Get the latest update on Survival Guide's (a.k.a. Emily "Agent M" Whitehurst - former vocalist for punk standouts Tsunami Bomb) upcoming album release show at Phoenix's Egyptian Motor Hotel on Oct. 28.
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You've reached the home of The MUSIC WORTH BUYING Channel and Robert Kinsler's Rock 'n' Roll Truth Blog
Get the latest update on Survival Guide's (a.k.a. Emily "Agent M" Whitehurst - former vocalist for punk standouts Tsunami Bomb) upcoming album release show at Phoenix's Egyptian Motor Hotel on Oct. 28.
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Artist: The Rolling Stones
Title: Hackney Diamonds (Geffen Records)
Tell me more: More than 60 years into their sensational run, The Rolling Stones have returned with a true masterwork. Hackney Diamonds is an ambitious album that finds Mick Jagger, Keith Richards and Ronnie Wood delivering a masterful celebration of their signature sound infused with enough contemporary sonics to surprise across the 12-song set.
With drummer Steve Jordan playing drum across the majority of the album tracks in the place of the late drummer Charlie Watts (the latter who passed away in August 2021 at the age of 80), an all-star cast of greats add their respective talents with a collective focus on the songs. Producer Andrew Watt's role is likely another major element in the ambition and success of the album, the British band's first new full-length disc of new material since 2005's A Bigger Bang.
Indeed, the stellar production heard across the album is equaled by the strength and diversity of the song craft as well as the inspired performances of the players. And Jagger sounds outstanding across the title delivering vocals that are strong and stirring.
Hackney Diamonds' lead single "Angry" is among the album's more signature rockers, with Jagger's emotional appeal for forgiveness delivered against an uptempo beat and sharp guitar work from Richards and Wood.
But it are the album's deep cuts and the diversity of material that make Hackney Diamonds a genuinely magnificent gem.
None of the dozen selections on the album is a throw away. The band can be heard revisiting past glories with a decidedly fresh approach while also frequently expanding its musical palette.
"Get Close" is anchored by some sizzling guitar work. A melodic chorus and top-tier sax playing bolster the song. "Depending On You" is a beautiful country-tinged ballad. With its gorgeous arrangement, the semi-acoustic song is deeply affecting.
One of the biggest surprises on the album is the aptly-titled "Bite My Head Off," a true punk rock foray featuring Paul McCartney on bass. Listening to the edgy cut is to be reminded of the ferocity of the Sex Pistols. No mere curiosity, the punk rock-edged track hits home.
Among other standouts on Hackney Diamonds are the country blues nugget "Dreamy Skies," the bewitching blues rocker "Live By The Sword" (the latter featuring the late Watts, former Stones bassist Bill Wyman and pianist Elton John) and the amazing gospel-meets-soul track "Sweet Sounds Of Heaven" featuring guests Lady Gaga (vocals) and Stevie Wonder (keyboards).
Richards is featured on lead vocals on the luxurious track "Tell Me Straight," anchored by some particularly lovely guitar work.
My favorite track is "Whole Wide World," a song that somehow blends the best of 1980s alternative rock with the Stones' timeless approach. The guitars are razor sharp and the explosive chorus is pure ear candy. Jagger's lyrics are especially poignant:
When the whole wide world is against you
And you’re standin’ in the rain
When all you friends have left you down and treat you with disdain
When the whole wide world’s against you
And life’s got you on the run
And you think the party’s over
But it’s only just begun
The album's final track," Rolling Stone Blues," is a winning traditional acoustic blues cover of Muddy Waters' 1950 classic "Rolling Stone" (the song that is said to have inspired the band's name). A wonderful track to bring The Rolling Stones' singular journey full circle.
Information: rollingstones.com.
Robert Kinsler
The upcoming weeks will see both groundbreaking veterans and cult heroes featured on new audio titles. Here is a roundup of some of the most anticipated rock and Americana releases.
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| Twenty-five years after its initial release, Tim Easton's celebrated Special 20 will be reissued on Oct. 20, 2023. |
A new one-volume edition of Paul McCartney’s THE LYRICS: 1956 to the Present, to be published in paperback on November 7, 2023. Returning after its #1 New York Times bestselling run in hardcover, this updated version of THE LYRICS features additional commentaries on iconic songs spanning Paul McCartney's unparalleled musical career.
