This blog thing! I admit it, I screwed up. In my post I talked about a talented singer that joined Greg Markel & company on stage last Friday. It should have been Cindy Alexander.
For more information about Cindy, visit www.cindyalexander.com.
'enuff said...
Tuesday, April 26, 2005
Monday, April 25, 2005
An unlikely reunion
For those of us old enough to have caught shows here in Orange County, CA both the 1980s and 1990s, there are two bands that put on shows as unforgettable as they were artistic. In the 1980s, the Living Daylights were simply the best band in town. And in the early 1990s, Altered State (which released two amazing albums on Warner Brothers) likely picked up the torch thanks to singer Gregory Markel leading both those outfits.
On Friday, April 22, 2005, it was an eerie and powerful show that featured singer-songwriter Greg Markel backed by members of both those bands, including virtuoso guitarist Rusty Anderson (Paul McCartney's guitarist for the past four years or so) from Living Daylights, and Chip Moreland of Altered State and Dread Zeppelin fame. Performing at the Knitting Factory in Los Angeles, it was amazing how incredible this collection of players is. In an event not to be repeated, Markel led the band through a brief 30-minute set highlighted by a mind-bending "Into the Strange." The crowd was thrilled, especially when the night's headliner Cindy Russell joined the ensemble.
It was a thrilling night.
On Friday, April 22, 2005, it was an eerie and powerful show that featured singer-songwriter Greg Markel backed by members of both those bands, including virtuoso guitarist Rusty Anderson (Paul McCartney's guitarist for the past four years or so) from Living Daylights, and Chip Moreland of Altered State and Dread Zeppelin fame. Performing at the Knitting Factory in Los Angeles, it was amazing how incredible this collection of players is. In an event not to be repeated, Markel led the band through a brief 30-minute set highlighted by a mind-bending "Into the Strange." The crowd was thrilled, especially when the night's headliner Cindy Russell joined the ensemble.
It was a thrilling night.
Tuesday, April 19, 2005
That ain't news!
I used to have a great editor at the Orange County News that was brutally honest. If you pitched a story and he saw it as mere "P.R." or a so-called "puff piece," he would growl and exclaim, "That ain't news."
I often think that when I receive updates on the latest goings-on from pop stars. Take the announcement that Alanis Morissette will embark on her first ever acoustic tour and will be releasing an acoustic version of her album "Jagged Little Pill" revamped. Why? I mean, does anyone really care? I guess it will sell loads when Starbucks sells it exclusively for six weeks. I guess it takes a savvy marketing push to sell her music now...
But tour news that truly is news; the Orange County Fair has announced a bunch of concerts and the schedule includes an appearance by the legendary Plimsouls (on a bill with X) on Friday, July 15th. Now that's worth waiting for, to see Peter Case back in action with one of the best bands to ever call L.A. home.
I often think that when I receive updates on the latest goings-on from pop stars. Take the announcement that Alanis Morissette will embark on her first ever acoustic tour and will be releasing an acoustic version of her album "Jagged Little Pill" revamped. Why? I mean, does anyone really care? I guess it will sell loads when Starbucks sells it exclusively for six weeks. I guess it takes a savvy marketing push to sell her music now...
But tour news that truly is news; the Orange County Fair has announced a bunch of concerts and the schedule includes an appearance by the legendary Plimsouls (on a bill with X) on Friday, July 15th. Now that's worth waiting for, to see Peter Case back in action with one of the best bands to ever call L.A. home.
That ain't news
I used to have a great editor at the Orange County News that was brutally honest. If you pitched a story and he saw it as mere "P.R." or a so-called "puff piece," he would growl and exclaim, "That ain't news."
I often think that when I receive updates on the latest goings-on from pop stars. Take the announcement that Alanis Morissette will embark on her first ever acoustic tour and will be releasing an acoustic version of her album "Jagged Little Pill" revamped. Why? I mean, does anyone really care? I guess it will sell loads when Starbucks sells it exclusively for six weeks. I guess it takes a savvy marketing push to sell her music now...
But tour news that truly is news; the Orange County Fair has announced a bunch of concerts and the schedule includes an appearance by the legendary Plimsouls (on a bill with X) on Friday, July 15th. Now that's worth waiting for, to see Peter Case back in action with one of the best bands to ever call L.A. home.
