Showing posts with label Todd Park Mohr. Show all posts
Showing posts with label Todd Park Mohr. Show all posts

Thursday, June 06, 2024

New music: Big Head Todd & The Monsters, Crowded House, Dr. John

New titles featuring top-tier artists Big Head Todd & The Monsters, Crowded House and Dr. John are available now.


Artist:
 Big Head Todd & The Monsters
Title: Her Way Out (Big Records)
You might like if you enjoy: Big Head Todd & The Monsters
Tell me more: A dozen albums into their incredible 38-year career, Colorado-based rockers Big Head Todd & The Monsters sound like they are just getting started. Indeed, the celebrated quartet is heard firing on all cylinders across their newly-released full-length disc Her Way Out. The rollicking opener "Her Way Out" is propulsive and infectious, singer-guitarist Todd Park Mohr detailing the end of a failed relationship with powerful candor. The rousing "Thunderbird" recalls a Southern-fried take on AC/DC-styled hard rock with Mohr, drummer Brian Nevin, bassist Rob Squires and guitarist Jeremy Lawton cutting loose with abandon before slowing down for the reflective blues rock cut "Crush." Elsewhere, the troupe gallops through the catchy Spaghetti Western rocker "Don't Kill Me Tonight," soars via the resplendent "Glorious Full Moon," inspires on "My New Number One," triumphs on the bewitching "Into the Light," get funky on "King Kong" and close things out with the melodic heavy rocker "Rainbow Girl." Her Way Out is an essential addition to the band's stellar discography. Information: bigheadtodd.com.


Artist:
 Crowded House
Title: Gravity Stairs (BMG)
You might like if you enjoy: Crowded House, Neil Finn, Del Amitri
Tell me more: Nearly 40 years after classic tracks like "Don't Dream It's Over" and "Something So Strong" introduced their elegant style of melodic rock to the masses, Australian troupe Crowded House return with a genuinely brilliant masterwork titled Gravity Stairs. The 11-track disc is filled with original gems stretching from the shimmering opener "Magic Piano" and graceful single "Teenage Summer" (the latter showcasing Neil Finn's yearning vocals) to the exhilarating power pop foray "The Howl," sumptuous "Some Greater Plan (for Claire)," psychedelic-tinged "I Can't Keep Up With You" and poignant closer "Night Song." Other sonic delights include the Beatlesque "All That I Can Ever Own," buoyant "Oh Hi" and evocative "Thirsty." Released on May 31, Gravity Stairs is available on both audio CD and vinyl. Crowded House will appear at the Ohana Festival at Doheny State Beach in Dana Point, CA on Sept. 27, 2024. Information: crowdedhouse.com.


Artist:
 Dr. John
Title: Gris-Gris Gumbo Ya Ya: Singles 1968-1974  (Record label)
You might like if you enjoy: Dr. John, Professor Longhair, Leon Russell
Tell me more: June 6, 2024 marked the fifth anniversary of the passing of groundbreaking singer-songwriter/pianist Malcolm John Rebeennack, Jr. — better known as Dr. John. The beloved champion of New Orleans who fused jazz, blues, funk and swamp rock together into a signature brew is celebrated on the wonderful new collection Gris-Gris Gumbo Ya Ya: Singles 1968-1974, a wonderful 26-track retrospective revisiting choice material John released at the beginning of his high-profile solo career via a parade of memorable Atco/Atlantic album releases. The wealth of musical riches on the collection extends from the spoken word-anchored opener "Gris-Gris Gumbo Ya Ya," colorful "Mama Roux" and infectious "Jump Sturdy" to the stylish "Wash Mama Wash," buoyant cover of the traditional New Orleans favorite "Iko Iko" and especially joyful reading of "Let The Good Times Roll." A flashy blues-draped take on Buddy Guy's "A Man of Many Words" finds John teaming up with Guy and Eric Clapton. Of course, the new collection wouldn't be complete without the inclusion of John's timeless 1973 hit "Right Place Wrong Time" and tender "Such a Night," the latter a song that was also performed as part of The Band's "The Last Waltz" concert in 1976. A wonderful eight-page booklet includes informative liner notes penned by American music journalist Gene Sculatti. Those looking to discover or revisit the influential legacy of Dr. John should plan to add Gris-Gris Gumbo Ya Ya: Singles 1968-1974 to their collection. Information: OmnivoreRecordings.com.


