Friday, June 22, 2018

Florence + the Machine debut compelling new track "Big God"; tickets on sale for second Hollywood Bowl show today!

Florence + the Machine's highly-anticipated new album 'High As Hope' is set for release a week from today. While we wait for the new album, listen to the new song "Big God" and watch the creative video too...



Florence + the Machine debut new song titled "Big God' - watch the new video

SECOND SHOWS ADDED AT
BARCLAYS CENTER, HOLLYWOOD BOWL
 AND D.C.’S THE ANTHEM


'High As Hope' out Friday, June 29, 2018


Florence + the Machine have unveiled a new song, “Big God,” and video —watch it, choreographed by Akram Khan and Florence and directed by Autumn de Wilde, HERE. “Big God” is the third track to be released from Florence + the Machine’s hugely anticipated fourth studio album High As Hope, out June 29 on Republic Records.

Listen to Big God 
HERE.

Watch the music video
 HERE.

Says Florence:
"Big God’ was written about that feeling when someone has not replied to your text, the modern phenomenon of ‘Ghosting’ which is one of my favorite words but not my favorite feeling. I was describing it to someone and they said to me ‘You need a big god’, as if the need in me were so cavernous, it would take something enormous to fill it. Probably something bigger than a text message.

"It’s always been a very physical song. I saw a dance piece in my head as I was writing it, so to co choreograph something with Akram Khan was a huge honour. Autumn de Wilde fully understood what I was trying to do. The power of the desire within the void, left with yourself to rage and wonder and really it is yourself you are raging against. Not the ghost."


Akram Khan adds:
"For me, this encounter with Florence and her powerful song somehow navigated itself towards the element—water. But the direction of the dance also became a resistance to all things that wish to oppress, a sort of protest dance and yet a celebratory one towards a new found freedom."




Due to overwhelming demand Florence + The Machine announced a second show at the Hollywood Bowl on Wednesday, September 26 in addition to the previously announced show on Tuesday, September 25.  Kamasi Washington will open both shows. Tickets go on sale to the public on Friday, June 29, 2018 at 10 a.m. PST. Check florenceandthemachine.net for further information.

Furthermore, in addition to the second Hollywood Bowl show, the band added a second night at Washington, D.C.'s The Anthem on October 6. Tickets are available to the public Friday, June 29. American Express Card Members can purchase tickets before the general public beginning Monday, June 25 at 12 p.m. local time, through Thursday, June 28 at 10 p.m. local time.

Previously announced dates-on sale now-include New York, Seattle, Portland, Nashville, Philadelphia, Chicago and more. Visit florenceandthemachine.net for more information. 

Visit florenceandthemachine.net for more information.

High As Hope was co-produced by Florence Welch and Emile Haynie and features contributions from Kamasi Washington, Sampha, Tobias Jesso Jr, Kelsey Lu, Jamie xx and Thomas Barlett. Watch the A.G. Rojas-directed video for first official single “Hunger” 
here.

FLORENCE + THE MACHINE LIVE
5-AugMontreal, QC, CanadaOsheaga
9-AugLake Tahoe, NVLake Tahoe Outdoor Arena at Harveys*
11-AugSan Francisco, CAOutside Lands
8-SepVancouver, BC, CanadaSkookum Festival
10-SepSeattle, WAKeyArena†
11-SepPortland, ORModa Center†
14-SepSalt Lake City, UTMaverik Center†
15-SepDenver, COGrandoozy Festival
22-SepLas Vegas, NVLife Is Beautiful
23-SepSan Diego, CAViejas Arena at Aztec Bowl San Diego State University‡
25-SepLos Angeles, CAHollywood Bowl‡
26-SepLos Angeles, CAHollywood Bowl‡
29-SepDallas, TXThe Pavilion at Toyota Music Factory‡
30-SepHouston, TXThe Cynthia Woods Mitchell Pavilion‡
2-OctNashville, TNBridgestone Arena§
3-OctCharlotte, NCSpectrum Center§
5-OctWashington, D.C.The Anthem**
6-OctWashington, D.C.The Anthem**
9-OctNew York, NYBarclays Center‡
10-OctNew York, NYBarclays Center‡
12-OctBoston, MATD Garden††
13-OctUncasville, CTMohegan Sun Arena††
14-OctPhiladelphia, PAWells Fargo Center††
16-OctToronto, ON, CanadaAir Canada Centre††
19-OctChicago, ILUnited Center‡‡
20-OctMinneapolis, MNTarget Center‡‡
*with wet
†with St. Vincent and Lizzo
‡with Kamasi Washington
§with Billie Eilish
**with Beth Ditto
††with Grizzly Bear
‡‡with Perfume Genius

