Wednesday, August 23, 2023

The Three O'Clock’s 'Sixteen Tambourines' 40th Anniversary Edition out October 20

Very exciting news with today's announcement that legendary band The Three O'Clock's "Sixteen Tambourines" will be released as a special 40th Anniversary Edition on Oct. 20, 2023 courtesy of Yep Roc Records. On a released note, read my review of The Three O'Clock's memorable concert in Santa Ana, CA in December 2013 HERE. Additionally, the band performed at Coachella in April 2013; read my coverage of that appearance HERE.


The official media release about the forthcoming "Sixteen Tambourines" reissue is below...Robert Kinsler


Yep Roc Records Announces 40th Anniversary Edition of The Three O'Clock’s Sixteen Tambourines Out October 20, 2023 

 

Remastered Album Features Brand-New Double Front Artwork

 

Baroque Hoedown Features Four Songs Not On Original EP Out Now

 

Yep Roc Records celebrates the 40th anniversary of Sixteen Tambourines by The Three O’Clock, one of the core groups in L.A. 's Paisley Underground scene, with a remastered edition of the band’s second album featuring new artwork. 

 

Out October 20 and available on CD and LP (transparent green vinyl), Sixteen Tambourines was remastered by Bill Inglot and Dave Schultz, lacquer cut at Bernie Grundman Mastering, with the vinyl pressed at Citizen Vinyl in Asheville, NC; pre-order here.

 

Blending psychedelic pop with contemporary sounds, Sixteen Tambourines was produced by Earle Mankey, who encouraged the band in their experimentation. The result yielded a college-radio hit, "Jet Fighter," which remains one of the group's most well-known songs. Other standouts include, "A Day In Erotica," "Stupid Einstein," "Fall to the Ground," and their version of the Bee Gees "In My Own Time." 

 

Originally released in October 1983, for the anniversary reissue the band updated the artwork which features a double front cover, meaning no matter which way you view the album, it will always appear like you are looking at the front cover - front cover image with the opening for LP or CD on the right side. The photos used for the new cover(s) are never-before-seen images taken from the era the album was recorded.

 

Remastered by Bill Inglot and Dave Schultz, the 40th anniversary reissue of the band’s seminal debut Baroque Hoedown was released earlier this year and originally available only for Record Store Day. Now available for wide release, the expanded edition of the debut EP features the five original songs with four additional recordings from the era to create a full-length album. One of the new songs is a cover of Pink Floyd's "Lucifer Sam.” The album is available for order here.

 

The Three O'Clock –  Michael Quercio (vocals, bass guitar, percussion); Danny Benair (drums); Louis Gutierrez (guitars, vocals, percussion); and Mark Mariano (keyboards, vocals, percussion); were the quintessential L.A. Paisley Underground band. Lead singer/bassist Michael Quercio coined the term to describe the bands that incorporated their love of various sixties music with more modern sounds, including the Dream Syndicate, Rain Parade, and The Bangles.

 

Beginning as the Salvation Army in 1982, and forsaking the name due to a conflict with the actual organization, The Three O'Clock originally included Quercio and guitarist Louis Gutierrez. Their self-titled debut in 1982 featured a garage-y sound. When ex-The Quick drummer Danny Benair and keyboardist Mickey Mariano joined for the follow-up EP, Baroque Hoedown and the LP Sixteen Tambourines in 1983, the band found a more polished, perfect pop sound.

 

In 1985, the band released Arrive Without Travelling for I.R.S. Records, followed by Ever After. Gutierrez departed in 1986. For their Warner Bros./Paisley Park debut (Prince was a fan), Vermillion, Jason Falkner joined to play guitar for what would be the band’s last album release. 

 

After years of turning down offers to reunite, in 2013, the band’s original lineup (minus Mariano, who was replaced by Adam Merrin of the 88) re-formed to play the Coachella Festival. In November 2018, Yep Roc Records released three new recordings by The Three O'Clock as part of a compilation album called 3 × 4, including The Dream Syndicate, The Bangles, and Rain Parade, with each of the four bands covering songs by the other bands (Read my review of the "3 x 4" collection HERE).

