Showing posts with label Fats Domino. Show all posts
Showing posts with label Fats Domino. Show all posts

Monday, October 24, 2022

Relive groundbreaking hitmakers of the 1950s and '60s via 'Ed Sullivan's Rock & Roll Classics'

Title: Ed Sullivan's Rock & Roll Classics (Time Life)

You might like if you enjoy: The Beatles, The Rolling Stones, The Four Tops, The Animals, Fats Domino, Janis Joplin, classic rock and soul music

Tell me more: Watching the enthralling 10-disc collector's set of Ed Sullivan's Rock & Roll Classics is to be immersed in the groundbreaking sounds of a wide-ranging lineup of groundbreaking artists who made their collective mark on the charts in the 1950s, '60s and early '70s. The Beatles, The Beach Boys, Bee Gees, Buddy Holly, Elvis Presley, The Jackson 5, The Rolling Stones, Fats Domino, The Supremes, Creedence Clearwater Revival, Stevie Wonder and Creedence Clearwater Revival are among the many notables who are seen via 128 live and uncut performances on the stellar collection. 

Long celebrated for his uncanny ability to recognize up-and-coming music greats, Sullivan brought icons including Presley, Holly, The Beatles, Bee Gees, The Supremes and The Rolling Stones to his Sunday Night prime-time variety show early in their careers. This deluxe collection (which retails for $119.96) allows modern-day audiences to fully appreciate The Ed Sullivan Show's unique role in history as a showcase for several generations of popular music legends. Among this writer's favorite performances on the 10-disc set are The Four Tops' medley of 1965 hits ("It's the Same Old Song/Something About You/I Can't Help Myself"), The Lovin' Spoonful's "Do You Believe in Magic," The Animals' rocking "Don't Bring Me Down," The Rolling Stones' rousing "Paint It, Black," and Holly's "Peggy Sue" and "That'll Be the Day," as well as the thrilling turns from Presley, The Band, The Byrds and The Beatles. Throughout the years, the studio sets and production values of the performances grew more ambitious as evidenced by the cosmic-styled medley of The 5th Dimension's "Aquarius/Let the Sunshine In" filmed in May 1969, and the Ike and Tina Turner Revue's explosive version of the Creedence Clearwater Revival hit "Proud Mary" in January 1970.

In addition to the performances, there are bonus interviews and brief newsreel-aided segments that shed light on the cultural and historic highlights of the times in which these performances were captured. A 36-page "Collector's Book" that features liner notes, trivia and wonderful photos enhances the title.

The best of popular music from the 1950s, '60s and early '70s is truly captured across Ed Sullivan's Rock & Roll Classics. 

Information: www.timelife.com.

Monday, May 11, 2020

Sounds abound on must-have sets

With the passing of rock 'n' roll founding father Little Richard on May 9, now is the perfect time to celebrate his vast legacy via an essential 3-disc set of his most important tracks. A highly-rewarding return from country singer-songwriter Pam Tillis, the latest album from genre-busting songstress Tami Neilson and a demos collection from the late John Stewart are well worth celebrating as well...   



Artist: Little Richard
Title: Directly From My Heart: The Best of the Specialty & Vee-Jay Years (Specialty Records)
You might like if you enjoy: Little Richard, early Beatles, Fats Domino
Tell me more: Listening to the wide-ranging 2015 Little Richard collection Directly From My Heart: The Best of the Specialty & Vee-Jay Years is to be transported to rock 'n' roll's earth-shattering infancy. Little Richard is heard on 64 tracks spanning 1956 to 1965, singing poignant ballads such as the bluesy "Wonderin'," dynamic "Without Love" and R&B standout "Maybe I'm Right," as well as songs mining Mississippi blues ("Goin' Home Tomorrow") and the Memphis sound ("I Don't Know What You've Got But It's Got Me"). Along the way Richard is featured tackling soul – notably "I'm Just a Lonely Guy (All Alone)" and "You Better Stop." But the parade of hits featured across the seminal three-disc collection is the box set's ace play, with timeless rockers such as "Tutti Frutti," "Kansas City," Ready Teddy," "Rip It Up" "Long Tall Sally" and "Lucille" resonating with the force of the ages. Information: ConcordMusicGroup.com.



Artist: Pam Tillis
Title: Looking for a Feeling (Stellar Cat Records)
You might like if you enjoy: Rosanne Cash, Grace Potter, Lorrie Morgan
Tell me more: Pam Tillis brings her wonderful soprano and exceptional songwriting talents to her 11th studio album Looking for a Feeling. The dozen tracks reveal themselves to the listener via a rich soundscape spanning from potent highs to artful restraint (notably the gorgeous Joe Pisapia-penned "Better Friends" and her own "Last Summer's Wine"). On the aptly-titled "Dolly 1969" Tillis uses a mix of spoken word and playfully-sung vocals to pay tribute to one of her earliest music heroes; the simmering bluesy country rocker "Demolition Angel," ballad "My Kind of Medicine," shimmering styles-blending gem "Burning Star" and disc-ending Americana-soaked instrumental "Better Friends Reprise" additionally showcase the depth of the album. Honored in 1994 with the Country Music Association's "Female Vocalist of the Year," Tillis' voice is elevated amidst a talented parade of players including guitarist Pat Buchanan, keyboardist Jim Moose Brown, steel master Dan Dugmore and others. Information: pamtillis.com.



