New Music Essentials: Santana, Johnny Shines and Buck Owens

Trailblazing guitarist/band leader Carlos Santana is back with one of the most exciting albums of his long career while an unreleased live recording featuring bluesman Johnny Shines and an important collection highlighting Buck Owens & the Buckaroos are also worth discovering. 

Artist: Santana
Title: Africa Speaks (Concord Records)
You might like if you enjoy: Santana, Gary Clark Jr., Buika
Tell me more: Africa Speaks (released on June 7, 2019) marks yet another incredible artistic step forward for legendary guitarist Carlos Santana. Long recognized and celebrated for his groundbreaking blend of rock, Latin, blues and jazz fusion, the 71-years-young Rock and Roll Hall of Famer has now added the signature sounds of Africa to his band Santana's approach for a joyful and spirited sonic adventure. The powerful production of Rick Rubin is notable here; just listen to Santana's fiery and bristling fret work on "Batonga," "Yo Me Lo Merezco" and the affecting "Breaking Down the Door." Equally important is the role of Spanish singer Buika, whose dynamic vocals are a match for Santana's amped-up guitar play. The ambitious "Oye Este Mi Canto" begins gracefully and builds to an explosive peak before descending into tranquil bliss. "Blue Skies" blends jazz with African rhythms with bona fide style; the track finds Laura Mvula adding backing vocals to the ambitious track. "Paraisos Quemados is bolstered by Benny Rietveld's funky baseline. "Africa Speaks" finds lyrics for some songs being sung in English and others in Spanish but to be sure the power and spirit of this album quickly casts its spell and doesn't let go. Please note: if you plan to purchase the album on audio CD, plan to get it at a Target store where there is an exclusive version of the album that features two bonus tracks ("Mientras Tanto," "Dios Bendiga Tu Interior"). Santana will headline at the FivePoint Amphitheatre in Irvine on June 20, and at the Hollywood Bowl on June 24. Information: concordrecords.com.

Artist: Johnny Shines
Title: The Blues Came Falling Down – Live 1973 (Omnivore Recordings)
You might like if you enjoy: Robert Johnson, Keb' Mo'
Tell me more: Countless historic performances have been lost over time but thanks to Omnivore Recordings a previously-unheard 1973 concert recording featuring Memphis-born bluesman Johnny Shines is available for all to hear today. Born in 1915, singer-guitarist-songwriter Shines toured with Robert Johnson in the 1930s and played blues with the legendary likes of Robert Lockwood Jr., Little Walter, Willie Dixon and Mississippi Fred McDowell. Recorded live at Washington University in St. Louis, The Blues Came Falling Down – Live 1973 is a 20-track set that fully captures the spirit and freewheeling Southern acoustic blues that Shines had mastered decades before. Listening to Shines' version of Robert Johnson's "Kind Hearted Woman Blues," "I'm A Steady Rollin' Man" and "Sweet Home Chicago" – the latter enhanced by Leroy Jodie Pierson's acoustic guitar work – is to hear the magic of those blues classics come fully to life. Shines' own material is just as formidable, as evidenced by the vocals-anchored "Have You Ever Loved A Woman," and nuanced "The Blues Came Falling Down" and "Big Star Falling." The aforementioned Pierson's insightful liner notes provide a revealing look at the life and career of Shines (who passed away in 1992). Information: OmnivoreRecordings.com.

Artist: Buck Owens & the Buckaroos
Title: The Complete Capitol Singles, 1971-1975 (Omnivore Recordings)
You might like if you enjoy: Buck Owens, Dwight Yoakam, Susan Raye
Tell me more: Buck Owens & the Buckaroos' newly-released The Complete Capitol Singles, 1971-1975 is actually the third and final in a series of wonderful titles featuring the legendary country artist's Capitol singles from the 1950s, '60s and '70s. Taken from the original stereo masters, the 42-song collection also includes the B-side to all 21 singles from that span. The breadth of material on the new set extends from a heartfelt reworking of Simon & Garfunkel's "Bridge Over Troubled Water" and the bluegrass gem "Ruby (Are You Mad)" to the winning country waltz "Great Expectations" and a number of fun musical curios (including "Too Old to Cut the Mustard," "Full Time Daddy," "On the Cover Of The Music City News" and "Big Game Hunter"). There are a score of terrific duets with Susan Raye (including the novelty cut "Santa's Gonna Come in a Stagecoach," joyful "One of Everything You Got" and tender "Cryin' Time") that showcase the pair's top-tier vocals. The detailed liner notes penned by author/country music historian Scott B. Bomar provide welcome insight to this outstanding two-disc set. Information: OmnivoreRecordings.com.