Robert Kinsler


Friday, May 31, 2024

Big Head Todd and The Monsters release new album 'Her Way Out'

One of my favorite blues-rock artists is issuing a new album today. Get all the details and listen to Big Head Todd & The Monster's "Her Way Out"...Robert Kinsler


BIG HEAD TODD AND THE MONSTERS RELEASE
NEW ALBUM 'HER WAY OUT'


LISTEN HERE

SUMMER TOUR KICKS OFF JUNE 4TH IN DURANGO
ON THE ROAD WITH BLUES TRAVELER JULY 30 - AUGUST 4

TOUR DATES HERE

BOULDER, CO -  Big Head Todd and The Monsters are excited to announce the release of their 12th album, Her Way Out, via Big Records.

For close to four decades, the members of Big Head Todd and The Monsters—Todd Park Mohr [vocals, guitar, keys, sax, harmonica], Brian Nevin [drums], Rob Squires [bass, vocals], and Jeremy Lawton [keyboards, lap pedal-steel guitar, vocals]—have continued to both throw down in the studio and light up stages worldwide. Rallying around a core vision, the platinum-selling Colorado quartet kick out the jams both in-studio and on-stage.

Todd, Brian and Rob unlocked their musical partnership during high school when they started jamming in the early eighties. In 1986 they adopted the name Big Head Todd and The Monsters. BHTM released two successful independent records on their label, BIG Records, Another Mayberry (1989) and Midnight Radio (1990.) Sister Sweetly (1993) pushed them to the next level yielding four top 10 rock radio hits. Strategem [1994] came next followed by Beautiful World [1997], which included "Boom Boom" featuring John Lee Hooker. 


The band procured a spot in The Guinness Book of World Records with their performance of "Blue Sky" live from NASA Mission Control to the Space Station.They've toured and recorded with B.B. King, Neil Young, The Allman Brothers, Hubert Sumlin, David "Honeyboy" Edwards, Dave Matthews Band, The Eagles and Robert Plant. They attained hometown hero status by headlining Red Rocks Amphitheatre 35 times and earning induction into the Colorado Music Hall of Fame in 2023. 

Their latest release, Her Way Out, came to life organically. For two years, the band hosted "Monster's Music Monthly," serving up new songs or new versions of their extensive catalogue.of a classic Working out of Jeremy's home studio, they parlayed this momentum into their latest LP.

"It had been almost seven years since our last album release, but we wanted to put the same energy of 'Monster's Music Monthly' into a full-length," Todd notes. "We have a very distinct personality as a band. I write to each member's sensibilities because they will have to dig playing it. We're a benevolent democracy. If one guy isn't connecting with a certain song, that song is out. As an uncomplicated rock band, we like to do' proper' things—loud guitars, drums, big bass, well-placed organ, keys, and lap steel. We road-tested every song on the record before recording a lick. That helped us dial in the arrangements, ditch tunes that didn't work and grow a strong sense of what our parts should be."

In this respect, the single and title track "Her Way Out" packs a concentrated and catchy punch. Anchored by a steady beat, the rough-and-tumble riff kicks up dust as soulful vocals ignite an irresistible refrain: "She found her way out, her way out—and it was me."

Guitar surges through "Thunderbird" as strains of organ coat a raucous refrain with a lyrical tip-of-the-hat to the Francis Ford Coppola and George Lucas classic American Graffiti. Todd declares, "'Thunderbird' is a collection of one-liners from the film knit together with a beat poet vibe. It has an AC/DC-like guitar riff and a cinematic-style vocal. It's all about drag racing and love never caught."

Elsewhere, Big Head Todd and The Monsters nod to Annie Oakley with "Don't Kill Me Tonight." Then, there's "King Kong." A hulking groove lumbers beneath the frontman's bluesy intonation as a piano solo bleeds into a skyscraper-scaling guitar lead.