Artist: Tami Neilson
Title: CHICKABOOM! (Outside Music)
You might like if you enjoy: Wanda Jackson, Nikki Lane, Peggy Lee
Tell me more: Able to blend rockabilly, soul, Western swing, country and early rock 'n' roll into something decidedly her own, Tami Neilson has a large voice able to navigate and master those styles and more on her most recent full-length release CHICKABOOM! Neilson's booming soprano is used in the service of 10 songs that make for a fun and involving listen. The rock 'n' soul kiss-off "Call Your Mama" kicks things off with a bang. There is a playful and welcome devil-may-care spirit enhanced by Neilson's delivery and sharp lyrics. The catchy "16 Miles of Chain" has an early '60s vibe," as does the beautiful duet "Any Fool With a Heart" where she shares lead vocals with her brother Jay Neilson. The explosive gospel-meets-soul "Sister Mavis" and dreamy cowboy western stylings of "Sleep" close out this inspired affair. Information: tamineilson.com.




Artist: John Stewart
Title: Old Forgotten Altars: The 1960s Demos (Omnivore Recordings)
You might like if you enjoy: Buddy Ford Stewart, the Kingston Trio
Tell me more: A collection of demo recordings captured by master singer-songwriter John Stewart when he transitioning from his role as a member of the Kingston Trio to a solo career are featured on a fantastic new collection. Old Forgotten Altars: The 1960s Demos features 18 tracks recorded between 1965 and 1968, including three duets with Buddy Ford Stewart along with a bonus track recorded at his home in 1959. John Stewart — perhaps best known as the writer of the Monkees' "Daydream Believer" — displays a stellar command of song craft across this set, all the more amazing given these are mostly acoustic-styled demo recordings featuring a basic presentation of vocals and acoustic guitar. The songs are uniformly strong and affecting; high points include the lovely "Children of the Morning" (which did wind up as the title track on a Kingston Trio 1966 LP), lovely "The Pirates of Stone County Road," literate "One Tiny Grain of Sand," previously-unheard song "July, You're a Woman" and enthralling "Big Sur." Particularly powerful is "Lock All The Windows," whose acoustic ascent is as majestic as it is sparse. Insightful liner notes and archival photos fill a wonderful 12-page booklet that comes with the title. Information: OmnivoreRecordings.com.


Robert Kinsler

Monday, May 06, 2019

Album reviews: The Cranberries, Della Mae, Jared Deck, Mitch Woods

The final album from Irish rock group The Cranberries, as well as new studio efforts from Della Mae and Jared Deck and a live album from Mitch Woods add up to a strong crop of highly-recommended releases.



Artist: The Cranberries
Title: In the End (BMG)
You might like if you enjoy: The Cranberries
Tell me more: When Cranberries lead singer-songwriter Dolores O'Riordan died on January 15, 2018 it silenced one of the greatest and most unique voices in modern rock. But the Irish singer's final recordings with band mates Noel Hogan (guitar, synths), Mike Hogan (bass) and Fergal Lawler (drums) were subsequently completed in the studio and have been released as the aptly-titled In the End. The 11-song masterwork somehow blends sonic beauty, sweeping melancholy and gleaming alt rock song craft in a majestic mix that celebrates everything that has always made the Cranberries so special. The songs here range from the anthemic and soaring likes of "All Over Now" and "Wake Me When It's Over" to the wistful dreamscapes of "Catch Me If You Can" and "Got It." Every song on the album is bolstered by O'Riordan's amazing soprano. Information: Cranberries.com.



Artist: Della Mae
Title: The Butcher Shoppe EP (Rounder)
You might like if you enjoy: Larkin Poe, Molly Tuttle, Infamous Stringdusters
Tell me more: Lovers of bluegrass and Americana will want to grab the outstanding new Della Mae release The Butcher Shoppe EP. Recorded in Nashville, the six-song title features two original compositions and oft-requested covers popularized at the group's live performances. The lead-off track, the original "Bourbon Hound," is a ferocious and enthralling song penned by lead singer Celia Woodsmith. A breathtaking showcase for the all-female group's blend of incredible musicianship, inviting arrangements and wonderful vocals, The Butcher Shoppe EP also features guest performers Alison Brown (banjo), Molly Tuttle (vocals, guitar) and Avril Smith (guitar). Information: dellamae.com.



