Watch the new episode where TJR and Robert Kinsler each discuss their favorite five albums of the year. View the episode HERE.
You can also check out Robert's full list of his favorite 22 new studio albums of 2022 HERE.
Showing posts with label Ruthie Foster. Show all posts
Showing posts with label Ruthie Foster. Show all posts
Monday, December 26, 2022
TJR and Robert Kinsler discuss their favorite albums of 2022
Watch the new episode where TJR and Robert Kinsler each discuss their favorite five albums of the year. View the episode HERE.
Friday, December 02, 2022
New music: Ruthie Foster, Bruce Springsteen, Janis Joplin & Jorma Kaukonen
Songstress Ruthie Foster, rock and roll great Bruce Springsteen, and classic rock notables Janis Joplin and Jorma Kaukonen are featured on new releases.
Title: Healing Time (Blue Corn Music)
You might like if you enjoy: Mavis Staples, the Staple Singers, Ruthie Foster
Tell me more: Ruthie Foster's stirring ninth studio album Healing Time is a fantastic disc of genuine and authentic soul. No surprise that Foster delivers another batch of winning songs that soar, her vocals a constant wonder across the dozen-track disc that simultaneously showcases her immense skills as a top-tier songwriter. The gospel mining "Feels Like Freedom" brings chills with its power and beauty all while avoiding the modern day bombast that would diminish the might of the track. The potent and anthemic "Soul Searching" is an explosive celebration of love. Blues lovers will appreciate the longing "What Kind Of Fool," where the Austin songstress uses her full vocal range across the song's wonderful arc. The wistful "Lie Your Way To The Truth" dips into pop, but the soundscape shares more in common with the artful sonics of Florence + the Machine than the disposable and robotic approach of so many contemporary R&B hitmakers. Other memorable selections on Healing Time include the spiritual-minded "I Was Called," tuneful "Finish Line," acoustic blues foray "4 AM" and majestic "Paradise." Information: RuthieFoster.com.
Title: Only The Strong Survive (Columbia Records)
You might like if you enjoy: Sam Moore, Bruce Springsteen, classic Motown
Tell me more: On his first new album since 2020's Letter To You, Bruce Springsteen revisits a number of Gamble and Huff, Motown and Stax classics on the rousing 15-track Only The Strong Survive. Rather than recreate faithful takes on the material (such as the approach KISS lead singer Paul Stanley took on Paul Stanley's Soul Station's impressive debut album in 2021), Springsteen fuses his own signature sound with the well-known musical stylings identified with the original versions. Among the memorable tracks is an emotive take on the Commodores' 1985 track "Nightshift," the joyous Frank Wilson 1965 hit "Do I Love You (Indeed I Do)," nuanced reading of the Walker Brothers 1966 hit "The Sun Ain't Gonna Shine Anymore," a tender version of the Four Tops' "When She Was My Girl" and the sorrowful "I Wish It Would Rain," the latter a song recorded by the Temptations in 1967. Springsteen is joined by 87-year-old soul music great Sam Moore on the inspired "Soul Days" and lovely "I Forgot To Be Your Lover." Across the album the receives backing from The E Street Horns, full string arrangements by Rob Mathes, as well as backing vocals from Lisa Lowell, Doozie Tyrell, Curtis King Jr., Michelle Moore, Dennis Collins and Fonzi Thornton. Information: BruceSpringsteen.net.
Title: The Legendary Typewriter Tape: 6/25/64 Jorma's House (Omnivore Recordings)
You might like if you enjoy: Janis Joplin, Jefferson Airplane, Hot Tuna
Tell me more: Set for release on Dec. 2, The Legendary Typewriter Tape: 6/25/64 Jorma's House is an important and historical release featuring singer Janis Joplin and guitarist Jorma Kaukonen (Jefferson Airplane, Hot Tuna) — along with Jorma's wife Margareta Kaukonen typing away intermittently in the background — recorded on a reel-to-reel machine at the beginning of their respective careers. Although the recording has previously been available via inferior bootlegs, the official version released by Omnivore Recordings today (Dec. 2, 2022) features restoration and mastering from Grammy-winner Michael Graves and sounds wonderful. There are a mix of originals and reworked blues standards. Joplin's own "Kansas City Blues," the evocative "Hesitation Blues," a moving take on Jimmie Cox's "Nobody Knows You When You're Down and Out," and the fiery Joplin-penned "Daddy, Daddy Daddy" are among the winning performances captured back in the summer of 1964. Information: OmnivoreRecordings.com.
Robert Kinsler
Monday, July 20, 2020
New Music: The Pretenders, Kansas, Ruthie Foster, Surfaces with Elton John
Artists continue to use this challenging time of sheltering at home to focus on the release of top-tier releases. Look no further than a number of excellent audio collections from a wide-range of established and rising music heroes.
Artist: The Pretenders
Title: Hate For Sale (BMG)
You might like if you enjoy: The Pretenders, Chrissie Hynde, Concrete Blonde
Tell me more: The Pretenders are back! Singer-songwriter Chrissie Hynde and founding drummer/backing vocalist Martin Chambers, along with long-time touring members James Walbourne (lead guitar) and Nick Wilkinson (bass) have returned with a batch of hard-hitting originals on Hate For Sale, including a title track that must be included in any reliable list ranking the Rock and Roll Hall of Fame band's most explosive-ever rockers. There are other uptempo forays splashed across the 10-track LP as well, with the '50s-tinged "Didn't Want To Be This Lonely" and biting "Turf Accountant Daddy" among this writer's other faves.
Hynde is no one-trick pony, as evidenced by the beautiful retro-leaning ballad "You Can't Hurt a Fool" where she offers up some especially emotive vocals, and a yearning celebration of the mysteries of romantic passion detailed in "The Buzz." Other wonderful songs include the wistful "Maybe Love is in NYC," reggae-flavored "Lightning Man," high-octane rocker "I Didn't Know When To Stop" and tender disc-ending ballad "Crying In Public." Produced by legendary Stephen Street (The Smiths, Blur), the Pretenders' 11th studio album Hate For Sale marks a solid and exciting return that taps into the outfit's timeless resonance while forging into the future with weighty hooks in the here and now. A five-month tour teaming the Pretenders and Journey was originally scheduled to begin on May 15, 2020, but because of the COVID-19 pandemic was cancelled. Let's hope we get to hear the Pretenders out on the road soon performing many of the potent songs from Hate For Sale. Information: ThePretenders.com.
Artist: Kansas
Title: The Absence of Presence (Century Media)
You might like if you enjoy: Yes, Genesis, Kansas
Tell me more: Kansas has returned with the ambitious The Absence of Presence, a full-length release produced by Zak Rizvi that is the prog-rock band's first new album since 2016's outstanding The Prelude Implicit. The Topeka, Kansas-spawned group's trademark sound rooted in dazzling virtuosity is displayed everywhere. The title track opens the proceedings, luxurious with violin, guitar, keyboards and rhythm section joining forces for an awe-inspiring soundscape that dials back when singer Ronnie Platt comes in with a probing lyrical verse. That song has a number of sections – some that race at breakneck speed and others that soar with symphonic splendor; all flow effortlessly and artfully together sans bombast. "Jets Overhead" starts with a solo piano before the band jumps in for an impressive instrumental display. "Circus of Illusion" begins with a relatively straightforward melodic rock approach that recalls '80s favorite ASIA, albeit adorned by David Ragsdale's distinctive violin play. Every cut on The Absence of Presence conjures up the magic of the band's best work, including the hard rocking "Throwing Mountains," reflective "Memories Down The Line" and thrilling "Animals on the Roof." Information: KansasBand.com.