"It's inspired by a large movie poster in my basement of King Kong on top of the Empire State Building," Todd reveals. "I'm drawn to these iconic contemporary heroes who are also monsters. They are complicated because they destroy so much, yet are sympathetic to children and fall in love with human women. These 'Titans,' as they are called, are often monsters of our own making. It's exciting to perform live."


Rave reviews have been rolling in. Westword declared, "Her Way Out is the kind of album that's meant to be played while speeding down a mountain road, chasing that Wild West type of freedom that this Colorado band has always evoked". Blues Rock Review said, "Her Way Out is an enjoyable collection that only becomes more so with repeated listens".  At the same time, Americana Highways effused, "Rootsy American rock that ought to turn anyone on". 

Ultimately, the future looks as bright as ever for these longtime friends.

"We work very hard at being a great band" Todd leaves off. "We're also a group that cares for each other. We've been together for almost 40 years. Our audience has made it all possible, and we're grateful and determined to keep playing."

 
STREAM 'HER WAY OUT'
SHOP MERCH HERE
 
CONNECT 
Website | Facebook | Instagram | Twitter | Youtube | Spotify

Friday, November 11, 2022

Big Head Todd and the Monsters make triumphant return to The Coach House

Big Head Todd and the Monsters performing at The Coach House
in San Juan Capistrano, CA, on Wednesday night, Nov. 9, 2022.

Who: Big Head Todd and the Monsters, Jim Dalton & Jeremy Lawton

Where: The Coach House in San Juan Capistrano, CA

When: Wednesday, Nov. 9, 2022

Next: Big Head Todd and the Monsters has a number of upcoming Southern California dates. The band performs in Ventura on Nov. 11; in Solana Beach on Nov. 12 and 13; and in Pioneertown on Nov 14

Information: bigheadtodd.com

Todd Park Mohr at The Coach
House on Nov. 9, 2022.




Review by Robert Kinsler

Photography by Bob Steshetz


Playing their signature blend of blues, rock, funk and jam with artful force, Big Head Todd and the Monsters returned to The Coach House in San Juan Capistrano, CA on Wednesday night to thrill a packed and enthusiastic crowd. Performing a 110-minute set of material, Todd Park Mohr (lead vocals, guitar), Brian Nevin (drums), Rob Squires (bass) and Jeremy Lawton (keyboards, slide guitar) impressed from the moment they hit the stage of the legendary venue.

Opening with their enticing blues-flavored original "Josephina" (a track off their wonderful 2014 album Black Beehive), the quartet offered up the track with the perfect blend of raw power and nuanced virtuosity.

Todd Park Mohr immersed in the 
music on Nov. 9, 2022.

From there, BHTM performed a fantastic new original, "Thunderbird." A catchy country-tinged riff rocker bolstered by a fiery lead guitar solo courtesy of Mohr, the other three members of the outfit created a dynamic approach further amplifying the power of the cut. 

Brian Nevin behind the kit at The Coach House. 

With the exception of a brief hiccup during "King Kong" 
— where Mohr's guitar cut out — BHTM energetically delivered each song as if it was their greatest hit. An emotive laid back nugget, "Ellis Island" allowed the troupe to explore the corner of the sonic universe where blues and jazz meet; the foursome turned on a dime performing the '90s-styled reggae rocker "Please Don't Tell Her" with a breezy vibe adding to the magic. 

Jeremy Lawton at the Coach House.

Other standouts of the set included the Texas-blues mining "Dirty Juice" with Lawton tearing it up on slide guitar and Mohr's powerhouse vocals showcased, the groove-and-blues gem "New World Arisin'," "Vincent Of Jersey" with Mohr taking the beginning alone accompanied by his guitar, and a flat-out bewitching version of the band's 1993 hit "Bittersweet," the latter a sweeping and zestful version enhanced by the work of all four band members.

Bassist Rob Squires on Nov. 9, 2022.

BHTM also celebrated several of their heroes during the set; early there was a ferocious Chicago blues take on Buddy Guy's "Sit and Cry (The Blues)"  
— originally recorded back in 1958 — while later on they covered John Lee Hooker's timeless "Boom Boom" with equal abandon.

From left, Todd Park Mohr and Jeremy Lawton at the Coach House.