Artist: Jared Deck
Title: Bully Pulpit (independent)
You might like if you enjoy: John Mellencamp, Vintage Trouble, Chris Stapleton
Tell me more: Mining blues, gospel, roots and heartland rock with authenticity and grace, singer-songwriter Jared Deck shines across his latest full-length release. Bully Pulpit finds Deck backed by a slew of famed musicians – but make no mistake  – it is his talent that propels the disc's 11 tracks into the stratosphere. Armed with a forceful voice, Deck avoids bombast and instead offers up a nuanced delivery as evidenced on the gospel blaster "I Don't Know What You Come to Do," blues soaked "In The Name," soulful "Sometimes I Miss Being Lonely" and beautiful countrified ballad "Tulsa Sound." Information: JaredDeckMusic.com.



Artist: Mitch Woods 
Title: A Tip of the Hat to Fats (Blind Pig)
You might like if you enjoy: Fats Domino, Dr. John
Tell me more: To be sure, Mitch Woods' new album A Tip of the Hat to Fats is a fitting tribute to the late Fats Domino (who passed away in October 2017 at the age of 89). But the new album – recorded live at the New Orleans Jazz & Heritage Festival in April 2018 – also serves as a thrilling showcase of the talents of singer-pianist Woods and his terrific band of celebrated players. The energetic spirit across the live set is palpable, with Woods and company delving into boogie-woogie, early rock 'n' roll, jump swing and blues. Among the instantly-immersive tracks are Woods' original "Solid Gold Cadillac" and "Mojo Mambo," as well as a strong cover of Domino's New Orleans rhythm & blues classic "Blue Monday." Information: MitchWoods.com.


Robert Kinsler


Tuesday, November 07, 2017

Wide Range of Styles Showcased on New Releases

A mix of deluxe and expanded reissues as well as several exciting new albums are just waiting to be explored and discovered by new and long-time discerning listeners.


Artist: John Wetton
Title: Akustrika / Akustrika II (Primary Purpose / Red Cherry Red Records)
You might like if you enjoy: ASIA, U.K., King Crimson
Tell me more: Fans of John Wetton continue to mourn the legendary rocker who died on Jan. 31, 2017 following a long battle fighting cancer. Now the lead singer/bassist of ASIA, U.K. and King Crimson (1972-1974) is featured on a fantastic 2CD set celebrating his legacy. Akustrika: Live in Amerika  (featuring tracks recorded in October 1995) and Akustrika II: Return to Amerika (featuring a concert taped on Nov. 11, 2005) really highlight Wetton's gifts as one of rock's most emotive voices. The inspired "Voice of America," "Hold Me Now" (with Wetton's voice soaring) and a remarkable version of the ASIA classic "Only Time Will Tell" and a stirring "Battle Lines" are among this writer's favorites on the first disc, while the intimate "Walking on Air," driving "Sole Survivor" and a dramatic retelling of ASIA's hit "Heat of the Moment" are among the many standouts on the second disc. Accompanied by only his acoustic guitar or piano, the tracks on the release were selected for this collection by Wetton before his passing; Akustrika / Akustrika II is a powerful tribute to Wetton's enduring legacy. Information: JohnWetton.com.




Artist: Eric Johnson
Title: Live From Austin TX (New West Records)
You might like if you enjoy: Eric Johnson, Joe Bonamassa, Jimi Hendrix
Tell me more: Widely (and rightly) ranked as one of the best and most creative rock guitarists of all time, Eric Johnson has released a number of memorable albums since his critically-acclaimed 1990 album Ah Via Musicom. But the new Live From Austin TX" Johnson title serves as a monumental reminder how great and groundbreaking Johnson has been all along. Recorded and filmed in December 1988 and originally aired in 1989, the newly-issued CD/DVD combo release is truly thrilling from start to finish. Just listen to Johnson race through the countrified instrumental "Steve's Boogie" or artfully weave dynamic guitar textures amidst the arching and ambitious "Trail Of Tears." Johnson performs plenty of his original gems (including "Cliffs of Dover," which won Johnson a 1991 Grammy Award for Best Rock Instrumental Performance, and the jazz instrumental "East Wes"), as well as versions of two Jimi Hendrix classics ("Love Or Confusion," "Are You Experienced?").  Information: NewWestRecords.com.



Artist: Guided By Voices
Title: Live From Austin TX (New West Records)
You might like if you enjoy: Sonic Youth, Guided By Voices
Tell me more: Near the end of Guided By Voices' initial 21-year run in 2004, the Dayton, Ohio-spawned outfit performed as part of an episode of "Music City Limits." The Robert Pollard-led troupe performed more than 30 songs over the course of 97 minutes before an intimate and enthusiastic audience. While many of the songs played at the session were never shown on the original broadcast of the episode, all are showcased on two audio CDs and an accompanying DVD on the Live From Austin TX combo release. The lo-fi music heroes turn in a loose and customarily-freewheeling performance, including grating art damage cuts ("Let's Get Down To Business"), jangly melodic rock ("Girls Of Wild Strawberries," "Gold Star For Robot Boy"), progressive alt rock ("Redmen And Their Wives") and rapid fire guitar-driven lo-fi cuts ("Exit Flagger").  Information: NewWestRecords.com.



