Showing posts with label Alligator Records. Show all posts
Showing posts with label Alligator Records. Show all posts

Tuesday, July 08, 2025

Alligator Records artists receive 19 Blues Blast Music Award Nominations

Congratulations to the myriad of blues greats nominated for Blues Blast Music Awards...Robert Kinsler


Alligator Artists Receive 19 Blues Blast Music Award Nominations

Chris Cain Leads With Three Nominations, Including Male Blues Artist Of The Year And Electric Guitarist Of The Year 

Tommy Castro And The Painkillers and Southern Avenue Receive Nominations For Coveted Band Of The Year Award

Cain, Castro and Ronnie Baker Brooks All Nominated For Contemporary Blues Album Of The Year

Carolyn Wonderland, Shemekia Copeland And Southern Avenue's Tierinii Jackson All Nominated For Female Blues Artist Of The Year


D.K. Harrell (Male Blues Artist Of The Year), Rick Estrin (Harmonica Player Of The Year), Christoffer "Kid" Andersen and Derrick D'Mar Martin (both of Rick Estrin & The Nightcats) and members of The Nick Moss Band Featuring Dennis Gruenling and The Cash Box Kings All Recognized 

Tommy Castro performing at the
Doheny Blues Festival in Dana Point, CA.
Photo credit: Daryl Weisser


Blues Blast 
magazine has announced the nominees for its 18th annual Blues Blast Music Awards. This year, Alligator Records artists received a total of 19 nominations.

Guitarist Chris Cain leads his label mates with three nominations, including Male Blues Artist Of The Year and Electric Guitarist Of The Year. Cain (Good Intentions Gone Bad) , Tommy Castro (Closer To The Bone) and Ronnie Baker Brooks (Blues In My DNA) were all recognized for their 2025 albums with nominations in the Contemporary Blues Album Of The Year category. Castro also received a nomination for Male Blues Artist Of The Year.

Tommy Castro And The Painkillers and Southern Avenue were both nominated for the coveted Band Of The Year Award, while Southern Avenune's lead singer Tierinii Jackson was nominated for Female Blues Artist Of The Year.  Likewise, Carolyn Wonderland and Shemekia Copeland received nominations for Female Blues Artist Of The Year. D.K. Harrell was nominated for Male Blues Artist Of The Year.

Receiving individual nominations were Rick Estrin (for Harmonica Player Of The Year), Christoffer "Kid" Andersen and Derrick "D'Mar" Martin (both of Rick Estirn & The Nightcats), The Nick Moss Band's Dennis Gruenling (Harmonica) and Rodrigo Mantovani (bass), and The Cash Box Kings' Oscar Wilson (Vocals) and Kenny "Beedy Eyes" Smith (Percussion).

Fan voting begins July 14, 2025 at http://www.BluesBlastMagazine.com and ends at midnight on August 31, 2025 . Voting is free and open to all.

The Blues Blast Music Awards are presented by Blues Blast Magazine, the free weekly E-magazine.


Alligator artists and their nominations follow:

Male Blues Artist Of The Year:
Chris Cain

Electric Guitarist Of The Year:
Chris Cain

Contemporary Blues Album Of The Year:
Good Intentions Gone Bad



 
Band Of The Year:
Tommy Castro And The Painkillers

Contemporary Blues Album Of The Year:
Closer To The Bone

Band Of The Year:
Southern Avenue

Female Blues Artist Of The Year:
Tierinii Jackson

 

Contemporary Blues Album Of The Year:
Blues In My DNA


 

Male Blues Artist Of The Year:
D.K. Harrell


 

Female Blues Artist Of The Year:
Carolyn Wonderland


 

Female Blues Artist Of The Year:
Shemekia Copeland

 

Harmonica Player Of The Year:
Rick Estrin

Electric Guitarist Of The Year:
Christoffer "Kid" Andersen

Producer Of The Year:
Christoffer "Kid" Andersen

Percussionist Of The Year:
Derrick D'Mar Martin




 