Artist: Ruthie Foster Big Band
Title: Live at the Paramount (Blue Corn Music)
You might like if you enjoy: Aretha Franklin, Grace Potter, Ella Fitzgerald, Mavis Staples
Tell me more: Armed with a remarkable soprano that can deliver stellar blues, gospel, and soul with nuanced perfection, Ruthie Foster's latest release Live at the Paramount captured the Austin-based singer with the Ruthie Foster Big Band in January 2019. Not only is Foster in complete command of her extraordinary voice, but the talented musicians who share the stage and the energy from the audience come together in special way where the magic could have only been captured via a concert recording (kudos to music director John Mills and album producer executive producer Denby Auble). There is a buoyant force across the performance, with a soulful reworking of the Johnny Cash classic "Ring of Fire," the Memphis glide of "Singing' the Blues," meteoric "Runaway Soul" and full-on gospel offering "Woke Up This Morning" among the wonderful moments. Yours truly was floored by the gospel-meets-blues eruption of "Death Came a Knocking' (Travelin' Shoes)," Foster's incredible vocal performance of the spiritual bolstered by a soundscape of a trio of gospel singers, the 10-member horn section and Mitch Watkins' searing guitar play. Foster pulls off plenty of magic during the concert, including capping the appearance making the classics "Fly Me to the Moon" and "Mack the Knife" her own. Information: RuthieFoster.com.
Artists: Surfaces with Elton John
Title: Learn To Fly (Caroline Records)
You might like if you enjoy: Surfaces, Elton John
Tell me more: On July 17, Texas-based musical duo Surfaces released an extended version of their collaborative single "Learn To Fly" with Rock and Roll Hall of Fame artist Sir Elton John. The infectious soul-meets-pop non-album single – along with a colorful animated video directed by Ivan Dixon – is definitely a tuneful summertime gem that will appeal to fans of Surfaces' original version of the single as well as those who have long followed John's signature style. The artists were able to collaborate together via Zoom, but the warmth of the track will have listeners believing it was created by Surfaces (vocalists/guitarists Forrest Frank and Colin Padalecki) and the legendary John in-person. Information: SurfacesMusic.com.
Robert Kinsler
Title: Hate For Sale (BMG)
You might like if you enjoy: The Pretenders, Chrissie Hynde, Concrete Blonde
Tell me more: The Pretenders are back! Singer-songwriter Chrissie Hynde and founding drummer/backing vocalist Martin Chambers, along with long-time touring members James Walbourne (lead guitar) and Nick Wilkinson (bass) have returned with a batch of hard-hitting originals on Hate For Sale, including a title track that must be included in any reliable list ranking the Rock and Roll Hall of Fame band's most explosive-ever rockers. There are other uptempo forays splashed across the 10-track LP as well, with the '50s-tinged "Didn't Want To Be This Lonely" and biting "Turf Accountant Daddy" among this writer's other faves.
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| The Pretenders have returned with "Hate For Sale" / Photo Credit: Matt Holyoak |
Title: The Absence of Presence (Century Media)
You might like if you enjoy: Yes, Genesis, Kansas
Tell me more: Kansas has returned with the ambitious The Absence of Presence, a full-length release produced by Zak Rizvi that is the prog-rock band's first new album since 2016's outstanding The Prelude Implicit. The Topeka, Kansas-spawned group's trademark sound rooted in dazzling virtuosity is displayed everywhere. The title track opens the proceedings, luxurious with violin, guitar, keyboards and rhythm section joining forces for an awe-inspiring soundscape that dials back when singer Ronnie Platt comes in with a probing lyrical verse. That song has a number of sections – some that race at breakneck speed and others that soar with symphonic splendor; all flow effortlessly and artfully together sans bombast. "Jets Overhead" starts with a solo piano before the band jumps in for an impressive instrumental display. "Circus of Illusion" begins with a relatively straightforward melodic rock approach that recalls '80s favorite ASIA, albeit adorned by David Ragsdale's distinctive violin play. Every cut on The Absence of Presence conjures up the magic of the band's best work, including the hard rocking "Throwing Mountains," reflective "Memories Down The Line" and thrilling "Animals on the Roof." Information: KansasBand.com.
Title: Live at the Paramount (Blue Corn Music)
You might like if you enjoy: Aretha Franklin, Grace Potter, Ella Fitzgerald, Mavis Staples
Tell me more: Armed with a remarkable soprano that can deliver stellar blues, gospel, and soul with nuanced perfection, Ruthie Foster's latest release Live at the Paramount captured the Austin-based singer with the Ruthie Foster Big Band in January 2019. Not only is Foster in complete command of her extraordinary voice, but the talented musicians who share the stage and the energy from the audience come together in special way where the magic could have only been captured via a concert recording (kudos to music director John Mills and album producer executive producer Denby Auble). There is a buoyant force across the performance, with a soulful reworking of the Johnny Cash classic "Ring of Fire," the Memphis glide of "Singing' the Blues," meteoric "Runaway Soul" and full-on gospel offering "Woke Up This Morning" among the wonderful moments. Yours truly was floored by the gospel-meets-blues eruption of "Death Came a Knocking' (Travelin' Shoes)," Foster's incredible vocal performance of the spiritual bolstered by a soundscape of a trio of gospel singers, the 10-member horn section and Mitch Watkins' searing guitar play. Foster pulls off plenty of magic during the concert, including capping the appearance making the classics "Fly Me to the Moon" and "Mack the Knife" her own. Information: RuthieFoster.com.
Title: Learn To Fly (Caroline Records)
You might like if you enjoy: Surfaces, Elton John
Tell me more: On July 17, Texas-based musical duo Surfaces released an extended version of their collaborative single "Learn To Fly" with Rock and Roll Hall of Fame artist Sir Elton John. The infectious soul-meets-pop non-album single – along with a colorful animated video directed by Ivan Dixon – is definitely a tuneful summertime gem that will appeal to fans of Surfaces' original version of the single as well as those who have long followed John's signature style. The artists were able to collaborate together via Zoom, but the warmth of the track will have listeners believing it was created by Surfaces (vocalists/guitarists Forrest Frank and Colin Padalecki) and the legendary John in-person. Information: SurfacesMusic.com.
Robert Kinsler
Monday, March 27, 2017
New Music: Aimee Mann, Ruthie Foster, The Creation, Night Ranger
Whether listeners are seeking out artful folk and pop rock, blues and soul, '60s garage rock or '80s-styled hard rock, there are outstanding new titles that will appeal to fans hungry for great new music.