Artist: Flat Duo Jets
Title: Wild Wild Love (Daniel 13)
You might like if you enjoy: Lee Rocker, Tiger Army, the Blasters, Michael Ubaldini
Tell me more: The Stray Cats and the Blasters were not the only artists to tap into 1950s as part of the bona fide rockabilly revival of the 1980s. A number of other great artists such as the Kingbees also mined new creative pay dirt out of the past with phenomenal results. Add to that distinguished list Flat Duo Jets, a group formed by singer-guitarist Dexter Romweber and drummer Chris "Crow" Smith in Chapel Hill, North Carolina in 1984. The new retrospective Wild Wild Love compiles Flat Duo Jets' exhilarating self-titled debut and a number of outtakes, as well as the (In Stereo) EP the duo released on cassette in 1984. It's simply impossible not to get swept up as the Flat Duo Jets roar through spirited rockers such as "My Life, My Love," "When My Baby Passes By" and "Tribute to Gene." The Flat Duo Jets' joyful version of Fats Domino's "Strut My Stuff" also doubles as a tribute to the recently-lost New Orleans legend. On the second disc outtakes abound, including the buoyant instrumentals "Minor Swing" and "Penetration 1," the Jerry Lee Lewis-styled "You Made Me Cry - 01" and bluesy "Look Down 2." Information: Daniel13.com.



Artist: The Hangabouts 
Title: Kits & Cats and Saxon Wives (Futureman Records)
You might like if you enjoy: Fountains of Wayne, The Beatles, The Zombies
Tell me more: This writer only recently discovered the tuneful and infectious songs of Michigan pop trio the Hangabouts. The group's latest album Kits & Cats and Saxon Wives is bolstered by top-notch songwriting, great harmony vocals, a nod to the troupe's '60s and '70s heroes and a winning spirit that comes across throughout the 13-track disc. There is baroque pop (the Mellotron-adorned "Sinking Feeling" and lovely "Twelve Songs"), psychedelic rock ("Cricket Time," "Selling Out"), soaring power pop (the intoxicating "Evelyn Wood" and decidedly wistful "Taking You to Leave Me"), an Everly Brothers-meets-Crowded House nugget ("Follow the Sunshine") and gorgeous acoustic ballads ("Too Hot to Sleep," "Sensation Overnight")  — all of it adding up to a terrific album. Information: Hangabouts.com.



Artist: Diamond Hands
Title: Diamond Hands (Kool Kat Musik)
You might like if you enjoy: The Beatles, Big Star, Badfinger
Tell me more: Los Angeles-based Diamond Hands' self-titled album (released in 2016 on vinyl and cassette, but only recently on audio CD) offers a batch of terrific songs written and recorded by Jon Flynn and Joel Wall. There are sonic ghosts of some of rock's greatest melodic voices here (just listen to the Beatlesque "Not the Same" and "Just Another Day"), but there is also a contemporary urgency to the material that confirms this is no mere exercise in nostalgia. The rollicking "Nothing Left to Lose," Big Star-worthy "See You Again" and defiant alt rocker "Old Man" elevate "Diamond Hands" for listeners who like a not only power pop but other melodic-minded rock styles too. Information: KoolKatMusik.com.


Robert Kinsler

Wednesday, October 25, 2017

Fats Domino Remembered

On the latest episode of Music Worth Buying, TJR and Robert Kinsler celebrate the life and music of Fats Domino, who died at the age of 89 on Tuesday, October 24, 2017. In addition to discussing his greatest hits, they also champion a 2007 tribute to Fats Domino titled Goin' Home featuring a slew of music greats (John Lennon, Tom Petty, Bonnie Raitt, Robert Plant and more) as well as a terrific live album featuring a Fats Domino concert recorded in 1973 and released commercially in October of 2015 (the aptly-titled Thrillin' In Philly! Live 1973).




Here is a statement that appeared on the official Fats Domino Facebook page:
Statement from the children of Antoine “Fats” Domino, Jr.
Dated: October 25, 2017
We are all touched by the outpouring of love and tribute for our father. He passed away peacefully at home surrounded by those he loved and those who loved him. His music reached across all boundaries and carried him to all corners of the world.


…Then I rock myself to sleep
Prayin’ that I am here to keep
Then I ride the rising sun
Gee ain’t I being a lucky one
“Rising Sun”(Domino) ©1960 EMI Unart Catalog, Inc.

We thank you for allowing us to grieve privately during this difficult time. Funeral arrangements are pending.


RECORDING ACADEMY™ Statement regarding Fats Domino issued October 25, 2017
 
Our Recording Academy™ family is deeply saddened to hear of the passing of rock and roll visionary Fats Domino. In a career spanning more than five decades, Domino charmed audiences with his smooth vocals, boogie-woogie piano style, and unwavering humility. He is widely recognized for influencing artists across all genres, having a number of his hits covered by music industry giants, including John Lennon, Cheap Trick, and Led Zeppelin. In 1987, Domino received a Lifetime Achievement Award from the Recording Academy, our formal salute to his remarkable contributions to rock history. He will be greatly missed, but remembered for paving the way for rock and roll. Our condolences go out to Domino’s family, friends, and collaborators during this difficult time.  
 