I often think that when I receive updates on the latest goings-on from pop stars. Take the announcement that Alanis Morissette will embark on her first ever acoustic tour and will be releasing an acoustic version of her album "Jagged Little Pill" revamped. Why? I mean, does anyone really care? I guess it will sell loads when Starbucks sells it exclusively for six weeks. I guess it takes a savvy marketing push to sell her music now...
But tour news that truly is news; the Orange County Fair has announced a bunch of concerts and the schedule includes an appearance by the legendary Plimsouls (on a bill with X) on Friday, July 15th. Now that's worth waiting for, to see Peter Case back in action with one of the best bands to ever call L.A. home.
Tuesday, April 12, 2005
Sorry about the delay
Hi Friends,
Sorry about the delay since my last posting. I actually have been listening to loads of new music - and surprisingly - much of it has been great. I'm not telling many of you anything you don't know when I celebrate Moby's "Hotel." A great double-disc set, with the first one full of strong songs ("Raining Again" and "Slipping Away" are my favorites today), while the second disc is filled with trance-minded instrumental gems that are perfect for those lazy, late afternoons.
Also, Aimee Mann has kindly posted her forthcoming "The Forgotten Arm" on her Web site, although the album doesn't come out until May 3. It's a fantastic album and go to her official site (www.aimeemann.com) to check it out. According to notes on her site, it's a concept album whose story involves a couple and their journey (physical and emotional) across America in the 1970s. She is that rare singer-songwriter who crafts music that is as accessible as it is intelligent.
Also, any of you who can pick up the latest copy of LIVE magazine (available throughout Orange County and parts of L.A.) can read my monthly Kinslerscope music DVD column; I review Aimee's "Live at St. Ann's Warehouse" DVD that was released in November, as well as the latest DVDs featuring Johnny Cash, Snow Patrol and Steppenwolf.
I'm always behind in my listening because I get so much stuff and there are not enough hours in the day. But all of you know that too...
Sorry about the delay since my last posting. I actually have been listening to loads of new music - and surprisingly - much of it has been great. I'm not telling many of you anything you don't know when I celebrate Moby's "Hotel." A great double-disc set, with the first one full of strong songs ("Raining Again" and "Slipping Away" are my favorites today), while the second disc is filled with trance-minded instrumental gems that are perfect for those lazy, late afternoons.
Also, Aimee Mann has kindly posted her forthcoming "The Forgotten Arm" on her Web site, although the album doesn't come out until May 3. It's a fantastic album and go to her official site (www.aimeemann.com) to check it out. According to notes on her site, it's a concept album whose story involves a couple and their journey (physical and emotional) across America in the 1970s. She is that rare singer-songwriter who crafts music that is as accessible as it is intelligent.
Also, any of you who can pick up the latest copy of LIVE magazine (available throughout Orange County and parts of L.A.) can read my monthly Kinslerscope music DVD column; I review Aimee's "Live at St. Ann's Warehouse" DVD that was released in November, as well as the latest DVDs featuring Johnny Cash, Snow Patrol and Steppenwolf.
I'm always behind in my listening because I get so much stuff and there are not enough hours in the day. But all of you know that too...
Tuesday, March 29, 2005
Rock's sad path
Is it me or do too many of rock's finest die long before their time?
I'm sure many of you noted the passing of Split Enz/Crowded House drummer Paul Hester when it was reported on March 27th. While be beat away in the shadow of Neil Finn, listening to some of those bands great recordings again it's very obvious how his skills lent themselves so much to the music. And how glorious the music of those bands continues to be!
Crowded House is one of the best and most underrated bands of all time, and it was sad I didn't hear a single CH or SE track played on the radio in the wake of Hester's apparent suicide in a park somewhere in the south of Australia.
Get out those iPods and make sure you take a listen. "Distant Sun," "Don't Dream It's Over" and "Weather With You" sound as great today as when they were actually played over the airwaves...
I'm sure many of you noted the passing of Split Enz/Crowded House drummer Paul Hester when it was reported on March 27th. While be beat away in the shadow of Neil Finn, listening to some of those bands great recordings again it's very obvious how his skills lent themselves so much to the music. And how glorious the music of those bands continues to be!