Those seven new song commentaries include:
· Bluebird
· Day Tripper
· English Tea
· Every Night
· Hello Goodbye
· Magical Mystery Tour
· Step Inside Love
When THE LYRICS published in 2021 to worldwide acclaim, it was heralded as a one-of-a-kind self-portrait of McCartney, earning Book of the Year by Barnes & Noble and Waterstones, and winning a British Book Award. Critics reveled in "how deeply he is steeped in literary history and how much his output as a songwriter has in common with the works of the likes of Dickens and Shakespeare" (New York Times Book Review).
Finally in paperback, this new edition of THE LYRICS further celebrates the breadth of that creative life and musical genius, covering sixty-six years through 161 songs-from early days in Liverpool, the global pop cultural domination of The Beatles, the '70s radio gold of Wings, and Paul's prolific and still peaking solo career.
Arranged alphabetically with a treasure trove of material from McCartney's personal archive - drafts, letters, photographs - never seen before the 2021 publication, THE LYRICS establishes definitive texts of these songs for the first time and describes the circumstances in which they were written, the people and places that inspired them, and what Paul thinks of them now.
Seven new song commentaries elaborate more on these themes, whether mulling over the romantic yearning in Vera Lynn's "We'll Meet Again" (Bluebird), the playful double entendres meant to trip up BBC censors (Day Tripper), the call and response power of a song (Every Night), the challenge and pleasure of writing for other performers (Step Inside Love), and the unlikely experience of serenading astronauts (English Tea).
With a personal foreword by McCartney and edited and introduced by Pulitzer Prize-winning poet Paul Muldoon, THE LYRICS is the definitive literary chronicle of one of musical history's most enduring treasures.
Born in Liverpool in 1942, Paul McCartney was raised in the city and educated at the Liverpool Institute. In June 2023 he published a collection of his photography, 1964: Eyes of the Storm, in conjunction with an exhibition at the National Portrait Gallery in London. Since writing his first song at 14, McCartney has dreamed and dared to be different. He lives in England.
Paul Muldoon is the Pulitzer Prize-winning author of fourteen full-length collections of poetry, including the recent collection Howdie-Skelp.
US product information:
THE LYRICS: 1956 to the Present
Paul McCartney, edited with an introduction by Paul Muldoon
ISBN: 9781324094098
Liveright Publishing
$30
One volume paperback
624 pages
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CRAFT RECORDINGS CELEBRATES
THE 40TH ANNIVERSARY OF VIOLENT FEMMES’
CULT CLASSIC SELF-TITLED DEBUT WITH DELUXE REISSUE
The remastered and expanded Deluxe Edition includes favorites
“Blister in the Sun,” “Please Do Not Go,” “Gone Daddy Gone” & “Add It Up”
Plus rare demos, B-sides, live performances & more
The single “Gone Daddy Gone / I Just Want to Make Love to You (Live)”
available to stream/download today
Folk-punk pioneers now on 40th Anniversary Tour
Reflecting on the album’s 40th anniversary, bassist Brian Ritchie shares: “I am frequently stopped on the street by people who tell me, ‘Your album changed my life,’ or some variant. I don’t have to ask, ‘Which album?’ because it is implied that they’re talking about the first one. The uncanny thing is that these people range from early teens to septuagenarians, and they all have the same testimony.” Ritchie adds, “Sometimes music is more than just a pleasing sound that entertains. It takes on greater meaning. Multiple generations have found the songs to be relevant in their life situations. Some people say they had sex for the first time listening to it (which I find appalling but whatever) and someone even said, ‘I was conceived to your music.’ Wow.”
Today, fans can visit digital platforms to pre-save Violent Femmes (Deluxe Edition) and stream or download the advance single, “Gone Daddy Gone / I Just Want to Make Love to You (Live).” Recorded in January 1983 at Folk City in New York, NY, this raucous early version of the longtime fan favorite includes a complete verse from Willie Dixon’s 1954 song “I Just Want to Make Love to You” (originally recorded by Muddy Waters). Like all the bonus material featured on Violent Femmes (Deluxe Edition), “Gone Daddy Gone (Live)” was previously unavailable in digital format.
