Showing posts with label Janiva Magness. Show all posts
Showing posts with label Janiva Magness. Show all posts

Tuesday, August 11, 2026

New music: Clay Dubose, Denise La Grassa

In this column, I review the latest studio album releases from Clay Dubose and Denise La Grassa.


Artist: Clay Dubose
Title: Father Time & Mother Nature (Lazy River Records)
You might like if you enjoy: Jason Isbell, Ted Russell Kamp, Michael Ubaldini, Janiva Magness
Tell me more: Singer-songwriter Clay Dubose has released Father Time & Mother Nature, an aptly-titled studio album that taps into love, loss, family ties and mortality with lyrical depth while showcasing the Texas-based artist's rewarding mix of Americana, blues, rock and country. What's more, the Ted Russell Kamp-produced album is bolstered by a terrific lineup of top-tier studio musicians including Danny Timms (piano, keyboards), John Schreffler (pedal steel), Eric Core (harmonica), Brian Whelan (piano), Jamie Douglas (drums) and the aforementioned Kamp (bass). There is a real world depth heard in the songs on the album, ranging from the opening cut "When Heroes Say Goodbye" (whose lyrics look at the loss of musical greats such as Tom Petty, Prince and Neil Peart when they pass away too soon) and infectious original "Dreams Come Untrue" to the affecting "I Hope You're Watching" (reflecting on the death of Dubose's father), emotive Baroque ballad "New Game Now" and driving blues harp-adorned "Growing Wild." The ambitious title track includes the late Neal Casal's atmospheric guitar work and guest vocals from celebrated singer Janiva Magness. Information: claydubose.com.


Artist: Denise La Grassa
Title: A Crossroads Communion (deelagee Records)
You might like if you enjoy: Janiva Magness, Memphis Minnie, Shemekia Copeland
Tell me more: Denise La Grassa has released an album that conjures up the magic of Chicago blues even while showcasing her own unique voice and strong religious faith. A Crossroads Communion is a nine-track album that will reward lovers of classic artists such as Howlin' Wolf and Memphis Minnie (just listen to the powerful take on Albert King's "I'll Play The Blues For You") as well as those who have discovered the magic of trance blues icon Otis Taylor (as evidenced by the propulsive original opener "Big Bad Dream" or decidedly original "Joyride"). Other standouts on the album include the traditional-styled "These Vain Games," hypnotic "Who Will Mourn You?" and funk-tinged closer "Go Bad Mouth Yourself." La Grassa's signature vocals shine across the outstanding disc. Information: deniselagrassa.com.


Robert Kinsler 

Saturday, June 20, 2026

New music: Pete Ham tribute, Sam Barber, Carmen Ratti Band

In this column, I review three outstanding new audio titles available now.




Artists: 
Mike Delevante, Pezband, Sharp Pins, Bill Lloyd, more

Title: Just Look Inside The Cover  Songs Of Pete Ham (Y&T Music)
You might like if you enjoy: Badfinger, The Beatles, Paul McCartney, Guided by Voices
Tell me more: Beloved Welsh singer-songwriter Pete Ham was only 27 when he tragically took his own life on April 24, 1975. Despite his death at such a young age, the lead vocalist and primary songwriter of Badfinger left an incredible legacy and has undeniably influenced countless artists over the past 50 years. Now a special tribute album titled Just Look Inside The Cover  Songs Of Pete Ham further celebrates Ham's timeless talent; this unique album features songs that were only previously released as home demos and never recorded by Badfinger. The songs are treasures to be sure, and those Ham-penned compositions are bolstered by a wide range of artists who bring magic across the 22-track collection. Early standouts on the marathon-length tribute include the melodic opener "A Lonely Day" performed by Mike Delevante, Pezband's wonderfully Beatlesque "Tulip," Eric Dover's rollicking "Leaving On A Midnight Train," Bill Lloyd's luxurious "Our Song," Rob Bonfiglio's soaring harmonies-filled "Hand in Hand" and Mary Karizen's genre-defying delight "Dawn." Fans of Badfinger will love The Fraternals' anthemic power pop sortie "Catherine Cares." The collection's parade of treasures continues via Tobin Sprout's tender "Keep Your Country Tidy," Humbert's affecting "Little Mary," The Parlophonics' joyful "Make Me Feel Good," Richard Barone's mellifluous "I'm Only Human," Mark Healey's wistful "It Doesn't Really Matter" and Ron Griffiths' soulful "Take Good Care of My Baby." Another top-flight track on the disc is Bob Jackson's "Just Look Inside The Cover," a track that could have been a hit in the 1970s or '80s, and is deserving of airplay aplenty in 2026. Released on June 19, Just Look Inside The Cover is one of the greatest and most essential collections of early 2026. Information: ytmusiconline.com


Artist: 
Sam Barber

Title: Broken View (Atlantic Outpost)
You might like if you enjoy: Noah Kahan, Tyler Childers
Tell me more: Sam Barber's second studio album, Broken View, finds the rising young Americana singer-songwriter exploring the world around him with uncanny depth and artistry. Only 23, Barber has quickly become one of his generation's most acclaimed artists; last month he won "Breakthrough Country Artist" at the 2026 American Music Awards. Broken View is an album whose songs have a palpable power that hit their mark with a single listen and Barber's authentic vocals fully bolster the 13 originals on the disc. The biting aptly-titled opener "Borrowed Time," introspective roots rocker "Far Past" examining an imperfect relationship, emotional "Just A Kid," lost love-minded title track, yearning "All For You," emotional "Satellite" and gorgeous "I Will Follow" are among the stellar songs on the outstanding album. Barber will spend much of the rest of 2026 on tour, and upcoming dates include at the Greek Theatre in Los Angeles on July 18, and at Arizona Financial Theatre in Phoenix, AZ on Dec. 11. Information: sambarbermusic.com.


Artist: 
Carmen Ratti Band

Title: Come to Me (MoMojo Records)
You might like if you enjoy: Janiva Magness
Tell me more: San Francisco Bay Area's Carmen Ratti Band featuring singer Jill Dineen has released the blues album Come to Me, an 11-track disc that showcases the troupe's energetic blend of electric blues and roots music. Formed in 2018, the ensemble artfully infuses gospel, soul, rock blues and even funk into material on the disc. The album features a slew of great tracks including the driving soul gem "Get In Line," the nuanced ballad "Come to Me," Southern-styled blues sortie "I Can See," gospel ballad "Blessing In The Blues," Southern rock-tinged "Coming Down" and R&B "Pretty Good Man." In addition to Carmen Ratti (vocals, guitar) and Dineen (lead vocals), the band includes Tony "Macaroni" Lufrano (organ, piano), Steve Hazlewood (bass) and Randy Hayes (drums). Information: carmenrattiband.com.