 

Sixteen Tambourine Tracklisting: 
Side A
1.Jet Fighter
2. Stupid Einstein 
3. And So We Run 
4. Fall to the Ground 
5. A Day in Erotica
Side B
1.Tomorrow
2. In My Own Time
3. On My Own
4. When Lightning Starts
5. Seeing Is Believing

 

Baroque Hoedown Tracklisting:
Side 1
1.With A Cantaloupe Girlfriend
2. I Go Wild
3. Marjorie Tells Me
4. Lucifer Sam
 
Side 2
1.Sorry 
2. In Love In Too
3. All In Good Time
4. Feel A Whole Lot Better
5. As Real As Real

Friday, August 18, 2023

Otep's acclaimed concept album 'Hydra' to make its debut on vinyl for 10th Anniversary

Based on a novella by founder and frontwoman Otep Shamaya, Hydra features 

the single “Apex Predator,” plus favorites “Blowtorch Nightlight” and “Seduce & Destroy”

 

Available October 6, the 2-LP gatefold set features an exclusive etching



Click here to pre-order


 

Craft Recordings celebrates the 10th anniversary of Otep’s acclaimed concept album, Hydra, with its first-ever vinyl release. Featuring such haunting favorites as “Apex Predator,” “Blowtorch Nightlight” and “Seduce & Destroy,” the cinematic metal album is based on a novella by the band’s founder and frontwoman, Otep Shamaya, and centers on the story of a vigilante assassin named Hydra. Arriving October 6 and available for pre-order today, Hydra is presented as a 2-LP gatefold set and features a uniqueetching on Side D, based on the character of Hydra and emblazoned with Otep’s signature tenet, “Art Saves.” The design, which will also be available on a limited Apple Red edition (exclusively via CraftRecordings.com), was overseen by Shamaya herself.

 

Otep’s story is the stuff of rock ’n’ roll dreams. Founded in late 2000 by singer, songwriter and renegade Otep Shamaya, the Los Angeles metal band was playing their fourth-ever show when they caught the attention of manager and TV personality Sharon Osbourne, who invited them to join 2001’s Ozzfest. Amid the buzz, Otep was scouted by a major label, despite having no demo. While their first stop on the tour was only their eighth live appearance, audiences were blown away by Shamaya’s striking stage presence, outspoken lyricism and genre-bending brand of metal, which she describes as “a total and complete mutiny on the senses. We are a fusion band by nature, inspired by many styles and tones from a variety of musical genres—rock, punk, metal, hip-hop, spoken word, jazz, and classic rock. We never allow the antiquated limits of a genre [to] confine or restrict us. Our music is universal and does not belong nor can it be contained in a nice, neat, little box.”

 

Over the next few years, Otep established themselves as one of the most exciting acts on the scene, drawing comparisons to Rage Against the Machine and even Woody Guthrie for their rousing political songs. In 2009, when the band signed to Victory Records, Otep had sold over 500,000 records, including their broadly acclaimed 2002 debut, Sevas Tra, the bestselling House of Secrets (2004) and The Ascension (2007). Shamaya, meanwhile, had already published two books of poetry, earned a 2010 GLAAD nomination for Outstanding Music Artist and was a guest speaker at the 2008 Democratic National Convention.

 

At Victory, Otep maintained a busy schedule of touring and releases, including Smash the Control Machine (2009) and Atavist (2011). For her sixth LP, however, Shamaya drew inspiration from a novella she had written, titled None Shall Sleep.She set to work on a concept album, written from the perspective of its anti-hero, Hydra. Speaking to fans on Facebook, Shamaya explained the character’s backstory: “Corrupted by the world, corrugated by evil, ripped away from the golden, molten elixir of creativity, and abandoned on the placid, jagged rocks of a cruel and barbaric island. . . . This is a story of her personal alchemy of theophagy, revenge, and righteousness. Her rise from the smoldering ash as . . . a vigilante serial assassin, codename: Hydra.”