Released on vinyl and cassette in April 1983 — and certified Platinum by the RIAA in 1991, the same year it charted on the Billboard 200 for the first time — Violent Femmes has achieved cult status and served as a perennial discovery for music lovers partial to unbridled expression of teen angst. Just a year prior to recording their debut, Gano (vocals, guitar), Ritchie (bass), and DeLorenzo (percussion) co-founded the band in Milwaukee and got their start performing in the streets (a point of necessity rather than preference, given that local clubs refused to book them and it was too hot to practice in DeLorenzo’s basement). But when members of the Pretenders caught Violent Femmes performing on the sidewalk during a tour stop at Milwaukee’s Oriental Theatre, the legendary British/American band spontaneously added them to the bill at that night’s sold-out show. By the following summer, Violent Femmes had landed a spot opening for punk heroes Richard Hell and the Voidoids at New York City’s Bottom Line — a two-night engagement caught by Fricke himself, who soon penned a glowing review in Musician magazine. “The Violent Femmes don’t just steal the show — they blow a fresh wind of post-punk originality rooted in rockabilly simplicity, the dry, folk twang of quintessential hobo Dylan and the stark bash and graphic lyricism of Lou Reed and the Velvet Underground,” he wrote.
In July 1982, Violent Femmes headed to a Lake Geneva studio and cut their debut album’s 10 songs in just a week, funding the sessions with a $10,000 emergency loan co-signed by DeLorenzo's father. Produced by Mark Van Hecke, Violent Femmes mostly consists of the band’s first takes and centers on a raw and potent sound augmented by their idiosyncratic instrumentation (Ritchie favored an acoustic, mariachi-style bass, while DeLorenzo’s minimalistic drum kit included an upside-down metal tub). “We were using tape, which was expensive, and paying for this record ourselves,” Ritchie says today. “We might have a few, false starts. We’d get a take, then say, ‘That sounds pretty good, let’s try a few more.’” After sorting through a deluge of rejection letters from record labels, the band released their full-length debut via Slash Records (a now-defunct offshoot of the Los Angeles punk zine, also home to punk trailblazers like X, the Germs, the Misfits, the Gun Club, and more).
Both of-the-moment and strangely timeless, Violent Femmes matches its restless and frenetic breed of folk-punk with Gano’s singular songwriting voice, at turns giddy, acerbic, and painfully vulnerable. “We’re avant-garde because we’re so reactionary,” Ritchie told Rolling Stone in 1983. “We go back to improvisation, to raw emotions and primitive, old-fashioned sounds. And Gordon’s songs make the whole thing accessible.” To that end, the album’s slippery emotionality encompasses everything from the loopy euphoria of “Blister in the Sun” to the plucky desperation of “Prove My Love” to the jittery frustration of “Add It Up” and “Kiss Off” — the latter a track whose iconic mid-song countdown features an ostensibly dashed-off but entirely intentional outburst from Gano. “That’s the way I wrote it – this voice getting so carried away that he forgets what eight is for,” he says. Meanwhile, Violent Femmes’ exquisitely erratic musicality manifests in such unexpected forms as the bluesy catharsis of “Confessions” and the bright and bouncy exotica of “Gone Daddy Gone” (achieved through the band’s use of xylorimba, a xylophone-marimba hybrid).
Released in 1987, the CD version of Violent Femmes featured two extra songs, “Ugly” and “Gimme the Car” — the latter an alluringly sour and sexually blunt track that Gano and Ritchie performed at the former’s National Honor Society induction ceremony his senior year of high school (a turn of events that promptly led to Gano’s expulsion). Both songs originally appeared on a 7-inch released by London-based indie label Rough Trade in 1983.