FLORENCE + THE MACHINE—HIGH AS HOPE                                                    
1. June
2. Hunger
3. South London Forever
4. Big God
5. Sky Full of Song
6. Grace
7. Patricia
8. 100 Years
9. The End of Love
10. No Choir​

Thursday, June 21, 2018

Music Worth Buying episode: Johnny Marr, Lake Street Dive

On the latest episode of MUSIC WORTH BUYING, Robert Kinsler celebrates the release of Johnny Marr's third studio album Call the Comet while TJR champions the sophomore effort from Lake Street Dive, Free Yourself Up:



Paul McCartney announces new album 'Egypt Station'; shares first two singles

The cover artwork for Sir Paul McCartney's upcoming
album 'Egypt Station,' set for release on Sept. 7.
On June 20, 2018, Paul McCartney released two brand new songs — "I Don't Know" and "Come On to Me" — as a double A-side single. Sir Paul had teased that new music via Instagram last week, and he followed up with the goods. In addition to the great new songs, he is set to release his first new album in five years, Egypt Station, on Friday, Sept. 7 courtesy of Capitol Records.

Egypt Station marks McCartney's first new album since 2013's New.

In a statement about his forthcoming LP, McCartney, 76, says: "I liked the words 'Egypt Station.' It reminded me of the album albums we used to make ...'Egypt Station' starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. It think of it as a dream location that the music emanates from."

I'm really enjoying both new songs, and it's great McCartney has shared a lovely ballad ("I Don't Know") and bona fide rocker ("Come On to Me"), the latter enhanced with a driving beat and artful arrangement. (You can check out my most recent review of MaCartney, a review of his 2010 performance at the Hollywood Bowl here)






Check out Music Worth Buying co-host TJR's initial reaction video on the first two singles from McCartney's upcoming album here:
https://youtu.be/W6LrvJeWWsw


You can get more information about the album and hear the new cuts on McCartney's official website (via two creative lyric videos!): https://www.paulmccartney.com/

Robert Kinsler

Tuesday, June 19, 2018

Groundbreaking artists shine via remarkable returns

Five seminal artists are back with outstanding new releases. 



Artist: Johnny Marr
Title: Call the Comet (New Voodoo Records)
You might like if you enjoy: The Smiths, Noel Gallagher's High Flying Birds, Interpol
Tell me more: Since the breakup of The Smiths in 1987 guitarist Johnny Marr has carved out a wide-ranging path performing with everyone from The The and the Pretenders to Modest Mouse, Talking Heads and even famed composer Hans Zimmer! But the most astounding ripple in Marr's incredible journey has been a solo career launched with 2013's The Messenger. That album, as well as 2014's Playland and 2015's live import Adrenalin Baby, have rapidly established Marr as one of this decade's most exciting rock artists. On June 15, Marr released his third studio album Call the Comet, and the 12-song set offers definitive proof that while Marr's signature guitar work put him on the map his elevated songcraft and top-tier vocals guarantee listeners will be swept away and immersed across "Call the Comet." The disc's track listing shines from start to finish, with the spacious "Rise," evocative "Hi Hello," hypnotic "A Different Gun" and breathtaking "Walk Into the Sea" among the awe-inspiring songs. Johnny Marr will headline at the legendary Theatre at Ace Hotel on Oct. 4, 2018. Information: JohnnyMarr.com.