 

Produced by Ulrich Wild (Pantera, Deftones, Static-X), the cinematic album transports listeners on an ominous journey, as a dynamic blend of instrumentation (including the band’s first and only use of drum programming) and haunting lyricism evoke its namesake’s tortured soul. Among the most popular tracks is “Apex Predator,” a twisted chant, in which Hydra becomes enraptured with one of her victims. As the song progresses, she begins to question her sanity—and whether the woman she captured exists at all. Released as a single, the song was accompanied by a provocative visual, filmed at an abandoned hospital and directed by P.R. Brown(The Smashing Pumpkins, Evanescence, Slipknot). 

 

Also keeping listeners on their toes is “Blowtorch Nightlight,” which intersperses cathartic growls and violent riffs with atmospheric breakdowns. In an interview with Metal Riot, Shamaya explained that the song is “an anthem based on [Hydra’s] search for the one who made her and to give a glimpse of the processes that created and summoned this dark thing that now inhabits her.” That ferocious intensity builds in “Seduce & Destroy” and comes to a climax in “Hag.” On the other end of the spectrum is the sparsely arranged “Voyeur,” during which Shamaya delivers a sinister, spoken-word monologue in whispered tones. The album closes with the industrial “Theophagy,” followed by a blood-curdling scream.

 

Reflecting on the creative process a decade later, Shamaya shares, “Hydra is a very unique and special album to me. Out of all nine albums, it’s only the second concept album I’ve written besides House of Secrets, which was an exciting challenge to undertake: adapting a novella into songs and to transcribe it as the main character herself. I did a lot of research into the minds of serial killers, thrill killers, and mass murderers. One of the most impactful moments of research was listening to the Ted Bundy tapes, which had been retrieved from an old tape recorded and played in mono (so only in my left ear) as he whispered where he had hidden the head of one of his youngest victims.” 

 

As Hydra neared its release, Otep announced that it would be their final album and many of its reviews reflected that statement. AllMusic hailed, “With heavier guitars and sinister, off-putting electronics, it feels as though the bandmembers are using their final outing to expand their sound in some new directions, oftentimes transcending the nu-metal leanings they have traditionally worked in. . . . Hydra finds the band going out at the top of its creative game.” Louder declared it to be “a victorious swansong . . . Hydra collates the singer’s most sinister influences into a melting pot of hypnotic songs that twist and turn with every note.” Exclaim! praised that Hyrdra “oozes intricate thought . . . the record is the sonic equivalent of an art installation.” 

 

Fans embraced Hydra as well, upon its release in January 2013. In addition to landing on the Billboard 200, Hydra was a Top 10 hit on the Hard Rock Albums chart and a Top 40 hit on the Independent Albums chart. A year later, Shamaya announced that Otep would continue to release new material. Generation Doom arrived in 2016, followed by Kult 45 in 2018. Today, Otep Shamaya continues to stay active on the road. Outside of music, she is busy as a voiceover actor, appearing in the likes of The Last of Us, World of Warcraft: Dragonflight, World of Warcraft: Legion and The Hobbit: The Battle of the Five Armies. 

 

Click here to pre-order Hydra

 

 

Hydra Tracklist

 

Side A

1. Rising

2. Blowtorch Nightlight

3. Seduce & Destroy

4. Crush

 

Side B

1. Hematopia

2. Necromantic

3. Quarantine

4. Voyeur

5. Apex Predator

 

Side C

1. Feral Game

2. Livestock

3. Hag

4. Theophagy (Shortened)

 

Side D

Etching

 

 

About Craft Recordings:

Craft Recordings is home to one of the largest and most prestigious collections of master recordings and compositions in the world. Its rich and storied repertoire includes legendary artists such as Joan Baez, Ray Charles, John Coltrane, Creedence Clearwater Revival, Miles Davis, Bill Evans, Vince Guaraldi, John Lee Hooker, Little Richard, Nine Inch Nails, Thelonious Monk, Otis Redding, R.E.M. and Traveling Wilburys, to name just a few. Renowned imprints with catalogs issued under the Craft banner include Concord, Fania, Fantasy, Fearless, Milestone, Musart, Nitro, Prestige, Riverside, Rounder, Specialty, Stax, Sugar Hill, Vanguard, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation—ensuring that these recordings endure for new generations to discover. Craft Recordings is the catalog label team for Concord Recorded Music. 