Robert Kinsler

Monday, June 08, 2026

New music: The Greenberry Woods, Sherri Harding

In this column I review the latest releases from the Greenberry Woods and singer Sherri Harding.




Artist: 
The Greenberry Woods

Title: It's All Good, Sugar... (Big Stir Records)
You might like if you enjoy: Jellyfish, Badfinger, Jason Falkner, Big Star, Psychic Rain
Tell me more: Not only have the Greenberry Woods returned after an extended hiatus of 30 years via the new 12-track disc It's All Good, Sugar..., but the Baltimore-based indie pop/alt-rock troupe sounds like they never took a day off. The album features a parade of great originals bolstered by top-tier lead vocals, melodic songcraft, tight arrangements, stellar vocal harmonies and emotional resonance. Indeed, founding members/twins Brandt Huseman and Matt Huseman along with Ira Katz, Paul Krysiak and Joel Parsons have released one of the great albums of 2026. The instantly-infectious opener "Summer Song," 80's-minded tuneful nugget "Waiting 'Round For Something To Go Wrong," reflective "Whenever You Want Me Too" (the latter a bona fide piece of ear candy perfection), and rocking "Lame Love Letter" are early standouts on the album. The LP's undeniable charm continues with the Baroque foray "On The Day We Drowned," poignant "That Won't Make You Love Me" (the latter a track that particularly hit home with yours truly), lovely "Leave The Light On" and irresistible album closer "December Boy." There is not a wasted moment on It's All Good, Sugar..., an incredible return. Information: bigstirrecords.com.


Artist: 
Sherri Harding

Title: Storyland (Instant Replay Music)
You might like if you enjoy: Ruthie Foster, Janiva Magness, Mavis Staples 
Tell me more: Fans of the countless great recordings to come out of the legendary Muscle Shoals Sound Studio in Alabama will be thrilled with songstress Sherri Harding's latest album Storyland. Armed with a rich and expressive soprano, Harding and a cast of terrific musicians shine across the LP. While the album was recorded in Ottawa, there are strong and definite ties between Harding and Muscle Shoals (indeed, the Muscle Shoals Horns recorded their parts in Alabama for the project). Harding's signature vocals enhance the songs and arrangements across Storyland. The soulful opener "All Around The World," Southern blues-styled foray "Down In The Shoals," emotive duet with Jeff Rogers titled "Throughout It All," and electric blues burner "Rainy Day" (the latter featuring some sharp guitar work from Kelvin Holly and Robert Farrell) are early standouts on the 11-track disc. The jazzy "Dark-Eyed Junco," soulful "Bad Weather," gorgeous piano ballad "Tell Me You're Mine," and the rousing title track propel the album on its last half. Information: sherriharding.com.

Robert Kinsler 

Friday, September 15, 2023

New music: Graham Parker & The Goldtops, Jake Shimabukuro, ZZ Ward

Graham ParkerJake Shimabukuro, and ZZ Ward are back with essential new albums.



Artist: 
Graham Parker & The Goldtops
Title: Last Chance to Learn The Twist (Big Stir Records)
You might like if you enjoy: James Hunter, Elvis Costello, Van Morrison
Tell me more: Veteran singer-songwriter Graham Parker is back with Last Chance to Learn The Twist, the English artist's first album release since 2018's Cloud Symbols. Parker is an artist able to inject himself in the songs and that superpower is on full display across his newly-released 13-track disc. On Last Chance To Learn The Twist, Parker is backed by The Goldtops (bassist Simon Edwards, drummer Jim Russell, guitarist Martin Belmont and keyboard player 
Geraint Watkins) as well as frequently from the Easy Access Orchestra horns and backing vocal duo The Lady Bugs. The dark and hypnotic opener The Music Of The Devil" (bolstered by Watkins' moody keyboards), ambitious multi-tiered "Grand Scheme Of Things," glorious genre-blending "Sun Valley," lovely ballad "It Mattered To Me" and aptly-pegged "Wicked Wit" are early standouts. The introspective "Shorthand," powerful folk rocker "We Did Nothing," Americana-flavored "Lost Track Of Time," mortality-focused gem "Last Stretch Of The Road" and New Orleans romp "Since You Left Me Baby" are among the terrific cuts that complete the album's masterful path. Information: bigstirrecords.com/graham-parker. 


Artist:
 Jake Shimabukuro
Title: Grateful (JS Records)
You might like if you enjoy: Jake Shimabukuro, Henry Capon, John Cruz, Hawaiian music
Tell me more: Jake Shimabukuro has long been recognized as a groundbreaking artist with his technical and spectacular talents as a master of the ukulele. Fans of traditional and contemporary Hawaiian music will appreciate the affecting approach that Shimabukuro and his parade of talented guests take across the two-disc Grateful. Singer-guitarist Henry Kapono joins with the touching "Sailin'," while Brother Noland is heard on the beautiful Hawaiian language song "Hualālai." Just as poignant is the instrumental "Pianoforte" featuring virtuoso violinist Ignace "Iggy" Jang and a gorgeous take on John Fogerty's "Have You Ever Seen The Rain?" with Kawika Kahiapo. The album's title track "Grateful" features Justin Kawika Young, who brings a decidedly modern vibe to the album. Shimabukuro joins forces with John Cruz to effortlessly fuse the sounds of Hawaiian music, flamenco and jazz on the delightful instrumental "Song For Sin." Slack key guitar great Jeff Peterson joins Shimabukuro on an amazing instrumental take on Leonard Cohen's "Hallelujah." In all, Grateful features 22 collaborations between Shimabukuro and fellow Hawaii-based artists. A portion of the album proceeds will be donated to the Maui Strong Fund which is helping recover and rebuild communities affected by the recent Maui fires. Information: jakeshimabukuro.com. 