Neil Portnow
President/CEO
Recording Academy



"Rest in peace Fats Domino, the great rock ’n’ roll pianist and singer who thrilled us in our early days in Liverpool. His hit records like ‘Ain’t That A Shame’, ‘Blueberry Hill’, ‘I’m In Love Again’ and many others introduced us to the sounds of New Orleans rock ‘n’ roll. We were excited to meet Fats once in his home town of New Orleans. He was wearing a huge star spangled diamond encrusted watch which was our first encounter with bling! His voice, piano playing and musical style was a huge influence on us and his appearance in the film ‘The Girl Can’t Help It’ was truly magnificent. As one of my favourite rock ‘n’ roll singers, I will remember him fondly and always think of him with that twinkle in his eye. I read that he had eight children. He himself was named Antoine. His kids were named Antoine III, Anatole, Andre, Antonio, Antoinette, Andrea, Anola and Adonica. Now that is pure Fats!" - Paul 
Statement from Paul McCartney posted October 26, 2017


TWITTER REACTS

Fats Domino was one of the first 10 honorees named to the Rock and Roll Hall of Fame (and he was inducted into the Rock Hall in 1986) and his death at the age of 89 has been followed by countless tributes by music greats.



Photo © Curt Gunther
Fats Domino - an inspiration to the band and a music legend.
Rest In Peace.
@TheBeatles 

RIP Fats Domino legend and innovator of rock n' roll - His legacy remains forever in his music.
@TheJonathanCain

Before Elvis, Jerry Lee & Chuck (Berry) that was Fats. His sweet voice, rolling piano & charisma made him a star & first member of the Rock Hall.
@RockHall
(Rock and Roll Hall of Fame)



RIP Fats Domino
@BillyJoel

Words fail me in this moment of deep heartache and sadness. We have lost a legend. One of my heroes. New Orleans' Fats Domino is dead.
@WendellPierce

His groove will always be foremost in my body and soul. His was the "cool" of the New Orleans music that first lit my fire. Bon voyage Fats.
@MickeyHart

Godspeed, Fats Domino. RIP
@jackie_greene

So sad to hear the passing of Fats Domino. A true rock and roll legend. RIP
@YoungDubliners

RIP fats domino... you helped pave the way for New Orleans piano players... see you on top of that Blueberry Hill in the sky
@HarryConnickJr

RIP #FatsDomino, 1950s-60s singer/pianist/pop hitmaker. #BlueMonday #AintThatAShame #NewOrleans #BlueberryHill
@GeorgeAPaul

Tuesday, January 12, 2016

A last listen back at 2015 releases: City and Colour, Kinky Friedman, Fats Domino, Pat Metheny

Before becoming immersed in all things 2016, this writer wanted to take one last look (and listen) at some strong 2015 releases that I discovered late in the year.


Artist: City and Colour
Title: If I Should Go Before You (Dine Alone Music)
You might like if you enjoy: Band of Horses, Bon Iver, Neil Young
Tell me more: City and Colour is the apt moniker for singer-songwriter-guitarist Dallas Green, whose far-reaching and falsetto-adorned voice delivers Americana-styled rock that is deeply affecting on the 11-track If I Should Go Before You. City and Colour's 5th full-length album is ripe with striking song craft (the haunting "Woman," potent title track, infectious "Wasted Love" and propulsive "Runaway" are among this writer's favorites), and a disc best heard from start to finish. Information: cityandcolour.com.


Artist: Kinky Friedman
Title: The Loneliest Man I Ever Met (Avenue A Records/Thirty Tigers)
You might like if you enjoy: Willie Nelson
Tell me more: Before the release of his The Loneliest Man I Ever Met in October 2015, it had been 39 years since singer-songwriter Kinky Friedman had recorded a studio album. His new album is launched with a tuneful "Bloody Mary Morning," a duet with Willie Nelson. Offering up intimate countrified reflections with his deep baritone, the material includes a mix of heartfelt covers by the fabled likes of the aforementioned Nelson, Tom Waits, Warren Zevon as well as his own probing confessionals (particularly the winning "Lady Yesterday" and stirring title song). Information: kinkyfriedman.com.


Artist: Fats Domino
Title: Thrillin' in Philly! Live 1973 (Goldenlane Records)
You might like if you enjoy: Dr. John, Fats Domino
Tell me more: Early rock 'n' roll hero Fats Domino influenced the far-flung likes of Bob Marley, reggae star Yellowman, Elton John and the Beatles ("Lady Madonna"), and listening to the recent release of a wonderful 1973 full-length recording is to hear why the New Orleans boogie woogie piano master was one of the most significant artists to emerge in the '50s. Highlights on the outstanding 22-track Thrillin' in Philly! Live 1973 include a soulful "Blueberry Hill," his rollicking "Ain't That A Shame" and a swinging "I'm in Love Again." This concert was captured via a multi-track recording and was incidentally recorded while Domino was in the midst of a career-reviving tour. The energy and sound of the performance will thrill old and new fans alike. Information: CleopatraRecords.com.