Craft Recordings is the catalog label team for Concord. For more info, visit CraftRecordings.com and follow on Facebook, Twitter, Instagram, TikTok, and YouTube.

Thursday, August 17, 2023

Two Classic Albums by rock pioneer Genya Ravan coming Friday, Aug. 18

Two classic albums from singer Genya Ravan are coming Friday, Aug. 18. Get all the details via the in-depth media release below...Robert Kinsler


Powerhouse vocalist Genya Ravan will have two of her self-produced solo albums—Urban Desire (1978) and its follow-up … And I Mean It (1979)—re-released on August 18 (Genya Ravan Productions, distributed by BFD/The Orchard). Both feature Ravan’s scorching vocals, her masterful production and her soulful blues-harp in a myriad of settings, most notably an energized hard-rocking ‘60s girl-group update accented by a Stones-like ferocity, a Jukes-like party atmosphere amid a Spector-ish wall of sound.


Urban Desire, on black vinyl, red vinyl and CD, plus …And I Mean It, on black vinyl, pink vinyl and CD, display a rare pedigree of rock’n’roll smarts from New Wave, Soul, and Blues to Pop and Classic Rock’n’Roll. No one ever covered The Supremes (“Back In My Arms Again”) or John Cale (“Darling I Need You”) like this! Genya’s duet with Lou Reed (“Aye Co’lorado”) contains everything from piano wildness to punk bravado. Her duet with Ian Hunter (“Junkman”) is a match made in honky-tonk heaven (complete with Mick Ronson on lead guitar). The version of Marvin Gaye’s 1962 “Stubborn Kinda Fellow”—renamed “Stubborn Kinda Girl”—has to be ranked up amongst the greatest Gaye covers ever.

Urban Desire is available here: https://orcd.co/GenyaRavanUrbanDesire 
…And I Mean It is available here: https://orcd.co/GenyaRavanAndIMeanIt

Ravan—Genyusha Zelkowitz, born in 1940 Poland—survived the Holocaust to have a career like no other. Decades sober, she stands as a true pioneer for women who rock. Her 2004 tell-all, Lollipop Lounge: Memoirs of a Rock and Roll Refugee, tells the tale of an immigrant who fought and clawed her way through the boy’s club of the music industry. First came The Escorts with future producer Richard Perry (Nilsson, The Pointer Sisters, Ringo, Tiny Tim). Impressed with her vocals during an impromptu jam, he asked her to join the band as lead vocalist. They scored a #1 regional hit with “Somewhere” from West Side Story. Following that, in 1963, she formed the first all-woman rock band, Goldie & The Gingerbreads, before pioneering one of the first rock’n’roll horn bands—Ten Wheel Drive—in 1969. She has, over the course of five decades, carved her place in rock history. Currently hosting “Chicks and Broads” as well as “Goldie’s Garage” on Sirius/XM’s “Underground Garage “(started by one of her fans, Stevie Van Zandt). “Chicks and Broads” spotlights forgotten females of previous generations. “Goldie’s Garage” keys in on today’s up’n’comers.

This real-life New York Doll has also produced albums by 13 different artists including The Dead Boys (1977’s Young Loud And Snotty) and Ronnie Spector (1980’s Siren). After being a key figure in the ‘70s punk explosion, she was portrayed by actor Stana Katic in the 2013 CBGB movie. Additionally, Genya Ravan will be inducted into the New England Hall of Fame this fall.

