first-ever appearance in San Juan Capistrano and (and if I heard Eamon Murray correctly) the band's first-ever performance at a library. At the first of two shows that evening, Beoga delivered a breathtaking performance featuring material off the troupe's two full-length CDs.

Performing strong instrumentals such as "Soggy's" and "Mischief," as well as artful songs with fiddle player/singer Niamh Dunne taking the spotlight, Beoga is the perfect ambassador for traditional Irish music. Material from the group's 2007 second album was especially well-chronicled at the show, with a sing-along cover of the Steely Dan classic "Dirty Work" and the jazzy-styled "Please Don't Talk" among many highlights of the memorable set. All five musicians were excellent and the arrangements couldn't have been better.

I had a very difficult time not tapping my fingers and feet throughout this infectious night of music making and that was a good thing.

Going Acoustic a good move for Chris Cruz

Photo credit: Craig Yoneda

For more than a decade Chris Cruz has played bass in Orange County-based Doom Kounty Electric Chair, a hard rocking band headed by his brother, singer-guitarist Jose Cruz.

So it may come as a surprise that Chris Cruz has not only stepped out from the shadow of that alternative rock band to his release his first-ever solo CD, but that "In My Heart" is at the opposite end of the sonic universe; the 11-song disc is a beautiful and sparse acoustic album filled with material sure to please fans of heartfelt folk music.

"I was ground up with Doom Kounty," Chris Cruz admitted in an interview at a coffee shop near his Anaheim home last week. "We started in '95 and put our first record out in '97. I was just ground up by the music business."

So when Curt Sautter, a producer who runs Upland-based Delirium Records, offered to demo some of his songs in 2006, Cruz decided that the timing seemed right.
"Curt and I get along great," Cruz said. "He has a punk rock ethic and great ears."
Despite the seemingly simple process of recording an album built around straightforward acoustic material, "In My Heart" took more than a year to complete. Cruz would first record demos of the material at his home and then drive to Delirium Records almost every Saturday to record final sessions with Sautter.
He acknowledged that during the extended period, he also did a good deal of listening to other acoustic recordings to see how many of his favorite artists were able to create magic.
"I listened to a lot of old (Bob) Dylan, Woody Guthrie. I also got into (Bruce Springsteen's) 'Nebraska' and Michael Ubaldini's 'Acoustic Rumble.' I wanted to do an acoustic record, so I thought I'd listen to everything acoustic and start from there.
"Curt has instilled in me: it's about emotion."

"In My Heart" sparkles. Although there is a simplicity to the recordings, the melodies and Cruz's affecting delivery of the songs shine across the CD. Echoes of the Beatles, Buddy Holly, Tom Petty and Roy Orbison come to mind listening to gems such as "I'm In Love With a Girl," "When You Look at Me," "Blame it on Love" and "The Other Side."
Although Cruz has been playing music for most of his life, "In My Heart" might seem at odds with the majority of his time making music. He sang in a church choir during elementary and junior high school, and played trumpet in the jazz, concert and marching bands at Cerritos High School.
While at Cal State Long Beach, Cruz picked up guitar and began playing and writing songs, going on to form Arbitrage with fellow Cerritos High School alumni Marc Ford (best known for his subsequent stints in Burning Tree and the Black Crowes) and Jim Ashhurst (Broken Homes, Buckcherry).
After the demise of that band, Cruz taught himself bass and joined his brother's band.
In addition to his burgeoning solo acoustic career, Cruz recently joined power pop band the Relatives. His strong skills as a songwriter and singer should prove to be an asset to that group on stage and in the studio. The band will open for Stan Ridgway at the Coach House on March 14.
But Cruz acknowledged that he is very serious about touring and promoting his solo project.
"Around October 2006, I entertained the idea to do two records. I'd come into the studio. Some songs were political, and some songs sappy love songs. We thought, 'Why don't we record two records.' "
So while "In My Heart" will see its official release in March 2008, an album of political-minded material will be issued later in July or August.
"People have said I'm punk rock with this record because of the quirkiness of the arrangements," Cruz explained.
"I'm going with the theory that it's tough to screw up a good song," Cruz said.

The Relatives open for Stan Ridgway at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on Friday, March 14.
For more information on getting tickets to that show, email Cruz at cruz@persuasionrecords.com.
For more information on Cruz' solo project, visit www.myspace.com/chriscruzacoustic.