Crowded House is one of the best and most underrated bands of all time, and it was sad I didn't hear a single CH or SE track played on the radio in the wake of Hester's apparent suicide in a park somewhere in the south of Australia.
Get out those iPods and make sure you take a listen. "Distant Sun," "Don't Dream It's Over" and "Weather With You" sound as great today as when they were actually played over the airwaves...
Monday, March 21, 2005
Hall of Fame: U2 still rules
As time goes on, it will likely be increasingly rare to get excited about the annual induction concert/party/ceremony that is held in connection with the Rock and Roll Hall of Fame.
Although I didn't get to go to the real ceremony held at the Waldorf Astoria hotel in New York earlier this month (only celebrities such as Richard Gere, Cameron Diaz and Catherine Zeta-Jones seem to get a seat at the table), I did catch the broadcast over VH1 on Saturday night, March 19.
A few points to ponder:
I knew they would save U2 for last. Why else would anyone stay tuned in? They performed an energetic and strong set of four originals, with Bruce Springsteen joining them on stage.
The Pretenders are not in the same league as U2, but I would have likely cast a vote for them; especially in the wake of undeserving artists such as Billy Joel, Aerosmith and ZZ Top gaining entry in years past. There are a zillion Major League ball players who have hit home runs or thrown a shut out; do they all get in the Baseball Hall of Fame? Of course not.
Buddy Guy is a great guitarist, although I think of him more in the blues camp than rock. But it was great to see him square up and play with Eric Clapton and B.B. King on stage at the event.
Isn't it the "rock 'n' roll" hall of fame. I think Percy Sledge had a great song with "When a Man Loves a Woman," but that isn't rock 'n' roll, and does one song alone get you into the hall? The same goes for fellow inductees, the O'Jays. "Love Train" is a cool, but shouldn't these guys be in the Soul music hall or something? If those artists are welcomed, why leave out Hall & Oates? They have had more influence than Sledge, and fused soul with rock and are undoubtedly more influential?
And why isn't Gram Parsons in the hall; I can't tell you how many up-and-coming alt country-roots rockers are influenced by him today. I think the hall will loose credibility as the years go by and they continue to let in artists who don't rank up there with the Beatles, Jimi Hendrix, Chuck Berry and U2.
Although I didn't get to go to the real ceremony held at the Waldorf Astoria hotel in New York earlier this month (only celebrities such as Richard Gere, Cameron Diaz and Catherine Zeta-Jones seem to get a seat at the table), I did catch the broadcast over VH1 on Saturday night, March 19.
A few points to ponder:
I knew they would save U2 for last. Why else would anyone stay tuned in? They performed an energetic and strong set of four originals, with Bruce Springsteen joining them on stage.
The Pretenders are not in the same league as U2, but I would have likely cast a vote for them; especially in the wake of undeserving artists such as Billy Joel, Aerosmith and ZZ Top gaining entry in years past. There are a zillion Major League ball players who have hit home runs or thrown a shut out; do they all get in the Baseball Hall of Fame? Of course not.
Buddy Guy is a great guitarist, although I think of him more in the blues camp than rock. But it was great to see him square up and play with Eric Clapton and B.B. King on stage at the event.
Isn't it the "rock 'n' roll" hall of fame. I think Percy Sledge had a great song with "When a Man Loves a Woman," but that isn't rock 'n' roll, and does one song alone get you into the hall? The same goes for fellow inductees, the O'Jays. "Love Train" is a cool, but shouldn't these guys be in the Soul music hall or something? If those artists are welcomed, why leave out Hall & Oates? They have had more influence than Sledge, and fused soul with rock and are undoubtedly more influential?
And why isn't Gram Parsons in the hall; I can't tell you how many up-and-coming alt country-roots rockers are influenced by him today. I think the hall will loose credibility as the years go by and they continue to let in artists who don't rank up there with the Beatles, Jimi Hendrix, Chuck Berry and U2.
Tuesday, March 08, 2005
Adore; the real deal
I somehow got out last night (I'm in the middle of a major move - sorry about posting so seldom lately), and made it to the Anaheim House of Blues on a Monday night. I got to check out two bands, with Adore really hitting a sonic fastball out of the yard. The quartet can rock hard, but songwriting, hooks and focus were never far away during the band's energetic 30-minute set.