Artist: Aimee Mann
Title: Mental Illness (SuperEgo Records)
You might like if you enjoy: Aimee Mann, The Shins, The Both
Tell me more: Every time singer-songwriter Aimee Mann releases a new album it marks another reason to celebrate her exceptional and rare legacy. On her latest masterwork Mental Illness (the ninth solo album of her distinguished career, not counting her contributions to 1999's "Magnolia" and her role in the duo dubbed The Both co-starring Ted Leo), Mann scales back the more sweeping Beatlesque sonic textures of Bachelor No. 2 and Lost In Space in favor of a more sparse delivery in the service of her bewitching songcraft. Mental Illness finds an expanse where her introspective songs continue to be bolstered by an almost otherworldly touch festooned with melodic lines ensuring that even downcast themes shimmer and charm. On the baroque folk-flavored "Goose Snow Cone," Mann sings "Even birds of a feather find it hard to fly." Later on during the enticing folk rocker "Patient Zero," she sardonically sings "Life is grand / And wouldn't you like to have it go as planned." Even on the relatively straightforward "You Never Loved Me," there is a nuanced touch and emotional weight that fully lures the listener. An outstanding album (Editor's Note: Mental Illness is slated for release on Friday, March 31, 2017).
Information: aimeemann.com.
Artist: Ruthie Foster
Title: Joy Comes Back (Blue Corn Music)
You might like if you enjoy: Bonnie Raitt, Susan Tedeschi
Tell me more: Songstress Ruthie Foster's Joy Comes Back showcases the Austin, Texas-based artist's mighty touch via performances that masterfully blend soul, gospel and blues material. In addition to featuring an original song (the soul-stirring R&B ballad "Open Sky"), Joy Comes Back offers up a diverse mix of songwriters represented across its 10-track run. Gospel choruses are given their welcome due via an uplifting take of Sean Staples' "Joy Comes Back" (featuring some hot slide guitar from Derek Trucks) and a sweet take on Stevie Wonder's "Loving You is Sweeter Than Ever," while a reworked interpretation of Black Sabbath's epic "War Pigs" erupts as a heavy Chicago blues-styled firestorm. Elsewhere there is a seamless mix of soul and blues, notably on a wonderful version of Chris Stapleton's "What Are You Listening To." Foster is one of modern music's greatest singers, in large part, because she thankfully never resorts to overwrought or contrived pop excess. Joy Comes Back is a fantastic showcase of Foster's supernatural powers. Information: RuthieFoster.com.
Artist: The Creation
Title: Action Painting (Numero Group)
You might like if you enjoy: Early Who, early Kinks, the Jam, the Zombies
Tell me more: Originally recorded between 1965 and 1968, The Creation's Action Painting collection of amazing songs has been remastered from the original tapes by Shel Talmy and bring the English quartet's complete studio catalog (including four tracks by The Mark Four, a forerunner of The Creation) to audio CD. The recordings here leap across time and explode with youthful energy and garage rock grandeur. Rollicking rockers ("Making Time," "Biff Bang Pow," "How Does It Feel to Feel"), melodic power pop ("Try and Stop Me," "Tom Tom") and psychedelic rock ("Painter Man," "Nightmares," "Through My Eyes") are delivered with stylish perfection. The two-disc set comes in a beautiful package that includes an 80-page hard cover book (CD version) with a slew of unseen photographs, colorful images of original discography artwork and a historical essay penned by Dean Rudland. Information: NumeroGroup.com.
Artist: Night Ranger
Title: Don't Let Up (Frontiers Music SRL)
You might like if you enjoy: Damn Yankees, Journey
Tell me more: Fans of melodic hard rock will want to grab a copy of Don't Let Up, the 12th studio album from Night Ranger. The San Francisco-spawned rock quintet unleash plenty of hard-charging rockers in celebration of the band's 35th anniversary. In fact, this writer is certain that every track on the disc will please the faithful. The blend of driving hard rock rhythms, soaring vocal choruses and impressive guitar work featuring the tandem fast-fingered talents of Brad Gillis and Keri Kelli continues to be a surefire formula. Singer-bassist Jack Blades and singer-drummer Kelly Keagy continue to provide a strong rhythm section. The infectious "Somehow Someway," guitar-centered "Running Out of Time" and "Say What You Want," and decidedly melodic title track "Don't Let Up" are among the standouts on the 11-song LP. A deluxe edition of the album includes an additional track and a bonus DVD. Information: NightRanger.com.
Robert Kinsler
Title: Mental Illness (SuperEgo Records)
You might like if you enjoy: Aimee Mann, The Shins, The Both
Tell me more: Every time singer-songwriter Aimee Mann releases a new album it marks another reason to celebrate her exceptional and rare legacy. On her latest masterwork Mental Illness (the ninth solo album of her distinguished career, not counting her contributions to 1999's "Magnolia" and her role in the duo dubbed The Both co-starring Ted Leo), Mann scales back the more sweeping Beatlesque sonic textures of Bachelor No. 2 and Lost In Space in favor of a more sparse delivery in the service of her bewitching songcraft. Mental Illness finds an expanse where her introspective songs continue to be bolstered by an almost otherworldly touch festooned with melodic lines ensuring that even downcast themes shimmer and charm. On the baroque folk-flavored "Goose Snow Cone," Mann sings "Even birds of a feather find it hard to fly." Later on during the enticing folk rocker "Patient Zero," she sardonically sings "Life is grand / And wouldn't you like to have it go as planned." Even on the relatively straightforward "You Never Loved Me," there is a nuanced touch and emotional weight that fully lures the listener. An outstanding album (Editor's Note: Mental Illness is slated for release on Friday, March 31, 2017).
Information: aimeemann.com.
Title: Joy Comes Back (Blue Corn Music)
You might like if you enjoy: Bonnie Raitt, Susan Tedeschi
Tell me more: Songstress Ruthie Foster's Joy Comes Back showcases the Austin, Texas-based artist's mighty touch via performances that masterfully blend soul, gospel and blues material. In addition to featuring an original song (the soul-stirring R&B ballad "Open Sky"), Joy Comes Back offers up a diverse mix of songwriters represented across its 10-track run. Gospel choruses are given their welcome due via an uplifting take of Sean Staples' "Joy Comes Back" (featuring some hot slide guitar from Derek Trucks) and a sweet take on Stevie Wonder's "Loving You is Sweeter Than Ever," while a reworked interpretation of Black Sabbath's epic "War Pigs" erupts as a heavy Chicago blues-styled firestorm. Elsewhere there is a seamless mix of soul and blues, notably on a wonderful version of Chris Stapleton's "What Are You Listening To." Foster is one of modern music's greatest singers, in large part, because she thankfully never resorts to overwrought or contrived pop excess. Joy Comes Back is a fantastic showcase of Foster's supernatural powers. Information: RuthieFoster.com.
Title: Action Painting (Numero Group)
You might like if you enjoy: Early Who, early Kinks, the Jam, the Zombies
Tell me more: Originally recorded between 1965 and 1968, The Creation's Action Painting collection of amazing songs has been remastered from the original tapes by Shel Talmy and bring the English quartet's complete studio catalog (including four tracks by The Mark Four, a forerunner of The Creation) to audio CD. The recordings here leap across time and explode with youthful energy and garage rock grandeur. Rollicking rockers ("Making Time," "Biff Bang Pow," "How Does It Feel to Feel"), melodic power pop ("Try and Stop Me," "Tom Tom") and psychedelic rock ("Painter Man," "Nightmares," "Through My Eyes") are delivered with stylish perfection. The two-disc set comes in a beautiful package that includes an 80-page hard cover book (CD version) with a slew of unseen photographs, colorful images of original discography artwork and a historical essay penned by Dean Rudland. Information: NumeroGroup.com.
