Showing posts with label Pete Seeger. Show all posts
Showing posts with label Pete Seeger. Show all posts

Tuesday, March 11, 2025

Pop Twist announces 'Lead Belly: The Man Who Invented Rock & Roll' on DVD

This promises to be an entertaining and informative documentary. Pop Twist is set to release an in-depth documentary on the life and music of legendary folk and blues singer-guitarist Lead Belly this spring..Robert Kinsler


'Lead Belly: The Man Who Invented Rock & Roll' coming to DVD on April 11, 2025




   
George Harrison famously claimed, "No Lead Belly, no Beatles." Revered by countless musicians - the 1st record Janis Joplin ever bought was Lead Belly. The definitive bio, with historic performances and extraordinary archive access. The folk/blues icon, from childhood through prison to worldwide fame. Stories and performances from Joplin, Harry Belafonte, B.B. King, Pete Seeger, Arlo Guthrie, Odetta and many more.

Huddie Leadbetter: Lead Belly. King of the 12 String Guitar. Born in poverty, he became a master folk innovator who inspired rock and roll. Woody Guthrie called him the greatest folk singer. Hundreds of artists have covered his songs - The Beatles, Rolling Stones, Nirvana and Led Zeppelin spring to mind. Interviews and performances by Janis Joplin, Harry Belafonte, Paul McCartney, B.B. King, Alan Lomax, Pete Seeger, Arlo Guthrie, Joan Baez, Odetta. Hollywood film clips, archive performances and intimate inside accounts dispel myths and let his true personality shine through.

Monday, July 29, 2019

Four far-flung titles worth celebrating

Those looking for musical diversity need not look further than the four far-flung titles celebrated in my latest roundup of new releases.



Artist: John Wesley Harding
Title: Greatest Other People's Hits (Omnivore Recordings)
You might like if you enjoy: Bruce Springsteen, Fastball, the Minus Five
Tell me more: Singer-songwriter John Wesley Harding delivers in full on his delightful new LP Greatest Other People's Hits, a 17-track disc where he covers a diverse field of cuts while joined by a talented field of players who bring these lively reworkings to life. The Minus Five joins Harding for a shimmering take on Pete Seeger's "Words Words Words"; Fastball helps hit Joseph Egan's "Star" out of the park via bona fide power pop perfection; the wistful "Je Suis Venu Te Dire Que Je M'en Vais" poignant soundscape is further enlightened by Harding's vocal reading in French. Other artfully reworked standouts include a sparse take of Bruce Springsteen's "Jackson Cage," a teaming with the Universal Thump for a joyful run through George Harrison's "Wah Wah," and Americana-styled "Wreck on the Highway," the latter a live performance where the song's writer (the aforementioned Springsteen) contributes vocals and acoustic guitar. Other guests heard across the album include Lou Reed, Kelly Hogan and Rick Moody. Information: OmnivoreRecordings.com.



Artist: Lasers Lasers Birmingham
Title: Warning (Lasers Lasers Birmingham)
You might like if you enjoy: Phosphorescent, George Jones, Gram Parsons
Tell me more: Many of this writer's favorite artists have issued top-tier releases independently sans the support or bigger recording budgets afforded by working with a successful record label. Add to that list Los Angeles-based Lasers Lasers Birmingham whose Warning is an 11-track album that shines with the cosmic country sound of Gram Parsons even while infused with enough 21st century aplomb to make this the artist's own. Lasers Lasers Birmingham  the moniker for singer-songwriter Alex Owen  wrote the songs in a persona, an experience pushed even further after a near-death experience when he was in a car crash in the mountains of Ojai, CA. The real-world focused lyrics often find the lead character losing control in their life; to be sure the music finds singer-guitarist Owen and a collection of contributing musicians (along with noted producer Jason Soda) firmly in control as they unleash a bold brew blending authentic Americana, folk and rock. The lovely pedal steel-adorned title track, country rocker "After Party After Life," confessional acoustic nugget "Lead Me On", breezy "Numbers and Figures" and probing tale "What a Shame" are among the outstanding songs on WarningInformation: https://www.facebook.com/LasersLasersBirmingham/.



Title: New Songs for the 20th Century
Written by: Chris Stamey (Omnivore Recordings)
You might like if you enjoy: George and Ira Gershwin, Cole Porter
Tell me more: Written, arranged and produced by dB's co-founder Chris Stamey, New Songs for the 20th Century is an amazing album. The songs astound, as if lifted out of a time machine; to highlight some songs and note others is almost criminal. Those familiar with the Great American Songbook will likely be enthralled by this rich collection. Backed by the ModRec Orchestra, many great musicians bring Stamey's new songs to life. The beautiful and luxurious "I Don't Believe in Romance" features singer Caitlin Cary and has the magic of a Burt Bacharach classic; the wistful "What is This Music that I Hear?" and "On an Evening Such as This" are both bolstered by singer Kirsten Lambert's affecting vocals. The jazzy "There's Not a Cloud in the Sky" and more contemporary "I Am Yours" are among the memorable tracks on disc one. The jazzy "Beneath the Underdog" (featuring Marshall Crenshaw, Don Dixon and Django Haskins), the beautiful "In Spanish Harlem," and nuanced "Lover, Can You Hear Me?" bring equal power to the second disc. Information: OmnivoreRecordings.com.