Artist: Pat Metheny
Title: The Unity Sessions (Eagle Vision)
You might like if you enjoy: Frank Zappa, Mark Egan
Tell me more: A 20-time Grammy winner, innovative jazz guitarist Pat Metheny's impressive musicianship is displayed across The Unity Sessions, a concert event filmed at 5 Angels Theater in New York City. Much of the material featured comes from Metheny's album "KIN" recorded with the Unity Group, including the freewheeling "On Day One" (where handclaps are used magically), beautifully lush "KIN" and "Born," the latter showcasing Metheny's stellar touch on the guitar. In addition to the concert itself, there is a bonus interview with Metheny and his band. The Unity Sessions is available on DVD, Blu-ray and digital formats. Information: eagle-rock.com.

Below is an embedded version of my column as it first appeared in Desert Star Weekly on January 6, 2016:


http://issuu.com/desertstar/docs/dstarweekly_wednesday_january_6_201/14?e=5727783/32600977

Wednesday, February 18, 2015

Little Richard, Tommy Brown, Eric Clapton revealed as 2015 Blues Hall of Fame Inductees

Blues Foundation announces 2015 Blues Hall of Fame Inductees


February 18, 2015 - Memphis, TN - The Blues Foundation announces the selection of three living performers to be inducted into its Blues Hall of Fame.  The three are Tommy Brown, Eric Clapton and Little Richard.  They join more than 130 performers who have been inducted each year beginning in 1980.
Eric Clapton has been tapped for induction into the Blues Hall of Fame for his many musical achievements as well as for his role as a popularizer of the entire genre.   He brought the blues to audiences in his native Britain and throughout the world, illuminating the work of the original blues artists who inspired him. With his induction, Little Richard joins an elite group of Blues Hall of Fame icons including Fats Domino, Chuck Berry and Bo Diddley who built upon rock 'n’ roll’s foundation in the blues. His  earliest recordings were in the blues vein and, throughout his career, he continued to employ a blues format in his work. In the early ‘50s Tommy Brown broke through nationally fronting the Griffin Brothers Orchestra with the #1 hit “Weepin’ & Cryin’.”  He brought his intuitive sense of showmanship to the blues over a career that has now spanned over 75 years.  
This year’s inductees’ official biographies and descriptions are available, as well as for all Hall of Fame inductees, at http://www.blues.org/awards-search/?cat=hof.
Their induction will be held in conjunction with the three days of events May 6-8 surrounding the 36th Blues Music Awards on May 7 and the public Grand Opening of the bricks and mortar Blues Hall of Fame on May 8 in Memphis, Tennessee. With living musicians like B.B. King and Buddy Guy, and legends like Muddy Waters and Koko Taylor, the Blues Hall of Fame consists of blues music’s best and brightest stars.
The Blues Foundation is now in the final stages of the renovations needed to showcase these legendary performers and their work with Blues Hall of Fame exhibits at its 421 S. Main headquarters in downtown Memphis. The Blues Hall of Fame will honor inductees year round, provide interactive and educational exhibits, and create a place for serious blues fans, casual visitors, and students to congregate, celebrate and learn more about the Blues.
For tickets and more information, visit www.blues.org.
Major funding is provided by ArtsMemphis and the Tennessee Arts Commission. The 36th Blues Music Awards and Blues Hall of Fame events are also sponsored by BMI, Catfood Records, First Tennessee Foundation, Jontaar Creative Studios, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company and Sony/Legacy Records.

The Blues Foundation is Memphis-based, but world-renowned as THE organization dedicated to preserving our blues music history, celebrating recording and performance excellence, supporting blues education and ensuring the future of this uniquely American art form. Founded in 1980, The Blues Foundation has 4000 individual members and 200 affiliated local blues societies representing another 50,000 fans and professionals around the world. Its signature honors and events--the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards--make it the international center of blues music. Its HART Fund provides the blues community with medical assistance while its Sound Healthcare program offers musicians health insurance access. Blues in the Schools programs and Generation Blues scholarships expose new generations to blues music. Throughout the year, the Foundation staff serves the worldwide Blues community with answers, contact information and news.

2015 Blues Hall of Fame Inductees
Tommy Brown, hailed during the 1950s as "one of the most dynamic entertainers in show business," has spent most of the past four decades out of the performing spotlight, but his resume of vintage records, onstage theatrics and a 21st century career revival have brought him long overdue recognition among current blues aficionados. Brown was a friend of fellow Georgia singer and 2015 Blues Hall of Fame inductee Little Richard when both were starting out, and he remembers letting Richard sleep in his station wagon when times were tough. A young James Brown picked up cues for his fabled stage show from both of them.
 