Artist: 
ZZ Ward
Title: Dirty Shine (Dirty Shine Records)
You might like if you enjoy: ZZ Ward, Larkin Poe, Janiva Magness
Tell me more: In her long-awaited return and first-ever independent album (Dirty Shine), American singer-songwriter/multi-instrumentalist ZZ Ward brings a decidedly cinematic and wide ranging approach to the track listing. 
Ward utilizes her own strong R&B singing amidst an expansive soundscape of electronica, hip-hop beats, melodic pop choruses, Delta blues and soul presented across the album. The defiant "Ride or Die" (featuring noted rapper Vic Mensa), wonderful Spaghetti western mining "Fadeaway," euphoric single "On One," infectious dance track "Dead or Alive," zealous "Baby Don't," blues-rock-dance brew "OverdoZZe," acoustic nugget "Tin Cups" where she shares lead vocals with Aloe Blacc and driving Southern blues closer "Don't Let Me Down" all shimmer on Dirty Shine.  Information: zzward.com. 

Robert Kinsler


Tuesday, September 29, 2020

Recent Releases Roundup: Ricky Byrd, Heidi Newfield, Cidny Bullens, Brian Bromberg

A diverse field of musical styles are explored via new audio releases featured in my latest column...





Artist: 
Ricky Byrd
Titles: Sobering Times (Kayos Records)
You might like if you enjoy: Ronnie Wood, Jim Carroll Band, the Smithereens, Willie Nile
Tell me more: Rock and Roll Hall of Fame guitarist Ricky Byrd isn't facing his demons alone. On his newly-released Sobering Times, the New York-based artist is triumphantly celebrating his recovery with the world at large via a slew of stellar rock originals marked by his straightforward confessional lyrics and infectious rock song craft. The melodic "Quittin' Time (Again)," edgy "Together," breezy "Hear My Song" (featuring Byrd's wonderful mandolin work), acoustic proclamation "Pour Me," and roots rockers "Tired" and "Recover Me" (the latter a terrific duet with Willie Nile) are among the the terrific cuts on the album. Byrd released Clean Getaway in 2017 as a musical statement about recovering from addiction, but it's clear from the strength of "Sobering Times" there was plenty of territory yet to explore this time around. Released on Sept. 25, 2020 (the 33rd anniversary of the day the former Joan Jett & the Blackhearts lead guitarist started on his sober journey), Sobering Times is a wide-ranging release that not only celebrates Byrd's stellar guitar talents and songwriting, but his expressive baritone vocals and ability to mine new pay dirt in the classic sounds of '70s and '80s rock. A stellar cast of players joins Byrd on the recording including Bob Stander (bass guitar, percussion), keyboardist-accordion player Jeff Kazee (of Southside Johnny and the Asbury Jukes fame), drummer Steve Holley (Wings, Ian Hunter, Joe Cocker), drummer Liberty Devitto (Billy Joel) and vocalist Christine "The Beehive Queen" Ohlman (Saturday Night Live band). Information: RickyByrd.com.



Artist: 
Heidi Newfield
Titles: The Barfly Sessions (Not Famous Enough LLC)
You might like if you enjoy: Ruthie Foster, Janiva Magness, Larkin Poe, Sass Jordan
Tell me more: Nashville, Tennessee-based songstress Heidi Newfield's explosive talents as singer, harmonica master and songwriter are exhibited across the freewheeling The Barfly Sessions. The 14-track disc finds the artist co-writing and collaborating with a number of ace songwriters and top-tier guests (Jim Lauderdale, Delbert McClinton, Chris Stapleton, Matt King and more). Produced by Newfield along with Jim "Moose" Brown, The Barfly Sessions is a mostly rousing high-octane affair as evidenced by the fiery opener "I Won't Wait Around," countrified "Wrong Side of the Bottle," aptly-titled "Bring This House Down" and rousing cover of "The Blues is My Business (with Newfield and McClinton sharing lead vocals as well as blues harp duties). Newfield also showcases her potent soprano on the soulful ballad "Three Things," tenderhearted country-flavored "Wait For It" and "Temporary Fix (For a Permanent Scar)," and the wistful "When Heaven Falls." Information: HeidiNewfield.com.




Artist: 
Cidny Bullens
Titles: Walkin' Through This World (Blue Lobster Records)
You might like if you enjoy: Rodney Crowell, Steve Earle, Cindy Bullens
Tell me more: The bold Walkin' Through This World marks singer-songwriter Cidny Bullens' first release as a transgender man; the album (produced by the artist and Ray Kennedy) explores and documents the real-life story of the Nashville-based artist's five-year gender transition. That story is bolstered by the bona fide artistic power and authority of the songs on the disc.   The LP opens with the tuneful "Little Pieces," Americana-mining "Purgatory Road," spoken word-centered anthem "Walkin' Through This World" and affecting "The Gender Line"  which collectively showcase the stellar variety of sounds that bring the LP's theme to life. Other highlights for this listener were the infectious roots rocker "Crack The Sky," uptempo "Call Me By My Name" and spirited rock and roller "Lucky For Me." "Walkin' Through This World" features collaborations with a number of well-known artists including guest vocalists Beth Neilson Chapman, Rodney Crowell, Mary Gauthier, Bill Lloyd and Jess Leary.  A two-time Grammy nominee as Cindy Bullens, the artist has worked with a who's who of greats including Bob Dylan, Sir Elton John and Rod Stewart. What's more, Bullens sang lead vocals on several tracks of the soundtrack of 1978's "Grease" (including "It's Raining on Prom Night" and "Freddy, My Love"). Information: CidnyBullens.com.


Artist: 
Brian Bromberg
Titles: Bromberg Plays Hendrix - 2020 Remix and Remaster (Artistry Music)
You might like if you enjoy: Brian Bromberg, Vinnie Colaiuta, Stan Getz, Jimi Hendrix
Tell me more: Celebrated jazz bassist Brian Bromberg has issued a remixed and remastered version of his 2008 album Bromberg Plays Hendrix. Re-released in recognition of the 50th anniversary of Hendrix's passing in September 1970, listeners will be blown away that no electric guitars are used on the album; rather, Bromberg uses both acoustic and electric basses (including overdriven electric piccolo bass, a 24-fret instrument with each string tuned an octave up) while drummer Vinnie Colaiuta is also key as they revisit some of the most beloved Jimi Hendrix classics with dazzling arrangements sure to please fans of both jazz and Hendrix. To describe this album as impressive is truly an understatement. My favorite tracks on the album include the opener "Fire," flat-out thrilling "All Along the Watchtower," jazzy "Hey Joe" and high-powered "Purple Haze." The outstanding new mix isn't all; a previously-unreleased funk-tinged rock original track titled "Jimi" recorded during the original sessions is featured here as well. Listen to Bromberg Plays Hendrix with headphones folks and be prepared to be blown away. I sure was! Information: BrianBromberg.net.