Beoga coming to San Juan Capistrano

Beoga features Niamh Dunne, Damian McKee, Seán Óg Graham, Eamon Murray and Liam Bradley.

With St. Patrick’s Day less than a month away, there are a number of Irish music concerts coming to Orange County.
One of the most anticipated Celtic concerts is coming courtesy of Beoga, a five-member traditional group based in County Antrim, Ireland.

Beoga (an Irish word meaning “lively”) will perform two shows in San Juan Capistrano as part of the Music at the Library concert series on Saturday evening, March 1.

The group traces its inception to a music jam session in August 2002, which brought together button accordion players Seán Óg Graham and Damian McKee with bodhrán master Eamon Murray and pianist Liam Bradley.
That foursome released the wonderful “A Lovely Madness” CD in 2004, which was greeted with critical acclaim throughout Ireland, as well as Europe and America.

With the later addition of Irish singer Niamh Dunne, the group continued its artistic climb with the recording of 2007’s “Mischief.”
Beoga’s sophomore CD features thrilling jigs (“Kick’n the Box,” “Ryan’s Air”), instrumental reels (“Cu Chullain’s Despair”), traditional folk songs (“Factory Girl,” “A Delicate Thing”) and even a reworked cover of the Steely Dan classic “Dirty Work” and the 1920s swing-styled standard “Please Don’t Talk About Me When I’m Gone.”

It’s no wonder that “Mischief” was praised by Irish Music Magazine and the U.S. publication the Celtic Connection as one of the best albums of 2007.
Beoga is truly able to blend a wealth of traditional folk styles together whether performing original material or revised classics.

Beoga will perform at San Juan Capistrano Regional Library, 31495 El Camino Real, San Juan Capistrano, playing at 6:30 and 8:30 p.m. on March 1.
Tickets are $10 for adults and $5 for children under age 12.
Information: 949-493-1752.

Third Day, The Myriad impress in Anaheim show

Outside it was cold and raining, but inside the House of Blues Anaheim on Thursday night, Feb. 21, 2008, a capacity-crowd was warmed by a strong set from headliner Third Day and a groundbreaking appearance from relative newcomer the Myriad.

One of Christian music's most successful rock outfits, Third Day came to Anaheim as part of a short six-date club tour to gear up for a full-fledged spring tour. So while the band only played 75 minutes, fans were treated to the band's best-known hits, as well as some particularly promising songs set for release on the band's next studio release.

Third Day has honed a Southern rock sound that is rooted in the territory of Lynyrd Skynyrd but also boasts a heavy guitar crunch associated with neo-grunge bands such as Three Doors Down and Creed. That doesn't tell the full story, since Third Day's material is always melodic and features uplifting choruses that draw comparisons to U2's approach.
The band explored the full range of its sonic territory, playing the scorching "Rockstar," midtempo material such as "Who I Am" and praise songs ("King of Glory," "God of Wonders") that had many in the audience lifting their arms into the air.

Singer Mac Powell sang with power and conviction throughout the night, his baritone showcased on the soaring "Tunnel" and "My Hope Is You."
The group also played several new songs, with "Call My Name" especially effective with its undeniable chorus.

The Myriad is a young, up-and-coming band out of Seattle whose sound draws comparisons with the Cure, Radiohead and Snow Patrol, but is unique enough to warrant the band's growing buzz.
"A Clean Shot," one of the six songs performed by the band, was a highlight of the 30-minute set. But the lush and artful sound made by the quintet is as much a part of the Myriad as the songs themselves. Following the lead of Sigur Ros, the band even used a violin bow on the electric guitar at times to dramatic effect.
The Myriad is set to release "With Arrows, With Poise" on Koch Records in April and based on the group's wonderful set in Anaheim, it should rank on one of the most anticipated rock albums of 2008.

The night's opening group Revive performed a short set of four songs. The Australian group is one of the Christian rock's emerging voices and has a strong card in lead singer Dave Hanbury, whose impressive voice was especially forceful on the riff rock-styled "Can't Change Yesterday."

Michael Ubaldini returns to play his 'Americana' songs

Since its opening in 1980, acclaimed modern rock artists such as the Call and Brother have recorded concerts for commercial release at the Coach House in San Juan Capistrano.