Brown was born in Atlanta on May 27, 1931, and began performing as a dancer when he was in the first grade. He also worked as a drummer before he became a stand-up singer. But he did much more than stand, as the Atlanta Daily World reported in 1953: ". . . he jumped off the stage, fell prostrate on the floor, got up, banged his head on the wall then fell down on his knees and wailed the blues." Brown began recording in 1950 and sang (and sobbed) on the No. 1 R&B hit Weepin' and Cryin' with the Griffin Brothers in 1951. The song evolved from a real life experience, when he broke down while singing onstage as he saw his fiance´ walk in with another man. Humor was an important part of his show, however, and in the 1960s he began performing and recording as a comedian.
 
After stays in St. Louis, Chicago (where he teamed on shows with Otis Clay), and New York, Brown settled back in Atlanta in 1977 to run the Landmark West Personal Care Center, a business his mother had founded. After fans sought him out to interview him and book him on festivals in the U.S. and Europe, he began traveling and recording again in the new millenium. His Classic Tommy Brown CD, on his own Chittlin' Circuit label, reintroduced listeners to the rocking, crying and shouting blues he waxed on labels such as Savoy, King, United and Imperial. "I'm looking to retire at 103." he says, "and take up a new profession -- teach people how to love."

Eric Clapton has been tapped for Blues Hall of Fame induction not only for his many achievements during a long and successful career but also for his role as a popularizer who has brought the blues to audiences far more widespread than those reached by the original bluesmen whose music inspired him. Clapton has consistently included blues material on albums that have registered in the upper echelons of the pop music charts. In the process Clapton has not only brought new listeners into the blues fold but has generated royalties for the blues legends whose songs he has covered--royalties often well in excess of those the bluesmen earned from their own recordings.
 
The first British musician inducted into the Blues Hall of Fame, Clapton was born in Ripley, Surrey, on March 30, 1945. He identified with the power and uplifting spirit of the blues from his early days as a guitarist, and amidst forays into other genres has always remained a blues devotee. At the age of 18, as a member of the Yardbirds, he played guitar on a Sonny Boy Williamson LP, and soon did sessions with bluesmen Otis Spann and Champion Jack Dupree, not to mention the influential work he did with John Mayall's Bluesbreakers, Cream and Blind Faith. In between his many subsequent albums and world tours, he played on Howlin' Wolf's London Sessions and recorded with several of his early guitar heroes, including B.B. King, Freddie King, Buddy Guy, Chuck Berry, John Lee Hooker and Otis Rush.
 
Clapton topped the Billboard charts with an album of blues standards, From the Cradle, in 1994, and with the blues-laden Unplugged album in 1992, and hit the top ten with his Robert Johnson tribute, Me and Mr. Johnson in 2004 and his collaboration with B.B. King, Riding With the King, in 2000. Clapton's battle with drug and alcohol addiction led him to found the Crossroads Centre rehab facility in Antigua in 1998. His Crossroads Guitar Festival is both a showcase for many of the world's leading guitarists and a fundraiser for the Crossroads Centre.
 
Little Richard joins an elite group of Blues Hall of Fame icons, including Fats Domino, Chuck Berry and Bo Diddley, who built rock 'n' roll from a foundation in the blues. Richard's earliest recordings were in the blues vein and he continued to employ a blues format, often accelerated to a frenzied tempo, on many of his sessions. By bandleader Johnny Otis' recollections from witnessing his first "beautiful, bizarre and exotic" Little Richard performance, Richard exclaimed, "This is Little Richard, the King of the Blues! And the Queen, too!" Gospel was also a profound force in Little Richard's life and music, and at times during his career he left the rock 'n' roll stage to study, preach and sing the gospel, only to return to the secular side. He eventually maintained a mission in both worlds, handing out religious tracts at his rock concerts.
 
Born December 5, 1932, in Macon, Georgia, Richard Wayne Penniman stunned audiences even in his adolescent days performing with minstrel shows. As he described himself, "I was very effeminate. I was very frisky. I was loud." He honed his appearance and stage act under the influence of gay blues/R&B artists Billy Wright and S.Q. Reeder (Esquerita). He recorded blues for RCA Victor in 1951-52 and Peacock in 1953 but only with Specialty did he transfer his wild flamboyance to wax, beginning with the bombshell Tutti Frutti in 1955. His lives shows were still more frantic, to the point that even his films could inspire riots among teenaged fanatics. The list of performers he inspired is endless, from James Brown to the Beatles to Jimi Hendrix, who was once the guitarist in Richard's band. Even since his hitmaking days have been over, he has remained a charismatic celebrity. Once "The King of the Blues," he has since anointed himself "The Originator, the Emancipator and the Architect of Rock 'n' Roll."

Monday, September 16, 2013

Cheap Trick celebrates enduring legacy at GRAMMY Museum

From left, Daxx Nielsen, Tom Petersson, Robin Zander and Rick Nielsen.
One of rock's most enduring bands took their continuing journey to the GRAMMY Museum at L.A. Live on Thursday night, Sept. 12, 2013. Cheap Trick appeared in the intimate Clive Davis Theater, sharing stories and insights into the band's 40-year history via an in-depth question and answer session with the GRAMMY Foundation's Scott Goldman before cranking up their equipment to perform a stirring six-song set comprised of early and recent rockers that had the sold-out crowd of 200 on its feet in appreciation of the chance to be a part of something very special.

