“I saw them play one Tuesday night in a little bar in Woodstock, NY in front of maybe 11 people. They got up there and poured their hearts out, and I’ve been a fan ever since. All in all, I’m glad that I was asked to be on this album, and glad to be a part of it.”
Marshall Crenshaw
In related Continental Drifters news, author Sean Kelly shares the title of his book with Omnivore Recordings’ White Noise & Lightning: The Best Of Continental Drifters album (release date: September 13), that includes voluminous liner notes by Kelly on both an 11-track LP and 15-track CD.
“The Continental Drifters reminded me in a lot of ways of The Band, so that really piqued my interest. I found Carlo Nuccio’s voice to be hauntingly fabulous. I was always looking for inspiration, and when I first heard them, I thought, ‘This is cool. Thank goodness there’s something cool.’”
Carlene Carter
The Continental Drifters were perhaps the very definition of an underground band with virtually no major label or professional management intercession. While the music they created would now be thought of as “Americana,” neither the genre nor the term for it existed at the band’s inception. In a sense, they “invented” something for which there was no name, but which they were compelled to pursue just the same. The Continental Drifters were a passion project for all concerned and Kelly captures that fervor in his book, which too is something of a passion project, having taken the better part of five years to meticulously research and write.
Almost from its early ‘90s inception, the band, with a continually evolving personnel line up, held down a weekly residency in Los Angeles, performing before an ever-expanding fan base who religiously gathered to see them each Tuesday at Raji’s, a bare bones showcase room that was not typically haunted by major label functionaries. As the band was getting its footing and to some extent solidifying its lineup, things changed. Several of the members pulled up stakes and relocated to New Orleans, where they built a reputation for breaking barriers and innovation – all over again. In essence, history repeated itself in the Crescent City.
It can be argued that the Continental Drifters were not so much a band as an arts collective that attracted an ever-changing line-up of inspired musicians who explored new vistas without much regard to commercial constraints. The Continental Drifters, unburdened by major label and management handlers tended to explore what felt right to the respective members/participants almost from a purely musical point of view. While they were for the most part, hitless, they broke new ground and played music that was totally original and unencumbered by constraints of format or genre.
Continental Drifters personnel
Russ Broussard# (ex-member of The Bluerunners)
Susan Cowsill# (also of The Cowsills, Psycho Sisters)
Gary Eaton (ex-member of Giant Sand, The Ringling Sissters, collaborator with Steve Wynn of The Dream Syndicate)
Ray Ganucheau (has released albums under his own name)
Peter Holsapple# (ex-member of The dB’s, former touring guitarist with R.E.M. and Hootie & The Blowfish)
Robert Maché (ex-member of Lulu and the Broadsides, Swinging Madisons, Steve Wynn Quintet)
Danny McGough (ex-member of Social Distortion, Liquor Giants, 7 Deadly 5)
Carlo Nuccio (1961 – 2022 / played drums on albums by Tori Amos, Emmylou Harris, Marianne Faithfull, Dr. John)
Vicki Peterson# (also of The Bangles)
Mark Walton# (ex-member of The Dream Syndicate)
#part of the most recent lineup of the Continental Drifters
Continental Drifters: Before and Beyond Spotify playlist illustrates the members’ connections to their many other musical endeavors
https://open.spotify.com/playlist/528YeC19d78InPfSOCnkib?si=7bd2686a854d4fc6
Pre-order White Noise & Lightning: The Best of the Continental Drifters
https://omnivorerecordings.com/shop/white-noise/
We Are All Drifters: A Tribute to the Continental Drifters tracklisting:
Disc 1
Don Dixon - The Mississippi
Rob Laufer - The Rain Song
Marshall Crenshaw - Darlin Darlin
Rosie Flores & the Talismen - Christopher Columbus Transcontinental Highway
Annette Zilinskas (with Pete Thomas and Davey Faragher) - Dallas
The Iguanas - Side Steppin’ the Fire
Tara Austin & Lyn Bertles - Tomorrow’s Gonna Be
Jolene - Spring Day in Ohio
Robbie Rist - Invisible Boyfriend
Candace Mache - Heart, Home
Equation - Don’t Do What I Did
Debbi Peterson & The Minus 5 - Who We Are
Disc 2
Annie Clements & the Auxiliary Drifters - Drifters
Danny McGough, Alex McMurray and Glenn Hartman - Mezzanine
George Porter Jr. & Runnin’ Pardners - Peaceful Waking
Martha Gehman - Here I Am
Caitlin Cary - I Want To Learn To Waltz With You
Derrick Anderson - No One Cares
Garrison Starr - Mixed Messages
Kim Richey + Kettle of Hawks - Snow
Steve Wynn of The Dream Syndicate - Green
Danielle Howle with Mark Bryan of Hootie & the Blowfish - Meet Me In The Middle
Dayna Kurtz & Robert Mache - Long While
John Cowsill - Watermark
Produced by Sean Kelly and David Jenkins
Mastered by Jeffrey Reed at Taproot Audio Design
Cover photos by Greg Allen, Julia Ewan, and Arnold Neimanis
Cover design by Brendan Kelly
About Cool Dog Sound
Cool Dog Sound is a small, independent book label, featuring fiction and non-fiction by musicians and other people with experiences working in the music business. They are also a record label.
https://cooldogsound.com/
About the author of White Noise & Lightning: The Continental Drifters Story
Sean Kelly is a musician, producer, and writer who spent nearly 20 years as the co-songwriter and singer of the band A Fragile Tomorrow. With his band, Sean toured internationally with the likes of Indigo Girls, Matthew Sweet, The Bangles, K’s Choice, and Toad the Wet Sprocket, and released seven albums. He currently serves as co-founding editor of The Savannahian, a nonprofit digital news publication in Savannah, Georgia, and composes music for independent films. He lives in Savannah with his wife, Kennedy, and their two children.
About Wild Honey Foundation
While actively supporting various charitable causes, the Wild Honey Foundation seeks to pass on the passion, creativity, and idealism found in rock, rhythm & blues, folk, and pop music to future generations through cultural events of all types. They are a 501(c)(3)non-profit. https://www.wildhoneyfoundation.com/
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