Title: Don't Let Up (Frontiers Music SRL)
You might like if you enjoy: Damn Yankees, Journey
Tell me more: Fans of melodic hard rock will want to grab a copy of Don't Let Up, the 12th studio album from Night Ranger. The San Francisco-spawned rock quintet unleash plenty of hard-charging rockers in celebration of the band's 35th anniversary. In fact, this writer is certain that every track on the disc will please the faithful. The blend of driving hard rock rhythms, soaring vocal choruses and impressive guitar work featuring the tandem fast-fingered talents of Brad Gillis and Keri Kelli continues to be a surefire formula. Singer-bassist Jack Blades and singer-drummer Kelly Keagy continue to provide a strong rhythm section. The infectious "Somehow Someway," guitar-centered "Running Out of Time" and "Say What You Want," and decidedly melodic title track "Don't Let Up" are among the standouts on the 11-song LP. A deluxe edition of the album includes an additional track and a bonus DVD. Information: NightRanger.com.
Robert Kinsler
Saturday, August 30, 2014
Celebrated veterans return with ace efforts
Brian Setzer, Ruthie Foster, Justin Hayward and Dr. John celebrate and expand their legacies on masterful new releases.
Artist: Brian SetzerTitle: Rockabilly Riot: All Original (Surfdog Records)
You might like if you enjoy: The Stray Cats, Lee Rocker
Tell me more: What’s not to love about Brian Setzer’s blazing return-to-retro-form Rockabilly Riot: All Original? From the opening rockabilly blast on “Let’s Shake” to the autobiographical portrait of the singer-guitarist’s life-long passion for early rock (“Rockabilly Blues”) to the Stray Cats-styled “Nothing is a Sure Thing,” the New York native proves his rich baritone and heated guitar playing remain a potent combination often overlooked on his ‘90s and ‘00s Brian Setzer Orchestra titles. Rockabilly Riot: All Original will please fans ignited by Setzer’s fiery blend of rockabilly and classic rock ‘n’ roll. Information: BrianSetzer.com.
Purchase 'Rockabilly Riot! All Original' here
Artist: Ruthie FosterTitle: Promise of a Brand New Day (Blue Corn Music)
You might like if you enjoy: Shelby Lynne, Bonnie Raitt, Susan Tedeschi
Tell me more: Armed with a dazzling soprano able to deliver ballads and uptempo material with equal zeal, Austin singer-songwriter Ruthie Foster shines across her newly-issued dozen-song LP Promise of a Brand New Day. From soulful blues (“Singing the Blues,” “It Might Not Be Right,” “Let Me Know,” the latter featuring guitar great Doyle Bramhall II) to gospel (“The Ghetto,” “Second Coming”), the strength of the material and Meshell Ndegeocello’s production brings additional focus to Foster’s superb singing. Information:bluecornmusic.com.
Get 'Promise of a Brand New Day' here
Artist: Justin HaywardAlbum: Spirits…Live — Live at the Buckhead Theatre, Atlanta (Eagle Rock Entertainment)
You might like if you enjoy: The Moody Blues, David Crosby, Gram Parsons
Tell me more: Singer-songwriter-guitarist Justin Hayward will forever be best known as one of the principal players with the Moody Blues, but discerning listeners should seek out his latest effort Spirits…Live — Live at the Buckhead Theatre, Atlanta, a wonderful live collection recorded on Aug. 17, 2013 on the final night of his tour in support of his recently released solo album Spirits of the Western Sky. The idea of the tour was to present audiences with intimate, acoustic-styled versions of classic and recent songs. The audience was treated to a terrific concert via the sweeping country-western folk epic “The Western Sky,” the gentle acoustic guitar-backed ballad “The Eastern Sun” (that ends with Hayward singing in an impressive extended falsetto) and an emotive reading of the alt-country original “It’s Cold Outside Of Your Heart.” Additionally, Moody Blues fans will be pleased with the intimate and emotive takes on that band’s “Tuesday Afternoon,” “Question,” “Nights in White Satin” and “I Know You’re Out There Somewhere.” Information: JustinHayward.com.
Purchase 'Spirits...Live - Live At The Buckhead Theater, Atlanta' here
Artist: Dr. JohnTitle: Ske-Dat-De-Day: The Spirit of Satch (Concord Records)
You might like if you enjoy: The McCrary Sisters, Shemekia Copeland, Bonnie Raitt, Dr. John’s previous albums
Tell me more: As New Orleans’ best known living musical icon, Dr. John continues to extend his sonic reach on the ambitious Ske-Dat-De-Day: The Spirit of Satch, which finds the 73-year-old singer and multi-instrumentalist tackling a wide range of songs with an illustrious group of friends in a tribute to trumpeter-vocalist Louis Armstrong. Kicking things off with a celebrative version of “What a Wonderful World” where his own distinctive voice is joined by the astounding Blind Boys of Alabama, elsewhere Dr. John juggles piano and guitar on a playful vocal duet with Bonnie Raitt on a tender “I’ve Got the World on a String.” Dr. John has always been able to blend New Orleans blues, R&B, jazz and a myriad of other styles, and brings that approach to this tribute. The jazzy-blues of “Sweet Hunk O’Trash” (featuring singer Shemekia Copeland) and lovely “Memories of You” (with trumpet great Arturo Sandoval’s solo lines weaving around Dr. John’s winning vocals) add additional weight to a bountiful collection. Information: ConcordMusicGroup.com.
Buy 'Ske-Dat-De-Dat: The Spirit of Satch' here
Tuesday, May 20, 2014
2014 Doheny Blues Festival roundup: Gregg Allman, Buddy Guy, Nikki Hill, the Doobie Brothers, Vintage Trouble, James Cotton, more!
What follows is an extended version of the two reviews that ran in The Orange County Register earlier this week covering the 2014 Doheny Blues Festival (Saturday and Sunday, May 17-18, 2014) in Dana Point.
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| Patrick Simmons and Tom Johnston of the Doobie Brothers perform at the Doheny Blues Festival on May 18. Photo: Kelly A. Swift |
ENTERTAINMENT
Up-and-comers enjoy spotlight at Doheny Blues Festival
Lesser-known artists take advantage of opportunity at first day of annual Dana Point bash.
Another standout from the day was teen frets-master Matthew Curry, who scorched the Backporch with the force and intensity of Otis Taylor when he played that stage in 2012. The singer-guitarist served up an authentic blend of original Southern rock, British blues and Jimi Hendrix that earned the relative unknown spontaneous standing ovations.
Published: May 18, 2014 Updated: May 19, 2014 12:13 p.m.
DOHENY BLUES FESTIVAL – DAY 1
Who: Gregg Allman, Buddy Guy, Nikki Hill, Matthew Curry, the 44s, Kid Ramos and more
Where: Doheny State Beach, Dana Point
When: May 17
Day 1 of the 2014 Doheny Blues Festival featured a mix sure to please all types of fans, with 11 sets spread across three stages. But for the first time in the event’s 17-year history, the best turns belonged to lesser-known artists playing the intimate Backporch stage.
Not that headliners Gregg Allman and Buddy Guy didn’t deliver strongly on the main platform, but there was an energy surrounding these up-and-comers that was mostly missing from the more high-profile sets.