Singer-rhythm guitarist Robin Zander, lead guitarist Rick Nielsen, bassist Tom Petersson and drummer Bun E. Carlos formed the band in Rockford, Illinois in 1973. Daxx Nielsen, the son of Rick Nielsen, has served as the band's full-time touring drummer since 2010. As part of the quartet's 40th anniversary celebration the GRAMMY Museum opened a special exhibit focusing on Cheap Trick the same day that will remain on display for musuem visitors through June 2014. The exhibit includes the display of many of Nielsen's most prized guitars including the 1952 Feder Telecaster used when he performed at Budokan in 1978. In addition, visitors to the museum can see original lyrics of several of the band's big hits and Cheap Trick costumes, posters and rare albums.




Cheap Trick performed a six-song set at the event.
The program led off with Goldman asking Rick Nielsen if he recalled the first time the band played together.
"I played with Tom in high school," said Nielsen, whose witty responses drew laughter often. "We rehearsed in my parents' garage so we've always been a garage band."

Zander noted that they had another critical tactic in the early days. "We always changed the name of our band so we would get hired back," he mused. "It worked."
That is where Petersson picked up the story on how the name Cheap Trick was ultimately the moniker that stuck. The bassist noted that while he and Rick were attending a Slade concert one of them remarked of the British glam band: "They're using every cheap trick in the book." The other responded that Cheap Trick would be a great name for a band.

Zander than noted that a few years later when several major record labels were courting the young band, all wanted them to change their name. Fortunately fate had another plan; when Cheap Trick released its official debut album on Epic Records in early 1977 both the band and the name of the album remained.

Over the course of a wide-ranging 45-minute discussion, even long-time fans were treated to some fascinating tidbits of history about the power pop champs.

  • The group's first big break in the states came in 1977 when Queen singer Freddie Mercury heard Cheap Trick's not-yet-released debut album and invited the unknown band to open for Queen at two shows in Wisconsin.
  • The group wasn't sure if there was much of a future in the early days. "We thought after the first year we'd quit," Zander said.
  • "Our first record was out and not successful," Petersson recalled. "Rick and I were in Canada walking past a strip cub and heard one of our songs playing. We went in there (because we were) so shocked somebody was playing our song."
  • Because Cheap Trick's first three albums failed to initially make a commercial dent in the U.S. the band was shocked when they went on their first trip to Japan in April 1978 and were greeted by 5,000 screaming kids at the airport in Tokyo. Highlights from the two successful concerts staged at Nippon Budokan were released as the live album "Cheap Trick at Budokan" and ultimately led to their global success. Zander picked up the story here: "Another thing about Budokan we had a set amount of time to play. The Japanese are very efficient. They studied our set list and said we were short and needed another song. We'll put on "I Want You To Want Me.' The live version of that song was the group's biggest-selling single to date and directly led to their subsequent widespread success.
  • When asked about the thrill of working with Beatles producer George Martin, Rick Nielsen said Sir Martin was "The most knowledgeable musician I've ever worked with."
Cheap Trick thrilled the intimate crowd at the GRAMMY Museum.

Indeed Cheap Trick has sold more than 20 million albums, performed approximately 5,000 concerts and earned 40 gold and platinum albums since the mid 1970s. But anyone who has seen Cheap Trick understands it is the deep connection the band has with its fans that will likely be Cheap Trick's most enduring legacy: "It means everything," Zander said of the fans' support, which elicited cheers in the theater.

"We make music for ourselves first, but at the same time if nobody's listening it's depressing," Rick Nielsen added.

Daxx Nielsen, who has performed full-time with his dad's band since 2010 was also asked to add his thoughts on Cheap Trick. "Playing with these guys every night is awesome."

GRAMMY Museum were wise to hand out ear plugs as attendees arrived at the museum earlier that evening. They came in handy when the interview ended and Cheap Trick performed a powerful 25-minute set for the enthusiastic crowd. Kicking things off with the electrifying punk-styled "ELO Kiddies" off their first album, the outfit went on to tear through their rollicking version of Fats Domino's "Ain't That a Shame" featuring Nielsen's smoking slide guitar work. "Dream Police" benefited from the mix of its melodic chorus, sweet harmonies and a chilling psychedelic break at the end of the song.

Always a band to mix things up, Cheap Trick then played "Sick Man of Europe," a post-punk rocker off their 2009 disc "The Latest" before returning to classics with "I Want You To Want Me" and a festive "Surrender" where just about everyone was singing along or pumping their fists into the air. Like all of the GRAMMY Museum's special programs, the event was recorded on high def video and will be available to view by visitors to the museum, located at 800 W. Olympic Blvd., Suite A245, Los Angeles, CA 90015.

About the only good question not addressed at the GRAMMY Museum is why Cheap Trick isn't in the Rock and Roll Hall of Fame.