Showing posts with label Del Amitri. Show all posts
Showing posts with label Del Amitri. Show all posts

Sunday, June 15, 2025

New music: Crossword Smiles, Michael Ubaldini, Jan & Dean

In this column, I celebrated a wide range of great American artists who have new or reissued audio releases available now.



Artist: 
Crossword Smiles
Title: Consequences & Detours (Big Stir Records)
You might like if you enjoy: The Cars, Jason Falkner, Johnny Marr, Del Amitri
Tell me more: Detroit, Michigan melodic rock duo Crossword Smiles has just released their sophomore album, Consequences & Detours, a followup to the acclaimed 2022 debut disc Pressed & Ironed. Featuring the considerable talents of Tom Curless (Tom Curless & The 46%) and Chip Saam (The Hangouts), the new 11-track album features a slew of great tracks including the indie rock opener "Counting By Fives," rollicking Falling All Over Myself," wistful "Girls Club," ska-powered "Night Train," lush art Baroque pop foray "Once Or Twice" (the latter featuring some terrific vocal harmonies), melancholy filled "Fake A Smile" and freewheeling closer "The Never Seens." Fans of some of the great indie and melodic rock artists of the past 50 years  ranging from Crowded House and Del Amitri to Jason Falkner and Johnny Marr  will all find plenty to love about Crossword Smiles' signature approach. Released on May 23, Consequences & Detours is available via vinyl, audio CD and streaming platforms. Information: bigstirrecords.com.



Artist: 
Michael Ubaldini & the Lonesome Playboys
Title: Storms of Trouble (Blackwater Records)
You might like if you enjoy: Gram Parsons, Bruce Springsteen, Hank Williams, Bob Dylan
Tell me more: Acclaimed singer-songwriter Michael Ubaldini is back with Storms of Trouble, an EP featuring an outstanding batch of songs that artfully blend Americana, roots rock, alt country and others authentic styles in the service of his signature songcraft. The lead-off title track is a beautiful original where the artist sings of his own challenges with candor and insight, the power of his words bolstered by the roots-swept songcraft. "Lost In The Shuffle" is a rollicking countrified rocker that casts a probing and playful look at love gone wrong. 

Another standout track on his EP is "Long Road Back to Californy," a rootsy rock song whose lyrical story of the struggles of making a long road trip is simultaneously a metaphor for a journey through life itself.

Two rare bonus tracks round out the EP; "Tombstone Woman" and "One Good Woman Blues" were recorded in Austin, Texas and mastered by Jerry Tubb (the latter whose credits include working on records by John Lennon, Willie Nelson and Paul McCartney).

Storms of Trouble was recorded live in the studio with no overdubs, including Ubaldini's vocals and sharp guitar work. What's more, the title was recorded on analogue tape. Along with Ubaldini on guitar and vocals, the talents of Jeremy Long (piano, organ), John Mctuige (drums) and Jared Manzo (bass) are featured on the title. Storms of Trouble is currently available on 12-inch limited edition red colored vinyl.

Information: rocknrollpoet.com



Artist: 
Jan & Dean
Title: One Last Ride (RockBeat Records)
You might like if you enjoy: The Beach Boys, Jan & Dean, the Chantays
Tell me more: Celebrated surf music duo Jan & Dean's live album One Last Ride 
— recorded in Roslyn, New York in 1981 — was recently reissued and is worthy of discovery for fans of The Beach Boys, Chantays and other surf music greats. The audio CD collection features Jan Berry and Dean Torrence delivering tuneful takes on some of the most beloved songs of the 1960s including the spirited opener "New Girl In School," the doo-wop romp "Baby Talk," a speedy take of their top 10 hit "Drag City," a faithful run through The Beach Boys' 1963 hit "Little Deuce Coupe," the harmonies-filled "Ride The Wild Surf," infectious "Sidewalk Surfin'," sumptuous "The Little Old Lady From Pasadena" and euphoric "Surf City." Of particular interest is Jan & Dean's affecting cover of the Beatles gem "You've Got To Hide Your Love Away," as well as a fun-filled musical reading of the Turtles' "Happy Together" featuring that band's Howard Kaylan and Mark Volman. As most fans know, Berry suffered a debilitating brain injury due to a car accident, and he ultimately passed away on March 26, 2004  eight days before his 63rd birthday. Information: LiberationHall.com.