Case in point: a night-ending performance from Allman that coincided with a blues jam anchored by the 44s on the Backporch. Both sets featured guests, with Allman bringing up renowned saxophonist Mindi Abair early on, although the audience near the front of the stage continued to chat away and party with little interest, despite a few cheers when Abair delivered a gritty solo.
A few minutes later at the Backporch, a considerably smaller but far more enthusiastic crowd tuned in as local hero Kid Ramos joined the Los Angeles blues-roots rockers commanding that stage. Johnny Main, the 44s’ frontman, was charged up as he sang, played guitar and led his band through a blistering set celebrating the power of the blues.
The highlight was a tribute to the late harmonica great Lester Butler (of the Red Devils), in a piece titled “Devil Woman,” which had a heavy and infectious groove further enhanced by Jacob Huffman’s sublime work on mouth harp. That performance blew away the first 30 minutes of Allman’s affair, including his staple, “I’m No Angel.”
Likewise, earlier in the day, Guy could be seen on the Doheny Stage while Durham, N.C., singer Nikki Hill took over on the Backporch.
The legend delivered his characteristic brand of Chicago blues, tearing away at his guitar and thrilling the crowd with humor-laced material. At 77, he remains a marvel, able to perform much as he did in his prime. Yet, a frequent presence in Orange County, his choices were almost identical to those at recent appearances at City National Grove of Anaheim and the Coach House in San Juan Capistrano. As he did at one of those shows, he reiterated: “They don’t play this kind of blues on the radio anymore, (but) if they call me, I’ll bring it.”
For those who have caught him recently, a better choice was to check out the buzz-worthy Hill and her amazing three-man band. Her voice ranged from sweet on the ballads “Gotta Find My Baby” and “Don’t Cry Anymore” to gritty on rhythm and blues standards like Little Richard’s “The Girl Can’t Help It” and Sam Cooke’s “Twisting the Night Away.” Guitarist Matt Hill was particularly impressive during an extended take on the Chuck Berry classic, “Sweet Little Rock ’n’ Roll” as well as a set-ending, crowd-goes-crazy version of AC/DC’s “Whole Lotta Rosie.”
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| Guitarist Matthew Curry rocked Doheny. Photo: Robert Kinsler |
High marks also must go to the Americans, whose spirited roots-rock kicked off the day; their lush “Foreign Land” was especially memorable. John Nemeth & the Bo-Keys, joined by singer Percy Wiggins, brought a nice taste of Memphis with a full-length set on the Sailor Jerry Stage. Key bits included the raw “Keep the Love a-Comin’,” featuring Nemeth’s stirring harmonica skills, and the soulful “Testify My Love,” during which he held a series of vocal notes that added to the song’s emotional weight.
Doheny Blues' second day outshines first
The heavier half of the Dana Point festival came capped by roaring sets from the Doobie Brothers, Vintage Trouble and Gov’t Mule, plus a heartening turn from James Cotton.
Variety was another key element to Sunday’s fast-moving roster. Cotton had no sooner ended when singer-songwriter-guitarist Ruthie Foster and her three-man band roused the crowd with more than an hour of originals and tasty remakes, blending everything from gospel to soul. A gifted singer, Foster’s ambition was evidenced by a thoroughly original interpretation of “Ring of Fire,” offered as a lovely jazz-tinged ballad, bolstered by Scotty Miller’s touching keyboard work.
And on the Backporch, guitarist Roy Gaines attacked with his fretwork and sang with feeling on a number of heady tunes, notably “The War Is Over,” during which he played like a hungry 21-year-old, and the swinging “Jump in My Cadillac,” which became a lively showdown with his supporting six-stringer.
Published: May 19, 2014 Updated: 4:34 p.m.
DOHENY BLUES FESTIVAL – DAY 2
Who: The Doobie Brothers, Gov't Mule, Vintage Trouble, Roy Gaines, James Cotton and more
Where: Doheny State Beach, Dana Point
When: May 18
The second half of this year’s Doheny Blues Festival clearly outdistanced the first for a number of reasons, though chiefly because every one of its 11 performances was sharp. Between simultaneous morning sets from legendary James Cotton and local hero Eric Sardinas to night-ending appearances from the Doobie Brothers on the main stage and guitarist Roy Gaines on the Backporch, it was next to impossible to take a break without risking missing something big.
A throat cancer survivor, the 78-year-old Cotton can no longer sing, so he has refocused on blues harp while members of his excellent backing band handle vocal duties. On Sunday, several potent songs off his just-released album, Cotton Mouth Man, were included, with “He Was There” and the title track showcasing his mastery. He often swapped one “Mississippi saxophone” for another, utilizing each’s tones to add different colors.
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| Ruthie Foster on May 18. Photo: Robert Kinsler |
The early afternoon offered concertgoers several hard choices, with Keb’ Mo’ and the California Honeydrops performing at the same time. (I missed the latter but heard many fans say it was their favorite.)
Keb’ Mo’, however, proved yet again why he’s a frequent attraction at this Dana Point bash. He’s an exceptional acoustic guitarist whose approach traces back to Robert Johnson’s, yet his singer-songwriter manner is his alone and has extended the lyricism of the blues genre as much as anyone in recent memory. Spotlighting classics from his 20-year discography as well as new material from his latest, Bluesamericana, the Los Angeles native’s 70-minute outing made room for fan favorites like “Suitcase” and “Shave Yo’ Legs” (the latter a prime example of how he mixes tender romanticism and comedy) alongside compelling fresh bits (“The Worst Is Yet to Come,” “Somebody Hurt You”).
Late afternoon and early evening sets continued to produce an impressive range of performances.
Gov’t Mule’s hard-edged jams were commanding on the main stage, with singer-guitarist Warren Haynes unleashing stirring licks on “Game Face” and “Inside Outside Woman Blues #3.” Meanwhile, on the Backporch, James Intveld and Rosie Flores were found reviving traditional country & Western songs and rockabilly with an authentic touch that recalled Buck Owens, Gram Parsons and Emmylou Harris. Their harmonies were perfect and the group’s overall sound was a welcome departure from some of the day’s heavier fare.
Vintage Trouble flat-out stormed the Sailor Jerry stage with the flair and passion the retro-modern L.A. quartet exudes everywhere they play. With the audience singing, dancing and moving to the group’s rock ’n’ soul hybrid, frontman Ty Taylor led the outfit through more than an hour of great songs.
Whether kicking beach balls back into the crowd or mingling among them, Taylor’s presence could not be denied. The rousing rocker “Blues Hand Me Down” and soul ballad “Nancy Lee” were early highlights, while several as-yet-unreleased numbers such as “Lowdown Dirty Dog” and “Lo and Behold” revealed that guitarist Nalle Colt, bassist Rick Dill and drummer Richard Danielson continue to conjure something special as they seek out exciting ways to give ’60s R&B a contemporary style.
The long day ended with two more strong sets. The Doobie Brothers opened with an energetic one-two punch of “Jesus Is Just Alright” and “Rockin’ Down the Highway,” though the ensemble was particularly potent later on during the beautiful “Clear as the Driven Snow,” filled out by lush vocals and a textured arrangement.
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| Singer-guitarist Roy Gaines on the Backporch. Photo: Robert Kinsler |
Friday, May 16, 2014
Doheny Blues Festival returns this weekend
My concert preview was originally published in The Orange County Register on Thursday, May 15, 2014.