Artist: Snow Patrol
Title: Wildness (Republic)
You might like if you enjoy: Radiohead, Two Door Cinema Club, U2
Tell me more: Snow Patrol has returned with Wildness, the Northern Irish rock band's first new full-length album since 2011's Fallen Empires. A seven-year break feels like a lifetime when considering the span between studio albums (just think how many albums the Beatles released during the seven-year span between 1963's With The Beatles and 1970's Let It Be), but the good news for fans is Wildness delivers on the group's ambitious modern rock approach. Indeed, singer-songwriter-guitarist Gary Lightbody and company's mix of introspective lyrics and art rock dynamics are as affecting and compelling on "Wildness" as the troupe's 2003 breakthrough Final Straw. The songs frequently tackle the intimacy of love but in the context of the mystery of life's magic and fleeting fabric. The diversity of sounds and even the range and studio effects on Lightbody's vocals (much of the power of the disc comes courtesy of producer Jacknife Lee) on the pensive "Life On Earth," tender "Don't Give In" and deeply moving "Heal Me" are early standouts on the album. The anthemic "Empress," piano-anchored ballad "What If This is All The Love You Ever Get?" and powerful "Soon" are among this writer's other favorites. Finishing off the album is the introspective "Life and Death" which gracefully explores the connection between two souls. An outstanding return. Snow Patrol is going on a summer tour with Ed Sheehan, and will perform at the Rose Bowl in Pasadena, CA on Aug. 18, 2018. Information: SnowPatrol.com.



Artist: The Record Company
Title: All Of This Life (Concord Records)
You might like if you enjoy: Moreland & Arbuckle, The Record Company, Buddy Guy
Tell me more: Those who appreciate the blistering blues rock of Greta Van Fleet but complain that the Michigan outfit sounds too much like Led Zeppelin needs to check out the sophomore album from Los Angeles-based trio The Record Company. On All Of This Life, the trio (singer-guitarist Chris Vos, bassist-vocalist Alex Stiff and drummer-vocalist Marc Cazorla) proves to be the real deal unleashing a blistering hybrid of electric Chicago blues and classic blues rock that explodes out of the speakers. The album's undeniable lead-off track "Life to Fix" has a bona fide intensity and resonates with the impact of a favorite classic rock track. The Little Walter-styled harmonica blasts give "I'm Getting Better (And I'm Feeling It Right Now)" an additional flair on the equally amped-up follow-up single. Adding fuel to the band's firepower brand is the overall message about looking inward and working on one's own issues as part of a solution to help make the world we all share a little better (a message forcefully delivered via the slide guitar-drenched "Make It Happen" and the closing track "I'm Changing"). All Of This Life will be released on June 22. The Record Company has several regional concert dates set for this fall, including a San Diego House of Blues show on Nov. 9 and a date at The Wiltern in Los Angeles, CA on Nov. 10. Information: TheRecordCompany.net.



Artist: Dawes
Title: Passwords (HUB Records II LLC)
You might like if you enjoy: Buffalo Springfield, The Band, Dawes
Tell me more: Dawes' sixth album Passwords (set for release on June 22) taps into the 21st century with artistic timeliness to be sure. The lead-off track "Living in the Future" is a decidedly probing work that taps into the fast-paced world we call home. But the band's incursions extend beyond the quickening pace of how we struggle to connect with those around us beyond Tweets and Facebook posts. There is an intimacy and honesty that is at the heart of this special album and it helps elevate Dawes' California-styled folk rock beyond the reach of most of their contemporaries. Lead singer-songwriter Taylor Goldsmith clearly spends a lot of time thinking about love, loss and the meaning of life; the fact he is able to put his keen observations so clearly into song is a gift for which discerning listeners can be grateful. "Crack the Case," "I Can't Love" and "Never Gonna Say Goodbye" ooze melancholy even while the songs themselves are luxuriously beautiful. The jazz-tinged soul of "Feed the Fire" and reflective "Time Flies Either Way" show the remarkable range of the Los Angeles-spawned quartet. The ambitious "Telescope" makes an immediate mark, with its sophisticated and majestic soundscape adding weight to its lyrical refrain: "The Stronger the Telescope / The More Stars There Are."  Information: dawestheband.com.