Now one of Orange County's best-known artists is going to chronicle a special full-length concert for release as a combo DVD-CD collection. Fountain Valley-based Michael Ubaldini will headline at the San Juan Capistrano venue on Thursday night, Feb. 21, performing Americana-styled material from across his acclaimed discography.

"We're going to do stuff off every record," explained Ubaldini in a recent interview. "Some songs I'll just play acoustically with guitar and harmonica. Then the band will play with me on the other songs."

The cast of sonic players slated to join Ubaldini on stage includes Gavin Jones (bass), Larry Green (guitar), Mitch Ross (drums), Jimmy Zeiger (saxophone), Chris Lawrence (pedal steel guitar), TJR (keyboards), and Tricia Freeman and Deanie Wood on backing vocals.
"All are great musicians in their own right and it's a pleasure to be back together for this special event," Ubaldini said.

And while Ubaldini and his talented band have been rehearsing in anticipation of the upcoming show at the Coach House, he has also been going into the studio to record new material. Many of the songs are destined to appear on an upcoming acoustic collection, while more up-tempo material will be included on a forthcoming rock album.
"It has been a good year for songs," Ubaldini said.

Ubaldini, the Fallen Stars and Niki Smart will perform at 8 p.m. Thursday, Feb. 21 at the Coach House, 33157 Camino Capistrano, San Juan Capistrano. Admission to this special concert recording event is $10.

Information: 949-496-8930.

Road Kill Kings celebrate America's music in SJC

What happens when a band blends traditional country-western, rockabilly and bluegrass with rock 'n' roll?
The results more than likely sound something like the intoxicating sound made by Orange County's own Road Kill Kings. The band will perform a free show at 8 p.m. tonight (Jan. 31, 2008) at the Swallow's Inn in San Juan Capistrano.

Given the group's wide range of influences and original sound, it's no wonder that the Road Kill Kings have played in support of such well-known artists as Hank Williams III, Junior Brown, Robert Earl Keen, the Knitters and Big Sandy.
The quintet features fiddle player Mike Stave, singer-guitarist Darren Ellis (a founding member of the James Theroux Band), drummer Mark Obey, lead guitarist Jeremy Long and upright bass fiddle player Randy Cochran. The group's original songs and energetic remakes celebrate its Americana influences, with songs such as "Truck Driving Man," "Folsom Prison Blues" and "Thrown Out of the Bar" favorites with the band's fans.
Admission is free.
Information: 949-493-3188.

Over at the Renaissance
Renaissance Dana Point is offering several tribute shows this weekend for those who want to enjoy some live entertainment in the days leading up to the Super Bowl.
Beatles tribute band Help will perform at 8:30 p.m. on Friday, Feb. 1 at Renaissance Dana Point, 24701 Del Prado, Dana Point, while the Oreo Divas will celebrate the sounds of Motown with a full-length showcase at 8:30 p.m. on Saturday, Feb. 2.
Information: 949-661-6003.

'U2 3D' is the best concert movie of the decade

Photo information: U2 at the premiere of 'U2 3D' held at the Sundance Film Festival in Salt Lake City, Utah, on Jan. 19, 2008.


I am not exaggerating when I tell you that “U2 3D” is the best concert movie I’ve seen this decade (maybe ever!). With every frame on its breathtaking 85-minute trajectory through a rock ‘n’ roll fantasy-filled trip, this epic experience fully showcases why U2 is the greatest band today.

The technology displayed in the film I saw at the Edwards IMAX Theatre at the Irvine Spectrum on Saturday afternoon (Jan. 26, 2008) is wonderful, but it would be nothing but a high-tech curiosity without the riveting performances put together using a dozen or so 3-D cameras used to shoot this film shot on U2’s “Vertigo” tour at a number of locations in South America.

Directors Catherine Owens and Mark Pellington, National Geographic, 3ALITY Digital and everyone else who developed and utilized the 3-D digital technology used to bring the concert to the screen deserve credit.

And the quartet’s performance of classics such as “New Year’s Day,” “Bullet the Blue Sky” and “With or Without You,” as well as more recent gems such as “Vertigo” and “Beautiful Day” are also extraordinary. When Bono displays his operatic tenor on “Miss Sarajevo,” just try not to cry.