The songs off their new CD, "Children At Play," were great, especially "Weight of the Dead" and the closing tune, "Bedridden." Guitarist Jimmy "Vayps" Galinato really delivered some excellent harmonic touches during a solo displayed early in their set, while singer Grant "Sizzo" Vanderboom involved the crowd from start to finish. And the rhythm section has a solid one-two punch with drummer Shawn Yeager and bassist Russ Fyne.
This is a band that rocks without cliche, and with a conviction that is refreshing.
For more information on the band, please visit www.adoremusic.net.
The songs off their new CD, "Children At Play," were great, especially "Weight of the Dead" and the closing tune, "Bedridden." Guitarist Jimmy "Vayps" Galinato really delivered some excellent harmonic touches during a solo displayed early in their set, while singer Grant "Sizzo" Vanderboom involved the crowd from start to finish. And the rhythm section has a solid one-two punch with drummer Shawn Yeager and bassist Russ Fyne.
This is a band that rocks without cliche, and with a conviction that is refreshing.
For more information on the band, please visit www.adoremusic.net.
Friday, February 25, 2005
The Day the Music Died
Word comes from Universal's Geffen record label that an ambitious retrospective CD and DVD collection dedicated to Buddy Holly & the Crickets is coming in April. Although Holly died on February 3, 1959, his music remains a joy for long-time listeners and those lucky enough to discover it today.
Although Elvis Presley is often heralded as rock 'n' roll's first star, songwriters and musicians often credit Holly as the father of the modern school of original rock. My view; Lennon and McCartney (and the rest of the Fab Four) owed more to Holly than Presley, Little Richard and Chuck Berry combined.
I have been to Clear Lake, Iowa twice; both times I made the trip to visit the site where Holly, Ritchie Valens and the Big Bopper (Jiles Perry Richardson) died in a tragic plane crash on a cold winter night after performing at the Surf Ballroom. Walking through the tall fields of corn for the 1/2 mile or so to the fan-created memorial to the rockers is a trip back in time, and the long walk through the rural ghost of America's heartland is a time to reflect on the birth of rock - what it meant in those early days and its disputed role in the world today.
With Holly, the music, the songs, the style - they all had meaning. The connection between the man, his music and his audience mattered. Today, it's all part of some business plan. It's about opening week sales and the Billboard 200. About MTV. About radio station adds.
Walking through the cornfield to the place where a small plane went down on a cold winter morning long ago was truly a glimpse back at the day the music died.
Although Elvis Presley is often heralded as rock 'n' roll's first star, songwriters and musicians often credit Holly as the father of the modern school of original rock. My view; Lennon and McCartney (and the rest of the Fab Four) owed more to Holly than Presley, Little Richard and Chuck Berry combined.
I have been to Clear Lake, Iowa twice; both times I made the trip to visit the site where Holly, Ritchie Valens and the Big Bopper (Jiles Perry Richardson) died in a tragic plane crash on a cold winter night after performing at the Surf Ballroom. Walking through the tall fields of corn for the 1/2 mile or so to the fan-created memorial to the rockers is a trip back in time, and the long walk through the rural ghost of America's heartland is a time to reflect on the birth of rock - what it meant in those early days and its disputed role in the world today.
With Holly, the music, the songs, the style - they all had meaning. The connection between the man, his music and his audience mattered. Today, it's all part of some business plan. It's about opening week sales and the Billboard 200. About MTV. About radio station adds.
Walking through the cornfield to the place where a small plane went down on a cold winter morning long ago was truly a glimpse back at the day the music died.
Friday, February 18, 2005
That ain't music!
Isn't Billboard a music magazine?
Why the heck do any of us care about Shania Twain developing a fragrance with Stetson? Why did Billboard post that story on the front page of their Web site? They can't be bothered with wonderful new releases by the George Fryer Combo, Ken Garcia Band or Eric Anders (you have to read my Orange Pop column in the Register today to get the goods on those discs), but have plenty of electronic ink to showcase the so-called Canadian country singer.
Other thoughts after reading a bunch of music stuff on the Net today.