Harmonica Player Of The Year:
Dennis Gruenling


Bass Guitarist Of The Year:
Rodrigo Mantovani

Vocalist Of The Year:
Oscar Wilson

Percussionist Of The Year:
Kenny "Beedy Eyes" Smith


 
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Friday, May 09, 2025

Alligator Records artists receive nine awards at 46th Annual Blues Music Awards

Tommy Castro performing at the
Doheny Blues Festival.
Photo credit: Daryl Weisser




Check out the official media release that just arrived in my inbox. Congrats to the strong field of blues greats who earned top honors at the 46th Annual Blues Music Awards last night. I've had a chance to catch most of the award winners in concert over the years and each is definitely deserving of these honors. Learn more about Alligator Records and visit the record label's official website HERE...Robert Kinsler



Christone "Kingfish" Ingram performing at The Coach
House in San Juan Capistrano, CA on Sept. 10, 2021.
Photo credit: Bob Steshetz


ALLIGATOR RECORDS ARTISTS RECEIVE NINE
BLUES MUSIC AWARDS


Ronnie Baker Brooks Wins Three Awards, Including
Song Of The Year For Blues In My DNA

Shemekia Copeland, Rick Estrin & The Nightcats, Tommy Castro, Christone "Kingfish" Ingram, Billy Branch And Kenny "Beedy Eyes" Smith (Of The Cash Box Kings) Each Receive One Award

On Thursday, May 8, 2025, the Blues Foundation announced the winners for the 46th Annual Blues Music Awards. Seven Alligator Records artists were honored with nine Blues Music Awards.

Leading all artists with three wins is Ronnie Baker Brooks. Brooks won Song Of The Year for Blues In My DNA, the title track from his Alligator Records debut. He also won the awards for Contemporary Blues Album Of The Year (for Blues In My DNA) and for Contemporary Artist Of The Year (Male).

Multiple GRAMMY-nominee Shemekia Copeland won the top Album Of The Year Award for her 2024 release, Blame It On Eve. Copeland now holds 16 Blues Music Awards

Rick Estrin & The Nightcats took home the coveted award for Band Of The Year. This is the third time the band has received this high honor.
 
GRAMMY Award-winner Christone "Kingfish" Ingram won Instrumentalist--Guitar, his 10th Blues Music Award.

Tommy Castro won Blues Rock Artist. Billy Branch won Instrumentalist--Harmonica, and drummer Kenny "Beedy Eyes" Smith (of The Cash Box Kings) was awarded Instrumentalist--Drums.

The 46th Annual Blues Music Awards were held in Memphis, Tennessee on Thursday, May 8 at The Renasant Convention Center.

Click here for a full list of award winners. Alligator artists and their Blues Music Awards follow:
Contemporary Blues Male Artist
Contemporary Blues Album (Blues In My DNA)
Song Of The Year -- Blues In My DNA, performed and written by Ronnie Baker Brooks
Album Of The Year (Blame It On Eve)

 
Band Of The Year
 
Blues Rock Artist
 
Instrumentalist -- Guitar
 
Instrumentalist -- Harmonica
 
Instrumentalist -- Drums: Kenny "Beedy Eyes" Smith
 
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Monday, March 11, 2024

Rick Estrin & The Nightcats set to return with 'The Hits Keep Coming' on May 10, 2024

 Alligator Records has just announced the release of Rick Estrin & The Nightcats forthcoming new album "The Hits Keep Coming" on May 10 and check out the wonderful new advance track "The Circus Is Still In Town." (On a related note, read my review of the troupe's wonderful 2017 disc "Groovin' In Greaseland" HERE)...Robert Kinsler


Rick Estrin & The Nightcats / photo credit: Steve Jennings


RICK ESTRIN & THE NIGHTCATS TO RELEASE NEW ALBUM, THE HITS KEEP COMING, ON MAY 10, 2024

First Album In Almost Five Years From "The Best Band Anywhere" (DownBeat)

Lyric Video For New Song, The Circus Is Still In Town, Premieres Today

This band is the best in the land…superior songwriting infused with wit, humor, and streetwise insights, traditional and adventurous grooves, impeccable musicianship, creative arrangements, harmonica tutorials and savvy production…funky and original…always fresh and vital.”
–Blues Music Magazine 
 