Do yourself and everyone you really care about a big favor. Go catch “U2 3D” on the big screen. Now.

http://www.u23dmovie.com/.

More NAMM images and thoughts

Before NAMM fades into memory, I wanted to post a few other photos from my visits to the music trade show.

The first photo is off Rickenbacker Sales Manager Kenny Howes (left) and the company's owner and CEO John C. Hall. There is nothing as beautiful as a display of Rickenbacker guitars, bass guitars and mandolins.

There is also a photo here of violinist Lisa Viscuglia, who demonstrated the sound and ease of using Yamaha's "Silent Violin." I always feel like I'm stepping into the future when I go to the Anaheim Convention Center every January.

Too much cool stuff: NAMM 2008

Photo information: The photo I took shows a working prototype of the POCKETRAK 2G Pocket Recorder. The Yamaha-made device is on my wish list of things to get in 2008!


With Yamaha Corporation of America being the world's largest music products manufacturer, its not surprising the Buena Park-based company is celebrated for digital and acoustic keyboards, state-of-the-art mixing boards, as well as drums, guitars and an assortment of band and orchestral instruments.
However, it was the smallest of products that created a bona fide buzz at the 106th NAMM show (NAMM is the acronym for the International Music Products Association's previous name, but is still used for the convention) held at the Anaheim Convention Center, Jan. 17-20.
The POCKETRAK 2G Pocket Recorder seems poised to do for the home recording industry what Apple's portable iPod digital player did for those who enjoy listening to music.
Weighing a mere 1.7 ounces, the 1/2-inch wide gizmo has a built-in USB 2.0 computer connection, a high-sensitivity tilt-up microphone and a built-in speaker. The device is able to record three hours of CD-quality music, while several MP3 modes provide up to 19 hours of continuous recording with a single rechargeable battery.
"It is a built-in studio that doubles as data storage. This allows you to record lectures, record music and then drag and drop (the files) into your computer," said Athan Billias, who is a member of the Yamaha team that developed the revolutionary product that is scheduled to hit the market in April 2008.
Information:www.yamahasynth.com.

But just as impressive were a number of digital drum kits and a Concert Silent Violin that Yamaha unveiled at the show.
"This is a prototype. It will come out in July '08. Every string player will want one," said Las Vegas-based violinist Lisa Viscuglia of the SV-150K Concert Silent Violin. "It's more comfortable to play than my 200-year-old Italian violin."
The new SV-150K Silent Electric Practice Plus Violin takes silent practice to the final frontier, thanks to a built-in tuner, metronome and approximately 25 processed effects including reverb, distortion and vibrato. It will retail for $1,295.
Information:www.yamaha.com.

Local multi-instrumentalist Kevin Moran of Gypsy's Kiss saw a number of things that impressed him this year.
"I got to demo an acoustic guitar preamp from Seymour Duncan that neutralizes the pick-up and restores a natural acoustic guitar sound. It's definitely something I'd like to try with the band," Moran said.
Moran also made it a point to swing by the Martin Guitar Company's large exhibit, an impressive celebration of America's oldest guitar manufacturer's 175th anniversary.
"It's always great to see what's new at NAMM. I always check out the guitars and Martin had some beautiful stuff, as always, including a reproduction of one of Elvis' guitars," Moran said of the new D-28M Elvis Presley leather-covered acoustic guitar.
Information:www.mguitar.com.
Gypsy's Kiss will perform at the Harp Inn, 130 E. 17th St., Costa Mesa, from 4-7 p.m. on Jan. 27. Admission is free.
Information:www.gkirishband.com.

No trip to NAMM would be complete without a visit to the Rickenbacker booth. The Santa Ana-based company continues to be celebrated for its wonderful line of guitars, bass guitars and mandolins. Tom Petty and R.E.M.'s Peter Buck are among the famed modern-day players who champion Rickenbacker instruments.
"We have a two-year backlog. Everything is made in Santa Ana; we have more than 60 employees and they all work in Orange County," said John C. Hall, owner and CEO of Rickenbacker.
Information: www.rickenbacker.com.

