Showing posts with label Mary Gauthier. Show all posts
Showing posts with label Mary Gauthier. Show all posts

Wednesday, December 09, 2020

Sights and Sounds: Joe Walsh's Fourth Annual VetsAid 2020 Lineup; Creedence Clearwater Revival 180-Gram Vinyl reissues; Béla Fleck documentary

 More than a little news here to share!! Robert Kinsler


Joe Walsh presents updated final lineup and details for this Saturday's Festival Livestream –
His Fourth Annual VetsAid 2020 - Home For The Holidays:
 
NEARLY 50 PERFORMANCES AND APPEARANCES
FROM ARTISTS ACROSS THE USA INCLUDING:
 
NEVER BEFORE BROADCAST FROM THE VETSAID ARCHIVES:
SHERYL CROW, THE DOOBIE BROTHERS, HAIM, DON HENLEY,
JASON ISBELL AND THE 400 UNIT, BRAD PAISLEY, RINGO STARR,
JAMES TAYLOR, KEITH URBAN, JOE WALSH AND ZZ TOP
 
AND NEW PERFORMANCES AND/OR APPEARANCES FROM:
RYAN BINGHAM, JON BON JOVI, THE 5 BROWNS, JIMMY BUFFETT, 
DREW CAREY, KENNY CHESNEY, ALICE COOPER,
KENNY “BABYFACE” EDMONDS, MELISSA ETHERIDGE,
BRANDON FLOWERS, MARY GAUTHIER, VINCE GILL,
PATTY GRIFFIN, DARYL HALL, BEN HARPER,
JAMES HETFIELD, JEWEL, AMJAD ALI KHAN, AMAAN AND AYAAN, THE LUMINEERS, RICHARD MARX, TIM MCGRAW,
WILLIE NELSON AND THE BOYS, PHILLIP PHILLIPS,
NATHANIEL RATELIFF, JOSH RITTER, BLAKE SHELTON,
JAKE SHIMABUKURO, AMANDA SHIRES, GWEN STEFANI,
BILLY BOB THORNTON/THE BOXMASTERS, STEVEN VAN ZANDT,
EDDIE VEDDER, RUFUS WAINWRIGHT, 
JOE WALSH AND VERDINE WHITE 
  
VETSAID 2020: HOME FOR THE HOLIDAYS
TO BE STREAMED ONLINE DECEMBER 12, 2020
AND AVAILABLE FOR RESTREAM THROUGH DECEMBER 14, 2020
 
Tickets on-sale now at vetsaid.veeps.com






Wednesday, December 9, 2020 (Los Angeles, CA.) – Joe Walsh reveals the final artist lineup and details for this Saturday’s VetsAid 2020: Home for the Holidays today, boasting nearly 50 performances and appearances, the multi-hour music festival will raise sorely needed funds to veterans services groups across the country. Join Joe and his friends December 12 for a worldwide broadcast of unique performances, never-before-seen VetsAid footage from years past and great stories from some of the greatest musicians in the world. VetsAid is the Rock and Roll Hall of Fame Inductee and multi-GRAMMY Award winning musician's national 501(c)3 non-profit veterans organization.
 
“Wow – what a show we have this year! Such a diverse and wonderful line up!” Walsh explains, “When you have something like this you humbly ask your friends and colleagues and hope a couple will sign on – kind of like going fishing – but this year everyone I asked said yes! And now it’s turned into a virtual music festival like no other. We know the plight of our vets is hard enough in the best of times, and they are especially vulnerable during this pandemic.
 
“I am proud of this nationwide tradition we’ve created and I’m so glad we can have this show during the holidays featuring all these artists that I love. I’ve got a great feeling about it and know fans will too. I hope it shows the Vets how many people care and want to help - I can’t think of a better way to remember and honor the men and women who have served our country this holiday season than by helping us raise funds to support their essential and basic needs.”   
  
This ticketed event will be streamed on December 12 starting at 6pm ET via vetsaid.veeps.com and will also be available for restream through December 14.
 
Tickets and merch bundles are available now at vetsaid.veeps.com and will be priced from $20 with discounts available for active duty military and veterans using the promo code VALOR.
 
Joe Walsh launched VetsAid on September 20, 2017 with an inaugural concert at the EagleBank Arena in Fairfax, VA. The second festival event was in Tacoma, WA and the third in Houston, TX.  VetsAid typically seeks to host the events in cities across the country with large veteran populations. The shows have included performances by musicians including James Taylor, Chris Stapleton, Don Henley, ZZ Top, Sheryl Crow, The Doobie Brothers, Zac Brown Band, Jason Isbell, Keith Urban, Haim, Gary Clark Jr. and Joe’s brother-in-law Ringo.
 
VetsAid has raised nearly 1.5 million dollars and supports veterans and their families.

All net proceeds from the 2020 festival will go directly to the veterans’ services charities selected through a vetting process coordinated in tandem with the Combined Arms Institute.
 
For more information, please visit www.vetsaid.org.


CREEDENCE CLEARWATER REVIVAL’S PENDULUM AND MARDI GRAS
SET FOR HALF-SPEED MASTERED 180-GRAM VINYL REISSUES

Band’s sixth and seventh studio albums include classic hits
“Have You Ever Seen the Rain,” “Hey Tonight,” and “Sweet Hitch-Hiker”


Click here to pre-order


Los Angeles, CA (December 9, 2020)—Craft Recordings continues their salute to the enduring musical legacy of Creedence Clearwater Revival with the release of half-speed mastered editions of the band’s two final albums: Pendulum, which was released exactly 50 years ago today (December 9, 1970), and their closing studio album, 1972’s Mardi Gras. Pressed on 180-gram vinyl and set for release February 12thboth records were mastered by the award-winning engineer Miles Showell at Abbey Road StudiosAvailable for pre-order beginning today, these audiophile-quality LPs come housed in beautifully crafted jackets (tip-on gatefold for Pendulum and embossed for Mardi Gras), replicating the albums’ original packaging.

Pendulum, which marked CCR’s second release of 1970—following Cosmo’s Factory—was a unique title in the band’s catalog for several reasons. First, the album was the group’s sole LP to feature all original material. Typically, CCR sprinkled covers of blues songs, traditional material, and rock ‘n’ roll standards into each of their albums, putting their own spin on classic favorites. Pendulum also found the guitar-heavy group expanding their sonic palate—experimenting with new sounds (including the use of saxophones, vocal choirs, and keyboards) and even venturing into psychedelia.

The quartet’s musical explorations paid off. Not only was Pendulum a critical success, but it also spawned two global Top Ten hits: the reflective “Have You Ever Seen the Rain” and the upbeat “Hey Tonight. The singles, released as a double A-side in 1971, peaked at No.8 on the Billboard Hot 100. Other highlights included the stomper “Molina, the bluesy “Pagan’s Groove” and the twangy “Sailor’s Lament.” Recently, “Have You Ever Seen the Rain” gained renewed popularity with the 2018 launch of a new official music video featuring Sasha Frolova, Jack Quaid, and Erin Moriarty (the latter two also featuring in Amazon’s smash hit series, The Boys), introducing the song to a new generation. To date, the video—available on the official CCR YouTube channel—has received over 61 million plays.

Creedence Clearwater Revival’s seventh and final studio album, 1972’s Mardi Gras, followed the departure of founding member and rhythm guitarist Tom Fogerty. The album, however, found the remaining trio of musicians taking a more collaborative approach to songwriting. Prior to Mardi Gras, frontman John Fogerty was the band’s creative leader—writing, arranging, and producing the majority of every album. For Mardi Gras, bassist Stu Cook and drummer Doug Clifford not only penned many of the tracks (including Cook’s hard-driving “Door to Door,” and Clifford’s rollicking “Tearin’ Up the Country”) but also sang on them. Other highlights off the album include a cover of the rockabilly classic “Hello Mary Lou,” as well as the Fogerty-penned rocker “Sweet Hitch-Hiker”—a Top Ten hit in the US, Australia, Canada, and across Europe. The poignant “Someday Never Comes,” meanwhile, marked the group’s final single.

While the band members went their separate ways after Mardi Gras, Creedence Clearwater Revival’s legacy only continued to grow. Today, CCR remains one of the best-selling groups of all time, thanks to their trove of generation-defining hits and their singular, roots-rock sound.

Roughly half a century later, CCR fans can enjoy a new vibrancy when they revisit Pendulum and Mardi Gras, thanks to the exacting process of half-speed mastering. Using high-res transfers from the original analog tapes, the process involves playing back the audio at half its recorded speed while the cutting lathe is also turned to half the desired playback speed. The technique allows more time to cut a micro-precise groove, resulting in more accuracy with frequency extremes and dynamic contrasts. The result on the turntables is an exceptional level of sonic clarity and punch.

Both of these special pressings were previously released only as part of Creedence’s collectible, seven-LP The Studio Albums Collection box set, and follow standalone reissues of the band’s first five albums—available here.

Earlier this year, the three surviving members of CCR spoke with Uncut and reflected on their time in the band. “We didn’t get to where we got just falling off a log,” said John Fogerty, as he spoke of the band’s tireless work ethic. “It’s a wonderful thing to have a goal and then to attain it, more or less.” Stu Cook compared the band’s rise to “a rocket ride, we went up so fast. We burned until we burned out, in three-and-a-half years from start to finish.” But, while brief, those years together brought the group unparalleled creative achievement and global success. “We had a magic band,” recalled Doug Clifford. “We got high playing the music.” Fogerty added that he was “humbly pleased” knowing that, 50 years later, CCR’s music “is still relevant, that people still care about it. That’s just so satisfying.”

Pre-order Pendulum or Mardi Gras half-speed masters, with special bundles offered via the Craft Recordings store. A limited gold vinyl edition of Pendulum is also available exclusively via Vinyl, Me Please.


Tracklist - Pendulum:

Side A:
1. Pagan Baby
2. Sailor’s Lament
3. Chameleon
4. Have You Ever Seen the Rain
5. (Wish I Could) Hideaway

Side B:
6. Born to Move
7. Hey Tonight
8. It’s Just a Thought
9. Molina
10. Rude Awakening #2

Tracklist - Mardi Gras:

Side A:
1. Lookin’ for a Reason
2. Take It Like a Friend
3. Need Someone to Hold
4. Tearin’ Up the Country
5. Someday Never Comes

Side B:
1. What Are You Going to Do
2. Sail Away
4. Hello Mary Lou
5. Door to Door
6. Sweet Hitch-Hiker


FREE LIVESTREAM OF DOCUMENTARY FILM
THROW DOWN YOUR HEART
WITH Q&A FROM BÉLA AND DIRECTOR SASCHA PALADINO
 
TUNE IN FRIDAY, DECEMBER 11 @ 7:00PM ET
 
CELEBRATING GRAMMY® NOMINATION FOR BEST HISTORICAL ALBUM




Los Angeles, CA (December 9, 2020)─Bringing good cheer for the holidays, Béla Fleck and his brother, director Sascha Paladino, will be hosting a live screening of their acclaimed documentary film Throw Down Your Heart this Friday (12/11) at 7:00 pm ET via Facebook Live and YouTube. The free event, in association with NPR Live Sessions, the Americana Music Association, and co-presenter Folk Alliance International, will include an introduction from Béla followed by an interactive Q&A with Béla joined by Sascha.

Released earlier this year, Throw Down Your Heart: The Complete Africa Sessions is the comprehensive film and music collection from Béla Fleck’s remarkable journey across Africa to explore the roots of the banjo. The expanded collection includes the three-time GRAMMY®-winning albums Tales from the Acoustic Planet, Vol. 3—Africa Sessions and Africa Sessions Part 2: Unreleased Tracks, as well as a previously unreleased duo album with kora master Toumani Diabaté, titled The Ripple Effect. The package also offers the complete film Throw Down Your Heart, with commentary from Fleck and Paladino, along with 14 bonus performances.

The 3-CD/1-DVD boxed set, also available digitally, has been nominated for the 2021 Best Historical Album GRAMMY® Award.

Watch the trailer for the Throw Down Your Heart film here, or stream/order Throw Down Your Heart: The Complete Africa Sessions album here.


“It’s about damn time somebody drew the line back!” 
 Pete Seeger

“This is a story of how Béla Fleck, America’s most celebrated banjoist, went on a quest in search of his musical soul mate’s African roots—and wound up discovering himself… Throw Down Your Heart is not just a stunning documentary and soundtrack, but an important work of artistic memory and conscience.” 
 Los Angeles Times

“Traditional African music turns out to suit him beautifully… At every turn Mr. Fleck works respectfully, learning and adapting, trusting sameness over difference.”
– The New York Times

“…a dazzling film. Throw Down Your Heart is proof positive that music is life.”
– Michael McKean

“With Throw Down Your Heart, Béla Fleck has contributed significantly to the history of the banjo, as well as inventing a style of music never before played on this great instrument.”
– Steve Martin

Throw Down Your Heart speaks to your heart all along the way, making the case, subtly but clearly, that we are connected… A beautiful, poignant and well-crafted film.”
– Zakir Hussain

“...inspiring, touching, and filled with moments that celebrate life. The connection between music and the essence of human existence has been beautifully captured…”
– Christopher Guest

“Today in the world everything seems to be about quantity, but I think the quality is the most important thing. This film is quality. I learned things that I did not know about Africa and African music. It will help social and cultural development... people without culture are people without soul!”
– Toumani Diabaté

“It’s the living of a dream. The genuine warmth, affinity, respect and love between Béla and the amazing African musicians he met is beautifully captured. Very inspiring and uplifting.”
– Chick Corea

“I thought it was so strange and moving and beautiful.”
– Neil Gaiman

“Love the movie! Beautiful and inspiring. In some of those improvs I asked myself, ‘How did he ever figure out where ‘one’ was?’... Great playing, and a stunning documentary.”
– Joe Satriani

Throw Down Your Heart is a passionate exploration of music and the connections it seems to instantly and effortlessly form between cultures. Hooray for Béla Fleck for packing up his banjo and taking it to Africa.”
– Ann Patchett

“It completely blew me away. I don’t think I have ever seen such a complete musician at work, what a joy it was to behold.”
– Billy Connolly


About Béla Fleck:
15-time GRAMMY® award winner Béla Fleck has reinvented the image and the sound of the banjo through a remarkable career in bluegrass, jazz, classical, pop and beyond, and has been nominated in more categories than any other artist in GRAMMY history.  

About Folk Alliance International:
Folk Alliance International (FAI) was founded in 1989 to connect folk music leaders aiming to sustain the community and genre. Today FAI is the leading international voice for folk music with a network of more than 3,000 members. Folk Alliance International’s mission is to serve, strengthen, and engage the global folk music community through preservation, presentation, and promotion. FAI defines folk broadly as “the music of the people” (reflective of any community they are from), and programs a diverse array of subgenres including, but not limited to Appalachian, Americana, Blues, Bluegrass, Celtic, Cajun, Global Roots, Hip-Hop, Old-Time, Singer-Songwriter, Spoken Word, Traditional, Zydeco, and various fusions.

About Rounder Records:
Rounder Records is one of the world's most historic Americana and bluegrass record labels. Rounder’s rich catalog includes critically-acclaimed offerings by iconic artists like Gregg Allman, Alison Krauss, and Steve Martin as well as rising stars Samantha Fish, Sierra Hull, I’m With Her, Sarah Jarosz, Ruston Kelly, the SteelDrivers, Billy Strings, and The War And Treaty. Rounder has consistently demonstrated a commitment to nurture and develop careers over the long haul—a number of artists who got their start at Rounder are still recording with the label today, including Jerry Douglas, Béla Fleck, and George Thorogood. A leader in the preservation of precious historic recordings, Rounder has brought the music of the Carter Family, Woody Guthrie, Lead Belly, and Jelly Roll Morton back to vibrant life and released epic anthologies from the Library of Congress and the Alan Lomax Collection that have been universally acclaimed.

About Craft Recordings:
Craft Recordings is home to one of the largest and most prestigious collections of master recordings and compositions in the world. Its rich and storied repertoire includes legendary artists such as Joan Baez, Ray Charles, John Coltrane, Creedence Clearwater Revival, Miles Davis, Bill Evans, Vince Guaraldi, John Lee Hooker, Little Richard, Nine Inch Nails, Thelonious Monk, Otis Redding, R.E.M. and Traveling Wilburys, to name just a few. Renowned imprints with catalogs issued under the Craft banner include Concord, Fania, Fantasy, Fearless, Milestone, Musart, Nitro, Prestige, Riverside, Rounder, Specialty, Stax, Sugar Hill, Vanguard, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation—ensuring that these recordings endure for new generations to discover. Craft Recordings is the catalog label team for Concord Recorded Music. For more info, visitCraftRecordings.com and follow on Facebook, Twitter, Instagram,YouTube, and Spotify


Tuesday, September 29, 2020

Recent Releases Roundup: Ricky Byrd, Heidi Newfield, Cidny Bullens, Brian Bromberg

A diverse field of musical styles are explored via new audio releases featured in my latest column...





Artist: 
Ricky Byrd
Titles: Sobering Times (Kayos Records)
You might like if you enjoy: Ronnie Wood, Jim Carroll Band, the Smithereens, Willie Nile
Tell me more: Rock and Roll Hall of Fame guitarist Ricky Byrd isn't facing his demons alone. On his newly-released Sobering Times, the New York-based artist is triumphantly celebrating his recovery with the world at large via a slew of stellar rock originals marked by his straightforward confessional lyrics and infectious rock song craft. The melodic "Quittin' Time (Again)," edgy "Together," breezy "Hear My Song" (featuring Byrd's wonderful mandolin work), acoustic proclamation "Pour Me," and roots rockers "Tired" and "Recover Me" (the latter a terrific duet with Willie Nile) are among the the terrific cuts on the album. Byrd released Clean Getaway in 2017 as a musical statement about recovering from addiction, but it's clear from the strength of "Sobering Times" there was plenty of territory yet to explore this time around. Released on Sept. 25, 2020 (the 33rd anniversary of the day the former Joan Jett & the Blackhearts lead guitarist started on his sober journey), Sobering Times is a wide-ranging release that not only celebrates Byrd's stellar guitar talents and songwriting, but his expressive baritone vocals and ability to mine new pay dirt in the classic sounds of '70s and '80s rock. A stellar cast of players joins Byrd on the recording including Bob Stander (bass guitar, percussion), keyboardist-accordion player Jeff Kazee (of Southside Johnny and the Asbury Jukes fame), drummer Steve Holley (Wings, Ian Hunter, Joe Cocker), drummer Liberty Devitto (Billy Joel) and vocalist Christine "The Beehive Queen" Ohlman (Saturday Night Live band). Information: RickyByrd.com.



Artist: 
Heidi Newfield
Titles: The Barfly Sessions (Not Famous Enough LLC)
You might like if you enjoy: Ruthie Foster, Janiva Magness, Larkin Poe, Sass Jordan
Tell me more: Nashville, Tennessee-based songstress Heidi Newfield's explosive talents as singer, harmonica master and songwriter are exhibited across the freewheeling The Barfly Sessions. The 14-track disc finds the artist co-writing and collaborating with a number of ace songwriters and top-tier guests (Jim Lauderdale, Delbert McClinton, Chris Stapleton, Matt King and more). Produced by Newfield along with Jim "Moose" Brown, The Barfly Sessions is a mostly rousing high-octane affair as evidenced by the fiery opener "I Won't Wait Around," countrified "Wrong Side of the Bottle," aptly-titled "Bring This House Down" and rousing cover of "The Blues is My Business (with Newfield and McClinton sharing lead vocals as well as blues harp duties). Newfield also showcases her potent soprano on the soulful ballad "Three Things," tenderhearted country-flavored "Wait For It" and "Temporary Fix (For a Permanent Scar)," and the wistful "When Heaven Falls." Information: HeidiNewfield.com.




Artist: 
Cidny Bullens
Titles: Walkin' Through This World (Blue Lobster Records)
You might like if you enjoy: Rodney Crowell, Steve Earle, Cindy Bullens
Tell me more: The bold Walkin' Through This World marks singer-songwriter Cidny Bullens' first release as a transgender man; the album (produced by the artist and Ray Kennedy) explores and documents the real-life story of the Nashville-based artist's five-year gender transition. That story is bolstered by the bona fide artistic power and authority of the songs on the disc.   The LP opens with the tuneful "Little Pieces," Americana-mining "Purgatory Road," spoken word-centered anthem "Walkin' Through This World" and affecting "The Gender Line"  which collectively showcase the stellar variety of sounds that bring the LP's theme to life. Other highlights for this listener were the infectious roots rocker "Crack The Sky," uptempo "Call Me By My Name" and spirited rock and roller "Lucky For Me." "Walkin' Through This World" features collaborations with a number of well-known artists including guest vocalists Beth Neilson Chapman, Rodney Crowell, Mary Gauthier, Bill Lloyd and Jess Leary.  A two-time Grammy nominee as Cindy Bullens, the artist has worked with a who's who of greats including Bob Dylan, Sir Elton John and Rod Stewart. What's more, Bullens sang lead vocals on several tracks of the soundtrack of 1978's "Grease" (including "It's Raining on Prom Night" and "Freddy, My Love"). Information: CidnyBullens.com.


Artist: 
Brian Bromberg
Titles: Bromberg Plays Hendrix - 2020 Remix and Remaster (Artistry Music)
You might like if you enjoy: Brian Bromberg, Vinnie Colaiuta, Stan Getz, Jimi Hendrix
Tell me more: Celebrated jazz bassist Brian Bromberg has issued a remixed and remastered version of his 2008 album Bromberg Plays Hendrix. Re-released in recognition of the 50th anniversary of Hendrix's passing in September 1970, listeners will be blown away that no electric guitars are used on the album; rather, Bromberg uses both acoustic and electric basses (including overdriven electric piccolo bass, a 24-fret instrument with each string tuned an octave up) while drummer Vinnie Colaiuta is also key as they revisit some of the most beloved Jimi Hendrix classics with dazzling arrangements sure to please fans of both jazz and Hendrix. To describe this album as impressive is truly an understatement. My favorite tracks on the album include the opener "Fire," flat-out thrilling "All Along the Watchtower," jazzy "Hey Joe" and high-powered "Purple Haze." The outstanding new mix isn't all; a previously-unreleased funk-tinged rock original track titled "Jimi" recorded during the original sessions is featured here as well. Listen to Bromberg Plays Hendrix with headphones folks and be prepared to be blown away. I sure was! Information: BrianBromberg.net.



Robert Kinsler

Friday, January 04, 2019

Thursday, June 14, 2018

Sights and Sounds: Shemekia Copeland, Passenger, The Rails, Eliza Gilkyson

Here is a round-up as it relates to some exciting new releases coming this summer...



Shemekia Copeland to release 'America's Child' on Friday, August 3, 2018

Produced by Will Kimbrough with guests including John Prine, Mary Gauthier, Rhiannon Giddens, Emmylou Harris, J.D. Wilkes, Steve Cropper and others.


Shemekia Copeland is a powerhouse, a superstar…she can do no wrong.
--Rolling Stone
Shemekia Copeland is one of the great blues voices of our time.  No one comes close to the sheer firepower that Copeland conjures at will.
--Chicago Tribune

America's Child is a groundbreaking, genre-bending work of beauty. Shemekia is one of the great singers of our time. This record introduces listeners to another side of her, and I predict it will result in many new fans. Her voice on these songs is nothing short of magic.
--Mary Gauthier 

Shemekia Copeland is the real deal. America's Child goes deep and Shemekia‘s voice -- a national treasure -- carries the songs effortlessly, whether topical, personal, spiritual, political or just plain raucous fun. Shemekia rears back her head and what comes out is humanity made vocal.
--Will Kimbrough

Award-winning vocalist Shemekia Copeland will release her potent new Alligator Records album, America's Child, on Friday, August 3, 2018. Produced by Americana Instrumentalist Of The Year winner Will Kimbrough (who also plays guitar on the album) and recorded in Nashville, America's Child is a courageous and fiery statement of purpose, a major step forward for the singer whose musical consciousness continues to expand as her star continues to rise.

America's Child is by far Copeland's most compelling work yet, with music swelling beyond blues and into spirited Americana, with elements of rock, soul, and country. Her instantly recognizable voice—capable of being sultry, assertive and roaring—delivers every song with unparalleled honesty and passion. The three-time Grammy nominee’s wide-open vision of contemporary Americana roots and soul music showcases the evolution of a passionate artist with an up-to-the-minute musical and lyrical approach. From America's Child's anthemic opening track, "Ain’t Got Time For Hate," to the closing lullaby, the traditional Go "To Sleepy Little Baby," Shemekia sings with passion and insight about the chaos and uncertainty in the world while still finding joy all around her.

With guests including John Prine, Rhiannon Giddens, Mary Gauthier, Emmylou Harris, Steve Cropper, J.D. Wilkes, Al Perkins and members of the Time JumpersAmerica’s Child bursts with Copeland’s bravado and embraces with her tenderness. Gauthier and songwriter/executive producer John Hahn wrote two striking songs for the project. Smoked Ham And Peaches is a search for truth and tranquility in America, featuring Giddens on African banjo. Americans celebrates our collective diversity in all its forms and colors. American music legend Prine joins Shemekia for a stirring duet on his own Great Rain. Guitar great Cropper adds his scorching playing to the ballad Promised Myself, written by Shemekia's father, the late bluesman Johnny Clyde Copeland. And her version of I'm Not Like Everybody Else transforms the Kinks song into a blues-fueled declaration of independence.

Upon the birth of her son Johnny Lee Copeland in 2017, Shemekia, with fresh eyes, began to take an even deeper look at the state of the world. Of the new album, she says, “After having a child, I started thinking about the world I brought him into, how it actually is and how I wished it was and all the things he will have to go through. And to live in this world today, you have to have a strong foundation like I did to make it through. So that’s what 'America’s child' means to me. I’m truly grateful to all the artists that joined me on this record – it wasn’t about the genre for anyone, it was about the music and mutual love and respect.”

When Shemekia broke on the scene at age 18 in 1998 with her groundbreaking Alligator Records debut CD, Turn The Heat Up, she instantly became a blues and R&B force to be reckoned with. News outlets from The New York Times to CNN praised Copeland's talent, larger-than-life personality, and true star power. With each subsequent release, Copeland's music has continued to grow. From her debut through 2005's The Soul Truth, Shemekia earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. 2000’s Wicked received a Grammy nomination. Two highly successful releases on Telarc (including 2012's Grammy-nominated 33 1/3) cemented her reputation as a singer who, according to NPR's All Things Considered, "embodies the blues with her powerful vocal chops and fearless look at social issues."

Copeland returned to Alligator Records in 2015 with the Grammy-nominated Outskirts Of Love. She won the 2017 Living Blues Readers’ Award for Blues Artist Of The Year (Female), the same distinction she won the year before. She also took home the 2016 Blues Music Award (BMA) for Contemporary Blues Female Artist Of  The Year. Outskirts Of Love won the BMA for Best Blues Album Of The Year. MOJO said Copeland was "spectacular, stirring, sanctified and sassy." 

Shemekia Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She's sung with Eric Clapton, Bonnie Raitt, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed with B.B. King, Mick Jagger, Buddy Guy, Trombone Shorty, Gary Clark, Jr. and others at the White House for President and Mrs. Obama.

Now, with America's Child, Shemekia Copeland is standing on the cusp of her greatest success. Her intensely empowering, American music is as insightful as it is fun. Upon release of the album, she'll tour nationwide, including a showcase performance at the Americana Music Festival in Nashville in September.

NPR Music says, "She brings a perfect balance of authority and understatement to each song." No Depressionadds, "When Shemekia Copeland opens her mouth, everybody pays attention. She pierces your soul. This is how you do it, and nobody does it better than Shemekia Copeland."



Passenger takes listeners on a road trip of the U.S. with new album 'Runaway,' out on August 31, 2018

North American Summer Folk Festivals Include Newport Folk Festival, Festival D’Été International and Winnipeg Folk Festival


Following the release of the new single “Hell Or High Water,” UK singer/songwriter Passenger (Mike Rosenberg) has announced his new album Runaway is set for release on August 31, 2018Runaway, available for pre-order HERE, was recorded between the UK and Australia, but its aesthetic is North American, thanks in large part to his American father who organized trips back to the States every other summer while Mike was growing up in Brighton, UK.  While some songs point to specific locations such as Yellowstone or Detroit, Mike imagined all the new songs unfolding against a backdrop of American landscapes, which led to a month long road trip across the U.S. to create a series of live acoustic versions of each album track, and videos to match.

The gorgeous video for “Hell Or High Water” was shot over a few days across various national and state parks, including Monument Valley, Valley of Fire, Death Valley and Joshua Tree.  Says Rosenberg,“These epic and vast landscapes really help to portray a feeling of being lost in a hopeless quest for answers.”

Sonically, too, Runaway draws on Americana more so than past Passenger albums. There is some lap steel, some mandolin, a little banjo, all courtesy of guitarist Benjamin Edgar. Rosenberg is also joined on the album by bassist Rob Calder, drummer Peter Marin and keyboard player Jon Hansen

Passenger will be appearing at a slew of summer festivals across the globe, with North American stops atNewport Folk FestivalFestival D’Ete InternationalWinnipeg Folk FestivalCalgary Folk Festival,BluesFestVancouver Island Folk Festival, and LL Bean Summer Series. Details on a North American headline tour are expected in the coming weeks.

Runaway follows 2016’s Young As The Morning Old As The Sea, which debuted at #1 in the U.K.,AustraliaNew Zealand and Switzerland, and saw Passenger play his largest headline tour to date, with a total audience of over 1.4 Million across 29 countries97 gigs and 23 busking shows, including 13,500 people at Amsterdam’s ZiggoDome.

Passenger gained worldwide recognition with breakout, multi-Platinum single “Let Her Go” (2012), which went #1 in 19 countries and today has 780+ Million worldwide streams and just under 2 Billion YouTube views.

Stay tuned for many more announcements from Passenger in the coming weeks…

Runaway Track Listing:
1. Hell Or High Water
2. Why Can’t I Change
3. Heart To Love
4. Let’s Go
5. He Leaves You Cold
6. Ghost Town
7. Runaway
8. Eagle Bear Buffalo
9. To Be Free
10. Survivors
11. Survivors (Live from Jedediah Smith Redwood State Park, CA)
12. To Be Free (Live from Dauphin Rd, Vineland, NJ)
13.  Eagle Bear Buffalo (Live from Canaan Mountain Wilderness Area, UT)
14.  Runaway (Live from Joshua Tree National Park, CA)
15. Ghost Town (Live from Michigan Theatre, Detroit, MI)
16. He Leaves You Cold (Live from Unityville, PA)
17. Let's Go (Live from Trough Rd, State Bridge, CO)
18. Heart To Love (Live from a Rooftop in Manhattan, NY)
19. Why Can't I Change (Live from Tahkenitch Landing Campground, Gardiner, OR)
20. Hell Or High Water (Live from Santa Monica Beach, CA)

Passenger North American Summer Festivals:
Thur, July 5    Ottawa, ON @ BluesFest
Fri, July 6       Quebec, QC @ Festival D'Été International
Sun July 8       Winnipeg, MB @ Winnipeg Folk Festival
Sat, July 14     Vancouver, BC @ Vancouver Island Folk Festival
Thur, July 26  Calgary, AB @ Calgary Folk Music Festival
Sat, July 28     Freeport, ME @ LL Bean Summer Series
Sun, July 29    Newport, RI @ Newport Folk Festival

Click HERE for a full list of Passenger tour dates.




Folk-rock royalty The Rails are touring North America this summer 

Dates with the Pretenders, new album out with Thirty Tigers on June 29
The Rails are a duo brought together by serendipity. Kari Thompson and James Walbourne first met during sessions for an album by Kami’s mother Linda Thompson, and there was never any doubt that the way forward was to stay open to the vagaries of chance and embrace new possibilities. Four years later, the duo have created an album that emphatically vindicates the pair’s restless curiosity. The Rails’ second album is one which lays itself open to the stormy weather of life, be it when addressing the desultory self-justifications of an abusive husband in the broodingly poignant "Dark Times," or the everyday ups and downs of James and Kami’s own relationship in "Drowned In Blue".

Comprised of ten original compositions, plus four bonus tracks, Other Peopleout June 29 with Thirty Tigers, is a record rooted in change: both musical and circumstantial. For James, after a ubiquitous presence on lead guitar for artists such as The PretendersEdwyn Collins and Ray Davies, it was time to inject a bit of voltage into the group he formed with Kami after they became an item in 2011. Key to that process was finding the right producer. At the very top of James’ wish-list was Tennessee-based producer Ray Kennedy, who had impressed him with the “off-the-scale psychedelic country treatment” he meted out on Steve Earle’s benchmark 2000 album Transcendental Blues: “To my amazement, Ray said he’d be up for it. We travelled to his studio, knowing that we had seven days to nail it.” The pressure of the deadline audibly brought out the best in the players assembled to tease out Kami and James’ vision for the songs – a vision which they described to Kennedy as “folk-rock on steroids.” The synergy summoned by the players is abundant throughout Other People, be it "Late Surrender," which seems to locate a perfect equidistant point between Roy Orbison and Lucinda Williams, or the yearning desolation of Kami’s vocal on "Mansion Of Happiness."

The Rails upcoming Tour Dates


Mon 2 July        Nashville TN - Ryman Auditorium *
Tue 3 July         Louisville KY - Palace Theatre *
Thu 5 July         Covington KY - Octave +
Fri 6 July           Cincinatti OH - Taft Theatre *
Sat 7 July          Northfield OH - Hard Rock Live *
Sun 8 July         Indianapolis IN - Murat Theatre *
Tue 10 July        Milwaukee WI - Riverside Theater *
Wed 11 July       Grand Rapids MI - 20 Monroe Live *
Mon 16 July       Minneapolis MN - The State Theater *
Wed 18 July       St Louis MO - Peabody Opera House *
Thu 19 July        Des Moines IA - Stephens Auditorium *
Mon 23 July       Los Angeles CA - Moroccan Lounge +
Wed 25  July      New York NY - Mercury Lounge +

+ Rails headline show
* main support to The Pretenders

Eliza Gilkyson set to release 'Secularia' 

The two-time Grammy nominee returns with a new studio album
on July 13 via Red House Records 


AUSTIN, TX: Renowned GRAMMY-nominated folksinger Eliza Gilkyson will release her 20th album, SECULARIA, on July 13 via Red House Records. She's premiering the first single, "Solitary Singer," at Folk Alley. The song features lyrics by Eliza's grandmother, Phoebe Gilkyson, set to music by her father, folk legend Terry Gilkyson. The song became the title of a weekly folk-music themed radio show he hosted in the early 1950s for the Armed Forces Radio Network. "The song bears witness to the profound harmony of the natural world, the antithesis of music tied to an industry, and the foundation upon which I was raised," Gilkyson says. 