Robert Kinsler

Tuesday, September 17, 2019

Worth the Wait: Hot Club of Cowtown, Janiva Magness, Those Pretty Wrongs, Tiger Army

Four favorites are back with highly-anticipated albums, including Austin trio Hot Club of Cowtown, blues singer Janiva Magness, rock duo Those Pretty Wrongs and alternative rockers Tiger Army. 


Artist: Hot Club of Cowtown
Title: Wild Kingdom (Gold Strike Records)
You might like if you enjoy: Django Reinhardt, Les Paul and Mary Ford, Western swing
Tell me more: Hot Club of Cowtown's much-anticipated eleventh album Wild Kingdom is filled with the signature blend of traditional-mining Western swing, roots and hot jazz that singer-violinist Elana James, singer-guitarist Whit Smith and bassist-singer Jake Erwin long ago made their own. The material resonates with a contemporary energy even while the soundscape recalls some distant time. The lovely "Last Call" is a tender ballad showcasing James' rich soprano and the artful keyboards of guest pianist Joe Kerr. Flashy guitar work helps propel Smith's "Caveman" and more introspective "Easy Money." The infectious blues-meets-Americana cut "Tall Tall Ship" and dynamic jazz-flavored "Ways of Escape" and "Before This Time of Men" are among the many standouts on the wonderful Wild Kingdom. The 14-track disc is focused mostly on new originals, but the band has reworked a couple of classics including their affecting interpretation of the traditional Scottish folk song "Loch Lomond" and the disc-ending cover of the Les Paul and Mary Ford's "How High the Moon," the latter a perfect vocal duet for James and Smith. In addition to the aforementioned Kerr, guests include drummer Damien Llanes and percussionist Oliver Rajamani whose contributions bolster the fantastic vocals and musicianship displayed by Hot Club of Cowtown across "Wild Kingdom." Information: hotclubofcowtown.com.



Artist: Janiva Magness
Title: Change in the Weather (Blue Élan Records)
You might like if you enjoy: John Fogerty, CCR, Taj Mahal, Janiva Magness
Tell me more: It's difficult to think of many artists more deserving of a tribute than John Fogerty. Both as the leader of groundbreaking Bay Area rockers Creedence Clearwater Revival and as a solo artist, Fogerty's blend of blues and rock has come in the service of stellar song craft. Grammy-nominated blues artist Janiva Magness' Change in the Weather is sure to please fans of Fogerty's recordings as well as her own expansive discography. Reworking a dozen classics across the Dave Darling-produced set, Magness was drawn to the power of the songs  including the melodic choruses and timeless themes of protest and social justice. Magness uses her mighty soprano to celebrate and paint the songs with her own touch. A gospel-tinged take on "Wrote a Song for Everyone," a spirited blues-meets-rock "Lodi" (a duet with country outlaw singer Sam Morrow), and swampy blues take on "Don't You Wish It Was True" (featuring bluesman Taj Mahal) are early wins. Later on the disc Magness artfully reworks "Bad Moon Rising" (bolstered here by a good dose of slide guitar courtesy of guitarist Zachary Ross), the fiery "Fortunate Son," a stirring "Deja Vu (All Over Again)" and joyful "Lookin' Out My Back Door" keep the momentum going on the second half of the wonderful release. Information: JanivaMagness.com.



Artist: Those Pretty Wrongs
Title: Zed for Zulu (Burger Records)
You might like if you enjoy: Big Star, Fastball, dada
Tell me more: The sophomore effort from Those Pretty Wrongs certifies that the creative teaming of Jody Stephens (of Big Star fame) and Luther Russell first heard on their 2016 self-titled debut is just what the sonic doctor ordered. Memphis-based Stephens and Los Angeles' Russell have the rare ability to craft songs that are simultaneously straightforward and melodically glorious. The shimmering and introspective gems "Ain't Nobody But Me" and "You + Me" are both as beautiful as any song in memory, revealed via nuanced and poignant recordings that will grab the listener with a single listen. Even acoustic-rooted material ("Time to Fly" "The Carousel") shine with an otherworldly glow, with burgeoning arrangements marked by acoustic guitars that are subsequently joined by a growing cast of musical layers. Make no mistake; the songs here are ambitious with the string section-adorned "Tonight, Tonight, Tonight," the psychedelic baroque pop sortie "Hurricane of Love" and haunting "A Day in the Park" among the choice offerings on Zed for Zulu. Information: burgerrecords.com.


Artist: Tiger Army
Title: Retrofuture (Luna-tone / Rise Records)
You might like if you enjoy: The Stray Cats, Lee Rocker, Raul Malo
Tell me more: Armed with a top-tier voice that draws favorable comparisons with a young Chris Isaak and Raul Malo, Nick 13 leads his energetic troupe Tiger Army through a fiery and inspired batch of originals on Retrofuture. The songs on Retrofuture  the band's first new album release in more than three years  range from the raging psychobilly rockers "Eyes Of The Night" and "Death Card" to the wistful "Beyond the Veil" and the decidedly melodic rockabilly nugget "Last Ride" (the latter is this writer's favorite song on the LP). With the wide range of material and stellar performances captured on the Ted Hutt-produced album, Retrofuture also serves as a great introduction of those who have not yet discovered the outstanding outfit. Information: TigerArmy.com.


Robert Kinsler

Thursday, April 12, 2018

The GRAMMY Museum announces new programs: Roger Joseph Manning Jr., Janiva Magness, Dierks Bentley, more

Roger Joseph Manning Jr. is coming to the
GRAMMY Museum on May 17, 2018.
Photo credit: Tim Manning
If you live or will be visiting Southern California, plan to visit and attend one of the amazing programs at The GRAMMY Museum. I am particularly excited by several programs including "The Drop" night with celebrated singer-songwriter/keyboardist Roger Joseph Manning Jr. coming on Thursday, May 17. 