Huntington Beach-based singer-songwriter James Grey is a longtime user of acoustic Taylor Guitars and has an endorsement deal with the El Cajon-based company, so he had to check out the company's first solid body electric guitar that made its debut at the NAMM show.
"The buzz this year is that Taylor came out with a full-on electric guitar," Grey said of the Taylor SolidBody.
Indeed, the Taylor SolidBody boasts an original design and uses magnetic pickups developed specifically for the electric guitar. "I'm a lefty and they are talking about doing this (making a left-handed model) for me. What I liked is it is well balanced and light."
Information:www.taylorguitars.com.
Checking out the latest in high tech gear and old school style is not the only draw for those hitting NAMM. The trade show has increasingly become a place to see pop icons in a more intimate setting (Stevie Wonder, John Legend and Jon Anderson headlined at a Yamaha dealer show for 2,000 at Disney's California Adventure Park's Hyperion Theater on Jan. 18, while John Mayer played in front of an invitation-only crowd at the nearby Hilton the same night), as well as up-and-coming artists.
Among the young artists making their first appearance at NAMM was Jacob Jeffries, a superb 19-year-old singer-songwriter-keyboardist based in Fort Lauderdale, Fla., who appeared on Jan. 19. Performing on a prototype of a new Baldwin Gallery Series piano, Jeffries tore through a 25-minute set of brilliant original songs, including the infectious "Wonderful," confessional "And I Say" and poetic "Fairfax."
And despite the wealth of high-tech keyboards and digital pianos on display at NAMM, Jeffries takes a decidedly-retro approach when it comes to writing his songs.
"I write them all on the (acoustic) piano," he admitted.
Information:www.myspace.com/jacobjeffriesband.

Streamline fines Brian Ireland back in the sonic game

Drummer Brian Ireland, seen here second from right, will play with his newest project Streamline at the Coach House on Friday night, Jan. 11.


Brian Ireland is no stranger to success, having served as one of the founding members and the full-time drummer of Dana Point-based Something Corporate during the band’s successful run from 1998 to 2004.
Now, Ireland is once again in the spotlight thanks to Streamline.

Something Corporate was a winning, alternative rock band fronted by Andrew McMahon (now leader of the successful Jack’s Mannequin) that found favor with a mostly teenage and early-twenties crowd.
Streamline, however, is aiming for discerning listeners of all ages.

Indeed, songs such as the infectious “All I Need” and driving “Higher” from the group’s recently-issued debut have the accessible sound charted by recent tastemakers such as John Mayer and Maroon 5. Other strong songs on the band’s heartfelt release include “Flicker” and “The Only Thing That Matters.”

In a phone interview earlier this week, Ireland noted he is excited to perform and be a full-time member of Streamline during Something Corporate’s continuing hiatus.
“Really, we’re still together. I’m close with all the guys,” said Ireland, noting he recently got together with McMahon. “Jack’s Mannequin came out at a time when morale (in Something Corporate) was low. We had been touring four plus years. But we’re all still really close and everything is good amongst us.”
The good news for fans of Ireland’s strong skills behind a drum kit is he is bringing that same energy and enthusiasm to Streamline. That rock quintet performs at the Coach House in San Juan Capistrano tonight.
In addition to Ireland, Streamline also includes singer-guitarist Mike Hogan, keyboardist-vocalist Jon Scholl, bassist John Viavattine and guitarist Brad Ourso.
It was Ireland’s high-profile role in Something Corporate that ultimately led to his joining Streamline in December 2006.
Ireland recalled he was just as he was arriving on the first day of recording drum tracks for Something Corporate guitarist William Tell’s 2007 solo debut “You Can Hold Me Down” when he ran into Hogan and Scholl as they were leaving the studio.
“They knew who I was. Later they phoned me at the studio and asked if I would sit in and do a drumming session…It was for ‘All I Need.’ I was so impressed with them. They are great players and have a real sensibility for music.”
Ireland is back to where he was a decade ago, when Something Corporate was just a largely-unknown outfit writing and rehearsing songs, as well as out playing daytime gigs at colleges and nights at small clubs.
“For me, it doesn’t matter if you are playing in front of 2,000 or 20 people, it’s all the same,” Ireland said.

Streamline was originally launched out of Upstate New York, but is now based in Los Angeles. Ireland, 27, still lives in Dana Point. He noted Streamline went on several tours earlier this year and has a strong fan base in Baton Rouge; the rock troupe is tentatively planning on relocating to Louisiana to take advantage of fan support in that region to nurture the band.
“It’s definitely still fun,” Ireland said of playing in a band full-time. “I learned a lot from that experience (playing with Something Corporate).”