Rick Estrin & The Nightcats are a formidable force. They sound better than ever [playing] stellar rockabilly, jazz, blues and rock, often in the same song, creating a unique, time-tested sound rooted in the past, bolstered by harpist/vocalist Estrin’s time-warping original compositions.”
–No Depression 
 
“Estrin defines his own brand of hip. Original blues and vintage rock-style tunes also harbor his superb harmonica work. Estrin emotes with just the right mix of kitsch and sincerity. The current litter of ‘Cats, including guitarist Kid Andersen, reigns as the best band anywhere.
–DownBeat
 
Rick Estrin & The Nightcats are America’s greatest musical showmen…foot-stomping, wise-cracking contemporary songs, a combination of rockabilly, jazz, blues, rock, and big band swing. Estrin is a world class musician…the most colorful and entertaining showman around.”
–Forbes 
On Friday, May 10, 2024, Alligator Records will release The Hits Keep Coming, the long-awaited new album from award-winning, modern blues legends Rick Estrin & The NightcatsThe Hits Keep Coming, the band's sixth release, packs a powerful punch, with phenomenal musicianship and streetwise lyrics—both serious and humorous. Vocalist, harmonica master and songwriter Estrin, along with multi-instrumentalist/musical mastermind/producer Christoffer “Kid” Andersen, keyboardist/organ wizard/bassman Lorenzo Farrell and endlessly creative drummer Derrick “D’Mar” Martin, have created what Estrin calls, "the best music we've ever made together. This band is killer. I’m enjoying this all more than ever,” says the man who’s been performing and recording professionally since the early 1970s. “It’s a blessing—there’s so much energy, so much collaboration. The band is just so good right now. And the live show is off the charts.”

The first song released from The Hits Keep Coming is an album highlight, The Circus Is Still In Town. The musically rambunctious, lyrically harrowing song premieres today on all major streaming services and also via a new video. According to Estrin, "This one's special to me. It's got a catchy hook, an infectious groove, and ironically, some grim subject matter."
RICK ESTRIN & THE NIGHTCATS -- The Circus Is Still In Town
From THE HITS KEEP COMING, Full Album Out on May 10, 2024
 
Video By Josh Lindner
Produced by Andersen at his legendary Greaseland USA studio in San Jose, California, the album captures the band’s chemistry and magic in what is certainly among their strongest and most urgent releases so far. The Hits Keep Coming is modern blues at its most potent, intense and fun in all the right places, as Rick Estrin & The Nightcats deliver twelve groove-heavy, hard-hitting songs, including ten written or co-written by Estrin and two surprising covers (one obscurity from Muddy Waters, one from Leonard Cohen that Estrin would have liked to have written). From the foot-stomping opener Somewhere Else, to the stark reality of the title track (with backing vocals by The Sons Of The Soul Revivers), The Hits Keep Coming is a lyrical and musical tour-de-force.  

In addition to Estrin’s celebrated songwriting and peerless blues harmonica playing, he and the band are among the most entertaining and colorful showmen around. Estrin’s signature streetwise vocals and hipster-cool look, Andersen’s eye-popping, off-the-cuff guitar pyrotechnics, Farrell’s mighty organ, piano and bass work and D’Mar’s dynamic, acrobatic drumming make every one of their live performances a must-see event.

Over the years, Estrin has won a total of seven Blues Music Awards, including awards for Song Of The Year, Traditional Male Blues Artist, Instrumentalist—Harmonica, and twice, the prestigious Band Of The Year (for Rick Estrin & The Nightcats). The band has performed at festivals and concert stages from San Francisco to Chicago to New York, and everywhere in between. They've toured extensively in almost every country in Europe, as well as in Australia, Turkey, Russia and South America.

“People don’t go out to see people who look like themselves,” says Estrin. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see us perform. We know how to put on a show. I feel sorry for anyone who has to follow us.”

The Chicago Sun-Times declares, “These are serious musicians having a hotter than hot good time. It’s tough to stay in your seat when Estrin and his musical cohorts get cooking.” As No Depression says, “This is a band that always delivers the goods.” 