Bob Frank Distribution (BFD) was formed in 2012 as a boutique independent music distributor with a global sub-distribution arrangement with The Orchard. BFD currently represents over fifty labels and artists with thousands of masters including earMUSIC, Charly, Absolute, Righteous Babe, Astor Place Recordings, Cleveland International Records, Peak Records, SGM Records, Woodward Avenue Records, The Atlantic Screen Group (Filmtrax), REMT, Bad Dog/PRA Records, UFO, as well as artist owned labels and catalogs including Charlie Daniels’ Blue Hat Records, Crystal Gayle, Dale Watson, Dave Davies, Anthony Gomes and many others. 2023 will be BFD’s biggest year yet, with new releases from Alice Cooper, Duff McKagan, Kool & The Gang, The Isley Brothers, Colbie Caillat, and Extreme, as well as the first releases from the Judy Garland catalog via her estate.

Visit www.bobfrankent.com for more information.

Tuesday, August 15, 2023

BMI to honor Billy F Gibbons with 2023 Troubadour Award on Sept. 18

Billy F Gibbons is set to receive a well-deserved honor on Sept. 18 in Nashville...Robert Kinsler 


Billy F Gibbons at Gibson's NAMM Jam in Anaheim, California on Jan. 24, 2019.
Photo: Bob Steshetz

 

NASHVILLE, TN – Aug. 15, 2023 - BMI (Broadcast Music, Inc.) will present Billy F Gibbons, the centerpiece and one third of ZZ Top, with its coveted Troubadour Award during a private reception at BMI’s Nashville office on Monday, Sept. 18. The prestigious accolade recognizes a songwriter who has made a profound impact on the creative community as their craft continues to set the pace for generations to follow. As the chief songwriter for ZZ Top, Gibbons’ credits include iconic hits such as “Sharp Dressed Man,” “Legs,” “Cheap Sunglasses” and “La Grange,” the lead single from ZZ Top’s Tres Hombres album that catapulted the trio into mainstream success fifty years ago.


“With a career spanning several decades, Billy has penned an array of timeless hits that have left an inedible mark on the music industry,” BMI’s VP of Creative Nashville, Clay Bradley said. “His ability to craft lyrics that resonate with audiences across generations is a testament to his songwriting prowess and he is the epitome of what the BMI Troubadour Award represents.”

Dubbed “Nashville’s most glorious low-key party” (Rolling Stone), the night will include unforgettable tribute performances and commemorative speeches by special guests during cocktail reception and dinner. Gibbons joins the ranks of past Troubadour Award recipients including John Hiatt, John Prine, Robert Earl Keen and Lucinda Williams. Falling on the eve of AMERICANAFEST, the night serves as a homecoming for BMI’s Americana family of artists and is sponsored by George Dickel Bourbon and WP Global. 

Gibbons has been an essential part of the American musical landscape since ZZ Top’s formation in 1969. Regarded as one of the world’s finest guitarist players, ZZ Top’s signature sound can be credited to Gibbons’ distinct style that has resonated throughout all genres. The Rock and Roll Hall of Fame band has released 15 studio albums while selling more than 50 million records worldwide.

 

ABOUT BMI:

Celebrating over 80 years of service to songwriters, composers, music publishers and businesses, Broadcast Music, Inc.® (BMI®) is a global leader in music rights management, serving as an advocate for the value of music. BMI represents the public performance rights in over 20.6 million musical works created and owned by more than 1.3 million songwriters, composers, and music publishers. The Company negotiates music license agreements and distributes the fees it generates as royalties to its affiliated writers and publishers when their songs are performed in public. In 1939, BMI created a groundbreaking open-door policy becoming the only performing rights organization to welcome and represent the creators of blues, jazz, country, and American roots music. Today, the musical compositions in BMI’s repertoire, from chart toppers to perennial favorites, span all genres of music and are consistently among the most-performed hits of the year. For additional information and the latest BMI news, visit bmi.com.