Streamline, Get Back Loretta, Knockout Charlies and Space Pilot perform at the Coach House, 33157 Camino Capistrano, San Juan Capistrano, at 8 p.m. on Jan. 11.
Admission to the all ages-welcome show is $10.
Information: www.streamlineworld.com.

Best Albums of 2007 (my list, anyway...)

Never heard of Band of Horses? Neither had I until a few months ago, but the Seattle group floored me this year with "Cease to Begin," rating number one. Read all my top picks below and have a great 2008!

Band of Horses “Cease to Begin” (Sub Pop) – This South Carolina-based outfit may recall Neil Young and My Morning Jacket, but Ben Bridwell and company crafted an original masterpiece with “Cease to Begin.” Bridwell’s soaring voice is perfectly suited to material that is beautiful and majestic (“Ode to LRC,” “No One’s Gonna Love You”), rousing sing-alongs (“The General Specific”) and country-styled sorties (“Marry Song”).

Arcade Fire “Neon Bible” (Merge Records) – Arcade Fire is one of modern rock’s best bands and it comes as no surprise that “Neon Bible” is one of the best albums of 2007. From the anthemic “No Cars Go” to the driving “The Well and the Lighthouse,” Arcade Fire’s second full-length effort is arena rock for the 21st century.

Bruce Springsteen “Magic” (Sony) – The boss has released so many wonderful CDs, it’s easy to shelve his current work. Don’t. “Magic” sounds great in 2007 and this collection that should continue to resonate as long as there are those who love rock ‘n’ roll.

Radiohead “In Rainbows” (TBD Records/ATO Records Group) – Forget about the endless insider industry chatter about “In Rainbows” being offered for download at whatever fans wanted to pay, Radiohead’s music plays front and center across “In Rainbows.” From the guitar-driven “Bodysnatchers” hypnotic “Reckoner” to the beautiful “Nude” and “Weird Fishes/Arpeggi,” Radiohead continues to thrill.

Neil Young “Chrome Dreams II” (Reprise) – Rock’s most consistently- and prolific-songwriter checked in with one of the most eclectic efforts of his long career. Beautiful ballads (“Shining Light,” “The Way”), extended rockers (“Ordinary People,” “Spirit Road”) and country-tinged confessionals (“The Believer,” “Ever After”) all get equal billing here.

John Fogerty “Revival” (Fantasy) – Although there are times when John Fogerty sounds as if he is simply mining the past, at least he is tilling the sonic soil that gave rise to his own legacy. Fogerty’s latest is actually one of the strongest releases of 2007, highlighted by the hopeful “Don’t You Wish It Was True,” retro-styled “Summer of Love” and country-tinged “Broken Down Cowboy.”

Paul McCartney “Memory Almost Full” (Hear Music) – Sir Paul followed up his wonderful 2005 album “Chaos and Creation in the Backyard” with an even strong disc this year. “Only Mama Knows” is McCartney’s best rocker since his “Live and Let Die” and his Beatles-styled magic touch enlivens the genuine mood on “Ever Present Past” and “See Your Sunshine.”

Gary Allan “Living Hard” (MCA Nashville) – Modern country and cliché-free introspection don’t necessarily go hand-in-hand, which makes Gary Allan’s “Living Hard” such a prize. In the wake of the suicide death of his wife, nuggets such as “We Touched the Sun” and “Yesterday’s Rain” express a rare power.

Travis “The Boy with No Name” (Sony) – The band that paved the way for Coldplay, Snow Patrol and Keane seemingly re-materialized in 2007 with “The Boy with No Name.” There is plenty to recommend on this effort, notably “Closer” and “My Eyes.”

Jars of Clay “Christmas Songs” (Nettwerk Records) – Modern Christian outfit Jars of Clay waited until the release of their 10th full-length effort to focus on Christmas. But “Christmas Songs” was worth the wait. The group offers up a few artfully-reworked covers into the mix (McCartney’s “Wonderful Christmastime,” the traditional “God Rest Ye Merry Gentlemen”), but many of the songs are originals that drive home that the band approached this fantastic project with purpose of their other acclaimed works.

Top 10 Local (Orange County area) of 2007 named

Dusty Rhodes and the River Band released the sterling debut “First You Live” in October 2007.