Robert Kinsler


Monday, January 03, 2022

My favorite 21 albums of 2021

In a year where the world struggled to overcome the continuing impact of COVID-19, a slew of great artists released masterworks created amidst the most challenging of times. Rather than attempt to rank my favorite 21 albums, they are listed alphabetically by the name of the solo artist or group. I have also included an additional 10 notable albums in my "Honorable Mentions" list at the bottom of this post...Robert Kinsler



Artist: 
Gary Allan 
Title: Ruthless (EMI Nashville)
You might like if you enjoy: Alan Jackson, Chris Stapleton, Merle Haggard, Dwight Yoakam
Tell me more: Acclaimed country artist Gary Allan returned in 2021 with Ruthless, his first new studio album since 2013. Few country artists can sing about heartache and romantic desolation with the affecting touch of Allan, and the California native proves that across his eagerly-awaited 13-track return. The winning '80s-mining "Temptation," stirring mid tempo title track, reflective acoustic gem "Trouble Knows Trouble" and infectious "Waste Of A Whiskey Drink" mine that territory in spades. Allan uses his signature baritone on other moving tracks across the disc including the sweeping country rocker "Till It Felt Like You," lovely ballad "Pretty Damn Close" and atmospheric closer "The Hard Way." Information: GaryAllan.com.


Artist: 
Brandi Carlile
Title: In These Silent Days (Low Country Sound/Elektra Records)
You might like if you enjoy: Indigo Girls, Margo Price, Brandi Carlile
Tell me more: Six-time Grammy Award winning artist Brandi Carlile returned with her astounding In These Silent Days, a 10-track album that fully showcases the American singer-songwriter's amazing alto lead vocals and ability to mine emotion with each note. Although primarily categorized as part of the alternative country and Americana genres, Carlile's Dave Cobb- and Shooter Jennings-produced effort features selections spanning a myriad of styles. Indeed, In These Silent Days should introduce even more discerning listeners to her music. The gorgeous ballad "This Time Tomorrow" and equally tender "Letter To The Past," acoustic "Mama Werewolf" and "When You're Wrong," genre-defying rocker "Sinners, Saints and Fools" and poignant disc closer "Throwing Good After Bad" all resonate with immediate and palpable power. Listen to Carlile's searing and soaring vocals on the country rocker "Broken Horses" where her performance has her scaling sonic and emotional heights with artistic power and otherworldly ease. Information: BrandiCarlile.com


Artist: 
Cheap Trick
Title: In Another World (Universal Music Enterprises)
You might like if you enjoy: Cheap Trick, Matthew Sweet, The Smithereens
Tell me more: Enduring rock outfit Cheap Trick returned this year with In Another World, the quartet's first new album since 2017's Christmas Christmas holiday celebration. No band has ever fused power pop with hard rock as powerfully as the Rockford, Illinois-spawned Rock and Roll Hall of Famers and that is very much in evidence across their latest LP. Singer Robin Zander's signature vocals are as sharp as ever; just listen to the driving rocker "Boys & Girls & Rock N Roll" (bolstered by Rick Nielsen's fiery guitar work) and even heavier "Light Up The Fire" (which recalls the AC/DC meets Beatles approach of the Smithereens' best material). The parade of tracks is charged from start to finish; the shimmering harmonies-filled opener "The Summer Looks Good On You," tuneful "Quit Waking Me Up," Beatlesque "Passing Through" and inspired take on John Lennon's "Gimme Some Truth" are among my other faves. Originally set to be released in late 2018, In Another World was delayed by the arrival of the COVID-19 global pandemic. It was worth the wait. Information: CheapTrick.com.