The events at The GRAMMY Museum combine great interviews with mini-concerts in the Clive Davis Theater, which is one of the best sounding venues I have ever been in. I've caught the celebrated likes of John Mellencamp, Ron Sexsmith and Cheap Trick at the museum and each of the programs was incredible. Most recently, I caught songstress Lindi Ortega (you can read my coverage of that event here).

Check out the update I just received about upcoming programs...



UPCOMING GRAMMY MUSEUM PUBLIC PROGRAMS

Just announced!

Spotlight: Alice Merton
Presented by American Express
Thursday, May 10 at 8 p.m. / Tickets: $15

Member Pre-sale: April 12 at 10:30 a.m.
General On sale: April 19 at noon

In the middle of her worldwide tour, the GRAMMY Museum welcomes pop singer/songwriter Alice Merton to the Clive Davis Theater for an intimate conversation and performance, hosted by Museum Executive Director Scott Goldman. Her single "No Roots" has already captured an immense amount of attention with millions of global plays on Spotify and YouTube, top positions on iTunes, Shazam, and Hype Machine, and a platinum status in Germany, having been No. 2 on the official single charts. Raised in Canada, finishing high school in Germany, then moving on to England with her family, Merton has gotten quite used to packing and unpacking boxes. With her debut single “No Roots,” she describes the life of having had many different homes, but comes to the realization that her home was never in one place. Creating a very analog and organic pop sound, Merton has worked with producer Nicolas Rebscher, combining individual styles to develop a style of their own, while maintaining her own creative freedom as an independent artist under her own record label.

The Drop: Janiva Magness
Presented by American Express
Tuesday, May 22 at 8 p.m. / Tickets: $20

Member Pre-sale: April 12 at 10:30 a.m.
General On sale: April 19 at noon

Straight off the release of her new album Love Is An Army, the GRAMMY Museum welcomes GRAMMY-nominated and seven-time Blues Music Award winner Janiva Magness to the Clive Davis Theater for an intimate conversation and performance, moderated by veteran music journalist Steve Hochman. Magness’ 14th album, Love Is an Army, is a brilliantly crafted bridge between the past and present, blending the echoes of classic soul and Americana music with timeless themes of love and the very contemporary sound of protest. Guests on this Americana/soul album include Americana pillars Courtney Hartman of Della Mae, Delbert McClinton, and Rusty Young of Poco, as well as prolific blues artists Cedric Burnside and Charlie Musselwhite. This album has spent over four weeks on the Americana radio chart and made it her first debut on the Billboard Americana/Folk chart, while debuting at No. 2 on both the Living Blues radio chart and Billboard Blues chart, her seventh Top 10. Meanwhile, her seven Blues Music Awards include the highly coveted B.B. King Entertainer of the Year Award. She is only the second woman, following blues giant Koko Taylor, to receive that honor, which was given to her by King himself and Bonnie Raitt.

An Evening With Jules Shear
Presented by American Express
Wednesday, May 23 at 8 p.m. / Tickets: $20

Member Pre-sale: April 12 at 10:30 a.m.
General On sale: April 19 at noon

The GRAMMY Museum will welcome singer/songwriter Jules Shear to the Clive Davis Theater for an intimate performance and conversation, hosted by music journalist Roy Trakin. With 40-plus years in the music business, Shear first began with the Funky Kings, before moving on to Jules and the Polar Bears and then an impressive solo career, with hits like Cyndi Lauper’s “All Through the Night,” The Bangles’ “If She Knew What She Wants,” and his own “Steady,” a co-write with Lauper. Shear also had catalog mainstays such as Tommy Conwell and the Young Rumblers’ “If We Never Meet Again”, Til Tuesday’s “[I Believed You Were] Lucky” and Alison Moyer’s Top 20 UK hit, “Whispering Your Name.” Not to mention, Shear was also the host (and co-creator) of the influential MTV Unplugged. In November 2017, Shear released his 13th studio album. With just piano, vocals and the occasional harmonica interspersed, the 13 personal songs on One More Crooked Dance—its title a sly, Leonard Cohen play on man’s favorite sport—evoke the likes of Bob Dylan, Elton John, Randy Newman, Brian Wilson, Neil Young. Shear will admit One More Crooked Dance is not a young man’s album, but is from someone who has lasted over two decades with wife and creative partner Pal Shazar, and is now examining that relationship in terms of his own mortality.

Previously announced:

Reel to Reel: Elvis Presley: The SearcherFeaturing a post-screening Q&A with Priscilla Presley, Jerry Schilling, and Thom Zimny
Sunday, April 29 at 1 p.m. / Tickets: $20

Join the GRAMMY Museum for a special screening of HBO’s two-part music documentary, Elvis Presley: The Searcher. The film takes the audience on a comprehensive creative journey from Elvis’ childhood in Tupelo, Miss.—where he absorbed the inspirations of black and white gospel music—through the final 1976 Jungle Room recording sessions at his iconic Graceland home in Memphis. It includes stunning atmospherics shot inside and around Graceland and features new interviews with session players, producers, engineers, directors, and other artists who knew him or were profoundly influenced by him, including Priscilla Presley, Emmylou Harris, Robbie Robertson, Bruce Springsteen, Stax Records Producer David Porter, and, in interviews conducted before their passing, Scotty Moore, Red West, and Tom Petty. Following the screening, GRAMMY Museum Executive Director Scott Goldman will moderate a panel discussion with Priscilla Presley, film producer/director Thom Zimny, and Jerry Schilling, the former personal aid to Elvis. Note: Both parts of the documentary will be screened, for a total run time of three hours.