Photo credit: Brent Murrell

With 2008 officially here, it’s time to rate and highlight my favorite local releases of 2007.

Dusty Rhodes and the River Band “First You Live” (SideOneDummy Records) – If members of the Band and progressive rock’s Yes had decided to fuse their distinct styles, it might sound a bit like Dusty Rhodes and the River Band. From the country-western shout along “Keys to the Truck” and the 1970s-styled prog rocker “Street Fighter” to the shimmering alt country gem “Goodnight, Moonshine,” “First You Live” is a wonderful debut.
Information: www.myspace.com/dustyrhodes.
You might like if you enjoy: Arcade Fire, Neil Young, the Band.

Michael Ubaldini “Storybook” (Blackwater Records) – Michael Ubaldini is likely Orange County’s most prolific recording artist, issuing a winning album every year. “Storybook” finds the Fountain Valley artist exploring themes such as life, death, love and war set against timeless American landscapes. “Apricot Wind” looks at the Civil War and is a standout, and other gems focus on graveyards, riverboats and other images that fit nicely into his Americana sound.
Information: http://www.rocknrollpoet.com/.
You might like if you enjoy: John Fogerty, Johnny Cash, Neil Young.

Fletcher Harrington “Under the Shadow of the San Gabriel” (Lopie Records) –Fletcher Harrington’s “Under the Shadow of the San Gabriel” marks another leap forward for the Tustin resident, with indie rockers (“Clean Desire,” “Who Won?”), beautiful acoustic ballads (“If I Could Say Where to Begin”) and authentic alt country (“Let’s Get Liquored Up,” “Sweet Jezebel”) that explore the vast stretches of Harrington’s creative range.
Information: http://www.lopie.com/.
You might like if you enjoy: Gram Parsons, Neil Young.

The Attraction “The Attraction Presents…” (Econo Records) – The release of the Attraction’s sophomore release just weeks before the death of 36-year-old frontman Lance “Romance” Faulk, “The Attraction Presents…” serves as a touching and lasting memorial to the lead singer and his wonderful band.
The Attraction’s modern rock approach is wide enough to include melodic 80s-tinged tunes (“Home Again”), reggae (“Cruisin’”), Irish-flavored pub rock (“Happi”) and forceful punk (“Can’t Wait,” “Steps of the Dakota”).
Information: http://www.theattraction.net/.

Limbeck “Limbeck” (Doghouse Records) – The ghost of Gram Parsons may haunt Joshua Tree in the Mohave Desert, but his musical offspring are alive and well thanks to modern-day proponents such as Limbeck. The band’s 2007 release is a wonderful 11-song set highlighted by the Tom Petty-styled “Keepin’ Busy” and glorious “Let Me Come Home.”
Information: http://www.limbeck.net/.
You might like if you enjoy: Gram Parsons, Wilco, Walter Clevenger & the Dairy Kings.

Cowboy Buddha “Just Enough To…” (Lopie Records) –Fans of Cowboy Buddha were introduced to the alt country outfit courtesy of the band’s first two discs (1999’s “Guns Ammo Bait Film Gifts Snacks Maps” and 2000’s “Cement Pond”), but likely had given up on the troupe releasing any new music in the wake of frontman Fletcher Harrington’s recent solo career.
However, based on the strength of 2007’s “Just Enough To…,” it was well worth the wait to hear tracks such as the evocative “Sweetheart Smile,” Neil Young-styled country rocker “Crying Shame” and shining “Big Dixie Rain.”
Information: http://www.cowboybuddha.com/.
You might like if you enjoy: Gram Parsons, Limbeck, Son Volt.

The Dear & Departed “Something Quite Peculiar” (Science Records) – The Dear & Departed play ‘80s-tinged rock that recalls the best of the Cure and the Church courtesy of original tracks such as the melodic “I Will Love Again” and propulsive “Fly Me Away.” Singer Dan Under has a voice that brings strength to all of the material.
You might like if you enjoy: the Cure, the Church, early U2.
Information: www.myspace.com/thedearanddeparted.

Micah Dahlberg “Matter of Time” (independent) – Fans of 1970s-influenced melodic songwriting will be thrilled by the strong acoustic folk rock delivered by Macah Dahlberg on “Matter of Time.” From the sensitive “Poetry in Sand” and upbeat “What Am I” (both co-penned with Tyrone Wells) to the breezy title track, Dahlberg’s wonderful tenor and emotive songs make “Matter of Time” a collection that deserves airplay at home or on the road.
Information: http://www.micahdahlberg.com/.