Artist: Tami Neilson
Title: Sassafrass! (Outside Music)
You might like if you enjoy: Sharon Jones & The Dap Kings, Janiva Magness
Tell me more: The rise of the "Me Too" movement has extended beyond Hollywood-related issues of sexual assault and harassment to also serve as a greater cry by women around the world for equality in workplace and society at large. On Canadian-born/New Zealand-based singer-songwriter Tami Neilson's outstanding new album Sassafrass! there is no mistaking the 11-song album as anything less than a potent and masterful artistic statement on behalf of women everywhere. Wrapped in a musical mix of Americana, soul, country and blues, the songs across Sassafrass! are bolstered by Neilson's own life experiences as woman, mother and daughter. The aptly-titled "Stay Outta My Business" finds the singer playfully (and skillfully) letting everyone else to best worry about themselves. Beyond the straightforward lyrics, there is a magical glow to the music making across the disc. The opulent "Devil In a Dress" is enhanced by a rich musical canvas; the sparse "Smoking Gun," rockabilly romp "Kitty Cat" and gorgeous country ballad "Manitoba Sunrise at Motel 6" add additional layers of depth in expanding the album's focus on women. In addition to the powerful themes detailing and rallying against sexism, Neilson's potent talents as singer are on full display across Sassafrass! Information: TamiNeilson.com.



Robert Kinsler


Thursday, June 14, 2018

Sights and Sounds: Shemekia Copeland, Passenger, The Rails, Eliza Gilkyson

Here is a round-up as it relates to some exciting new releases coming this summer...



Shemekia Copeland to release 'America's Child' on Friday, August 3, 2018

Produced by Will Kimbrough with guests including John Prine, Mary Gauthier, Rhiannon Giddens, Emmylou Harris, J.D. Wilkes, Steve Cropper and others.


Shemekia Copeland is a powerhouse, a superstar…she can do no wrong.
--Rolling Stone
Shemekia Copeland is one of the great blues voices of our time.  No one comes close to the sheer firepower that Copeland conjures at will.
--Chicago Tribune

America's Child is a groundbreaking, genre-bending work of beauty. Shemekia is one of the great singers of our time. This record introduces listeners to another side of her, and I predict it will result in many new fans. Her voice on these songs is nothing short of magic.
--Mary Gauthier 

Shemekia Copeland is the real deal. America's Child goes deep and Shemekia‘s voice -- a national treasure -- carries the songs effortlessly, whether topical, personal, spiritual, political or just plain raucous fun. Shemekia rears back her head and what comes out is humanity made vocal.
--Will Kimbrough

Award-winning vocalist Shemekia Copeland will release her potent new Alligator Records album, America's Child, on Friday, August 3, 2018. Produced by Americana Instrumentalist Of The Year winner Will Kimbrough (who also plays guitar on the album) and recorded in Nashville, America's Child is a courageous and fiery statement of purpose, a major step forward for the singer whose musical consciousness continues to expand as her star continues to rise.

America's Child is by far Copeland's most compelling work yet, with music swelling beyond blues and into spirited Americana, with elements of rock, soul, and country. Her instantly recognizable voice—capable of being sultry, assertive and roaring—delivers every song with unparalleled honesty and passion. The three-time Grammy nominee’s wide-open vision of contemporary Americana roots and soul music showcases the evolution of a passionate artist with an up-to-the-minute musical and lyrical approach. From America's Child's anthemic opening track, "Ain’t Got Time For Hate," to the closing lullaby, the traditional Go "To Sleepy Little Baby," Shemekia sings with passion and insight about the chaos and uncertainty in the world while still finding joy all around her.

With guests including John Prine, Rhiannon Giddens, Mary Gauthier, Emmylou Harris, Steve Cropper, J.D. Wilkes, Al Perkins and members of the Time Jumpers, America’s Child bursts with Copeland’s bravado and embraces with her tenderness. Gauthier and songwriter/executive producer John Hahn wrote two striking songs for the project. Smoked Ham And Peaches is a search for truth and tranquility in America, featuring Giddens on African banjo. Americans celebrates our collective diversity in all its forms and colors. American music legend Prine joins Shemekia for a stirring duet on his own Great Rain. Guitar great Cropper adds his scorching playing to the ballad Promised Myself, written by Shemekia's father, the late bluesman Johnny Clyde Copeland. And her version of I'm Not Like Everybody Else transforms the Kinks song into a blues-fueled declaration of independence.

Upon the birth of her son Johnny Lee Copeland in 2017, Shemekia, with fresh eyes, began to take an even deeper look at the state of the world. Of the new album, she says, “After having a child, I started thinking about the world I brought him into, how it actually is and how I wished it was and all the things he will have to go through. And to live in this world today, you have to have a strong foundation like I did to make it through. So that’s what 'America’s child' means to me. I’m truly grateful to all the artists that joined me on this record – it wasn’t about the genre for anyone, it was about the music and mutual love and respect.”