I agree with just about every credible critic that Ashlee Simpson was terrible before her "Saturday Night Live" stint and is still bad. And I didn't even catch her show in Orange County earlier this week. I heard her CD and that was bad enough...and another thing, Jessica Simpson is equally bland.
And while I'm on that subject, I think every music fan can celebrate the announcement that Jennifer Lopez has cancelled her European tour. Maybe the undiscerning listeners who would have attended those shows will happen to pursue something where real music is in the offering...
Have a great weekend! Go out and listen to something worthwhile. Snow Patrol today, Neil Young tomorrow...
Why the heck do any of us care about Shania Twain developing a fragrance with Stetson? Why did Billboard post that story on the front page of their Web site? They can't be bothered with wonderful new releases by the George Fryer Combo, Ken Garcia Band or Eric Anders (you have to read my Orange Pop column in the Register today to get the goods on those discs), but have plenty of electronic ink to showcase the so-called Canadian country singer.
Other thoughts after reading a bunch of music stuff on the Net today.
I agree with just about every credible critic that Ashlee Simpson was terrible before her "Saturday Night Live" stint and is still bad. And I didn't even catch her show in Orange County earlier this week. I heard her CD and that was bad enough...and another thing, Jessica Simpson is equally bland.
And while I'm on that subject, I think every music fan can celebrate the announcement that Jennifer Lopez has cancelled her European tour. Maybe the undiscerning listeners who would have attended those shows will happen to pursue something where real music is in the offering...
Have a great weekend! Go out and listen to something worthwhile. Snow Patrol today, Neil Young tomorrow...
Monday, February 14, 2005
Grammys 101; history repeating itself
Grammys 101
If you record a high profile album and release it right after your death, you have a good chance to win. That was the lesson provided by the late Ray Charles, who picked up a leading eight Grammys on Sunday, Feb. 13. Was his recent duets album, "Genius Loves Company," the best work of his career? You know the answer to that; he was great all along and should have been recognized with this kind of acclaim decades ago.
Ray Charles' songs, including classics such as "Hit the Road Jack," as well as recent recordings such as "Here We Go Again" (a duet with Norah Jones that won best pop collaboration with vocals and record of the year on Sunday), provide another lesson. How hungry we are to embrace music that is lasting.
Does anyone really believe that fellow winners such as Usher, Tim McGraw and Kanye West will be celebrated when they are 73 years old? I doubt many will even know who they are. Alicia Keyes, armed with a powerful but undistinctive voice and the ability to play the piano, won big a few years back in the wake of her debut "Songs in A Minor." She extended her 15 minutes of fame on Sunday night, but I seriously doubt discerning listeners will be spinning "My Boo" 25 years from now.
Another question to ponder in the wake of this year's Grammys...
there was talk about Kanye West being upset for losing out in the best new artist category to Maroon 5 (at least it looked like that on TV). Not that I care much about Maroon 5 either, but why no shock about Brian Wilson (as in Beach Boys) never earning a single Grammy after crafting some of the most timeless and influential music until he picked one up for best rock instrumental performance for "Mrs. O'Leary's Cow." More than 40 years after crafting the first of countless pop gems, he finally won - and for an instrumental? But what is a Grammy worth? After all, Britney Spears picked up her first Grammy as well. So Britney wins for "Toxic," while Brian Wilson was never recognized for a single Beach Boys recording. God only knows (that song didn't win either).
Another thought; here are a few of the winners they should have been put on television to perform; Los Angeles Guitar Quartet, Steve Earle, Howard Shore (who deservedly won for his epic soundtrack "The Lord of the Rings: The Return of the King"), Ozomatli and Etta James. U2 was the lone great performer of the night.
Remember when Fugees member Lauryn Hill scored five Grammys for her 1998 solo debut "The Miseducation of Lauryn Hill." When was the last time you heard the music, or anyone talk about it? Let that be a listen to us too...
On a related note, I saw the Finn Brothers perform an incredible show on Saturday night, Feb. 12, at the Coach House in San Juan Capistrano. Featuring songs off their 2004 album, "Everyone Is Here," they were incredible as was that album. Was that even nominated for a Grammy? If you want to hear great music, the Grammys seldom get it right.