The Drop: Bea Miller
Presented by American Express
Wednesday, May 9 at 8 p.m. / Tickets: $15
General On Sale: April 12 at noon

The GRAMMY Museum is thrilled to welcome Jersey-born singer/songwriter Bea Miller to the Clive Davis Theater for an intimate conversation on her rising career and recently released sophomore album, aurora, moderated by Executive Director Scott Goldman. The conversation will be followed by a performance.
Miller signed to Hollywood Records in 2013 after she wowed the world as a finalist on “The X Factor.” Her first album, Not An Apology, debuted at No. 1 on the Billboard 200 and No. 1 on the iTunes pop chart in 2015. Hit singles and accolades from Rolling StoneThe New York Times, and others soon followed. Miller showcased her edgy, anthemic pop sound with hits such as “Young Blood” and the empowering, gold selling “Fire N Gold.” Tours with Fifth Harmony, Demi Lovato, and an opening spot along with DNCE on Selena Gomez’s 2016 Revival tour showed audiences a live presence that matched the urgency and indomitability of Miller’s voice. In 2017 she went into the studio with Julia Michaels, Justin Tranter, Sir Nolan, Jesse Shatkin, Pop & Oak, and Ilsey to create her dream project: an anthology of EP releases featuring themes tied to a different primary color: chapter one: blue evoked sadness; chapter two: red represented redemption; and chapter three: yellowfeaturing “S.L.U.T.” (sweet little unforgettable thing), explored the journey of self-discovery. Each release represented a chapter of her life over the course of that year and together were the precursor to the final chapter, five final songs that make up aurora, her full-length sophomore album that was released Feb. 23, 2018, and hit No. 3 on the iTunes Pop Album chart. Bea is passionate about creating music that resonates with her fans.  “If you want to stay relevant in other people’s lives, you should always be bringing them along on your journey,” she says.

The Drop: Roger Joseph Manning Jr.
Presented by American Express
Thursday, May 17 at 8 p.m. / Tickets: $15

General On sale: April 12 at noon

Ahead of the release of his new solo EP, Glamping, out May 18 via PledgeMusic, the GRAMMY Museum welcomes acclaimed musician Roger Joseph Manning Jr. to the Clive Davis Theater for an intimate conversation and performance, hosted by Executive Director Scott Goldman. Manning has enjoyed a long and fruitful career as a songwriter, touring keyboardist, session player, arranger, producer, and remixerHis debut in the music business began as co-founder/co-writer for such seminal bands as Jellyfish, Imperial Drag, Moog Cookbook, and TV Eyes. In 1997, he began his almost 20-year and still-active relationship as Beck’s sideman, which has included touring the world and recording upward of five critically acclaimed albums. The 2014 album, Morning Phase, on which Manning both played keyboards and sang, won GRAMMY Awards in both the Best Rock Album and Album Of The Year categories. Over the past decade, in addition to releasing three solo albums of post-Jellyfish sing-a-long original pop material, Manning has been involved with many large-scale orchestral arranging projects, including Nate Ruess' band fun., as well as Ruess’ duet with P!nk for the 2012 smash, “Learn to Love Again,” produced by GRAMMY-winning producer Jeff Bhasker. Later that year, Manning was invited by producer Justin Meldal-Johnsen to arrange on Paramore’s double-Platinum-selling 2012 self-titled release. Most recently, he contributed orchestral arrangements to Morrissey’s latest offering, Low In High SchoolAs a remixer, under the alias Malibu, Manning has reworked the songs of The Doobie Brothers, Henry Mancini, Beck, Air, and Melissa Etheridge. In the past, Manning has contributed either keyboards and/or vocals to albums by Adele, Eric Clapton, HAIM, The Killers, Johnny Cash, Roger Waters, Diana Ross, Marilyn Manson, Lana Del Rey, Glen Campbell, Fitz & The Tantrums, Neil Diamond, Interpol, Blink-182, and Cheap Trick. 10 years after his last solo album, Manning says he’s been “excited about jumping back into doing more original music” and is thrilled to be working with PledgeMusic on his new release, Glamping, and the possibilities this Internet forum provides for artists like himself.

Reel To Reel: We Are X
Featuring a post-screening conversation with Yoshiki
Presented by American Express
Wednesday, April 18 at 7:30p / SOLD OUT

X Japan is the most successful rock group in Japanese history. Led by composer, drummer, and pianist Yoshiki, the band has sold more than 30 million albums, singles, and videos combined, sold out Japan’s 55,000-seat Tokyo Dome 18 times, and played to millions of fans around the world. The documentary film We Are X chronicles the band’s exhilarating, tumultuous and unimaginable history over the past three decades––persevering through personal, physical and spiritual heartache––the film culminates with preparations for their breathtaking reunion concert at New York’s legendary Madison Square Garden. We Are X premiered at the Sundance Film Festival in January 2016 and won the award for Best Editing. The film then won an award at the South by Southwest Film Festival, followed by a worldwide release in over 20 countries and 27 international film festivals. The GRAMMY Museum will present a special screening of this film, followed by an intimate conversation with Yoshiki moderated by Lyndsey Parker, Music Editor at Yahoo Entertainment.

An Evening With Dierks Bentley
Presented by American Express
Thursday, April 19 at 8p / SOLD OUT

Multi-Platinum entertainer Dierks Bentley is “notorious for his spectacular, high-energy live performances loaded with lots of fan interaction” (Creative Loafing) with 17 No. 1 hits, more than 1 billion digital streams, countless GRAMMY nominations, and he’s been a Grand Ole Opry member for over a decade. Bentley "continues to challenge himself" (Billboard), which is evident through his upcoming ninth studio album, The Mountain, due out later this year. Its lead single “Woman, Amen” gives a taste of the record's "themes of questing and self-actualization across a wide-open terrain of arid deserts and rugged ridgelines, cactus flowers and tumbleweeds" (NPR). After his 2017 World Tour claimed the top spot on Billboard's Hot Tours, selling over 750,000 tickets, Bentley will fuel arenas and amphitheaters throughout the summer with his 2018 Mountain High Tour, launching May 18 in Columbia, MD. Ahead of the release of his new album and kickoff of his tour, the GRAMMY Museum will welcome Dierks Bentley to the Clive Davis Theater for an intimate conversation and special performance, hosted by GRAMMY Museum Executive Director Scott Goldman.

Memphis Rent Party: The Blues, Rock & Soul In Music’s Hometown
Featuring a Q&A with author Robert Gordon
Thursday, April 26 at 8p / FREE

In conjunction with the recent release of his new book, Memphis Rent Party: The Blues, Rock & Soul in Music’s Hometown, the GRAMMY Museum welcomes celebrated writer and documentary filmmaker Robert Gordon to the Clive Davis Theater for an intimate conversation on the major role Memphis has played in American music history. The conversation will be moderated by GRAMMY Museum Executive Director Scott Goldman. In Memphis Rent Party, Gordon taps into the lesser-known characters of Memphis who have inspired and influenced popular music, from the 1970s to the present. With interwoven stories and profiles, the book begins where the greatest hits end. Gordon charts his own musical coming-of-age as he befriends blues legend Furry Lewis, Rolling Stones accompanist Jim Dickinson, and the high priest of indie rock, Alex Chilton. He mulls the tragedy of Jeff Buckley’s fatal swim, chronicles the power struggle to profit off singer/songwriter Robert Johnson’s legacy after his mysterious early death, and sips homemade whiskey at revolutionary blues guitarist Junior Kimbrough’s churning house parties. Gordon’s march through the city’s famed recording studios and juke joints captures the spirit of Memphis and illuminates its musical legacy that lives on today.