When Shemekia broke on the scene at age 18 in 1998 with her groundbreaking Alligator Records debut CD, Turn The Heat Up, she instantly became a blues and R&B force to be reckoned with. News outlets from The New York Times to CNN praised Copeland's talent, larger-than-life personality, and true star power. With each subsequent release, Copeland's music has continued to grow. From her debut through 2005's The Soul Truth, Shemekia earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. 2000’s Wicked received a Grammy nomination. Two highly successful releases on Telarc (including 2012's Grammy-nominated 33 1/3) cemented her reputation as a singer who, according to NPR's All Things Considered, "embodies the blues with her powerful vocal chops and fearless look at social issues."

Copeland returned to Alligator Records in 2015 with the Grammy-nominated Outskirts Of Love. She won the 2017 Living Blues Readers’ Award for Blues Artist Of The Year (Female), the same distinction she won the year before. She also took home the 2016 Blues Music Award (BMA) for Contemporary Blues Female Artist Of  The Year. Outskirts Of Love won the BMA for Best Blues Album Of The Year. MOJO said Copeland was "spectacular, stirring, sanctified and sassy." 

Shemekia Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She's sung with Eric Clapton, Bonnie Raitt, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed with B.B. King, Mick Jagger, Buddy Guy, Trombone Shorty, Gary Clark, Jr. and others at the White House for President and Mrs. Obama.

Now, with America's Child, Shemekia Copeland is standing on the cusp of her greatest success. Her intensely empowering, American music is as insightful as it is fun. Upon release of the album, she'll tour nationwide, including a showcase performance at the Americana Music Festival in Nashville in September.

NPR Music says, "She brings a perfect balance of authority and understatement to each song." No Depressionadds, "When Shemekia Copeland opens her mouth, everybody pays attention. She pierces your soul. This is how you do it, and nobody does it better than Shemekia Copeland."



Passenger takes listeners on a road trip of the U.S. with new album 'Runaway,' out on August 31, 2018

North American Summer Folk Festivals Include Newport Folk Festival, Festival D’Été International and Winnipeg Folk Festival


Following the release of the new single “Hell Or High Water,” UK singer/songwriter Passenger (Mike Rosenberg) has announced his new album Runaway is set for release on August 31, 2018. Runaway, available for pre-order HERE, was recorded between the UK and Australia, but its aesthetic is North American, thanks in large part to his American father who organized trips back to the States every other summer while Mike was growing up in Brighton, UK.  While some songs point to specific locations such as Yellowstone or Detroit, Mike imagined all the new songs unfolding against a backdrop of American landscapes, which led to a month long road trip across the U.S. to create a series of live acoustic versions of each album track, and videos to match.

The gorgeous video for “Hell Or High Water” was shot over a few days across various national and state parks, including Monument Valley, Valley of Fire, Death Valley and Joshua Tree.  Says Rosenberg,“These epic and vast landscapes really help to portray a feeling of being lost in a hopeless quest for answers.”

Sonically, too, Runaway draws on Americana more so than past Passenger albums. There is some lap steel, some mandolin, a little banjo, all courtesy of guitarist Benjamin Edgar. Rosenberg is also joined on the album by bassist Rob Calder, drummer Peter Marin and keyboard player Jon Hansen. 

Passenger will be appearing at a slew of summer festivals across the globe, with North American stops atNewport Folk Festival, Festival D’Ete International, Winnipeg Folk Festival, Calgary Folk Festival,BluesFest, Vancouver Island Folk Festival, and LL Bean Summer Series. Details on a North American headline tour are expected in the coming weeks.

Runaway follows 2016’s Young As The Morning Old As The Sea, which debuted at #1 in the U.K.,Australia, New Zealand and Switzerland, and saw Passenger play his largest headline tour to date, with a total audience of over 1.4 Million across 29 countries, 97 gigs and 23 busking shows, including 13,500 people at Amsterdam’s ZiggoDome.

Passenger gained worldwide recognition with breakout, multi-Platinum single “Let Her Go” (2012), which went #1 in 19 countries and today has 780+ Million worldwide streams and just under 2 Billion YouTube views.

