Rock 'n' Roll Truth: Coachella Festival 2026 Weekend 2 Recap

"Visage Brut" by the Los Angeles
Design Group

What: Coachella Valley Music and Arts Festival

Who: The xx, Lykke Li, David Byrne, Sombr, Alex G, Foster the People, more

When: April 17-19, 2026

Where: Empire Polo Club in Indio, CA

Review and photography by Robert Kinsler

Editorial note: You can read coverage on the Desert Local News website that includes writer George A. Paul's favorite performances of Weekend 2 HERE

Additionally, George A. Paul's complete coverage of Coachella is available on his Music Minded blog HERE

Artist Kyriakos Chatziparaskevas' "Starry Eyes" art installation made quite an
impression with Coachellagoers this year.

Friday, April 17

My Coachella Valley Music and Arts Festival Weekend 2 experience began with a chance to get an authentic flavor of the Coachella Valley's rich history via an outstanding performance by Cahuilla Bird Singers and Dancers (as seen in the image above). While a large group of men stood on stage and sang/chanted and told stories behind the selections sung in their original language, about a dozen women stood in the area in front of the Gobi Stage and danced throughout the 30-minute performance.

Following that, the Bob Baker Marionettes brought bona fide fun to the Gobi Stage. The fast-moving variety show blended a number of musical styles as elaborate string puppets were brought to life by skilled marionettists. What's more, Irish singer CMAT (Ciara Mary-Alice Thompson) joined the Marionettes to singer her own song "Take a Sexy Picture of Me" during the 40-minute set. She joined the principal marionette, "Pink Cat," to sing the song. You can learn more about the Los Angeles area-based Bob Baker Marionette Theater HERE.

Lykke Li performing in front of a large crowd gathered in front of the
Outdoor Theatre on Friday afternoon.

One of the genuine joys of my more than 20 years of attending Coachellafest is the discovery of groundbreaking artists new to me. On Friday, April 17, I caught Swedish singer-songwriter Lykke Li's 50-minute set on the Outdoor Theatre stage. An artist whose ambition is matched equally by her on-stage persona and originality blending electropop, dance pop and indie stylings, her performance was never less than compelling. The songs had strong dynamics and even when the intent may have simply been to get concertgoers to move in rhythm to the music, there was emotional weight to the originals. My favorites included the introspective ballad "Highway To Your Heart," synthesizer-swept "Sick of Love," and romance-minded dance "Little Bit."

The xx thrilled throughout their fast-moving set on April 17. Pictured on the big
screens, from left, are guitarist Romy Bradley Croft and bassist Oliver Sim.

I was no stranger to the magical power of The xx, having previously caught them at the Empire Polo Club grounds in 2017 (you can read my review of that event HERE). The band's appearance this year again proved why the acclaimed British trio is so compelling, with their distinctive approach the perfect fit with the magic of performing on the Coachella Stage at dusk. Atmospheric and dreamy standouts included the lovely opener "Crystalised" and followup "Say Something Loving" (with guitarist Romy Bradley Croft and bassist Oliver Sim sharing lead vocal duties on both tracks), "Angels" and tender "Shelter"; The xx was more forceful on the sweeping "Fiction" and aptly-titled "Loud Places." The soaring masterwork "Intro" closed out the bewitching 55-minute performance.

Saturday, April 18

Kacey Musgraves, lower left, performing in the Mohave Tent on April 18.

Weekend 2 attendees scored a musical jackpot with the addition of Texas country music superstar Kacey Musgraves who performed in a packed (and I mean packed!) Mohave Tent on Saturday afternoon; this also marked her first performance at Coachella in seven years. The beloved songstress made the most impressive entrance of the weekend when she rode a horse to the side entrance of the tent, and then proceeded to kill it with one of the most memorable sets of the weekend. Opening with the wistful title track off her forthcoming album Middle of Nowhere (due May 1, 2026), she treated concertgoers to several other nuggets from the album including the infectious "Uncertain, TX" (complete with country line dancers sharing the stage with Musgraves and her seven-man band), and beautiful pedal steel-swept "Back on the Wagon." Other highlights of the 53-minute set included the romantic kiss-off "Space Cowboy," mid tempo "Slow Burn," shimmering "Golden Hour," a rousing cover of George Strait's "All My Ex's Live in Texas" and playful "Dry Spell."