The Drop: Beth Nielsen Chapman
Presented by American Express
Monday, April 30 at 8p / $20

In conjunction with the release of her 13th solo album, Hearts Of Glass, singer/songwriter Beth Nielsen Chapman will visit the GRAMMY Museum’s Clive Davis Theater for an intimate conversation and performance, hosted by Executive Director Scott Goldman. Produced by Sam Ashworth, Hearts of Glass is a collection of songs about vulnerability and strength, and includes several new compositions and a few striking versions of rediscovered songs. Chapman also includes on the record a pair of early songs recorded by Waylon Jennings (“Old Church Hymns & Nursery Rhymes”) and Willie Nelson (“If My World Didn’t Have You”). Rodney Crowell provides vocals on “If My World Didn’t Have You,” and Ruby Amanfu sings on five of the album’s 11 tracks. Although Chapman has been making records since 1980 with many top producers, Hearts of Glass marks the first time in a long time she has not been at least a co-producer. As a songwriter, Chapman has placed hit songs with country artists such as Alabama, Martina McBride, Lorrie Morgan, Willie Nelson, Tanya Tucker, and Trisha Yearwood. She earned her first GRAMMY nomination in 1998 for Best Country Song for “This Kiss,” which was recorded by Faith Hill. She earned her second GRAMMY nomination in 2013 for her children’s album The Mighty Sky. In 2016, she teamed with friends Olivia Newton-John and Amy Sky for an album titled LIV ON, focusing on music that would bring comfort to those experiencing grief and loss. Chapman’s songs have been cut by an eclectic list of artists such as Neil Diamond, Amy Grant, The Indigo Girls, Waylon Jennings, Elton John, Kenny Loggins, Patti LuPone, Michael McDonald, Bette Midler, Keb’ Mo’, Olivia Newton-John, and Bonnie Raitt, to name a few. She was inducted into the Nashville Songwriters Hall of Fame in 2016.

The Drop: Rita Coolidge
Presented by American Express
Wednesday, May 2 at 8p / $20

Ahead of the release of her new album, Safe in the Arms of Time, two-time GRAMMY winner Rita Coolidge will visit the Clive Davis Theater for an intimate conversation and performance, hosted by Executive Director Scott Goldman. Over the span of five decades, Coolidge has sold millions of records, captivating audiences with her signature hits “We’re All Alone,” “The Way You Do the Things You Do,” “All Time High,” and “(Your Love Has Lifted Me) Higher and Higher.” And in a remarkable eight-year romantic and artistic marriage for the ages, she and former husband Kris Kristofferson earned multiple GRAMMY Awards. Now, with Safe in the Arms of Time, Coolidge reaffirms her indomitable spirit and unquenchable creative thirst. Her 18th solo record, the luminous new album features the songwriting talents of Graham Nash, Chris Stapleton, Stan Lynch, Keb’ Mo’, and Coolidge herself. Produced by GRAMMY winner Ross Hogarth, Safe in the Arms of Time is also colored by Coolidge’s pivotal role in the Los Angeles singer/songwriter scene of the ‘70s, where she honed her chops as a top backup singer featured on the refrains of Stephen Stills’ “Love the One You’re With” and Eric Clapton’s “After Midnight,” after going out on the groundbreaking Mad Dogs and Englishman tour with Joe Cocker and Leon Russell, and before embarking on a platinum-selling solo career. “The idea was making an album that had the same appeal of my early records—to make a roots record about my own roots,” Coolidge says. “This is the best record I’ve ever done. I’m extremely proud of it.”

An Evening With Eric Andersen
Presented by American Express
Thrusday, May 3 at 8p / $20

On March 30 songwriting icon Eric Andersen will mark his 75th birthday with the release of The Essential Eric Andersen, which was recorded between 1964–2006 and features guest artists Joan Baez, David Bromberg, Rick Danko, Joni Mitchell, Lou Reed, Leon Russell, and Richard Thompson. In conjunction with the release of his new project, the GRAMMY Museum welcomes Andersen to the Clive Davis Theater for an intimate conversation and performance spotlighting his illustrious five-decade-long career, hosted by Executive Director Scott Goldman. Having first come to prominence in Greenwich Village in the early 1960s, Andersen immediately became part of the Village folk and songwriter scene along with Bob Dylan, Phil Ochs, Tom Paxton, and Dave Van Ronk, and was at the epicenter of the American Greenwich Village singer/songwriter explosion. Aside from his own classics, he’s co-written songs with Danko, Reed, Bob Weir (The Grateful Dead), and Townes Van Zandt, and his songs have been covered by artists including Bob Dylan, who covered his song "Thirsty Boots" on the former's album Another Self Portrait; The Blues Project; Mary Chapin Carpenter; Judy Collins; John Denver; Fairport Convention; the Grateful Dead; Rick Nelson; Peter, Paul & Mary; Linda Ronstadt; Linda Thompson; and Gillian Welch. Over the past 50 years, Andersen has toured the world and released over 30 albums of original music, including Blue Rain (Appleseed Recordings), his first live concert recording in Oslo with the band Spoonful of Blues, released in 2007


Wednesday, March 07, 2018

Classic and contemporary artists celebrate intersection of blues and other styles

Blues music never goes out of style, and several wonderful new releases celebrate the genre's lasting influence and intersection with soul, funk and rock 'n' roll. Elsewhere, singer-songwriter Ali McManus inspires on her debut with personal songcraft. Additionally, Moby returns with his best full-length studio album since the early '00s. 