Stay tuned for many more announcements from Passenger in the coming weeks…

Runaway Track Listing:
1. Hell Or High Water
2. Why Can’t I Change
3. Heart To Love
4. Let’s Go
5. He Leaves You Cold
6. Ghost Town
7. Runaway
8. Eagle Bear Buffalo
9. To Be Free
10. Survivors
11. Survivors (Live from Jedediah Smith Redwood State Park, CA)
12. To Be Free (Live from Dauphin Rd, Vineland, NJ)
13.  Eagle Bear Buffalo (Live from Canaan Mountain Wilderness Area, UT)
14.  Runaway (Live from Joshua Tree National Park, CA)
15. Ghost Town (Live from Michigan Theatre, Detroit, MI)
16. He Leaves You Cold (Live from Unityville, PA)
17. Let's Go (Live from Trough Rd, State Bridge, CO)
18. Heart To Love (Live from a Rooftop in Manhattan, NY)
19. Why Can't I Change (Live from Tahkenitch Landing Campground, Gardiner, OR)
20. Hell Or High Water (Live from Santa Monica Beach, CA)

Passenger North American Summer Festivals:
Thur, July 5    Ottawa, ON @ BluesFest
Fri, July 6       Quebec, QC @ Festival D'Été International
Sun July 8       Winnipeg, MB @ Winnipeg Folk Festival
Sat, July 14     Vancouver, BC @ Vancouver Island Folk Festival
Thur, July 26  Calgary, AB @ Calgary Folk Music Festival
Sat, July 28     Freeport, ME @ LL Bean Summer Series
Sun, July 29    Newport, RI @ Newport Folk Festival

Click HERE for a full list of Passenger tour dates.




Folk-rock royalty The Rails are touring North America this summer 

Dates with the Pretenders, new album out with Thirty Tigers on June 29
The Rails are a duo brought together by serendipity. Kari Thompson and James Walbourne first met during sessions for an album by Kami’s mother Linda Thompson, and there was never any doubt that the way forward was to stay open to the vagaries of chance and embrace new possibilities. Four years later, the duo have created an album that emphatically vindicates the pair’s restless curiosity. The Rails’ second album is one which lays itself open to the stormy weather of life, be it when addressing the desultory self-justifications of an abusive husband in the broodingly poignant "Dark Times," or the everyday ups and downs of James and Kami’s own relationship in "Drowned In Blue".

Comprised of ten original compositions, plus four bonus tracks, Other People, out June 29 with Thirty Tigers, is a record rooted in change: both musical and circumstantial. For James, after a ubiquitous presence on lead guitar for artists such as The Pretenders, Edwyn Collins and Ray Davies, it was time to inject a bit of voltage into the group he formed with Kami after they became an item in 2011. Key to that process was finding the right producer. At the very top of James’ wish-list was Tennessee-based producer Ray Kennedy, who had impressed him with the “off-the-scale psychedelic country treatment” he meted out on Steve Earle’s benchmark 2000 album Transcendental Blues: “To my amazement, Ray said he’d be up for it. We travelled to his studio, knowing that we had seven days to nail it.” The pressure of the deadline audibly brought out the best in the players assembled to tease out Kami and James’ vision for the songs – a vision which they described to Kennedy as “folk-rock on steroids.” The synergy summoned by the players is abundant throughout Other People, be it "Late Surrender," which seems to locate a perfect equidistant point between Roy Orbison and Lucinda Williams, or the yearning desolation of Kami’s vocal on "Mansion Of Happiness."

The Rails upcoming Tour Dates


Mon 2 July        Nashville TN - Ryman Auditorium *
Tue 3 July         Louisville KY - Palace Theatre *
Thu 5 July         Covington KY - Octave +
Fri 6 July           Cincinatti OH - Taft Theatre *
Sat 7 July          Northfield OH - Hard Rock Live *
Sun 8 July         Indianapolis IN - Murat Theatre *
Tue 10 July        Milwaukee WI - Riverside Theater *
Wed 11 July       Grand Rapids MI - 20 Monroe Live *
Mon 16 July       Minneapolis MN - The State Theater *
Wed 18 July       St Louis MO - Peabody Opera House *
Thu 19 July        Des Moines IA - Stephens Auditorium *
Mon 23 July       Los Angeles CA - Moroccan Lounge +
Wed 25  July      New York NY - Mercury Lounge +