Artist:
 Chvrches
Title: Screen Violence (Glassnote Records)
You might like if you enjoy: Chvrches, The Cure, Two Door Cinema Club
Tell me more: Chvrches returned in 2021 with their ambitious fourth album, Screen Violence. The Scottish synth-pop trio (Lauren Mayberry, Iain Cook, Martin Doherty) recorded the album during the global pandemic, working remotely on two different sides of the Atlantic. The shimmering opener "Asking for a Friend" is at once a dance-styled invitation and reflective sortie into these uncertain times. Other songs continue to showcase Mayberry using her signature soprano in songs that explore fear, isolation, rejection and loneliness with tuneful candor. The wistful "California," darkly euphoric "Violent Delights," propulsive "Nightmares" and synth-swept rock closer "Better If You Don't" are among the wonderful cuts on "Screen Violence." My favorite track is the towering "How Not To Drown," a bewitching duet featuring Mayberry sharing lead and tandem vocals with The Cure's Robert Smith. Information: chvrch.es


Artist:
 Graham Coxon
Title: Superstate (Superstate)
You might like if you enjoy: Moby, Gorillaz, Blur
Tell me more: Graham Coxon's Superstate is actually a collection of 15 tracks composed and recorded in connection with a graphic novel written by Alex Paknadel and Helen Mullane. To be clear, Superstate works wonderfully as an immersive listening experience apart from the companion 124-page graphic novel. The driving synth-pop gem "Yoga Town" features guest vocalist Valentina Pappalardo, is an inviting opener. The funky "Uncle Sam" features stylish guitar and electro disco romp "Only Takes A Stranger" (both with guest vocals from Rahel Debbie-Dessalegne) and the experimental Neo-classical "L.I.L.Y" are early nuggets on the album. "The Astral Light" blends disco, electronic and experimental sonic forces with the vocals of Pappalardo and Sharlene Hector bolstering the dystopian vibe. The dance floor-ready "Heaven (Buy a Ticket)," "The Ball of Light" and "Goodbye Universe" along with the soul-mining "Butterfly" and evocative "We Remain" also shine on the ambitious collection. Both Coxon's Superstate soundtrack and the companion graphic novel (released by Z2 Comics) are available on amazon.comInformation: GrahamCoxon.com.


Artist: 
Crowded House
Title: Dreamers Are Waiting (BMG)
You might like if you enjoy: Crowded House, Del Amitri, Paul McCartney, Neil Finn
Tell me more: One of rock's great genuine treasures, Crowded House returned this year with Dreamers Are Waiting. The Australian outfit's first new album since 2010's Intriguer, the new 12-track collection equals the strength of their previous recordings stretching back to their 1986 eponymous-titled debut. Singer-songwriter Neil Finn and company have crafted a collection that is as tuneful as it is impactful. The driving electronica-tinged "Whatever You Want" tackles human nature with the precision of a surgeon's knife; the melodic bounce comes in the service of Finn's wit: "The people will tell you whatever you want...Every night and every day / Some will fall upon their swords in order that / They might serve the greater good / But don't believe a word of it." The yearning melodic rocker "Playing With Fire" is infectious to be sure, but it is Finn's soulful lead vocals, the surrounding Burt Bacharach-mining harmony touches and bold horn section-bolstered arrangement that collectively make for something extra special. The dreamy expanse of "Bad Times Good," "Show Me The Way" and "Goodnight Everyone" reveal the rich diversity of Crowded House's approach. The lovely "Start of Something"  with its rich harmonies  recalls the magic of the Beach Boys' late-60s discography but laced with a modern touch. The soulful "Real Life Woman," animated "Love Isn't Hard At All" and mischievous "To The Island" are among the other gems on the essential set. Information: CrowdedHouse.com.