The encore was definitely worth the wait. The Boulder, Colorado band delivered a mighty version of "Circle," the rousing single from the band's major label debut Sister Sweetly. Park's emotive and convincing vocals were fully in sync with the song's refined beginnings and build to a huge classic rock-styled finale.


BHTM closed out the memorable set with a fun run through the Ramones' "I Want To Be Sedated."


From left, Jim Dalton and Jeremy Lawton at the Coach House.

Opening the night with a 45-minute set of Americana-meets-blues, Jim Dalton 
— accompanied by the aforementioned Jeremy Lawton — featured tracks from Dalton's full-length 2021 album In My Head.  

From left, Jim Dalton and Jeremy Lawton at the Coach House.

Dalton, the lead guitarist of Roger Clyne & the Peacemakers, brought a loose and authentic approach to his performance. The countrified "Amigos" and satiric "Serial Killer" (Dalton wrote the latter song after reading a news report about a young woman who wanted to marry serial killer Charles Manson) were among the standouts. My favorite song of the pair's set was Dalton's absolutely luxurious ballad "In My Head." 


Friday, December 15, 2017

Concert review: Big Head Todd and the Monsters, Simo

Big Head Todd and the Monsters performing at House of Blues Anaheim on Dec. 14, 2017.

In the World Series – no matter how great both baseball teams are – there can ultimately be only one team that goes home with the trophy.
Todd Park Mohr in action at
House of Blues in Anaheim.

Fortunately, when it comes to the art of making music, two talented teams can both perform flawlessly and walk off the field of play as champions. Such was the case at the House of Blues Anaheim on Thursday night (Dec. 14, 2017), where headliner Big Head Todd and the Monsters as well as opener Simo delivered masterful and memorable sets.

Making their first-ever performance in Orange County, California with this appearance, Nashville, Tennessee-based Simo roused early concertgoers with a 55-minute set of rock blending blues, roots, psychedelic, jazz, folk and other styles with an intoxicating touch. Led by singer-guitarist JD Simo and also featuring bassist Elad Shapiro and drummer Adam Abrashoff, the band opened with "Return" (the first track off the trio's new album Rise & Shine). JD Simo used a variety of sounds and effects to enhance his excellent guitar work on that song, a skill that frequently helped elevate all of the six tracks performed during the set.
JD Simo performing on Dec. 14.

The range of the material drew comparisons with the diverse likes of Ryan Adams, Ten Years After and Gary Clark Jr., but all of it completely original and performed with bona fide power by the three musicians. One of the most wonderful surprises was when the group performed "I Want Love," JD Simo singing in a tender falsetto while the richly-delivered song with its quiet moments and dramatic swells was chilling in its power. A beautiful slide guitar solo was one of many dramatic moments in the 9-minute song.

Simo closed with a powerful one-two punch, first delivering the mighty original Southern rocker "Light The Candle" (this extended version of the song was bolstered by an amazing jazz-styled section in the middle of the song), followed by a potent reworking of the Beatles' "With a Little Help From My Friends."

Todd Park Mohr displaying vocal and guitar chops.

Big Head Todd was equally perfect this night. The set was heavily weighted in favor of the Colorado-based quartet's outstanding new album New World Arisin', but there were plenty of classics to keep the faithful happy. After opening with the explosive "Room Full of Mirrors" (off the band's new album), a sweeping "Resignation Superman" complete with a dazzling guitar solo from singer-guitarist Todd Park Mohr was unleashed; the latter's rich tapestry was further enhanced by Jeremy Lawton's expansive keyboards.
Jeremy Lawton

The strong opening featuring those two great tracks was only the beginning of a rewarding and fast-moving night. Other early-set highlights included the dynamic blues-rocker "Wipeout Turn," a decidedly funky-blues turn via "Long Coal Train" and a gentle folk rock-flavored "Bittersweet" showcasing Mohr's emotive and distinctive vocals.

Later-set standouts featured during Big Head Todd and the Monsters' 100-minute concert was the heavy Delta blues of "New World Arisin,' and the semi-acoustic "Broken Hearted Savior."