+ Rails headline show
* main support to The Pretenders

Eliza Gilkyson set to release 'Secularia' 

The two-time Grammy nominee returns with a new studio album
on July 13 via Red House Records 


AUSTIN, TX: Renowned GRAMMY-nominated folksinger Eliza Gilkyson will release her 20th album, SECULARIA, on July 13 via Red House Records. She's premiering the first single, "Solitary Singer," at Folk Alley. The song features lyrics by Eliza's grandmother, Phoebe Gilkyson, set to music by her father, folk legend Terry Gilkyson. The song became the title of a weekly folk-music themed radio show he hosted in the early 1950s for the Armed Forces Radio Network. "The song bears witness to the profound harmony of the natural world, the antithesis of music tied to an industry, and the foundation upon which I was raised," Gilkyson says. 

Gilkyson's music, in the classic folk music tradition, has always offered a vivid reflection of the times we live in with each song a window into a world of struggle and beauty in a culture she feels is "caught somewhere between collapse and reinvention." The follow-up to her GRAMMY-nominated 2014 release, The Nocturne Diaries, SECULARIA is a collection of spiritually charged songs that do not fit within the parameters of traditional religious beliefs, challenging us to embrace a more inclusive perspective, to respect all life and to be accountable for our actions in these divisive times.  

The album features a stunning performance with the internationally acclaimed Tosca String Quartet, (David Byrne, Bob Schneider), vocal cameos by Shawn Colvin and gospel singer Sam Butler, and a duet with her friend, the late Jimmy LaFave, as well as two songs adapted from poetry written by her grandmother, Phoebe Hunter Gilkyson, co-written with Eliza's father, folksinger Terry Gilkyson. Recorded with what she calls a "spare urban folk approach," the album features songs of grief, gratitude and wonder.  As always, she's assembled a group of some of Austin's finest players to back her in the studio: Chris Maresh (Eric Johnson), Warren Hood, Kym Warner (The Green Cards), Andre Moran, Mike Hardwick (Jon Dee Graham, Charlie Sexton), Betty Soo and more.

The concept that evolved into SECULARIA has been percolating for years. Gilkyson is a daughter of the feminist movement and the project is equally inspired by the writings of the movement's early pioneers and today's #metoo movement.  Feminist pioneer Mary Daly wrote in 1973, "If God is male, then male is God. The divine patriarch castrates women as long as he is allowed to live on in the human imagination." Like many women living in 21st century America, Gilkyson is questioning the patriarchy that has for so many centuries fundamentally shaped society.  

"How much of my life has been built around the gender roles assumed in the God-as-Man theology?" Gilkyson writes. "How did that primal patriarchal assumption play out in my search for self-awareness, love, and acceptance in my personal life and ultimately in my music?  How has it played out in the degradation of the natural world, the ever-present wars, violence against women, human suffering, the potential end of everything? These songs were directly inspired by a new way of understanding myself as a woman in the context of a culture going through a massive overhaul." 

The second track, "Lifelines," celebrates the coming together of like-minded people after the last US presidential election. "I became acutely aware of a network of individuals all over the world who were mourning, processing and ultimately gearing up to fight back with all their hearts and souls, like lifelines of light connecting to me and to each other, comforting then and even more so today," Gilkyson says. 

Other songs explore the overarching theme of a "new spirituality" that is evolving outside of traditional religious structures, including her moving current take on the traditional gospel tune "Down By the Riverside" sung with her longtime friend, the late Austin artist Jimmy LaFave, that was recorded just a few months before his passing, as well as a duet with Shawn Colvin on the song, "Conservation,"with lyrics and music adapted by Eliza from another of her grandmother's poems.

"The fall from grace and redemption of the soul in these songs are less about a deity or afterlife, or a heaven and hell than they are about the very human story of losing and finding oneself within the span of a lifetime, which is all I know for certain that I've got. Woody Guthrie said, 'My religion is so big no matter what you do you're in it and no matter what you do you can't get out of it...' Gilkyson says. "He also said, 'Earth is God's everything.' He conveyed all that depth in just 29 little words." 