Gregg Allman, the Doobie Brothers and guitar legend Buddy Guy headline the annual event.
Blues fans aren’t the only concertgoers excited by the arrival of Doheny Blues Festival, Orange County’s beachfront bash returning to Dana Point this weekend (May 17-18, 2014).
Gregg Allman, the Doobie Brothers and guitar legend Buddy Guy headline the annual event.
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| Buddy Guy returns to Doheny Blues Festival this weekend |
This year’s lineup features one of the most diverse musical casts in the history of the annual festival, with a mix of veteran artists (Gregg Allman and Buddy Guy, above, headline on Saturday, while the Doobie Brothers and Gov’t Mule close things out on Sunday) and celebrated newcomers (the Americans, John Nemeth, Vintage Trouble and Ruthie Foster for starters).
“The selection of artists took a bit longer this year because we are always seeking the proper mix of blues artists, music legends and up-and-coming acts,” said Rich Sherman, president of Lake Forest-based Omega Events, which puts on the event.
“And given our 17-year history, we know that the fans want to see strong headliners, and so we were very patient in trying to pair Gregg Allman and Buddy Guy on Saturday, along with the Doobie Brothers and Gov’t Mule for Sunday. These are four of the busiest acts in music, and the old adage of ‘patience pays off’ certainly rang true this year.”
Another celebrated artist coming to Dana Point is Keb’ Mo’. The singer-songwriter will be celebrating the 20th anniversary of his self-titled debut, as well as the rich songs that fill his newly issued album Bluesamericana. Released April 22 on Kind of Blue Music, the disc debuted at No. 1 on the Billboard blues chart and No. 2 on the Billboard folk chart.
“The response I’m getting from the record … this was like ‘wow,’” Keb’ Mo’ said. “I had no idea. I just know I learned a lot from recording The Reflection (his previous album). I always tell people The Reflection was not as well received as this one (Bluesamericana), but I think it’s a very good record. And while making that record, I was told it was like a college course for me ... because I had to really work at some things that I hadn't worked at before. I think this record is a really great result of all the work I put in at Reflection to bring myself to another level, of efficiency, to be a communicator and really put a point over.”
On Bluesamericana, Keb’ Mo’ handles lead and backing vocals, as well as guitar, bass, keyboards and even banjo. Often celebrated as the modern-day ambassador of the blues, he said his focus is strictly on making the best music he can.
“I’m just concerned about making a good album. That’s my only concern, whatever it is,” Keb’ Mo’ said. “If it’s blues, I want it to be good. If it’s a poppy song or a country or folk song or an R&B song, I want it to be good. I want the subject matter to be relevant, and I want people to be inspired by it in some kind of way.
Many of the songs on Bluesamericana deal with challenges Keb’ Mo’ and his wife, Robbie, faced in their marriage. “Do It Right” and “I’m Gonna Be Your Man” are among the songs that tackle those struggles. His songs are delivered via a distinctive blend of tuneful blues, folk and Americana.
“The great thing about it is we came out the other side of it really strong,” Keb’ Mo’ said of the challenges chronicled on the album. “It’s new for me to come out the other side of a big crisis in a relationship because I was the one who tended to run.”
In addition to Keb’ Mo’, other acts slated to attend include rock ‘n’ soul sensation Vintage Trouble and Chicago blues icon James Cotton.
“People throw the phrase ‘living legend’ around too often, but there is no question that James truly is one,” Sherman said of the 78-year-old harmonica king. “His new recordCotton Mouth Man has an incredible list of special guests, many of whom are at Doheny this year (Allman, Haynes, Ruthie Foster, Keb’ Mo’) ... so who knows what’ll happen?”
As for Vintage Trouble, anyone who caught the group at Coachella last year or while opening for The Who or Rolling Stones over the past few years knows the Los Angeles quartet’s style.
“Vintage Trouble can play in front of any crowd and slay them, and we’ve seen that over the past two years at many festivals and concerts,” Sherman said. “We are thrilled that they are playing Doheny this year. ... it’s hard to call Charles Bradley a newcomer when he is 65 years old, but (since) he was fairly unknown until his solo record debut at age 60, then he’s just been killing the festival circuit the past few years. They call him the ‘Screamin’ Eagle of Soul,’ and I am personally thrilled to have him coming to Dana Point this year.”
DOHENY BLUES FESTIVAL
Who: Gregg Allman, Buddy Guy, John Nemeth & the Bo-Keys and others Saturday; The Doobie Brothers, Gov't Mule, Vintage Trouble, James Cotton Blues Band, Keb' Mo' and others Sunday
Where: Doheny State Beach, 25300 Dana Point Harbor Drive
When: 11:30 a.m. to 9:30 p.m. Saturday, 11:15 a.m. to 8:45 p.m. Sunday
How much: Prices range from general admission ($60 for single day; $110 for weekend pass) to Gold Passes ($225 for single day; $425 for weekend pass). Visit the Doheny Fest website for more details.
Information: dohenybluesfestival.com
Sunday, February 02, 2014
Vintage Trouble, Doobie Brothers, Gov't Mule to play Doheny Blues Festival in May 2014
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| Gov't Mule |
The Doobie Brothers, Gov't Mule, Vintage Trouble and Ruthie Foster will all make their first-ever appearances at the event. Other strong names already in the mix include returning Doheny Blues Fest favorite Keb' Mo' and R&B singer Charles Bradley & the Extraordinaires, and Nikki Hill.
In addition to getting to see Vintage Trouble again (the Los Angeles-based rock 'n' soul quartet blew me away in an afternoon set at Coachellafest last year; click here to read that review), I'm especially excited to see Gov't Mule and Ruthie Foster, two artists I have not seen before.
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| Vintage Trouble |
Weekend passes are on sale now via the festival's Web site, and best to get them now before prices go up as the May 17-18, 2014 event grows closer. The Doheny Blues Festival will once again be held at Doheny State Beach in Dana Point.
Keep checking back here or at the Doheny Blues Festival site in the coming days and weeks as more artists are added to the bill! I have a great feeling it's going to be another killer weekend in Doheny!
Saturday, January 14, 2012
GRAMMY Museum update: Jackie DeShannon, Ruthie Foster, America, Glen Campbell, Michelle Phillips
2012 has sure hit with a bang.
Not only has the 2012 Coachella lineup been announced, but NAMM arrives here in Orange County, California this week and now the GRAMMY Museum has announced an exciting list of programs open to the public.
Here is the official announcement from the Los Angeles-based GRAMMY Museum:
An Evening With Jackie DeShannon
Presented by American Express
Monday, January 30, 2012; 8:00 p.m.
Join us as we welcome singer-songwriter and music pioneer Jackie DeShannon to the Clive Davis Theater. DeShannon is known for her soulful voice behind two enduring 1960s anthems: Bacharach-David’s “What The World Needs Now Is Love” and her own “Put A Little Love In Your Heart.” DeShannon has recorded a diverse range of genres: rock, folk, R&B, country, gospel and jazz. Her songs have been performed by Al Green & Annie Lennox, The Byrds, Dolly Parton, Bruce Springsteen, Cher , The Carpenters and dozens more. She has collaborated with some of the industry’s best songwriters including Randy Newman, Jack Nitzsche, Van Morrison, John Bettis and Jimmy Page. She was awarded the 1982 Song of the Year GRAMMY for co-writing “Bette Davis Eyes,” and in 2010 was inducted into the Songwriters Hall of Fame. Hear DeShannon, with GRAMMY Museum Executive Director Bob Santelli , discuss her accomplished career and latest album, "When You Walk In The Room," which features acoustic arrangements of her classic songs. DeShannon will also perform a mini-concert with musicians, take questions from the audience and host rare video highlights.
