Showing posts with label 4K. Show all posts
Showing posts with label 4K. Show all posts

Thursday, August 04, 2022

Rolling Stones music videos from the ’60s receive 4K restoration

It's clear that's classic is suddenly new again...Robert Kinsler


ROLLING STONES MUSIC VIDEOS FROM THE ’60s RECEIVE 4K RESTORATION 

BOTH VERSIONS OF “JUMPIN’ JACK FLASH” DIRECTED BY 

MICHAEL LINDSAY-HOGG GET FIRST OFFICIAL ONLINE RELEASE TODAY






Aug. 4, 2022 –The Rolling Stones and ABKCO Music & Records Inc. have released today the official music videos of The Rolling Stones performing “Jumpin’ Jack Flash”. Originally produced in 1968 the videos have been faithfully restored in 4K resolution. The video releases are two different versions of “Jumpin’ Jack Flash” (one with makeup and one without) directed by Michael Lindsay-Hogg (The Rolling Stones Rock and Roll Circus, Let It Be) and were shot over the course of a single day at Olympic Studios in London during the spring of ’68. The first version, featuring a makeup-free Stones, has the distinction of incorporating a completely unique version of the song (vocals and all other instruments), whereas the version with a makeup-clad Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts utilizes a fresh Jagger vocal take over the backing track from the single.

 

 

Watch “Jumpin’ Jack Flash” original music video directed by Michael Lindsay-Hogg (with makeup):

Watch “Jumpin’ Jack Flash”  music video directed by Michael Lindsay-Hogg (sans makeup):

https://abkco.lnk.to/jjfwmPR

https://abkco.lnk.to/jjfnmPR 

https://the-rolling-stones.lnk.to/JJFMakeupPR

https://the-rolling-stones.lnk.to/JJFSansMakeupPR

 

 

“We shot the one without the makeup first,” explains Michael Lindsay-Hogg, who got his start directing episodes of the British music TV program Ready Steady Go! where he began working with the band. “They were great. As we were doing it, I felt there was an ingredient missing, although at that point I didn’t know what it was. We had a small meal break and I saw Brian Jones sitting by the makeup table and sort of playing with the colors—putting it on his face and then wiping it off—and I thought, ‘Huh. That’s a real interesting look.’ And so I said to Mick, Keith, Charlie and Bill, ‘Just go over there to the makeup table and see what it’s like if you put some stuff on your face—either stripes or eye makeup, or full-face glitter, whatever strikes you.’”

 

Lindsay-Hogg continues, “They worked with our very bright makeup person Linda DeVetta and they kind of got into it. After about an hour they looked different, especially Keith and Brian. Then we found the big, space alien glasses. We got something much better than we might have had, left to our own devices. It crystallized what it should be. It’s one of those serendipitous moments where all the things that might have gone wrong, didn’t.”

 

Lindsay-Hogg notes, “The director of photography, Tony Richmond, and I thought there’s another way to light them as well, because it was kind of general performance lighting on the first one we shot in the early afternoon. In the second version, we shot them in these shadows. It was much more to do with shadows, and Mick coming in and out of light, and that whole little walk he does at the beginning. We put that together, and that’s the one they liked best because it had a slightly decadent feel to it.

 

When I edited them and played them back, they loved the videos. I’d hate to think they didn’t, because then I went on to do their videos for 15 years.”

 

Long before the advent of MTV, music videos (then referred to as promotional films, or “promos” for short) were few and far between, with very limited outlets to air them. The most popular bands such as The Rolling Stones, The Beatles and The Who, made these “promos” did so with the intent of allowing broadcast in several different countries without the bands having to travel to perform in TV studios where there were “genuine security issues” according to Lindsay-Hogg, who directed videos for all three acts. Top of the Pops, the aforementioned Ready Steady Go! in the UK, Shindig!, Hullabaloo and The Smothers Brothers Comedy Hour in the US were early participants in broadcasting such materials. The Rolling Stones, who were already international superstars by the mid-1960s, now had another tool to help push a single such as “Jumpin’ Jack Flash” (UK #1, US #3) into the upper echelons of the charts.