Rob Squires at Anaheim House of Blues
"Glow" is one of the most stunning tracks on Big Head Todd's new album New World Arisin'. A live version of that stunner kicked off the band's encore on Thursday; the eight-minute song displayed a troupe – 30 years into its run – that continues to push its sound in new and exciting directions. The blend of harmonies, stellar guitar work and a propulsive groove featuring the work of drummer Brian Nevin and bassist Rob Squires also added welcome firepower to the performance. 
Brian Nevin in action

The set-ending "Circle" began quietly, but across the song's 7-minute path there were nuanced and dramatic shifts, peaks and valleys, with Mohr's voice at one point almost screaming before his lead guitar work assumed the song's driving force. 

A very special night of rock 'n' roll to be sure.


Review: Robert Kinsler

Photos: Bob Steshetz

Editor's Note: A very special "thank you" to Bob Steshetz for his amazing photographs!

Thursday, October 05, 2017

Sights and Sounds: The Church, Big Head Todd and the Monsters, Marillion

Here is a roundup of some major news in the world of music from three super great artists from across the music spectrum...


the church Release 26th Album
Man Woman Life Death Infinity out Friday, October 6th
On Tour in North America now


"…the music of the church still sounds vital and challenging. They sound just as hungry and exciting as they did three decades ago."
ABC News 

"There is nothing, or not much, that is obvious and instant about the church. Songs that at first pass you by flare into life once you've paid them proper respect and attention…no doubt why people care so deeply about them."
news.com.au
 
"Arguably one of the greatest Australian bands of all time."
Tone Deaf



One of the most indelible, progressive and passionately admired rock bands of our time, the church release another masterpiece of sonic exploration, Man Woman Life Death Infinity. The ARIA Hall of Fame band's 26th album is their second with the rejuvenated line-up - Steve Kilbey, Peter Koppes, Tim Powles and Ian Haug - and is released this Friday worldwide. 

The past several years have been wildly successful for the church, pulling a 20,000 strong crowd at at Primavera Sound, a performance at SXSW, four North American tours and their first European tour in almost a decade. The band is presently touring in support of their new album in the states. Woven with classics spanning almost 50 years of underground glory, the set will feature selections from Man Woman Life Death Infinity, including the shape-shifting dreamscape of the first, exhilarating cut, 'Another Century', and its imminent follow-up, new single 'Undersea': yet another new dimension of chiming strings and kaleidoscopic images.

Man Woman Life Death Infinity is where the revitalized quartet's freshly tuned chemistry reaches a new potency and precision: ten songs, 45 minutes, and a quantum leap into unexplored territory as strange as it is irresistible. Written in two separate sessions in March across Ian Haug's Airlock Studios in Brisbane and Tim Powles' Space Junk Studios in Sydney Man Woman Life Death Infinity is the first full length since the early 90s where the band have collected their song ideas before hitting the record light and just 'going with the flow'.  Co-produced alongside long-term audio accomplice Ted Howard at Rancom Street Studios, Man Woman Life Death Infinity delivers a more succinct release than 2014's Further/Deeper. 

Singer, lyricist and bassist Steve Kilbey explains this 26th full length offering is the church's 'water record'.  "I guess water is my element. I've always marveled at the sea and rivers and rain. It wasn't conscious at all but on reflection, it definitely is a preoccupation on this record. What that means, I don't know," he says. "This is an album we’re really looking forward to exploring live," he says. "The way I write lyrics is very stream-of-consciousness. I never question them until we perform live, so I discover them in time as much as the audience."

Tour Dates:

10.03.2017     Philadelphia PA      Union Transfer
10.05.2017     Detroit MI                Magic Stick
10.06.2017     Chicago IL                Park West
10.08.2017     Minneapolis MN    Cedar Cultural Center
10.10.2017      Omaha NE              The Waiting Room
10.11.2017      Englewood CO        Gothic Theatre
10.12.2017      Salt Lake City UT   The State Room
10.13.2017      Las Vegas NV          Brooklyn Bowl
10.14.2017      Phoenix AZ              The Press Room