Robert Kinsler

Arcade Fire to ZZ Ward: Coachella 2014 Weekend 2 roundup

Poetic Kinetics' "Escape Velocity" at Coachella Valley Music and Arts Festival.

Weekend 2 at Coachella Valley Music and Arts Festival (April 18-20, 2014) didn't kick off quietly on Friday morning, at least in the Gobi tent where Ramones tribute outfit Gabba Gabba Heys tore through 40 minutes of old school punk rock in front of a small, but enthusiastic group of early Coachellagoers.

Highlights included the quartet's faithful versions of "Blitzkrieg Bop," "I Wanna Be Sedated" and "Beat on the Brat." For those of us who never got to see the Ramones live, this was likely a very fitting tribute. 

Following up on the same stage came dynamic sonic duo Wye Oak, whose magical appearance included singer/multi-instrumentalist Jenn Wasner and drummer-keyboardist Andy Stack creating enough textures and dynamics to rival just about any indie folk rock outfit today. The pair featured several songs from their forthcoming album Shriek including that disc's title cut, a dreamy synth-pop gem highlighting Wasner's distinctive soprano.
Another musical highlights that played out on the first day of Weekend 2 featured ZZ Ward who

ZZ Ward in action on April 18 in the Mojave tent.

brought her infectious blend of R&B, pop, blues and rock in a Mojave tent performance that got the place moving like it was Saturday night. People cheered, moved and clapped to the mix of the Pennsylvania artist's high energy style that had her singing, playing blues harmonica or strumming her guitar, Ward's material was definitely what the crowd ordered. Early offerings ("Put the Gun Down," "Til the Casket Drops") and later favorites (especially the closer "Blue Eyes Blind") were delivered forcefully by Ward and her strong three-man band. 

Other day 1 standout performances came later that day via Neko Case's authentic and winning 50-minute set on the Outdoor stage (highlighted by a stunning version of "Night Still Comes") and even stronger subsequent turns from Broken Bells and The Replacements. Broken Bells' infectious "After the Disco" and set-ending "High Road" really hit home with a crowd that packed in front of the James Mercer- and Danger Mouse-led troupe.

Neko Case performed on the Outdoor stage.

Friday ended long after it started with a rousing performance by The Replacements, who were joined for most of the set by Green Day's Billie Joe Armstrong. Because Replacements frontman Paul Westerberg had been suffering from an ailing back, he was positioned on a large sofa for most of the show while Armstrong stood and added a flair to the proceedings ("Can't Hardly Wait" simply rocked).

Day 2 kicked off with British soul singer Laura Mvula, who made the most of her early afternoon set in the Gobi by performing not only choice songs from her wonderful debut Sing to the Moon but even a non-album track about freedom titled "Let Me Fall" that included an undeniable rhythm provided by a stand-up bass and elements of African music. Other highlights of her 40-minute set included "She" and the infectious dance-minded "Green Garden." I then ran over to the Mojave (you do a lot of that at Coachella in the sport of "musical discovery") to catch the last few minutes of New York-based Bear Hands' set. The quartet's mix of dance and alt rock was effective on the original "Agora," notably how bass was used to help propel the song along.

The next band I caught, White Lies proved to be one of my favorite performers of the weekend. Although I only got to see the English band's first five songs, it was immediately clear the group and their material outdistance their post-punk roots. The infectious "There Goes Our Love Again" was a clear favorite while "To Lose My Life" showcased the deeper emotional elements of the group's artistic reach.

Playing in the heat of the late afternoon on the main stage, City and Colour (the moniker for singer-songwriter Dallas Green) and his band brought authority and authenticity of his blend of Americana, folk and country-rock with a power that connected with the large crowd. "Hope for Now" was among the standouts of City and Colour's 40-minute foray, with the song's long and emotional build steeped in power that was palpable.