 

 

 

 

ABOUT ABKCO Music & Records, Inc., is one of the world’s leading independent entertainment companies. It is home to iconic music catalogues that include compositions and recordings by Sam Cooke, The Rolling Stones, Bobby Womack, Eric Burdon, The Animals, Herman’s Hermits, Marianne Faithfull, The Kinks as well as the Cameo Parkway masters by such artists as Chubby Checker, Bobby Rydell, Clint Eastwood, The Dovells, ? and The Mysterians, The Orlons, Dee  Sharp, Charlie Gracie, Bob Seger, and The Tymes. Releases on ABKCO’s SAR Records include albums by L.C. Cooke, The Soul Stirrers, Billy Preston, Johnnie Taylor, The Valentinos, Mel Carter and more. ABKCO is active on many fronts, including the release of critically lauded soundtracks, compilations, reissues from its catalog, film, commercial placement of its master recordings and music publishing properties in all media.  One Night In Miami…, ABKCO’s latest theatrical production, received a nomination for the 2017 Olivier® Award for Best New Play and three Academy Award nominations as a Major Motion Picture directed by Oscar® winner Regina King. ABKCO’s latest TV production is The Durrells in Corfu, based on Gerald Durrell’s book The Corfu Trilogy and ABKCO’s latest releases are The French Dispatch (Original Soundtrack) and its companion album Chansons d’Ennui Tip Top by Jarvis Cocker.  

Wednesday, April 04, 2018

The Beatles: 'Yellow Submarine' In Theaters Across North America This July To Celebrate 50th Anniversary

Wow! Read on...


THE BEATLES’ YELLOW SUBMARINE
IN THEATERS ACROSS NORTH AMERICA THIS JULY TO CELEBRATE THE 50THANNIVERSARY
 
Restored 4K Theatrical Version With Remixed 5.1 Stereo Surround Sound
 
Once upon a time…or maybe twice…there was an unearthly paradise called Pepperland…
 
Watch the trailer HERE
NEW YORK / LONDON / LOS ANGELES – APRIL 04, 2018 – Abramorama announced today a deal with Apple Corps Ltd. and Universal Music Group (UMG) to theatrically release The Beatles’ classic 1968 animated feature film, Yellow Submarine, across North America this July in celebration of its 50thanniversary. Abramorama, Apple Corps Ltd. and UMG have teamed to give Beatles fans of all ages the opportunity to come together and share in this visually stunning movie and soundtrack. Abramorama originally partnered with Apple Corps, Imagine Entertainment, White Horse Pictures, StudioCanal and UMG’s Polygram Entertainment on the Ron Howard documentary The Beatles: Eight Days a Week – The Touring Years. Abramorama has a proven track record in the music-driven film space, partnering numerous times with Neil Young, Pearl Jam and Green Day and now once again with Apple Corps Ltd.

Yellow Submarine was restored in 4K digital resolution by Paul Rutan Jr. and his team of specialists at Triage Motion Picture Services and Eque Inc. The film’s songs and score were remixed in 5.1 stereo surround sound at UMG’s Abbey Road Studios by music mix engineer Peter Cobbin. Due to the delicate nature of the hand-drawn original artwork, no automated software was used in the digital clean-up of the film’s restored photochemical elements. This was all done by hand, frame by frame.
 
A still from 'Yellow Submarine' / Credit: © Subafilms Ltd.
Richard Abramowitz, CEO of Abramorama said, “We’re thrilled to have the privilege of bringing Yellow Submarine back to the big screen so that 3 generations of happy Beatles fans can enjoy the ground-breaking animation and classic tunes and that have long been part of our collective cultural DNA.”
 
Directed by George Dunning, and written by Lee Minoff, Al Brodax, Jack Mendelsohn and Erich Segal,Yellow Submarine began its voyage to the screen when Brodax, who had previously produced nearly 40 episodes of ABC’s animated Beatles TV series, approached The Beatles’ manager Brian Epstein with a unique vision for a full-length animated feature. 
 
Yellow Submarine, based upon a song by John Lennon and Paul McCartney, is a fantastic tale brimming with peace, love, and hope, propelled by Beatles songs, including “Eleanor Rigby,” “When I’m Sixty-Four,” “Lucy in the Sky With Diamonds,” “All You Need Is Love,” and “It’s All Too Much.” When the film debuted in 1968, it was instantly recognized as a landmark achievement, revolutionizing a genre by integrating the freestyle approach of the era with innovative animation techniques.
 
Inspired by the generation’s new trends in art, the film resides with the dazzling Pop Art styles of Andy Warhol, Martin Sharp, Alan Aldridge and Peter Blake. With art direction and production design by Heinz Edelmann, Yellow Submarine is a classic of animated cinema, featuring the creative work of animation directors Robert Balser and Jack Stokes with a team of animators and technical artists.
 
Information on local screenings can be found here:  http://www.yellowsubmarine.film/
 
***
 
About Apple Corps Limited
Apple Corps Ltd. was founded by The Beatles in 1968 to oversee the band's own creative and business interests. As part of its management of The Beatles’ entire intellectual property canon, the London-based company has administered the legendary band’s recorded catalogue, with more than 800 million physical and digital albums sold to date. 
 