Upon its arrival in 1983, Violent Femmes quickly earned acclaim from the likes of Rolling Stone, who hailed the album as an “unnervingly precocious debut” by a band “that not only acts like it just reinvented rock & roll but somehow manages to sound like it as well.” Thanks in no small part to its brutally accurate rendering of adolescent heartache and fury — courtesy of Gano, still a teenager at the time of the LP’s creation — Violent Femmes only grew in cultural impact over the coming decades. In fact, Pitchfork later proclaimed that “Violent Femmes are perhaps the greatest mixtape band of its era…For those that encountered the Femmes in this manner, the band’s songs were akin to outsider art — found musical data that offered bracingly unfiltered takes on lust and alienation and the yearning to belong.” In the depths of the ’90s alt-rock boom, the trio also took major hold of the zeitgeist: in 1994’s Reality Bites (released the same year that Violent Femmes performed at Woodstock’s 25th anniversary concert), Ethan Hawke serenaded Winona Ryder with an embittered rendition of “Add It Up,” while a 1995 episode of My So-Called Lifeopened on Claire Danes joyfully lip-synching “Blister in the Sun.” “It exists as an artifact of history," says DeLorenzo of the band’s debut. “At the same time, it’s been passed down from generation to generation which continues to make it brand new. We’re in a rarified position with that record.”
Over the course of their extraordinary career, Violent Femmes have released nine studio albums, including standouts like Why Do Birds Sing? (a 1991 LP featuring their hit single “American Music,” which climbed to No.2 on Billboard’s Modern Rock chart and has since become an essential song at shows). They’ve also taken the stage at leading festivals like the Coachella Valley Music and Arts Festival (performing a highly anticipated set in 2013), and seen their songs reimagined by major acts like Gnarls Barkley (who covered “Gone Daddy Gone” for their Platinum-certified debut album St. Elsewhere in 2006). To celebrate the 40th anniversary of Violent Femmes, the band recently embarked on a headlining tour of the U.S. — check out the full tour itinerary below and visit vfemmes.com for ticket information.
Click here to pre-order Violent Femmes (Deluxe Edition), or stream/download the advance single and pre-save the album.
Tracklist – Violent Femmes (Deluxe Edition) (2-CD edition):
Disc 1:
1. Blister In The Sun
2. Kiss Off
3. Please Do Not Go
4. Add It Up
5. Confessions
6. Prove My Love
7. Promise
8. To The Kill
9. Gone Daddy Gone / I Just Want To Make Love To You
10. Good Feeling
11. Ugly
12. Gimme The Car
Disc 2:
1. Girl Trouble (Demo)
2. Breakin’ Up (Demo)
3. Waiting For The Bus (Demo)
4. Blister In The Sun (Demo)
5. Kiss Off (Demo)
6. Please Do Not Go (Demo)
7. Add It Up (Demo)
8. Confessions (Demo)
9. Prove My Love (Demo)
10. Special (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
11. Country Death Song (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
12. To The Kill (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
13. Never Tell (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
14. Break Song (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
15. Her Television (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
16. How Do You Say Goodbye (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
17. Theme and Variations (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
18. Prove My Love (Live At Folk City, New York, NY - 1/26/1983)
19. Gone Daddy Gone / I Just Want To Make Love To You (Live At Folk City, New York, NY - 1/26/1983)
20. Promise (Live At Folk City, New York, NY - 1/26/1983)
21. In Style (Live At Folk City, New York, NY - 1/26/1983)
22. Add It Up (Live At Folk City, New York, NY - 1/26/1983)
Tracklist – Violent Femmes (Deluxe Edition) (digital edition):
1. Blister In The Sun
2. Kiss Off
3. Please Do Not Go
4. Add It Up
5. Confessions
6. Prove My Love
7. Promise
8. To The Kill
9. Gone Daddy Gone
10. Good Feeling
11. Ugly
12. Gimme the Car
13. Girl Trouble (Demo)
14. Breakin’ Up (Demo)
15. Waiting For The Bus (Demo)
16. Blister In The Sun (Demo)
17. Kiss Off (Demo)
18. Please Do Not Go (Demo)
19. Add It Up (Demo)
20. Confessions (Demo)
21. Prove My Love (Demo)