BIG HEAD TODD AND THE MONSTERS CONFIRM U.S. TOUR DATES
UPCOMING ALBUM NEW WORLD ARISIN’ OUT NOVEMBER 3 ON BIG RECORDS

photo credit: Jason Siegel

Colorado band Big Head Todd and the Monsters are set to tour the U.S. throughout the fall/winter in support of their forthcoming eleventh studio album, New World Arisin’, due November 3 on their own Big Records imprint. See below for a complete list of dates.
The album’s first single “Damaged One” is currently at #26 and rising on the AAA Chart. Listen HERE.
New World Arisin’ was written and produced by vocalist/guitarist Todd Park Mohr with original members Rob Squires on bass and Brian Nevin on drums and percussions. Plus, Jeremy Lawton on keyboards, lap and petal steel guitar and backing vocals. It was recorded at E-Town Studios in Boulder, Colorado and mixed by Mark Needham with engineering by James Tuttle.
Mohr explains that the songs were written over a twenty-year period. He describes that “some songs fell into place immediately, while others took many years to materialize. Yet after such a long gestating process for the writing, the recording was completed in just six days.”
Having played Denver’s historic Red Rocks Amphitheater more than nineteen times with recent dates sold out this summer, the band is part of the fabric of the Colorado music scene. The trio of Mohr, Nevin and Squires founded the band in the early ’80s in Boulder and quickly built a strong reputation in the local club circuit. The band’s debut album, Another Mayberry, arrived in 1989, though it would be another four years before their breakthrough platinum-selling third full length Sister Sweetly made them a national phenomenon with the single “Bittersweet,” which remains a rock radio staple to this day. The only personnel change in these three decades has been the addition of a fourth member, putative “new guy” Lawton, in 2004
The band has released music steadily throughout the decades leading to their most recent release 2014’s BlackBeehive. They have also released two live albums Live Monsters, Live at the Fillmore and 2015 Live at Red Rocks.
The band has proudly controlled its own business dealings and marketing from the start, releasing 2007’s All the Love You Need via their fan email list. In 2011, they formed a new project under the name Big Head Blues Clubrecording two albums under the moniker. The first 100 Years of Robert Johnson celebrates the songs of the late blues great and features legends such as B. B. King, Charlie Musselwhite, Cedric Burnside, David“Honeyboy” Edwards, Hubert Sumlin, Ruthie Forster and Lightin’ Malcolm. Their second LP Way Down Inside: Songs of Willie Dixon is a tribute to Willie Dixon featuring Mud Morganfield, Billy Branch, Ronnie Baker Brooks, and Erica Brown. The album was produced by multiple Grammy winner Chris Goldsmith and Todd Park Mohr. The band has gone on to play shows under the name Big Head Blues Club moniker inviting some of the legends featured on the album to perform with them.
Recently, band composed the theme song to programs including “NCIS: New Orleans” and “Swamp Wars.” Their music has also been included in Contraband, The To Do List, Grudge Match, Garden Party, “So You Think You Can Dance” and many more.
New World Arisin’ Track listing
1. Glow
2. New World Arisin’
3. Damaged One
4. Trip
5. Mind
6. Detonator
7. Wipeout Turn
8. Long Coal Train
9. Under Your Wings
10. Room Full of Mirrors
Big Head Todd and the Monsters Tour Dates
October 5—Kenny’s Westside Pub—Peoria, IL
October 7—Breckenridge Brewery—Littleton, CO
October 11—Jackson Hole Fireman’s Ball—Jackson, WY
November 29—Avalon Theatre—Grand Junction, CO
November 30—Park City Live—Park City, UT
December 1—Pub Station—Billings, MT
December 2—The Wilma—Missoula, MT
December 5—Revolution Event Center—Garden City, ID
December 7—Revolution Hall—Portland, OR
December 8—Hifi Music Hall—Eugene, OR
December 9—Showbox—Seattle, WA
December 12— Crest Theatre—Sacramento, CA
December 14—House of Blues—Anaheim, CA
December 15—Troubadour—West Hollywood, CA
December 16—Warfield Theatre—San Francisco, CA
December 17—Crystal Bay Club/Crown Room—Crystal Bay, NV
December 21—Aggie Theatre—Ft. Collins, CO
December 31—Belly Up Tavern—Solana Beach, CA
January 12—The Pageant—St. Louis, MO
January 13—Palace Theatre—St. Paul, MN
January 14—Pabst Theater—Milwaukee, WI
January 16—Vogue Theatre—Indianapolis, IN
January 18—State Theatre—Kalamazoo, MI
January 19—Vic Theatre—Chicago, IL
January 20—Vic Theatre—Chicago, IL
January 23—House of Blues—Cleveland, OH
January 25—9:30 Club—Washington, DC
January 26—Theatre of the Living Arts—Philadelphia, PA
January 27—Capitol Theatre—Port Chester, NY
January 28—Wilbur Theatre—Boston, MA
January 31—The National—Richmond, VA
February 1—The Ritz—Raleigh, NC
February 2—The Fillmore—Charlotte, NC
February 3—Variety Playhouse—Atlanta, GA