Loose Logic “Before the Storm” (Passion Play Productions) – Writing songs centered on personal experiences is a winning formula for Loose Logic, the moniker for Dana Point-based hip-hop artist Ian Westbrook. Romance (“Love You”), faith (“Take ‘Em to Church”) and death (“R.I.P.”) are among the many weighty areas he tackles with a mix of rap and modern R&B.
The disc’s crown is the haunting “This Dream,” which effectively finds the young singer rapping about social and economic injustice against a lush musical landscape as noteworthy for lush keyboards as the intoxicating rhythm.
Information: www.myspace.com/looselogic and http://www.looselogiconline.com/.
You might like if you enjoy: Dr. Dre, Loose Logic’s first two releases.

Bayadera “Rotation of the Earth” (Bitemark) – There is a joyful spirit on Bayadera’s latest release, with world music, outstanding performances and strong songwriting all playing major roles on the 13-song disc.
Information: http://www.bayadera.com/.

Bayadera: World Music in the O.C.

Photo credit: Tyler Davis

Since Bayadera emerged on the area music scene at the beginning of the decade, the band has been acclaimed for blending modern rock and world music influences together in a way that both challenges and rewards discerning listeners.

And while the group's early recordings, including a 2001 self-titled release and 2003's "90 Million Miles," showcased the quintet's solid songwriting and dazzling live performances, the newly issued "Rotation of the Earth" is clearly a triumph. Produced and mixed by Matthew James Walin at Bitemark Studios in Orange, the CD showcases Bayadera's wide-ranging soul in spades.

"There are countless differences," bassist Chris Payne said in comparing Bayadera's earlier recordings with "Rotation of the Earth."
"The first one was written very early on when we were just beginning to work with Gina (singer Gina Bandy). This one, all of us have written the songs together and are used to each other and where we fit."
The group's dynamic lineup also features electric guitarist Saatara, acoustic guitarist Dat Nguyen and drummer Donn Untiet. Untiet's wife, Evonne Untiet, frequently adds percussion at the band's live shows.

The band's artistic growth isn't the only major ingredient that makes "Rotation of the Earth" so special; Walin's involvement was also critical. Indeed, Payne explained that Walin wouldn't allow the band to settle for lackluster performances, recordings or mixes while in the studio.
"He was all about making it better," Bandy said of Walin.
"Because we have been together so long, we needed that outside someone to refine our music. Matt came in and got us to tackle this."

Walin said he has certain things he considers before working with an artist and signing them to his label.

"The biggest thing is a gut feeling. Technically, the band has to have a great singer and great songs," Walin said.
Walin was especially impressed when the band came into the pre-production stage of working on the CD armed with 40 or so songs.
"They are such a great live band, I wanted to capture that," Walin said.
After three months of pre-production, Walin ultimately recorded about 15 songs – 13 of which appear on "Rotation of the Earth." Most of the basic tracks were recorded over a few days, and many of Bandy's first vocals (often called "scratch vocals") were kept to help keep a strong live sound on the album.
"We're all in this band because we're happy and enjoying it," Bandy said of the band.
That positive approach to working together and making music seems to drive Bayadera and the troupe's burgeoning success.
"The one thing I've always liked about it is everybody is concerned about the song and everybody has the band in mind," explained Donn Untiet.

Bayadera is not a typical band in terms of sound or background. Nguyen is blind, and the group's multi-ethnic lineup provides even more depth to the sonic proceedings.
"The chemistry with us is great," Nguyen said. "We are living proof of a group (with a wide range of backgrounds and experiences) that can work together."
Nguyen is such a fantastic guitar player and has such an engaging personality, the other members of Bayadera noted they often forget that he is blind.
"Most people don't have his confidence," Bandy said.
A highlight of the band's career came in October, when Bayadera was invited by Stevie Wonder to perform "Superstition" with him when he received the Governor's Award of Excellence at the 25th annual Media Access Awards at Universal Studios' Globe Theatre on Oct. 14.
"It was a life-changing experience personally and professionally. I grew up with that music in my house," Payne said.
Information: www.Bayadera.com.