Artist: 
Del Amitri
Title: Fatal Mistakes (Cooking Vinyl)
You might like if you enjoy: Fountains of Wayne, Gin Blossoms, Crowded House
Tell me more: In mid-2021 Del Amitri released Fatal Mistakes, the Scottish quintet's first new full-length album since 2002 (Can You Do Me Good?). To say this writer loves Fatal Mistakes is an understatement; the band's blend of power pop tunefulness and lyrical melancholy is fully on display across the 13-track masterwork. On the surface, the shimmering opener "You Can't Go Back" might well be about a couple determined to rekindle the romance of their youth, but the song's concealed power hints at life itself and how each moment is worth celebrating no matter the cost. Mortality, love and time are explored with artful candor by singer-songwriter/bassist Justin Currie, lead guitarist-songwriter Iain Wallace Harvie, drummer Ash Soan, guitarist-songwriter Kris Dollimore and keyboardist Andy Alston. The mood-swept "All Hail Blind Love," luxurious "Close Your Eyes and Think Of England," melodic rocker "Losing The Will To Die," stirring "Otherwise" and reflective "Second Staircase" are among the ear candy tracks that bewitch with a single listen. The Americana-flavored "Mockingbird, Copy Me Now" and "Missing Person" are among the other nuggets on a fantastic album. Information: DelAmitri.Info.



Artist: 
Farrington
Title: Saturday in Nowhereland (Farrington)
You might like if you enjoy: ELO, The Lickerish Quartet, Badfinger, Cheap Trick, Pugwash
Tell me more: When you listen to Farrington's 2021 album Saturday in Nowhereland prepare to be wowed. The songs often turn on a dime, blending tuneful melodic rock, psychedelic stylings, power pop and other sonic genres masterfully. The bewitching title track, delightfully dark "The Loner," Cheap Trick-flavored "Damsel In Distress" and ambitious "Assassins" are early-LP standouts. Saturday in Nowhereland continues its winning momentum with the melodic rocker "Emily Lovelight," gorgeous "Turning It Up Too Loud Again," boundless "A Day At The Beach," euphonic "Anatomic" and sumptuous "The Switchblade Symphony." In addition to the top-tier talents of singer-guitarist-keyboardist Farrington (James Patrick Phelan), drummer Marcos de la Cruz and bassist Henry Clift, a who's who of musical guests appears on the disc; Jon Auer (The Posies, Big Star), Eric Dover (Jellyfish, Imperial Drag), John Easedale (Dramarama), Roger Joseph Manning, Jr. (The Lickerish Quartet, Beck) and Bryan Shaddix (The Tickets) are a few of the notables who contribute to the magic. Information: FarringtonMusic.com.



Artist: 
Garbage
Title: No Gods No Masters (Infectious Music)
You might like if you enjoy: Garbage, The Pretenders
Tell me more: Garbage has returned with a deluxe two-disc album Go Gods No Masters, the band's seventh studio album and first full-length effort since 2016's Strange Little Birds. This is an album that finds singer Shirley Manson, co-producer/drummer/guitarist Butch Vig, guitarist Duke Erikson and guitarist Steve Marker tackling hot topics with a no-holds-barred assault. Indeed, the opening sortie "The Men Who Rule The World," electro-goth graced "Waiting For God," dance floor-ready "Godhead" and the title track are especially powerful songs that resonate in the here and now.  From the release of the band's groundbreaking self-titled debut in August 1995, Garbage was celebrated as a unique artist able to artfully blend synth and alt rock sounds with grace and force (a style sometimes referred to by the band as "sci-fi pop"); the new track "Wolves" continues in the tradition as Manson sings "Which one of my two wolves will I give my attention to tonight? Which one will I decide to feed? Which one will I decide to fight?"   "The Creeps," "Uncomfortably Me" and New Order-mining "Flipping the Bird" are also immersed in that intoxicating fusion of disparate genres. The second disc of the special edition is loaded with bonus tracks that are terrific. My favorites include their 2017 standalone original "No Horses," a brilliant reworking of David Bowie's “Starman”, an inspired take on the Bruce Springsteen/Patti Smith nugget “Because the Night” (featuring Screaming Females) and “Destroying Angels,” the latter a 2018 single with Exene Cervenka and John Doe of the legendary Los Angeles punk band XInformation: garbage.com.