MARILLION RETURN LIVE IN THE USA

Fan Pre-Sale Available NOW; General On-Sale Friday, October 6

New Version of Single “Living In F E A R” Available Friday, October 6

Recently crowned Prog Band of the Year by their peers at PROG Magazine, legendary British prog pioneers Marillion, are set to return to the US in the new year announced today. Marillion will headline the next installment of Cruise to the Edge departing the port of Tampa on February 3, 2018, returning February 8, 2018, immediately followed by nine headlining dates beginning in Orlando at The Plaza Live on Friday, February 9. Complete routing below.

The nine-day run was curated in part by fans as the band will see many cities not visited in more than a decade, if ever.  Presale begins today with general onsale on Friday, October 6, 2017 (**unless noted below).  Fans can visit Marillion.com for more information.
The new single, “Living In F E A R” is available for pre-order now, releasing Friday, October 6.  With exclusive packaging, the single will include the newly recorded 4-track version, exclusive live edits of “Living In F E A R” and “The Leavers,” and two songs from the forthcoming limited live issue series.  The single will be available in multiple formats including Vinyl and CD on Amazon,  digitally on iTunes, and in the UK at HMV. The new video for “Living In F E A R” can be viewed here: https://www.youtube.com/watch?v=6lNOv-QVeuo&feature=em-subs_digest.

Formed in Aylesbury, Buckinghamshire, England, in 1979, Marillion have sold more than 
18 million albums and are celebrated across the globe by a devoted following whom they share a most unique and intimate relationship. 
Hailed as Internet pioneers for their game-changing use of technology to unify and mobilize their global fan community, Marillion have been un-compromising with their music and vision. Their revolutionary presale campaigns, in-house label and their own Racket Records recording studio, Marillion have remained uniquely independent and paved the way for a new modern business. Marillion host a bi-annual “Marillion Weekend,” celebrated as the ‘Best Live Event’ by the Progressive Music Awards, wherein fans have an opportunity to not only see their favorite act perform different sets, multiple nights in a row, but also become immersed in the Marillion culture and history with various activities. Marillion released their critically acclaimed 18th studio album, F E A R (aka Fuck Everyone And Run) in 2016 and continue to tour an annual average of 100 sold-out shows and festival stops globally.
Marillion are Steve ‘h’ Hogarth (vocals), Steven Rothery (guitar), Pete Trewavas (bass), Mark Kelly (keyboard) and Ian Mosley (drums).

Find a better way of life at Marillion.com

Marillion by the numbers:
Studio Albums: 18
Live Albums: 9
Boxed Sets: 4
Singles: 36
Racket Records limited releases: 56
DVD and Home Video releases: 23
Front Row Club Live Releases: 43
Convention Weekends: 21
Fan Club Xmas CDs: 19
Longest Marillion Song: Ocean Cloud (17:23)

Marillion Live in the USA 2018:
February 3 – 8                              Cruise to the Edge                      Port of Miami
Friday, February 9                      The Plaza Live                               Orlando FL
Saturday, February 10               Variety Playhouse                      Atlanta GA
Monday, February 12                Carolina Theatre                         Durham NC (**October 13 onsale)
Tuesday, February 13                Palace Theatre                             Greensburg PA
Thursday, February 15              Town Ballroom                            Buffalo NY
Friday, February 16                    Royal Oak Music Theatre         Royal Oak MI
Sunday, February 18                  20 Monroe Live                           Grand Rapids MI
Monday, February 19                The Arcada Theatre                   St. Charles IL
Wednesday, February 21         Granada Theatre                        Dallas TX