Like Capital Cities' amazing and high-energy 50-minute set a bit earlier that was nothing short of a dance party on the green, Foster the People found the power to move the masses came via unleashing a number of dance-minded songs that had festival-goers moving after dark. The group's "Pumped Up Kids" really excited the crowd, and the closer "Don't Stop (Color on the Walls)" allowed Foster the People to showcase the harder guitar side of their tuneful alt rock-dance approach.

Saturday night ended with me wishing I could be in two places at once; catching the first 40 minutes of Muse on the main stage ("Knights of Cydonia" kicked things off with the band's characteristic bombast), and finishing up my night in a sea of dancing people in the Mojave as the Pet Shop Boys thrilled the party faithful with "I Get Excited (You Get Excited Too)," "It's a Sin," "Always on my Mind" and other hits from the British duo in a showcase that included incredible lighting and artful sets as well as several costumed dancers.

Neil Tennant of the Pet Shop Boys.

The fest flew to the finish line on day 3 thanks to outstanding performances spanning the long day. First up was powerful New Orleans-based Trombone Shorty & Orleans Avenue, with the ensemble blending funk, rock, hip hop and jazz for a crowd positioned in front of the Coachella stage. Another early day outstanding turn came via indie singer Courtney Barnett, who featured songs off her first international release The Double EP: A Sea of Split Peas. Highlights of her set included the blues-rocker "David" and the heavy Neil Young & Crazy Horse-tinged "Out of the Woodwork."

British pub-minded rocker Frank Turner, hard rocking indie North Carolina rockers Superchunk, genre-busting Beck (loved the cover of Michael Jackson's "Billie Jean") and Canadian troupe Arcade Fire (whose version of "No Cars Go" soared) also impressed in their more high profile sets. This weekend was definitely a three-day party that the Coachella faithful will long remember.

Check out the coverage of several other writers from The Orange County Register's team that also covered Weekend 2 of Coachella. You can read George A. Paul's coverage on his Music Minded blog here. You can check out a number of posts featuring reviews from Ben Wener, George A. Paul and me here.

Artist Christian Ristow's "Becoming Human"
surveys the Empire Polo Club in Indio.

Coachella not only boasted countless artists representing a countless number of musical styles, but the 90,000 or so attendees who attended the second weekend of the event also got to check out original and one-of-a-kind artwork commissioned for Coachellafest. From the innovative and jaw-dropping "Smart Bird" (which looked like a silver winged robot that flew through the skies flapping its wings like a real bird) to the towering robot-minded piece titled "Becoming Human" and gigantic astronaut "Escape Velocity," more than 20 artists' installations were featured. Scroll below to see some more images from Coachella I shot over the weekend...

Artist Mike Grandaw's aptly-titled "Caterpillar"

Yours truly in artist Philip K Smith's "Reflection Field."

OutKast, Arcade Fire, Muse, the Replacements among big names to perform at Coachella

Coachella 2012: Sunset is always magical at Coachella.
Photo: Robert Kinsler

Tonight it's official. The lineup for the two-weekend 2014 edition of the Coachella Valley Music and Arts Festival is set and once again an exciting and wide-ranging mix of artists will perform in Indio this spring.

As had been anticipated, a reformed OutKast will perform, as will Canadian indie rock troupe Arcade Fire, British trio Muse and Minneapolis, Minnesota's mighty reunited Replacements. The festival, which will be held April 11-13 and again April 18-20 at the Empire Polo Club in Indio, will feature a number of other influential artists. Among my favorite acts set to perform are Bryan Ferry, Pet Shop Boys, Foster the People, Beady Eye, Trombone Shorty, Laura Mvula and the Cult.

Although the majority of tickets have already been sold for the two weekends, those remaining tickets are scheduled to go on sale tomorrow (Jan. 10) at the official Coachella Web site. 

You can see everyone who is playing courtesy of the official Goldenvoice poster featured below…

CD reviews Sting The Last Ship & Laura Mvula Sing To The Moon

Get The Last Ship [Amazon Exclusive Super Deluxe Edition] Here Get Sing to the Moon (US Version) Here

Music Worth Buying episode: Sting's 'The Last Ship' and Laura Mvula's 'Sing to the Moon'

On the latest episode of Music Worth Buying we review Sting's The Last Ship and Laura Mvula's Sing to the Moon: