The first month of 2020 seems like the perfect time to celebrate a handful of under the radar releases more than worthy of high-profile attention.
Artist: Sound of a Distant Sun
Title: Music From The Heart (Independent)
You might like if you enjoy: Solas, Clannad, Altan
Tell me more: A winning blend of traditional Irish and Celtic sounds award listeners of Sound of a Distant Sun's new LP Music From The Heart. Featuring the talents of Matt Tonge (guitar, bass), Georgiana Hennessy (vocals, fiddle, accordion, handpan) and Matt Froehlich (drums, percussion), the 13-track disc was produced and recorded by Bobbo Byrnes (of Fallen Stars fame). The instrumentals thrill (in particular, the traditional reading of "Gray Funnel Line," "The Banner," and an ambitious medley of "Milky Way / Banshee / Molly Bahn / Flaring Pot Reel" that wraps up the album are delightful), and songs – both original and reworked classics – resonate via affecting performances. The lovely version of Boris Bengin's "Johnny Come Home Tonight" and joyful "Two Sisters," as well as a nuanced reading of the Hennessy and Tonge-penned title track showcase a rich connection with the enduring sounds of the Emerald Isle. Information: Music@riverrunusa.com.
Artist: Kailey Nicole
Title: Kailey Nicole (Kailey Nicole)
You might like if you enjoy: Nikki Lane, Patsy Cline, Whitney Rose, Kacey Musgraves
Tell me more: Armed with an affecting soprano and solid arsenal of original songs, rising Nashville-based songstress Kailey Nicole's self-titled EP is sure to please fans of classic and contemporary country music. The Las Vegas native has an ear for infectious song craft as evidenced by the explosive "Brand New Day," rowdy "Diamonds & Coal" and "Country Love Song," the latter bolstered by an undeniable chorus and the singer's rich vocals. Nicole is also capable of delivering an emotional wallop as evidenced by the tender ballad "Save Me For a Rainy Day." It doesn't hurt her eponymous EP was produced by Niles Thomas (Roxystar), and mastered and engineered by six-time Grammy winner Bonzai Caruso (Madonna, Stephen Marley). Information: KaileyNicole.com.
Lost Classic
Artist: The Smithereens
Title: Covers (Sunset Blvd Records)
You might like if you enjoy: The Smithereens, The Beatles, The Who
Tell me more: When singer-songwriter/guitarist Pat DiNizio died in December 2017 it didn't seem likely that the world would be treated to another Smithereens album. However, in May 2018 the beloved hard-rocking power pop troupe issued Covers, a 22-track compilation of artful and arresting covers. The collection (newly available on 180 gram vinyl) includes previously-heard tracks as well as songs that never appeared on any commercially-released vinyl or audio CD set. The range of material spans from early rock 'n' roll (Wayne Fontana & The Mindbenders' "The Game of Love," Sam The Sham & The Pharaohs' "Wooly Bully" and Buddy Holly's "Well...Alright") and Billie Holiday's "Gloomy Sunday" to Brian Wilson's "Girl Don't Tell Me" and a slew of epic Beatles covers. The band tears it up on John Lennon's "White Album" rocker "Yer Blues," and conjure up an equal zest for rediscovery with Bruce Springsteen's "Downbound Train," The Who's "The Seeker" and Ringo Starr's "It Don't Come Easy." DiNizio's distinctive voice is supported by the rest of the Smithereens' stellar lineup (lead guitarist Jim Babjak, drummer Dennis Diken and bassist Mike Mesaros). As Mesaros notes in the rich liner notes: "That intense childlike love of our influences never left us." Information: OfficialSmithereens.com.
Robert Kinsler
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Wednesday, January 29, 2020
Toad the Wet Sprocket kicks off 2020 return at The Coach House
Toad the Wet Sprocket at The Coach House on Jan. 28, 2020. Photo: Bob Steshetz |
Where: The Coach House
When: Tuesday, Jan. 28, 2020
Upcoming concerts: Visit ToadTheWetSprocket.com for upcoming tour dates, as well as RSVP experiences for all dates
Review by Robert Kinsler
Photography by Bob Steshetz
For 90 wonderful minutes on Tuesday night (Jan. 28, 2020), all seemed well in the world.
Glen Phillips in concert. |
Returning to the Coach House in San Juan Capistrano, CA after a break of four years, Toad the Wet Sprocket kicked off their 2020 tour with an outstanding performance in front of an enthusiastic capacity crowd.
Toad the Wet Sprocket was of the great melodic rock troupes of the 1990s. The quartet emerged out of Santa Barbara in 1986 and went on to create a slew of terrific and enduring favorites including "Walk on the Ocean," "All I Want," "Fall Down," "Something's Always Wrong" and many more before calling it quits in 1998.
Fortunately, singer-guitarist Glen Phillips, lead guitarist Todd Nichols, bassist Dean Dinning and drummer Randy Guss began playing together again on a limited basis in 2006 leading up to a full-scale reunion in 2010 and another outstanding full-length masterpiece (New Constellation) in 2013. Although Guss stopped touring with the band a few years ago, the group's appearance in Orange County on Tuesday showcased a great band still at the height of their powers.
Todd Nichols at The Coach House. |
Toad the Wet Sprocket opened with "The Moment," one of the potent originals from New Constellation: "There is nothing but the moment," Phillips sang during the song. "Don't waste it on regret."
That luxurious art rock gem was greeted with wild cheers.
"Thank you," Phillips said, adding: "Hello."
And so the night went with the band (Phillips, Nichols, Dinning joined by touring drummer Josh Daubin and an multi-instrumentalist who helped fully bring the songs to life) revisiting beloved songs from across their wonderful discography.
Dean Dinning in San Juan Capistrano, CA. |
Early highlights included the yearning "Crowing," infectious "All I Want," artful "Golden Age" and dynamic "Fly From Heaven." Although the band had not performed in public since last summer, this was a night where the band's greatness was on display with every offering.
The spirited "Rings" was bolstered by Nichols' gleaming guitar lines. Another highlight was "Enough," an ambitious art rocker that started out gently and grew to a satisfying roar and featured some of Phillips' most soaring vocals of the concert.
Further showcasing Toad the Wet Sprocket's broad approach was "I Will Not Take These Things for Granted." Phillips launched into the folk rocker accompanied only by his own acoustic guitar, before the song's arc lifted and the other musicians joined in to complete the track.
From left, Glen Phillips, Dean Dinning, and Josh Daubin at The Coach House. |
Glen Phillips |
Opening the night was singer-songwriter/guitar master Sean Watkins, known for his long-time role as one-third of San Diego's wonderful Nickel Creek.
His set allowed the crowd to hear his joyful and impressive gift of song craft and dazzling fretwork on his acoustic instrument. He was even joined by Phillips for several cuts at the end of his appearance.
Thursday, January 23, 2020
TJR and Robert Kinsler discuss the Rock and Roll Hall of Fame
While TJR and Robert Kinsler were at the 2020 NAMM Show last weekend, they took out a few minutes to discuss last week's announcement about the Inductees who will be getting into the Rock and Roll Hall of Fame this spring:
Tuesday, January 21, 2020
Neil Peart Remembered: TJR and Robert Kinsler discuss legacy of the Rush drummer
Check out the video where TJR and Robert Kinsler discuss the life and legacy of Rush drummer Neil Peart:
2020 NAMM Show Recap
Slash unleashing a fiery lead solo during the 'Gibson: Live at the Grove' event on Jan. 16, 2020. Photo: Bob Steshetz |
Earth, Wind & Fire in concert on Jan. 17, 2020. Photo: Bob Steshetz |
I have been attending the annual Winter NAMM Show since the early 1990s and I can't recall an event as packed with enthusiastic attendees as I experienced this year. Along with some really cool new gear and musical instruments, the range of powerful performances unleashed from a diverse field of artists also helped make this a standout year.
According to NAMM, the 2020 Show welcomed more than 2,000 exhibiting member companies representing 7,000 brands. Of the 115,888 NAMM Member and invited registrants, international members accounted for nearly 20 percent growth over two years.
Every NAMM-goer has a different experience at the annual event. Here are highlights of my journey through this year's show.
Cheap Trick lead guitarist Rick Nielsen performing at City National Grove of Anaheim on Jan. 16, 2020. Photo: Bob Steshetz |
Media Preview Day (Wednesday, Jan. 15, 2020)
A mix of outstanding products and new lines of instruments were displayed in the lobby of the Convention Center. Among the products that caught my eye were:
Yamaha Technical Services Specialist Tony Escueta playing the Yamaha YC61 Stage Keyboard. Photo: Robert Kinsler |
- Yamaha's YC61 Stage Keyboard, an organ-focused instrument that combines the organ sounds of the Hammond B-3 popularized by rock bands in the 1960s and '70s with the versatility and real-time control available today. The YC61 utilizes a recently-developed virtual circuitry modeling organ tone generator, which models the character and behavior of vintage electronics at the component level. The state-of-the-art keyboard – which ships to retailers in late May 2020 – offers another cool feature; it weighs a mere 16 pounds compared to the 400 pound combination of a Hammond B-3 and Leslie speaker traditionally used. Information: usa.yamaha.com.
- Another impressive sighting was Lekholm Instruments' DM48 Digital Chromatic
Erik Lekholm shows off his new DM48 Digital
Chromatic Harmonica at the NAMM Show.
Photo: Robert Kinsler - Paoletti Guitars are handmade in Tuscany, Italy, using reclaimed chestnut wood from 130 to 150-year-old wine barrels. Visually, the guitars blend both old and new, and they sound fantastic too! Information: www.paolettiguitars.com.
- Media Preview Day ended with an invite up to the Gibson booth for a private concert featuring Los Lobos with special guest, superstar Juanes. The eight-song set allowed Los Lobos to showcase their brilliant blend of roots rock, Latin rock and blues-tinged Americana, including sharp versions of the rockabilly-flavored "Don't Worry Baby" and "Evangeline" along with a cover of Santana's "One Como Va."
Opening Day (Thursday, Jan. 16, 2020)
My 15-hour day began by attending the NAMM Breakfast of Champions, which included singer-songwriter Jason Mraz being honored with the Music for Life Award by NAMM President and CEO Joe Lamond. Mraz was honored, in part, for his efforts on behalf of supporting music education in schools. Many more highlights would follow:
A pack of Pistol Picks retails for $12. Photo: Robert Kinsler |
Laurence Juber performing at Seymour Duncan. Photo: Robert Kinsler |
- Concrete, Washington-based inventor and guitar player John Cunradi brought one of the most simple, but revolutionary ideas to the NAMM Show. "I had a brand new and vague idea in July 2019. I was frustrated as a guitarist; I would start to play and the pick would twist around in my fingers. I thought if I put a handle on it, it wouldn't twist." Fast forward six months later and here was Cunradi in Anaheim marketing his colorful cutting-edge Pistol Picks, guitar picks that come in several types. They are make of polycarbonate, bend, are durable and easy to use. And they will definitely assist players who can't hold on to their guitar pick. "I'm still a frustrated guitarist, but at least I like my pick!"
- Seymour Duncan hosted an afternoon set from famed fingerstyle guitar master Laurence Juber, a two-time Grammy winner who rose to fame as lead guitarist of Paul McCartney and Wings but has gone on to carve out a career as studio and session musician, composer and solo artist who attracts enthusiastic audiences whenever he performs. His 30-minute appearance at NAMM found Juber offering up brilliant instrumental versions of works ranging from George Harrison's "While My Guitar Gently Weeps" and The Beatles classic "Daytripper" to Jimi Hendrix's "Little Wing" to Pete Townshend's "Won't Get Fooled Again."
- My day ended with courtesy of Gibson at the City National Grove of Anaheim. Over the course of three fast-moving hours, a parade of rising artists joined icons such as Slash (Guns N' Roses), Don Felder (The Eagles), Billy Gibbons (ZZ Top), Elliot Easton (The Cars) and Cheap Trick's Robin Zander and Rick Nielsen for a fantastic concert. Highlights abounded, including a take on Robert Johnson's "Crossroads" featuring emerging singer-guitarist Emily Wolfe, rising artist Celisse performing her soulful original "Get There," Halestorm singer-guitarist Lzzy Hale crushing "I Miss the Misery," and a nice version of Tito Puente's "Oye Como Va" featuring Santana lead vocalist Andy Vargas and Cars lead guitarist Elliot Easton. Other highlights of the night included Slash and Felder joining forces for "Hotel California," Slash, Zander and Nielsen tearing up on the power pop rocker "Big Eyes" and a one-two finale take on ZZ Top's "Tush" and Led Zeppelin's "Whole Lotta Love," the latter featuring an army of talents on stage together. Information: Gibson.com.
Billy F Gibbons, left, with Slash at City National Grove of Anaheim. Photo: Bob Steshetz |
Robin Zander, left, with Slash. Photo: Bob Steshetz |
Elliot Easton, lead guitarist of the Cars, performing at 'Gibson: Live at the Grove' in Anaheim on Jan. 16, 2020. Photo: Bob Steshetz |
Day 2 (Friday, Jan. 17, 2020)
My Friday at the NAMM Show included getting the opportunity to meet and chat with several of my musical heroes including Elliot Easton (The Cars), Graham Coxon (Blur) and Geoff Downes (ASIA, Yes, The Buggles) – and that's not even including several great performances:
Sweet Lizzy Project delivering a fantastic set at the NAMM Show. Photo: Robert Kinsler |
Lisset Diaz of Sweet Lizzy Project. Photo: Robert Kinsler |
Graham Coxon at Softube. Photo: Robert Kinsler |
- Sweet Lizzy Project is a quintet from Havana, Cuba who absolutely impressed this writer with a standout set on the Pioneer Pro Audio Stage. The band's infectious style of rock is bolstered by the talents of all five members of the group, including lead vocalist and lyricist Lisset Diaz, co-writer and lead guitarist Miguel Comas, keyboardist Wilfredo Gatell, bassist Alejandro Gonzalez and drummer Ángel Luis Millet. Make sure to read writer George A. Paul's review of Sweet Lizzy Project's set via his post on Music Minded linked here.
- Graham Coxon gave a product demonstration at Softube and answered questions about his recent work scoring episodes for Netflix and possible future projects with Blur. Writer George A. Paul covered Coxon's session and you can get more details here. Information: softube.com.
- Geoff Downes demonstrated the power and ease of using his Studiologic Sledge keyboard, and played selections from Yes and The Buggles on the instrument. Information: studiologic-music.com.
Geoff Downes at the Studiologic booth.
Photo: Robert Kinsler- The Yamaha All-Star Concert on the Grand was hosted by Sinbad and featured a cast of great players including Verbalase, Kenny Loggins and headliners Earth, Wind & Fire.
Kenny Loggins rocking at the Yamaha All-Star Concert on the Grand. Photo: Bob Steshetz |
Day 3 (Saturday, Jan. 18, 2020)
I didn't waste my final day at the 2020 NAMM Show:
Guitar great Robby Krieger, left, with Doors sound engineer Bruce Botnick at the Harman booth on Jan. 18, 2020. Photo: Robert Kinsler |
Brandon "Taz" Niederauer continues to deliver some of the most incredible and arresting performances at NAMM. Only 16, the New York-based electric guitar and his talented band thrilled at D'Angelico Guitars on Saturday. I can't wait for Taz to release an album featuring his stellar guitar playing and solid songs. Information: dangelicoguitars.com.
Brandon "Taz" Niederauer at the NAMM Show. Photo: Robert Kinsler |
Marcus D Scott leading R&B icons Tower of Power through an energetic set on the NAMM Grand Plaza Stage on Jan. 18, 2020. Photo: Bob Steshetz |
Tower of Power performed a concert in celebration of the Oakland-spawned troupe's 50th anniversary on the NAMM Grand Plaza Stage. Sponsored by Yamaha, I thought the horn section-anchored R&B band killed it across a two-hour concert that included rousing versions of new tracks as well as classic material (notably "You're Still a Young Man" and "What Is Hip?"). Information: towerofpower.com.
Robert Kinsler
A special "Thank You" to Bob Steshetz for the use of his amazing photos too!
Labels:
ASIA,
Blur,
Brandon "Taz" Niederauer,
Cheap Trick,
Don Felder,
Elliot Easton,
Geoff Downes,
Gibson,
Graham Coxon,
Joe Lamond,
Juanes,
Laurence Juber,
Lisset Díaz,
Los Lobos,
NAMM 2020,
Rick Nielsen,
Robert Kinsler
Wednesday, January 15, 2020
2020 NAMM Preview: Brandon "Taz" Niederauer, Laurence Juber, Gibson, iRig...
Although I typically spend at least four full days at the NAMM Show in Anaheim every January, when the marathon show is at an end I always feel I missed something...okay, that I missed a lot! There is truly so much to experience at the event and it is a great opportunity to catchy a myriad of great musicians, new state-of-the-art technology and innovations, and meet up with old (and new) friends! I hope to see many of you there this week! Robert Kinsler
I received word several weeks ago that one of my favorite young guitarists, Brandon "Taz" Niederauer will be performing a number of times across the weekend. If you haven't yet heard Niederauer yet, be prepared to be floored when you catch him up-close and in-person at NAMM. Get to his showcase sets in advance; he attracts increasingly-larger audiences every year.
Make sure to read my coverage of Niederauer's performance at the show in January 2019 here. Or check out my recap of his performance at NAMM in 2018 here. Oh, did I mention he is only 16?
Brandon "Taz" Niederauer performing at NAMM Show in Anaheim, CA in January 2019. Photo: Bob Steshetz |
I received word several weeks ago that one of my favorite young guitarists, Brandon "Taz" Niederauer will be performing a number of times across the weekend. If you haven't yet heard Niederauer yet, be prepared to be floored when you catch him up-close and in-person at NAMM. Get to his showcase sets in advance; he attracts increasingly-larger audiences every year.
Make sure to read my coverage of Niederauer's performance at the show in January 2019 here. Or check out my recap of his performance at NAMM in 2018 here. Oh, did I mention he is only 16?
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