Apple Corps has also piloted innovative Beatles projects, which have become benchmarks for pioneering accomplishment, including the record-breaking, 30 million-selling album The Beatles 1, the universally acclaimed The Beatles Anthology series, the Grammy®-winning CD, vinyl, digital and streaming release of The Beatles’ 13 remastered studio albums, 2017’s chart-topping remixed and expanded Anniversary Edition for Sgt. Pepper’s Lonely Hearts Club Band, and in partnership with Imagine Entertainment, White Horse Pictures and Polygram Entertainment/UMG, the Grammy®-winning 2016 feature documentary,The Beatles: Eight Days A Week – The Touring Years, directed by Ron Howard.
 
In Apple Corps’ first major theatrical partnership, The Beatles LOVE by Cirque du Soleil® has played to nearly nine million audience members since its June 2006 opening at the Mirage in Las Vegas. The Beatles’ LOVE also resulted in a double Grammy®-winning album and a Grammy®-winning feature film, All Together Now, which details the fascinating story behind the unique partnership between The Beatles and Cirque du Soleil that resulted in the creation and launch of LOVE.
 
The Beatles debuted for streaming worldwide on December 24, 2015 with the band’s 13 U.K. studio albums and Past Masters (Volumes 1 & 2), The Beatles 1962-1966, The Beatles 1967-1970, and The Beatles 1, followed by The Beatles’ Anthology, Volumes 1-3 music collections and the LOVE album. Songs by The Beatles were streamed more than four billion times in the first two years.
 
And continuing the commitment to preserving the archives and legacy of The Beatles’ catalogue, The Beatles’ Help!, Yellow Submarine, and Magical Mystery Tour feature films have in recent years been painstakingly digitally restored for DVD, Blu-ray™, and iTunes release. Visit www.thebeatles.com for more information.
 
About Universal Music Group 
Universal Music Group (UMG) is the world leader in music-based entertainment, with a broad array of businesses engaged in recorded music, music publishing, merchandising and audiovisual content in more than 60 countries. Featuring the most comprehensive catalog of recordings and songs across every musical genre, UMG identifies and develops artists and produces and distributes the most critically acclaimed and commercially successful music in the world. Committed to artistry, innovation and entrepreneurship, UMG fosters the development of services, platforms and business models in order to broaden artistic and commercial opportunities for our artists and create new experiences for fans. Universal Music Group is a Vivendi company. Find out more at: www.universalmusic.com. 
 
About Abramorama
Abramorama is the preeminent global rights management partner for music films today and is recognized for the consistent high quality of its work on award winning feature films. An innovator in the focused, personalized form of film distribution and event cinema, Abramorama provides invaluable alternatives to filmmakers and content owners. An industry leader in marketing, promotion, and global distribution, Abramorama continues to trail-blaze exciting new pathways for filmmakers to find their audience.
 
Over the course of more than 15 years, Abramorama has successfully distributed and marketed hundreds of films, including Ron Howard’s Grammy Award®-winning The Beatles: Eight Days A Week – The Touring Years; Danny Clinch and Pearl Jam’s Lets Play Two; Amir Bar-Lev's Long Strange Trip – The Untold Story of the Grateful Dead; Paul Dugdale and Myles Desenberg’s Above & Beyond Acoustic – Giving Up The Day Job; Corbett Redford and Green Day’s Turn It Around: The Story of East Bay Punk, John Scheinfeld’s Chasing Trane – The John Coltrane Documentary; Sam Pollard’s Two Trains Runnin’; Brett Bern's BANG! The Bert Berns Story; Brett Morgen and National Geographic’s seminal Jane; Tomer Heymann's Mr. Gaga; Charles Ferguson’s Time To Choose; Asif Kapadia’s Senna; Neil Young’s Greendale; Cameron Crowe’s Pearl Jam Twenty; Sacha Gervasi’s Anvil! The Story of Anvil; Banksy’s Academy Award® nominated Exit Through the Gift Shop; the surprise indie hit Awake: The Life of Yogananda; Laurie Anderson’s astonishing New York Times critics’ pick, Heart of a Dog, Showtime’s National Board of Review Winner Listen to Me Marlon and Draft House Releasing’s 2016 Documentary Academy Award®-nominee and IDA Best Documentary Winner The Look of Silence. Abramorama is a founding partner of The Seventh Art Stand program, an act of cinematic solidarity against Islamophobia, that ran in more than 50 theaters across the United States in May of 2017. For more information visit www.abramorama.com.