Artist: Highest Intention
Title: Universal Light (Highest Intention Records)
You might like if you enjoy: Bob Marley, 311, Andrew Tosh
Tell me more: Lovers of reggae music steeped in undeniable rhythms, strong lead vocals and good vibes will want to get a listen of the debut from San Francisco Bay Area band Highest Intention. Universal Light provides a welcome introduction for the Ben "Down" Lowe-led troupe, adept at offering up a range of songs. The romance-minded "Ocean," aptly-titled "Vibes" (complete with an extended instrumental section), tuneful "Riverside," jubilant "Escape" and horn section-bolstered "Hold Your Own Love" are among the excellent tracks on the disc.  Information: highestintentionband.com.





Robert Kinsler




Monday, July 31, 2017

Lou Reed and Kris Kristofferson - The Bottom Line Archive Series to featuring once-in-a-lifetime pairing of legends

Great songwriting will undoubtedly be on display on this highly-anticipated release coming out later this summer...


New from THE BOTTOM LINE ARCHIVE SERIES...
The Once-in-a-Lifetime Pairing of Two Songwriting Legends
Lou Reed and Kris Kristofferson
Performing Their Classic Songs and Talking About Songwriting
In Their Own Words with Vin Scelsa
Recorded LIVE at The Bottom Line Cabaret (1994)

New York, NY, July 31, 2017 -- The Bottom Line Archive Series presents its next release: the once-in-a-lifetime live performance by Lou Reed and Kris Kristofferson at the height of their craft, set for release September 15, 2017. Recorded at the legendary Bottom Line club in Greenwich Village, the album presents an evening of music, songwriting and storytelling - intimate, acoustic, historic. The Bottom Line Archive label is distributed via BFD/Red; BFD is a division of Bob Frank Entertainment.

Lou Reed and Kris Kristofferson: In Their Own Words with Vin Scelsa is the only time these two master songwriters performed together. Over the course of one night (2/2/94) with noted radio personality Vin Scelsa leading the conversation, Reed and Kristofferson swap stories and songs. The evening and two-disc set includes Reed performing eight songs including Sweet Jane, Romeo Had Juliet, Legendary Hearts; Kristofferson's seven include Me and Bobby McGee, Sunday Morning Coming Down, Help Me Make it Through the Night; and each performing a cover (Kristofferson does Bird On A Wire, Reed performs Tracks of My Tears).

This singular meeting - Reed from the jungles of New York City and Kristofferson from the heart of the South - made music history, says Bottom Line co-founder/curator Allan Pepper. "It was very rare that we could present two giants on the same stage on the same night, especially artists of this caliber and impact. With this release, people who weren't there that night can experience that special night with these true music legends talking about their process and craft, cracking a few jokes along the way."

According to the liner notes penned by series producer Gregg Bendian, who performed frequently at The Bottom Line with his band, The Mahavishnu Project, "both artists were much-beloved Bottom Line regulars. Kris played a total of 42 shows at the club, while Lou played no less than 54 shows there. Many will recall that Lou recorded his famous Take No Prisoners live album over the course of five nights at club, in May of 1978. That level of relaxed comfort and spontaneity so evident on this recording is no accident. It's the sound of artists who indeed feel quite comfortable and at home on the stage of what was clearly their New York venue of choice. The playful banter of camaraderie and mutual admiration between Kris, Lou and Vin heard on this document bears this out beautifully, and the Bottom Line audience can be heard laughing, gasping, chiming in, and hanging on every note."

This release is the 12th in a planned rollout of titles over the next few years, including classic live performances by Jack Bruce, Ralph Stanley, the Brecker Brothers, Pete Seeger & Roger McGuinn, Harry Chapin and Kenny Rankin, among others.
Bottom Line co-founder/curator Allan Pepper has recordings of more than 1,000 shows from Greenwich Village nightclub, which always booked an eclectic mix of rock, jazz, blues, folk and other forms of music during its 30-year run. Pepper and the label are currently in conversation with representatives from many of the acts.
 
All music from The Bottom Line Archive has been mixed and mastered at The Magic Shop, an award-winning state-of-the-art studio in New York.

The Bottom Line Archive can be pre-ordered on Amazon and iTunes; and available on all digital providers. Previous editions of the BLA series are also available on Amazon and iTunes. 