Doors open at 7:30 pm. American Express presale tickets are $20 and can be purchased online by American Express Card members starting Friday, January 6, at noon. Public onsale is Monday, January 23, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
The Drop: Ruthie Foster
Presented by American Express
Tuesday, January 31, 2012; 8:00 p.m.
The GRAMMY Museum welcomes soulful singer Ruthie Foster to the Clive Davis Theater to celebrate the release of her new album Let It Burn. Her new release captures her astonishing voice perfectly with a combustible blend of soul, blues, rock, folk and gospel. Recorded in New Orleans , Foster had support from some of that city’s most respected players including the legendary Meters’ bassist George Porter Jr. Let It Burn features a surprisingly eclectic collection of cover songs ranging from Adele to Los Lobos, and the Black Keys to Johnny Cash. There are also several original tunes by Ruthie, plus collaborations with legendary gospel singers the Blind Boys of Alabama and soul icon William Bell. Foster’s accomplished career includes a GRAMMY nomination for her 2009 release The Truth According to Ruthie Foster, Austin Music Award winner for Best Folk Artist in 2004-05 and Best Female Vocalist in 2007-08, and Blues Music Association awards for both Best Contemporary and Best Traditional Female Blues Artist in back-to-back years. Foster will perform a selection of songs, take questions from the audience and discuss, alongside Vice President of The GRAMMY Foundation and MusiCares Scott Goldman, how the new album is her most personal journey yet.
Doors open at 7:30 pm. American Express presale tickets are $15 and can be purchased online by American Express Card members starting Friday, January 6, at noon. Public onsale is Monday, January 23, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
An Musical Conversation With La Santa Cecilia And
+Paper Fashion with Patssi Valdez
A Special Pacific Standard Time: Art In L.A. 1945 – 1980 Event
Presented by The GRAMMY Museum and Fowler Museum
Saturday, February 4, 2012; 7:00 p.m.
GRAMMY-nominated La Santa Cecilia—fronted by belter La Marisoul—draws inspiration from a hybrid of Latin culture, rock and world music in passionate performances that mesmerize audiences. After an interview moderated by Josh Kun, curator of the PST/GRAMMY Museum exhibition Trouble in Paradise: Music and Los Angeles 1945-75 and director of The Popular Music Project at USC Annenberg’s The Norman Lear Center, La Santa Cecilia will take audience questions and perform a selection of songs.During the post-concert reception, Asco icon Patssi Valdez leads a crunch-and-fold workshop inspired by Asco’s 1970’s-era public appearances as self-made fashionistas in paper gowns and hats. See Valdez ’s work in Mapping Another L.A.: The Chicano Art Movement, which will be open. Reception includes dessert and a cash bar.
$10 for Fowler/GRAMMY Museum members and students; $15 general.
Tickets go on sale Jan 6 @ noon: 213-765-6803. When picking up program tickets at the Box Office Will Call, you may be required to show ID that matches the credit card used to purchase the ticket. Note- this program will be held at The Fowler Museum at UCLA.
An Evening With Glen Campbell
Presented by American Express
Monday, February 6, 2012; 8:00 p.m.
Join us as we welcome GRAMMY Award-winning country music star Glen Campbell to The GRAMMY Museum. During his remarkable career in show business, which has spanned over 50 years, Campbell has released 70 albums and has sold 45 million records. In 1967, he made GRAMMY history by winning four awards in both the country and pop categories and this year, will be honored with a GRAMMY Lifetime Achievement Award. A 2005 inductee into The Country Music Hall of Fame, Campbell has also racked up 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. While hits like “By The Time I Get To Phoenix” and “I Wanna Live” have helped make him a true country music legend, Campbell also gained fame as an actor and host of The Glen Campbell Goodtime Hour. After a brief introduction and tribute to his career by GRAMMY Museum Executive Director Bob Santelli , Campbell will perform a selection of songs. Guests will hear hits from the past as well as music from Campbell ’s latest release, Ghost On A Canvas, a top-ten pick in USA Today’s “Best of 2011.”
Doors open at 7:30 pm. American Express presale tickets are $30 and can be purchased online by American Express Card members starting Wednesday, January 18, at noon. Public onsale is Monday, February 1, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
An Evening With America
Presented by American Express
Tuesday, February 7, 2012; 8:00 p.m.
The GRAMMY Museum is honored to present iconic, GRAMMY Award-winning rock group America. Currently celebrating their 40th anniversary together, America founders Gerry Beckley and Dewey Bunnell have performed approximately 100 shows a year together since their formation in 1970. Sons of U.S. Air Force fathers, the band members met in England when they were students at London Central High School . Their debut album, released in 1971, quickly went Platinum. Five subsequent releases went either Gold or Platinum and their greatest hits compilation reached the four million sales mark. Hear the band, in discussion about their success as hit writers of enduring rock-folk-pop classics, their celebrated 40th Anniversary Tour and the release of Back Pages, their newest album, a collection of glimmering interpretations of timeless songs. After the interview, moderated by GRAMMY Museum Executive Director Bob Santelli , America will take audience questions and will perform an acoustic set.
Doors open at 7:30 pm. American Express presale tickets are $20 and can be purchased online by American Express Card members starting Friday, January 13, at noon. Public onsale is Monday, February 1, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
An Evening With Michelle Phillips from The Mamas And The Papas
Presented by American Express
Thursday, February 16, 2012; 8:00 p.m.
Best known for being one of the singers for the Sixties folk/pop group, The Mamas and the Papas, which she formed in 1965 with Cass Elliot, Denny Doherty and John Phillips, California-born Michelle Phillips is the last-surviving member of the iconic group. Having co-wrote some of the band's biggest hits including "Creeque Alley" and " California Dreamin', Phillips became one of the most-recognizable faces in music. After the group disbanded in 1971, Phillips actively pursued an acting career. She received a Golden Globe nomination for her work in “Dillinger” and got her big TV break in 1987 as Anne Matheson Sumner in the prime-time soap "Knots Landing." Hear Phillips in discussion, along with GRAMMY Museum Executive Director Bob Santelli , about her expansive career in show business, as well as current endeavors. After the interview, Phillips will take audience questions and will be available for a fan meet and greet.
Doors open at 7:30 pm. American Express presale tickets are $20 and can be purchased online by American Express Card members starting Wednesday, January 18, at noon. Public onsale is Wednesday, February 8, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
Not only has the 2012 Coachella lineup been announced, but NAMM arrives here in Orange County, California this week and now the GRAMMY Museum has announced an exciting list of programs open to the public.
Here is the official announcement from the Los Angeles-based GRAMMY Museum:
An Evening With Jackie DeShannon
Presented by American Express
Monday, January 30, 2012; 8:00 p.m.