If you record a high profile album and release it right after your death, you have a good chance to win. That was the lesson provided by the late Ray Charles, who picked up a leading eight Grammys on Sunday, Feb. 13. Was his recent duets album, "Genius Loves Company," the best work of his career? You know the answer to that; he was great all along and should have been recognized with this kind of acclaim decades ago.
Ray Charles' songs, including classics such as "Hit the Road Jack," as well as recent recordings such as "Here We Go Again" (a duet with Norah Jones that won best pop collaboration with vocals and record of the year on Sunday), provide another lesson. How hungry we are to embrace music that is lasting.
Does anyone really believe that fellow winners such as Usher, Tim McGraw and Kanye West will be celebrated when they are 73 years old? I doubt many will even know who they are. Alicia Keyes, armed with a powerful but undistinctive voice and the ability to play the piano, won big a few years back in the wake of her debut "Songs in A Minor." She extended her 15 minutes of fame on Sunday night, but I seriously doubt discerning listeners will be spinning "My Boo" 25 years from now.
Another question to ponder in the wake of this year's Grammys...
there was talk about Kanye West being upset for losing out in the best new artist category to Maroon 5 (at least it looked like that on TV). Not that I care much about Maroon 5 either, but why no shock about Brian Wilson (as in Beach Boys) never earning a single Grammy after crafting some of the most timeless and influential music until he picked one up for best rock instrumental performance for "Mrs. O'Leary's Cow." More than 40 years after crafting the first of countless pop gems, he finally won - and for an instrumental? But what is a Grammy worth? After all, Britney Spears picked up her first Grammy as well. So Britney wins for "Toxic," while Brian Wilson was never recognized for a single Beach Boys recording. God only knows (that song didn't win either).
Another thought; here are a few of the winners they should have been put on television to perform; Los Angeles Guitar Quartet, Steve Earle, Howard Shore (who deservedly won for his epic soundtrack "The Lord of the Rings: The Return of the King"), Ozomatli and Etta James. U2 was the lone great performer of the night.
Remember when Fugees member Lauryn Hill scored five Grammys for her 1998 solo debut "The Miseducation of Lauryn Hill." When was the last time you heard the music, or anyone talk about it? Let that be a listen to us too...
On a related note, I saw the Finn Brothers perform an incredible show on Saturday night, Feb. 12, at the Coach House in San Juan Capistrano. Featuring songs off their 2004 album, "Everyone Is Here," they were incredible as was that album. Was that even nominated for a Grammy? If you want to hear great music, the Grammys seldom get it right.
Monday, February 07, 2005
Monday musings
Sir Paul rocks
I read on the Associated Press that television writer David Bauder thought Paul McCartney put on a safe show during the halftime show at the Super Bowl yesterday. Mr. Bauder tried to be hip stating that McCartney's show was "offputting for the kids." Huh?
The problem with Bauder's conclusion was he is wrapped up in the world of here today, gone today. The Beatles, like artists stretching from Bach to U2, pushed music forward but did not do so at the expense of crafting art that is timeless and will win over fans with each passing generation.
McCartney and his top-notch band delievered an excellent 12-minute set of music that was crafted for a mass audience without pandering to the lowest common denominator. With the possible exception of U2's incredible performance three years ago, I can't remember a better Super Bowl halftime show that Sir Paul's four-song set yesterday.
As for Bauder, I doubt his prose will be remembered past its publication date...He might want to note that very few of today's new crop of pop music entertainers can expect to command a successful career lasting anything close to a decade. McCartney has been thrilling fans for more than 40 years and has not lost his place at the front of the line...
I read on the Associated Press that television writer David Bauder thought Paul McCartney put on a safe show during the halftime show at the Super Bowl yesterday. Mr. Bauder tried to be hip stating that McCartney's show was "offputting for the kids." Huh?
The problem with Bauder's conclusion was he is wrapped up in the world of here today, gone today. The Beatles, like artists stretching from Bach to U2, pushed music forward but did not do so at the expense of crafting art that is timeless and will win over fans with each passing generation.
McCartney and his top-notch band delievered an excellent 12-minute set of music that was crafted for a mass audience without pandering to the lowest common denominator. With the possible exception of U2's incredible performance three years ago, I can't remember a better Super Bowl halftime show that Sir Paul's four-song set yesterday.