Thursday, February 15, 2024

Mavis Staples 'Have a Little Faith' Deluxe Reissue Set For Record Store Day, April 20

 

MAVIS STAPLES' HAVE A LITTLE FAITH TO RECEIVE DELUXE 20TH ANNIVERSARY RECORD STORE DAY REISSUE

"Have A Little Faith was the beginning of my solo career. That’s why I’m here today...Every song on Have A Little Faith comes straight from my heart."
–Mavis Staples


Originally Released In 2004 On CD Only -- Have A Little Faith 
Ignited Mavis' Solo Career 
 
Now Available For The First Time As A Remastered 2-LP Set Pressed On Silver Vinyl In Deluxe Gatefold Jacket With Expanded Artwork

Featuring A Newly Written Remembrance By Mavis Staples

"One of the finest albums of Mavis' career...blues-tinged gospel about making the most of troubled times, a message Staples has been delivering her entire life."
–The Chicago Tribune

"A glorious album...filled with the kind of gutsy, emotional performances that have defined Mavis Staples' stellar career."
–Billboard

On April 20, 2024, Record Store Day, Alligator Records will release the deluxe 20th Anniversary 2-LP vinyl reissue of soul and gospel legend Mavis Staples' landmark 2004 release, Have A Little Faith. The album, when first released, sparked Mavis' solo career and launched her into the musical mainstream.

Have A Little Faith is an exhilarating collection of timeless, uplifting songs deeply seated in Mavis’ faith and spirituality. It has now been remastered and will come in a deluxe gatefold jacket with expanded artwork. The set also features a spirited remembrance of how the record came to be by Mavis herself. The two 12-inch records, pressed on silver vinyl, will spin at 45 rpm, and will deliver the best possible sound.


Mavis Staples enjoying herself (and thrilling
crowd) at Doheny Blues Festival in May 2011.
Photo credit: Robert Kinsler



Mavis possesses one of the most recognizable and treasured voices in contemporary music. From her early days sharing lead vocals with her groundbreaking family gospel group, The Staple Singers, to her storied solo recordings, Mavis Staples is an inspirational force in modern popular culture and music.

So it was surprising, upon the passing of Mavis' father -- family patriarch and Staple Singers leader Pops Staples -- in 2000, that Mavis' future was uncertain. She self-financed and recorded her own solo album, and after being turned down by major labels unable to see the commercial appeal of this legend’s fresh, genre-busting approach to spiritual music, it was embraced by Alligator Records. The label's unbridled enthusiasm in working the album to press, radio and the public helped Mavis fulfill her dream and ignite her solo career.


Upon release, Have A Little Faith brought Mavis' powerful music and message songs into the 21st century. From the positive and uplifting title track to the spiritual fervor of God Is Not Sleeping to the reinterpretations of Staple Singers classics Will The Circle Be Unbroken and A Dying Man's Plea (with Mavis singing lead on these two songs for the first time), the album re-introduced the world to Mavis Staples.

"I was a Staple Singer," Mavis remembers in the album's new liner notes. "I wasn’t no Mavis Staples, the solo artist. But, all of a sudden, I was so busy with interviews and television shows and radio stations and concerts. That was a shock to me, because I started asking myself, 'Now how long can this last?' Because they were playing that record everywhere, and the record sounded pretty good!"

Ever since the release of Have A Little Faith, Mavis has been embraced by new generations of fans through her collaborations with the likes of Jeff Tweedy, Run The Jewels, Neko Case, Ry Cooder, Justin Vernon and many others. On April 18 in Los Angeles, an all-star 85th Birthday Party concert celebration will take place at the YouTube Theatre, featuring some of today's biggest musical stars, including Chris Stapleton, Hozier, Jackson Browne, Norah Jones, Jeff Tweedy, Black Pumas, Grace Potter, Michael McDonald, Keb’ Mo’, Nathaniel Rateliff, Robert Randolph, Taj Mahal and others. This is a testament to the far-reaching, ongoing influence of Mavis Staples, and the lasting impact and beauty of Have A Little Faith.

Friday, February 09, 2024

Relix premieres Tinsley Ellis' "Death Letter Blues" video - New Album Out Today

Singer-songwriter/guitar great Tinsley Ellis' new album "Naked Truth" is out today. Here is the official media release...Robert Kinsler


TINSLEY ELLIS' NEW ALBUM, NAKED TRUTH,
IS OUT TODAY, FRIDAY, FEBRUARY 9


Relix Magazine Premieres New Video For "Death Letter Blues" Today,
Thursday, February 8

One of modern blues’ greatest performers....an exciting, emotional guitarist and a strong, evocative songwriter.
–Vintage Guitar

A legend of American blues music…An American music treasure…Ellis delivers a sermon on the power and glory of the blues.
–Premier Guitar

Powerful, spine-tingling guitar and gritty, soulful vocals.
 –Relix
Atlanta-based guitarist, vocalist and songwriter Tinsley Ellis' new album, Naked Truth, is out today on Alligator Records. On Naked Truth (his 21st album), Ellis swaps his blistering, guitar-fueled full band performances for equally passionate, soul-searching acoustic folk blues. His famed guitar chops and musical creativity are on full display throughout the album’s 12 songs, including nine newly written originals.

Yesterday, February 8, Relix magazine premiered the new video for the song Death Letter Blues. Originally recorded by blues icon Son House, Tinsley's take on the blues classic was produced by fellow Atlanta blues guitar slinger, Eddie 9V.

Of the song, Ellis says, "Son House’s Death Letter Blues is one of the greatest Delta blues songs of all time. It has been the centerpiece of my acoustic performances for a long time. Eddie 9V’s gritty, low-fi production gave it the perfect hard edge. On this song I’m playing my 1937 National O series steel resonator guitar with a brass slide."
TINSLEY ELLIS -- Death Letter Blues
From NAKED TRUTH, Full Album Out on February 9, 2024
Naked Truth is steeped in the folk blues traditions of Muddy Waters, Skip James, Son House, Robert Johnson and even Leo Kottke. To the casual fan, this might seem to be a new direction, but for Ellis, it’s an extension of his music, as he taps into the raw essence of the blues. “This is a record I’ve always wanted to make, and one that my longtime fans have been asking for,” he says, noting he’s included an acoustic mini-set in his concert performances for years. In the last 12 months, Ellis has already performed over 100 solo shows, many as co-bills with his Alligator label-mate Marcia Ball. “I’m having so much fun playing these shows,” he says.

According to Relix, "Naked Truth jockeys between impassioned in-the-moment spontaneity and a studied craftman's sense of nuance."


Ellis' massive, months-long solo-acoustic Naked Truth tour kicks off in Decatur, Georgia on Friday, February 9. "Two guitars and a car,” he says of the simplicity of his North American touring situation. “When folks come to see me, I’ll have the guitars I used on the record with me, so what fans hear on the album is what they’ll get live."
Naked Truth was produced by Ellis, with the foot-stomping cover of Son House’s Death Letter Blues produced by Atlanta roots musician Eddie 9V. The album was recorded live in the studio using Ellis’ beloved 1969 Martin D-35 (a gift from his father) and his 1937 National Steel O Series guitars. Whether intricately fingerpicking the Martin or playing hair-raising slide on the National Steel, Ellis delivers each song with unvarnished intimacy.

According to Ellis, “In this format  there’s a new depth to the emotion of my music. When it’s just you, your voice and your guitar, you have to deliver raw, honest emotion to your audience. You can’t just give them volume, energy and exciting playing. The audience has to feel what you’re putting into the song and has to believe you. When I play and sing in the solo acoustic format, there is truly nowhere to hide. I can’t hide behind a loud, distorted guitar. I can’t hide behind a drum beat or a bass line. It’s just me and my instrument, stripped bare of the other players and their various instruments. In a way, it’s a form of confession. It’s the artist’s most honest musical statement of his or her songs.”  

Naked Truth is a revelation. Stripped of the electric fervor that defined his previous works, Ellis' acoustic music carries a rawness that speaks directly from his soul. The songs unveil another side of Tinsley Ellis, but one that is totally recognizable to his fans. His gruff, full-throated vocals intertwine seamlessly with the bare, acoustic arrangements, creating an album that is both timeless and immediate. No Depression says, “Ellis shines. When the tempo slows, the intensity doesn’t waver.” Blues Music Magazine states, “Tinsley Ellis is a powerful and commanding presence. His music is impossible not to enjoy.” Rolling Stone declared, "His eloquence dazzles.”