About The Bottom Line:
The Bottom Line was a legendary music venue at 15 West 4th Street in Greenwich Village. Owned by Allan Pepper and Stanley Snadowsky, the Bottom Line opened February 12, 1974 and enjoyed a 30-year run.  Bruce Springsteen played showcase gigs at the club and Lou Reed recorded the album Live: Take No Prisoners there.  Harry Chapin held his 2000th concert at the Bottom Line in 1981.  The Bottom Line hosted an extremely wide variety of music. Among the thousands who performed on its stage were: Eric Clapton, Linda Ronstadt, The Police, Billy Joel, Patti Smith, Hall & Oates, Prince, Van Morrison, Emmylou Harris, Dolly Parton, Betty Carter, Ravi Shankar, Ramones, Miles Davis, Bill Evans, Charles Mingus, Neil Sedaka, Al Kooper, Tom Waits, Peter Gabriel, Cheech & Chong, Sam & Dave, Southside Johnny, John Cale, Laura Nyro and many more.

Wednesday, April 16, 2014

David Crosby back on track with five-night run

My review was originally posted on The Orange County Register site on Tuesday, April 15, 2014.

Delayed because of surgery, his Troubadour stand finds the legend rebounding beautifully, revisiting history while showcasing his first solo album in two decades.


David Crosby scored all kinds of high points just for walking on stage Sunday night (April 13, 2014) at the Troubadour.
Back in February, he postponed a five-night solo run at the West Hollywood landmark to undergo emergency heart surgery. Yet here he was, a mere two months, later performing a full-length concert that didn't cut any corners.
Indeed, the 72-year-old folk and rock legend has had a number of well-publicized health issues in the past, including, most famously, a liver transplant in 1994. While he looked thin and at times tired over the course of his 150-minute concert, the multiple standing ovations that followed the rousing one that erupted when he stepped into view a couple minutes after 8 p.m. were soundly earned.
At this kickoff show, Crosby still proved capable of delivering new and classic material with emotional power and grace. The first of two sets found him and an amazing five-man band performing his latest album, Croz, from start to finish. Released in January, it's not only the Los Angeles native's first solo work in 20 years but boasts some of the most powerful songs he has recorded. (Its Top 40 debut on Billboard's albums chart also marks the first time he's been ranked on that list as a solo artist since his 1971 cult classic If I Could Only Remember My Name.)
After opening with "What's Broken," a piece built on the Laurel Canyon folk-rock feel so associated with Crosby's legacy, subsequent material expanded on that soundscape with jazz, heavier rock and psychedelic elements. His excellent players – notably guitarists Shane Fontayne and Marcus Eaton as well as the star's son, keyboardist James Raymond – all added magical textures and dynamics throughout.
Crosby also was in a particularly wry mood Sunday evening. "I had a body shaped like an avocado and I was really comfortable with it," he mentioned with regard to his thinner appearance. "I got sick and stopped eating," he explained, but quipped that he can tuck in his shirt now.
The focus of the night, however, was justifiably on his music. The hard acoustic rocker "The Clearing" featured an especially stirring bridge with peaks and valleys of music magic bookending confessional lyrics: "This kind of love don't need a home / This kind of heart beats all alone / This kind of world, gonna let it go / Lay down the things that came before." The audience (including Jackson Browne, spotted in the balcony) was enthusiastic but collectively reverent while he was performing.
As he promised at the outset, the second set included songs the audience knew. "Eight Miles High" started that off, with Crosby summoning strength on electric guitar as Fontayne worked his 12-string Rickenbacker with cascading and shimmering lines that brought that classic's distinctive sound back to life.
"This is where we met and put together the Byrds," Crosby pointed out, noting the importance of the Troubadour after the song. He then mentioned that another member of that seminal band was in the house – and out came Chris Hillman, who added: "I don't think I've been on this stage for 40 years."
The old friends then led the ensemble through an evocative version of "Turn! Turn! Turn!," another enduring Byrds staple that Crosby pointedly dedicated to its originator, folk icon Pete Seeger, who died in January. After the song was luxuriously performed, with lush vocal harmonies, Crosby and Hillman hugged as the audience applauded.
The headliner then proceeded to highlight material from both Crosby, Stills & Nash and his oft-overlooked '90s project CPR (including Raymond and guitarist Jeff Pevar). Highlights came one after another, from little-heard gems like the jazz-rock tune "That House" to heavyweights from his glory days, notably "Guinnevere" and a hard-rocking "Long Time Gone."
The good news for fans is that after his Tuesday replay there are still two more chances to see him, April 17-18, although prices on secondhand site StubHub are roughly $80 a pop. Wait until the day of the show and they likely will drop.
Photo: Buzz Person