Eliza Gilkyson is a two-time GRAMMY-nominated (2006/2015) singer-songwriter and activist who is one of the most respected musicians in folk, roots and Americana circles. Her songs have been covered by Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash and have appeared in films, PBS specials and on prime-time TV.  A member of the Austin Music Hall of Fame and Austin Songwriter Hall of Fame, she has won countless Folk Alliance and Austin Music awards, including 2014's Songwriter of the Year. 

She'll be touring festivals and North American this summer and fall -- more dates to be announced soon.  Go to http://elizagilkyson.com for updates.


 Track Listing:
1. Solitary Singer
2. Lifelines
3. Conservation
4. In the Name of the Lord
5. Dreamtime
6. Seculare
7. Reunion
8. Sanctuary
9. Through the Looking Glass
10. Emmanuelle
11. Down by the Riverside
12. Instrument


7/11/18 Salt Spring Island, BC - Pitchfork Social (at Bullock Lake Farm) - Three Women and the Truth (Eliza, Mary Gauthier and Gretchen Peters)
7/13/18 & 7/14/18 Vancouver, BC - Vancouver Folk Music Festival - Three Women and the Truth (Eliza, Mary Gauthier and Gretchen Peters)

8/09/18 Lunenburg, NS - Lunenburg Folk Harbour Festival

9/20/18 Houston, TX - McGonigel's Mucky Duck

9/23/18 Austin, TX - One World Theatre
More tour dates to be announced soon. 

Buck Owens' final Capitol Records album, never released, will be available via Omnivore on August 17, 2018

Wow, it is always amazing when the world gets to suddenly hear previously-unreleased music from a legend. Read on for news as it relates to the late Buck Owens' final LP recorded for Capitol Records in 1975...



Buck Owens' last album recorded for Capitol Records, 'Country Singer's Prayer,' to finally be released

Recorded in 1975, 'Country Singer's Prayer' includes Owens' final two singles recorded for the label




LOS ANGELES, Calif. — Omnivore Recordings, in conjunction with the Buck Owens Estate, will release Country Singer’s Prayer, Buck Owens’ final Capitol album from 1975, which has remained unissued until now. Street date for CD and Digital is August 17, 2018.
By late 1975, Buck’s unequaled success at Capitol Records was finally winding down. His singles were no longer topping the charts, and after the untimely death of bandmate Don Rich the year before, Buck was starting to lose the fire that drove him through an unprecedented run of groundbreaking hits in the ’60s and early ’70s. His contract with Capitol was due to expire at the end of the year, and he and the Buckaroos readied one final album for the label in November 1975. 
While several of Buck’s later Capitol recordings had not been topping the charts as before, his last single for them, “Country Singer’s Prayer,” failed to even make a showing. 
Likely due to the indifference shown to that last single, the decision was made to shelve this final album, and assign the selection number to what was ultimately Buck’s last Capitol release, Best of Buck Owens, Vol. 6, which did include the last two singles originally intended for Country Singer’s Prayer: “Battle of New Orleans” and the title track. 
While Buck would revisit some of these songs with producer Norro Wilson in Nashville after signing to Warner Bros. Records, the original recordings produced at Buck’s Bakersfield studio with the Buckaroos remained in the vault. 
Country Singer’s Prayer will finally receive its release some 43 years late, taken from the original LP master tapes, in what was the intended sequence. Also included are the B-sides to Buck’s final two singles from the unissued album. 

 View the Buck Owens LP trailer: https://youtu.be/qP5VzY-LneE
With new liner notes by Scott B. Bomar featuring interviews with longtime Buckaroos piano playerJim Shaw and Robert John Jones (a.k.a. Rocky Topp), who co-wrote “Country Singer’s Prayer,” this is a fascinating chance to experience Buck’s last intended Capitol album. 
Track Listing:
1. John Law
2. Love Don’t Make The Bars
3. He Ain’t Been Out Bowling With The Boys
4. Drifting Away

5. The Battle Of New Orleans
6. Country Singer’s Prayer

7. California Okie

8. A Different Kind Of Sad

9. It’s Been A Long, Long Time
10. How’s Everything
Bonus Tracks:
11. Run Him To The Round House Nellie (You Might Corner Him There)
12. Meanwhile Back At The Ranch ]
Produced at Buck Owens Studios in Bakersfield, California