Alex G photo credit: Anna Downs
Photo courtesy of Coachella

The sonic echoes of Dinosaur Jr., Band of Horses, the Hooters and a slew of other personal faves seemed to emerge during singer-songwriter/multi-instrumentalist Alex G's wide-ranging Saturday 50-minute afternoon set on the Outdoor Theatre stage. Some selections were super dense and heavy (the post-goth opener "Louisiana" comes to mind) or wonderfully melodic ("Gretel"), while others landed in a genre-defying area ("June Guitar" where Alex G played an extended solo on accordion) or even tapped into classic rock and punk territory.

Sombr photo credit: Alden Bonecutter
Photo courtesy of Coachella

Billy Idol photo credit: E Tantra
Photo courtesy of Coachella

If you have not yet heard of singer-songwriter Sombr (the moniker for New York City native Shane Michael Boose), you can be sure this mini-review will not be the last time you hear about the rising 20-year-old talent.

Armed with model looks, charisma aplenty and a terrific voice, the rising star impressed at every turn. And it didn't hurt that he brought Billy Idol and guitarist Steve Stevens to the stage to perform a great version of Idol's 1983 hit "Eyes Without a Face" about half way through his 50-minute performance. Other standouts in the set included a moving take on Radiohead's "Fake Plastic Trees," as we'll as his own "Back to Friends" and "Undressed." Don't be surprised if Sombr returns to Coachella soon.

Saturday night I caught two more great performances at the festival; both The Strokes (performing on the Coachella Stage) and David Byrne (at the Outdoor Theatre) afforded me to check off two artists from my bucket list I hadn't previously seen. New York-spawned quintet The Strokes rocked through a slew of their garage rock revival-styled originals including the speedy opener "Hard to Explain," the favorite "Someday," super catchy "The Adults Are Talking" and haunting "Selfless."

Singer-guitarist David Byrne performing on the Outdoor Theatre Stage.

Byrne brought a mix of beloved fide Talking Heads classics and outstanding solo material for an hour-long set that challenged and rewarded an enthusiastic crowd. Highlights abounded included an exuberant take on "And She Was" and "Psycho Killer," as well as a finale bringing both "Once in a Lifetime" and "Burning Down the House" fully to life via a large ensemble enhancing the '80s hits.

Sunday, April 19

Foster the People delivering a top-tier set of originals at Coachella on April 19.

I caught a handful of great performances on Sunday but my favorite was by Los Angeles-spawned outfit Foster the People. Led by frontman and founder Mark Foster, the band's winning blend of synth-pop, modern rock and indie pop resonated with the large audience gathered in front of the Outdoor Theatre for the fast-moving set. Dynamic state-of-the-art visuals and a modern stage design enhanced the 12-track set. Foster is a terrific singer, and used both his full voice and an expressive falsetto to bring depth to the dance-minded opener "Helena Beat," infectious "Houdini," disco-flavored "Lost in Space," sumptuous "Coming of Age" and tuneful "Sit Next to Me." The troupe had everyone moving (as well as capturing the musical proceedings with their cell phones) on the set-ending hit "Pumped Up Kicks."

Wet Leg singer Rhian Teasdale on the large project screens on the Coachella Stage.

Earlier that day I caught several other strong sets staged on the Coachella Stage, including Tijuana Panthers and an even more powerful turn from the hard rocking English outfit Wet Leg.

Check out a number of other images I captured during Weekend 2 below...Robert Kinsler