Join us as we welcome singer-songwriter and music pioneer Jackie DeShannon to the Clive Davis Theater. DeShannon is known for her soulful voice behind two enduring 1960s anthems: Bacharach-David’s “What The World Needs Now Is Love” and her own “Put A Little Love In Your Heart.” DeShannon has recorded a diverse range of genres: rock, folk, R&B, country, gospel and jazz. Her songs have been performed by Al Green & Annie Lennox, The Byrds, Dolly Parton, Bruce Springsteen, Cher , The Carpenters and dozens more. She has collaborated with some of the industry’s best songwriters including Randy Newman, Jack Nitzsche, Van Morrison, John Bettis and Jimmy Page. She was awarded the 1982 Song of the Year GRAMMY for co-writing “Bette Davis Eyes,” and in 2010 was inducted into the Songwriters Hall of Fame. Hear DeShannon, with GRAMMY Museum Executive Director Bob Santelli , discuss her accomplished career and latest album, "When You Walk In The Room," which features acoustic arrangements of her classic songs. DeShannon will also perform a mini-concert with musicians, take questions from the audience and host rare video highlights.
Doors open at 7:30 pm. American Express presale tickets are $20 and can be purchased online by American Express Card members starting Friday, January 6, at noon. Public onsale is Monday, January 23, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
The Drop: Ruthie Foster
Presented by American Express
Tuesday, January 31, 2012; 8:00 p.m.
The GRAMMY Museum welcomes soulful singer Ruthie Foster to the Clive Davis Theater to celebrate the release of her new album Let It Burn. Her new release captures her astonishing voice perfectly with a combustible blend of soul, blues, rock, folk and gospel. Recorded in New Orleans , Foster had support from some of that city’s most respected players including the legendary Meters’ bassist George Porter Jr. Let It Burn features a surprisingly eclectic collection of cover songs ranging from Adele to Los Lobos, and the Black Keys to Johnny Cash. There are also several original tunes by Ruthie, plus collaborations with legendary gospel singers the Blind Boys of Alabama and soul icon William Bell. Foster’s accomplished career includes a GRAMMY nomination for her 2009 release The Truth According to Ruthie Foster, Austin Music Award winner for Best Folk Artist in 2004-05 and Best Female Vocalist in 2007-08, and Blues Music Association awards for both Best Contemporary and Best Traditional Female Blues Artist in back-to-back years. Foster will perform a selection of songs, take questions from the audience and discuss, alongside Vice President of The GRAMMY Foundation and MusiCares Scott Goldman, how the new album is her most personal journey yet.
Doors open at 7:30 pm. American Express presale tickets are $15 and can be purchased online by American Express Card members starting Friday, January 6, at noon. Public onsale is Monday, January 23, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
An Musical Conversation With La Santa Cecilia And
+Paper Fashion with Patssi Valdez
A Special Pacific Standard Time: Art In L.A. 1945 – 1980 Event
Presented by The GRAMMY Museum and Fowler Museum
Saturday, February 4, 2012; 7:00 p.m.
GRAMMY-nominated La Santa Cecilia—fronted by belter La Marisoul—draws inspiration from a hybrid of Latin culture, rock and world music in passionate performances that mesmerize audiences. After an interview moderated by Josh Kun, curator of the PST/GRAMMY Museum exhibition Trouble in Paradise: Music and Los Angeles 1945-75 and director of The Popular Music Project at USC Annenberg’s The Norman Lear Center, La Santa Cecilia will take audience questions and perform a selection of songs.During the post-concert reception, Asco icon Patssi Valdez leads a crunch-and-fold workshop inspired by Asco’s 1970’s-era public appearances as self-made fashionistas in paper gowns and hats. See Valdez ’s work in Mapping Another L.A.: The Chicano Art Movement, which will be open. Reception includes dessert and a cash bar.
$10 for Fowler/GRAMMY Museum members and students; $15 general.
Tickets go on sale Jan 6 @ noon: 213-765-6803. When picking up program tickets at the Box Office Will Call, you may be required to show ID that matches the credit card used to purchase the ticket. Note- this program will be held at The Fowler Museum at UCLA.
An Evening With Glen Campbell
Presented by American Express
Monday, February 6, 2012; 8:00 p.m.
Join us as we welcome GRAMMY Award-winning country music star Glen Campbell to The GRAMMY Museum. During his remarkable career in show business, which has spanned over 50 years, Campbell has released 70 albums and has sold 45 million records. In 1967, he made GRAMMY history by winning four awards in both the country and pop categories and this year, will be honored with a GRAMMY Lifetime Achievement Award. A 2005 inductee into The Country Music Hall of Fame, Campbell has also racked up 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. While hits like “By The Time I Get To Phoenix” and “I Wanna Live” have helped make him a true country music legend, Campbell also gained fame as an actor and host of The Glen Campbell Goodtime Hour. After a brief introduction and tribute to his career by GRAMMY Museum Executive Director Bob Santelli , Campbell will perform a selection of songs. Guests will hear hits from the past as well as music from Campbell ’s latest release, Ghost On A Canvas, a top-ten pick in USA Today’s “Best of 2011.”
Doors open at 7:30 pm. American Express presale tickets are $30 and can be purchased online by American Express Card members starting Wednesday, January 18, at noon. Public onsale is Monday, February 1, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
An Evening With America
Presented by American Express
Tuesday, February 7, 2012; 8:00 p.m.
The GRAMMY Museum is honored to present iconic, GRAMMY Award-winning rock group America. Currently celebrating their 40th anniversary together, America founders Gerry Beckley and Dewey Bunnell have performed approximately 100 shows a year together since their formation in 1970. Sons of U.S. Air Force fathers, the band members met in England when they were students at London Central High School . Their debut album, released in 1971, quickly went Platinum. Five subsequent releases went either Gold or Platinum and their greatest hits compilation reached the four million sales mark. Hear the band, in discussion about their success as hit writers of enduring rock-folk-pop classics, their celebrated 40th Anniversary Tour and the release of Back Pages, their newest album, a collection of glimmering interpretations of timeless songs. After the interview, moderated by GRAMMY Museum Executive Director Bob Santelli , America will take audience questions and will perform an acoustic set.
Doors open at 7:30 pm. American Express presale tickets are $20 and can be purchased online by American Express Card members starting Friday, January 13, at noon. Public onsale is Monday, February 1, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
An Evening With Michelle Phillips from The Mamas And The Papas
Presented by American Express
Thursday, February 16, 2012; 8:00 p.m.
Best known for being one of the singers for the Sixties folk/pop group, The Mamas and the Papas, which she formed in 1965 with Cass Elliot, Denny Doherty and John Phillips, California-born Michelle Phillips is the last-surviving member of the iconic group. Having co-wrote some of the band's biggest hits including "Creeque Alley" and " California Dreamin', Phillips became one of the most-recognizable faces in music. After the group disbanded in 1971, Phillips actively pursued an acting career. She received a Golden Globe nomination for her work in “Dillinger” and got her big TV break in 1987 as Anne Matheson Sumner in the prime-time soap "Knots Landing." Hear Phillips in discussion, along with GRAMMY Museum Executive Director Bob Santelli , about her expansive career in show business, as well as current endeavors. After the interview, Phillips will take audience questions and will be available for a fan meet and greet.
Doors open at 7:30 pm. American Express presale tickets are $20 and can be purchased online by American Express Card members starting Wednesday, January 18, at noon. Public onsale is Wednesday, February 8, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call (213.765.6803) or visit grammymuseum.org.
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