Artist: Jimi Hendrix
Title: Both Sides Of The Sky (Sony Legacy)
You might like if you enjoy: Jimi Hendrix, Gary Clark Jr.
Tell me more: The new Both Sides Of The Sky sheds additional light on the myriad of talents of singer-songwriter-guitarist Jimi Hendrix, whose legacy continues to grow more than 47 years after his untimely death at the age of 27. Comprised of tracks recorded after the release of 1968's Electric Ladyland, things kick off with an exhilarating reworking of the Muddy Waters blues number "Mannish Boy" recorded during the first-ever studio session with the Band Of Gypsies (bassist Billy Cox and drummer Buddy Miles). Both Sides Of The Sky is the third volume in a trilogy of albums (that began in 2010 with Valleys of Neptune" and continued with 2013's People, Hell and Angels) featuring the best and most important previously-unissued studio recordings remaining in the Hendrix archives. To be sure, the new set is sure to please both casual and hardcore fans of Hendrix. "Lover Man" features Hendrix delivering some tasty and rapid-fire guitar playing; listen closely and it isn't just the speed of the guitar playing but how much Hendrix's soul is on display as well. His original blues-tinged psychedelic rocker "Hear My Train A-Comin'," the beautiful instrumental "Sweet Angel," jazzy "Jungle" and genre-bending "Power Of Soul" all boast a similar firepower and emotive touch that impresses mightily. One of the most interesting cuts on the disc is a version of Joni Mitchell's then-new song "Woodstock," featuring Stephen Stills on lead vocals and Hendrix on bass guitar; just as lively is "Things I Used To Do" featuring Johnny Winter on slide guitar. "Both Sides Of The Sky" is an essential release that will ultimately prove to be one of the most significant titles of 2018. Both Sides Of The Sky will be released on audio CD, digital and as a numbered 180-gram audiophile vinyl 2LP on Friday, March 9. Information: www.JimiHendrix.com.



Artist: Janiva Magness
Title: "Love is an Army" (Blue Elan Records)
You might like if you enjoy: Janiva Magness, Beth Hart, Grace Potter
Tell me more: Bringing her powerful soprano into a Southern soul-steeped soundscape, singer-songwriter Janiva Magness' 14th album Love is an Army is a star-studded effort. Joined on select tracks by several well-known guests, the overall Memphis-drenched Americana-soul is further enhanced by New Orleans blues and Nashville-mining country elements. The bluesy "Hammer" features Mississippi harmonica great Charlie Musselwhite; the uptempo "On And On" is buoyed by Rusty Young's pedal steel work. The gospel-styled title track, wistful "Down Below" and piano-anchored ballad "What I Could Do" (the latter a duet with Delbert McClinton) are among the timely thought-provoking songs that address themes of love, hope and justice free of cliche. Even with all the notables who appear on the album, there is little doubt that it is Magness' own formidable talents as singer and songwriter that bind and elevate this terrific album. Information: JanivaMagness.com.



Artist: Delta Deep
Title: East Coast Live (Frontiers Music Srl)
You might like if you enjoy: Black Country Communion, Beth Hart & Joe Bonamassa
Tell me more: Def Leppard fans have long recognized Phil Collen as one of his generation's most talented electric guitar players, but the artist's heavy-hitting blues project Delta Deep allows for an even greater appreciation of his skills. On the newly-released East Coast Live, Delta Deep (whose line-up includes Collen, Stone Temple Pilot's Robert DeLeo on bass guitar, frontwoman Debbi Blackwell-Cook and drummer Forrest Robinson) unleash a decidedly strong approach in a mix that is rooted in the blues but will appeal to fans of classic rock too. Opening with a fiery take on Led Zeppelin's 1971 classic "Black Dog," other highlights include "Miss Me," Motown-tinged "Treat Her Like Candy," the rock 'n' soul foray "Private Number" and a heavy reworking of the 1940s blues cut "Black Coffee." The highlight on the album is the blues ballad "Whiskey," with Blackwell-Cook's emotive vocals drawing comparisons with the legendary Betty LaVette. Information: www.DeltaDeep.net.



Artist: Moby
Title: Everything Was Beautiful And Nothing Hurt (Mute)
You might like if you enjoy: Moby, Air, Enigma
Tell me more: For fans of Moby's groundbreaking 1999 album Play and 2002's equally-enthralling 18, the artist's newly-released Everything Was Beautiful And Nothing Hurt is a welcome return to a focus on emotion-charged material blending electronica, trip-hop and soul. The songs here explode with hypnotic layers of musical textures and inviting vocals; the lyrical themes are meaningful, spanning introspective explorations of the modern world to spirituality and seemingly everything in between. "Like a Motherless Child" features Moby's spoken word confessional in the verses, artfully balanced by a gospel vocalist's elegiac singing in the choruses. "This Wild Darkness" is equally gorgeous and melancholic, with a gospel chorus adding a spiritual element. Everywhere Moby's approach invites the listener to delve beyond the intoxicating moodscape to listen and connect on a more weighty level. "The Middle Is Gone" begins with Moby's declaration of doubt and unfulfilled dreams; the song builds slowly with a symphonic touch before everything closes on a single low note. The sparse "Falling Rain and Light" recalls some of GoGo Penguin's recent work, albeit with swirling airy voices that embellish the lush arrangement. Everything Was Beautiful And Nothing Hurt is an impressive and meaningful return. The album is available via a gatefold-housed double LP edition, and 6-panel CD digipack edition. Moby will donate 100 percent of the profits from his new album to animal rights organizations. Information: www.moby.com.



Artist: Ali McManus
Title: Unbreakable (Desert Dreams Books & Music)
You might like if you enjoy: Jewel, Carol Martini, Brooke Ramel
Tell me more: Ali McManus' debut album Unbreakable is truly a triumph. The talented 21-year-old singer-songwriter/multi-instrumentalist is also an inspirational speaker and for good reason. Confined to a wheelchair since the age of 7 (because of a rare bone disorder) and giving powerful voice to her original songs despite having only 30 percent of normal lung capacity, the Detroit native's songs are straightforward and affecting. The title track on her Unbreakable EP is infectious, but the sense of melancholy gives the lyrics added depth: "I am what I am / And I love where I stand / Yeah, I can't stand for long / But I'm goin' strong / I'm Unbreakable." Produced by the legendary Jack Douglas (who served as engineer on John Lennon's "Imagine" and many of Aerosmith's best-known albums in the 1970s), "Unbreakable" also features the uptempo "Wings," contemplative "Heart Shattered," winning "Breaking Free" and lovely "Home." Information: www.alimcmanus.com.


Robert Kinsler