22. Special (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
23. Country Death Song (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
24. To The Kill (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
25. Never Tell (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
26. Break Song (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
27. Her Television (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
28. How Do You Say Goodbye (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
29. Theme and Variations (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
30. Prove My Love (Live At Folk City, New York, NY - 1/26/1983)
31. Gone Daddy Gone / I Just Want To Make Love To You (Live At Folk City, New York, NY - 1/26/1983)
32. Promise (Live At Folk City, New York, NY - 1/26/1983)
33. In Style (Live At Folk City, New York, NY - 1/26/1983)
34. Add It Up (Live At Folk City, New York, NY - 1/26/1983)
Tracklist – Violent Femmes (Deluxe Edition) (vinyl edition):
Disc 1:
Side A:
1. Blister In The Sun
2. Kiss Off
3. Please Do Not Go
4. Add It Up
5. Confessions
Side B:
1. Prove My Love
2. Promise
3. To The Kill
4. Gone Daddy Gone / I Just Want To Make Love To You
5. Good Feeling
Disc 2:
Side A:
1. Girl Trouble (Demo)
2. Breakin’ Up (Demo)
3. Waiting For The Bus (Demo)
4. Blister In The Sun (Demo)
5. Kiss Off (Demo)
Side B:
1. Please Do Not Go (Demo)
2. Add It Up (Demo)
3. Confessions (Demo)
4. Prove My Love (Demo)
Disc 3:
Side A:
1. Special (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
2. Country Death Song (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
3. To The Kill (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
4. Never Tell (Live At Beneath-It-All Café, Milwaukee, WI - 9/12/1981)
5. Break Song (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
6. Her Television (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
Side B:
1. How Do You Say Goodbye (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
2. Theme and Variations (Live At The Jazz Gallery, Milwaukee, WI - 12/8/1981)
3. Prove My Love (Live At Folk City, New York, NY - 1/26/1983)
4. Gone Daddy Gone / I Just Want To Make Love To You (Live At Folk City, New York, NY - 1/26/1983)
5. Promise (Live At Folk City, New York, NY - 1/26/1983)
6. In Style (Live At Folk City, New York, NY - 1/26/1983)
7. Add It Up (Live At Folk City, New York, NY - 1/26/1983)
7-Inch Single:
Side A:
1. Ugly
Side B:
1. Gimme The Car
Tour Dates for Violent Femmes
10/11 - Queen Elizabeth Theatre (Toronto, ON)
10/12 - Mtelus (Montreal, QC)
10/13 - MGM Music Hall at Fenway (Boston, MA)
10/14 - Ulster Performing Arts Center (Kingston, NY)
10/15 - College Street Music Hall (New Haven, CT)
10/17 - Webster Hall (New York, NY)
10/18 - Starland Ballroom (Sayreville Station, NJ)
10/20 - Rams Head Live! (Baltimore, MD)
10/21 - The NorVa (Norfolk, VA)
10/22 - The National (Richmond, VA)
10/27 - Arizona State Fair (Phoenix, AZ)
11/16 - The Novo (Los Angeles, CA)
11/18 - Darker Waves 2023 (Huntington Beach, CA)
About Craft Recordings:
Craft Recordings is home to one of the largest and most essential collections of master recordings and compositions in the world. Its storied repertoire includes landmark releases from icons such as Joan Baez, John Coltrane, Creedence Clearwater Revival, Celia Cruz, Miles Davis, Isaac Hayes, John Lee Hooker, Little Richard, R.E.M., Joan Sebastian, and Traveling Wilburys. Plus, the catalog recordings of celebrated contemporary acts including A Day to Remember, Evanescence, Alison Krauss, Nine Inch Nails, Taking Back Sunday and Violent Femmes, to name just a few. Renowned imprints with catalogs issued under the Craft banner include Fania, Fantasy, Fearless, HITCO, Musart, Nitro, Panart, Prestige, Riverside, Rounder, Specialty, Stax, Vanguard, Varèse Sarabande, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation—ensuring that these recordings endure for new generations to discover. Craft is also home to the Billie Holiday and Tammy Wynette estates which preserve and protect their respective names, likeness and music through day-to-day legacy management of these cultural trailblazers.
Craft Recordings is the catalog label team for Concord. For more info, visit CraftRecordings.com and follow on Facebook, Twitter, Instagram, TikTok, and YouTube.