Gilkyson's music, in the classic folk music tradition, has always offered a vivid reflection of the times we live in with each song a window into a world of struggle and beauty in a culture she feels is "caught somewhere between collapse and reinvention." The follow-up to her GRAMMY-nominated 2014 release, The Nocturne DiariesSECULARIA is a collection of spiritually charged songs that do not fit within the parameters of traditional religious beliefs, challenging us to embrace a more inclusive perspective, to respect all life and to be accountable for our actions in these divisive times.  

The album features a stunning performance with the internationally acclaimed Tosca String Quartet, (David Byrne, Bob Schneider), vocal cameos by Shawn Colvin and gospel singer Sam Butler, and a duet with her friend, the late Jimmy LaFave, as well as two songs adapted from poetry written by her grandmother, Phoebe Hunter Gilkyson, co-written with Eliza's father, folksinger Terry Gilkyson. Recorded with what she calls a "spare urban folk approach," the album features songs of grief, gratitude and wonder.  As always, she's assembled a group of some of Austin's finest players to back her in the studio: Chris Maresh (Eric Johnson), Warren Hood, Kym Warner (The Green Cards), Andre Moran, Mike Hardwick (Jon Dee Graham, Charlie Sexton), Betty Soo and more.

The concept that evolved into SECULARIA has been percolating for years. Gilkyson is a daughter of the feminist movement and the project is equally inspired by the writings of the movement's early pioneers and today's #metoo movement.  Feminist pioneer Mary Daly wrote in 1973, "If God is male, then male is God. The divine patriarch castrates women as long as he is allowed to live on in the human imagination." Like many women living in 21st century America, Gilkyson is questioning the patriarchy that has for so many centuries fundamentally shaped society.  

"How much of my life has been built around the gender roles assumed in the God-as-Man theology?" Gilkyson writes. "How did that primal patriarchal assumption play out in my search for self-awareness, love, and acceptance in my personal life and ultimately in my music?  How has it played out in the degradation of the natural world, the ever-present wars, violence against women, human suffering, the potential end of everything? These songs were directly inspired by a new way of understanding myself as a woman in the context of a culture going through a massive overhaul." 

The second track, "Lifelines," celebrates the coming together of like-minded people after the last US presidential election. "I became acutely aware of a network of individuals all over the world who were mourning, processing and ultimately gearing up to fight back with all their hearts and souls, like lifelines of light connecting to me and to each other, comforting then and even more so today," Gilkyson says. 

Other songs explore the overarching theme of a "new spirituality" that is evolving outside of traditional religious structures, including her moving current take on the traditional gospel tune "Down By the Riverside" sung with her longtime friend, the late Austin artist Jimmy LaFave, that was recorded just a few months before his passing, as well as a duet with Shawn Colvin on the song, "Conservation,"with lyrics and music adapted by Eliza from another of her grandmother's poems.

"The fall from grace and redemption of the soul in these songs are less about a deity or afterlife, or a heaven and hell than they are about the very human story of losing and finding oneself within the span of a lifetime, which is all I know for certain that I've got. Woody Guthrie said, 'My religion is so big no matter what you do you're in it and no matter what you do you can't get out of it...' Gilkyson says. "He also said, 'Earth is God's everything.' He conveyed all that depth in just 29 little words." 

Eliza Gilkyson is a two-time GRAMMY-nominated (2006/2015) singer-songwriter and activist who is one of the most respected musicians in folk, roots and Americana circles. Her songs have been covered by Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash and have appeared in films, PBS specials and on prime-time TV.  A member of the Austin Music Hall of Fame and Austin Songwriter Hall of Fame, she has won countless Folk Alliance and Austin Music awards, including 2014's Songwriter of the Year. 

She'll be touring festivals and North American this summer and fall -- more dates to be announced soon.  Go to http://elizagilkyson.com for updates.


 Track Listing:
1. Solitary Singer
2. Lifelines
3. Conservation
4. In the Name of the Lord
5. Dreamtime
6. Seculare
7. Reunion
8. Sanctuary
9. Through the Looking Glass
10. Emmanuelle
11. Down by the Riverside
12. Instrument


7/11/18 Salt Spring Island, BC - Pitchfork Social (at Bullock Lake Farm) - Three Women and the Truth (Eliza, Mary Gauthier and Gretchen Peters)
7/13/18 & 7/14/18 Vancouver, BC - Vancouver Folk Music Festival - Three Women and the Truth (Eliza, Mary Gauthier and Gretchen Peters)

8/09/18 Lunenburg, NS - Lunenburg Folk Harbour Festival

9/20/18 Houston, TX - McGonigel's Mucky Duck

9/23/18 Austin, TX - One World Theatre
More tour dates to be announced soon.