As for Bauder, I doubt his prose will be remembered past its publication date...He might want to note that very few of today's new crop of pop music entertainers can expect to command a successful career lasting anything close to a decade. McCartney has been thrilling fans for more than 40 years and has not lost his place at the front of the line...
Thursday, February 03, 2005
Day Two
Day two
Is anyone reading? Once again I've volunteered to be a judge at the annual Orange County Music Awards. So I'm listening to dozens and dozens of songs put on CDs by OCMA chief Martin Brown for me. I don't know the artists' names or categories where they are placed. I just listen to each track and rate them between 1 and 100 with 100 being a perfect score.
As I write this, I'm listening to a female singer, accompanied by her acoustic guitar. I've already heard heavy alt rock, funk-tinged grooves and country-western stuff all on the same 19-song disc today. Your mind and music ears must switch gears on a dime. It's interesting, although only one of the artists I've heard so far today blew me away. That's a tough task for artists to catch my attention being I have to listen to so much music and often feel like I've heard it all before.
Now I'm listening to a heavy alt band that lacks the rage of Korn or groove of Pearl Jam. Everybody wants to be Hoobastank now. Next year, all the rock bands will want to be somebody else. I can't honestly rate this band high; I appreciate they can all play their instruments and make it sound good in the studio. I just wish it had some heart.
Is anyone reading? Once again I've volunteered to be a judge at the annual Orange County Music Awards. So I'm listening to dozens and dozens of songs put on CDs by OCMA chief Martin Brown for me. I don't know the artists' names or categories where they are placed. I just listen to each track and rate them between 1 and 100 with 100 being a perfect score.
As I write this, I'm listening to a female singer, accompanied by her acoustic guitar. I've already heard heavy alt rock, funk-tinged grooves and country-western stuff all on the same 19-song disc today. Your mind and music ears must switch gears on a dime. It's interesting, although only one of the artists I've heard so far today blew me away. That's a tough task for artists to catch my attention being I have to listen to so much music and often feel like I've heard it all before.
Now I'm listening to a heavy alt band that lacks the rage of Korn or groove of Pearl Jam. Everybody wants to be Hoobastank now. Next year, all the rock bands will want to be somebody else. I can't honestly rate this band high; I appreciate they can all play their instruments and make it sound good in the studio. I just wish it had some heart.
Wednesday, February 02, 2005
Welcome Friends
Welcome everybody!
Many of you who read my Orange Pop column in the Orange County Register have been introduced to some wide-ranging and strong artists who do or have called Orange County home; Scarlet Crush, Bright Blue Gorilla, Michael Ubaldini, Rusty Anderson, Walter Clevenger & the Dairy Kings - the list goes deservedly on. This column will allow me to talk about live shows, CDs and other music-related stuff that I simply can't squeeze into my columns that run Friday in the Show section.
I invite you all to check back often. I will try to update this column when I can. I often read or hear things and have a strong opinion and I will post my thoughts on all that and more. So much has been made about downloading, song production and producers, that I really feel the emphasis on great songs and musicianship has taken a back seat. I don't like that, so expect to read much about singers, songwriters and performers who are worth celebrating - especially in a time of diminished returns.
Keep on reading! And you can always read my Orange Pop column via www.ocregister.com every Friday too!
Robert
Many of you who read my Orange Pop column in the Orange County Register have been introduced to some wide-ranging and strong artists who do or have called Orange County home; Scarlet Crush, Bright Blue Gorilla, Michael Ubaldini, Rusty Anderson, Walter Clevenger & the Dairy Kings - the list goes deservedly on. This column will allow me to talk about live shows, CDs and other music-related stuff that I simply can't squeeze into my columns that run Friday in the Show section.
I invite you all to check back often. I will try to update this column when I can. I often read or hear things and have a strong opinion and I will post my thoughts on all that and more. So much has been made about downloading, song production and producers, that I really feel the emphasis on great songs and musicianship has taken a back seat. I don't like that, so expect to read much about singers, songwriters and performers who are worth celebrating - especially in a time of diminished returns.
Keep on reading! And you can always read my Orange Pop column via www.ocregister.com every Friday too!
Robert
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