Artist: 
Greta Van Fleet
Title: The Battle at Garden's Gate (Republic)
You might like if you enjoy: Greta Van Fleet, Led Zeppelin, Bad Company
Tell me more: There is a common oft-repeated perception that rock music is dead. Don't tell that to rising young rock quartet Greta Van Fleet, whose epic full-length sophomore album The Battle at Garden's Gate was released in April 2021. The Frankenmuth, Michigan-spawned outfit followed up their outstanding 2018 full-length debut Anthem of the Peaceful Army with a 12-track Greg Kurstin-produced album that is decidedly ambitious and filled with songs that simultaneously challenge and entice the listener. The evocative seven-minute "Age of Machine," luxurious "Broken Bells" (which spans from ballad to soaring anthem over its daring run) and absorbing "Heat Above" tap into everything that lovers of classic '70s rock love so much; dynamic performances featuring a mighty lead singer (Josh Kiszka's voice is a wonder), killer solos that masterfully propel each song's arc (lead guitarist Jake Kiszka delivers), and a strong rhythm section (bassist Sam Kiszka and drummer Danny Wagner). Every track is crucial; other exceptional originals include the dazzling "Built By Nations," acoustic-flavored "Tears By Rain" and electrifying "The Barbarians." Information: GretaVanFleet.com




Artist:
 Richard X. Heyman
Title: Copious Notes (Turn-Up Records)
You might like if you enjoy: Tommy Keene, Paul McCartney
Tell me more: It's not a surprise that a long list of terrific studio albums were released throughout 2021. During the global pandemic when artists were unable to tour many focused their creative energies on writing and recording new music. Such is the case with Richard X. Heyman's outstanding 14th album Copious Notes, a 12-track set recorded at The Kit Factory, a home studio he shares with his wife Nancy Leigh (she produced, played bass and contributed backing vocals on the album) in New York. Heyman handles lead vocals, acoustic and electric guitars, percussion and keyboards while a handful of guests play horns and strings to enhance the soundscape on the marvelous album.  The parade of tuneful and inspired melodic rock is a constant on the fast-moving set, spanning from the undeniable lead-off cut "Nearly There" and shimmering "Choices We Make" to the gorgeous Baroque pop-flavored "Cedarbrook Park," soulful rocker "Sink Or Swim," driving power pop standouts "The Truth" and "Return To You" along with the lovely chamber pop original "But Our Love." Heyman's songs are further bolstered by his insightful and reflective lyrics that chronicle love, loss and the world around us. Information: richardxheyman.com.


Artist:
 I See Hawks in L.A.
Title: On Our Way (Western Seeds Records)
You might like if you enjoy: Chris Hillman, Gram Parsons, John Doe
Tell me more: While the world has changed in monumental and challenging ways since I See Hawks in L.A. released their previous album Hawks with Good Intentions in September 2019, the Los Angeles troupe's 2021 album On Our Way offers the perfect chance to reconnect with the beauty around us. On the alt country quartet's On Our Way the efforts of singer-guitarist Rob Waller, multi-instrumentalist/backing vocalist Paul Lacques, bassist-vocalist Paul Marshall and percussionist-vocalist Victoria Jacobs to stay connected by songwriting via FaceTime and completing recording remotely during the pandemic astound. This is a beautiful and soul-stirring set of songs that defies the angry shouting heard on 24-hour cable news in favor of songs about "Geronimo, Muhammad Ali, the Faulknerian dilemma, in language sometimes more abstract and mirroring than narration" (according to press notes) as well as "...classic Hawks train beats and country rockers about Marin Wiccans, London mod dub hippie markets and the [un]certainties of love and broken hearts." Indeed, the range of topics is equaled by the musical depth displayed on the collection. From the lovely mandolin- and pedal steel guitar-adorned Americana opening gem "Might've Been Me" and authentic countrified "On Our Way" to the spoken word neo-trance blues of "Mississippi Gas Station Blues" and psychedelia-laced "Kensington Market" and poignant "Geronimo" I See Hawks in L.A. creates songs that tap into authentic country, roots, bluegrass and folk stylings with amazing warmth and might. A number of guest performers help further bring the rich tapestry of songs to life. Information: iseehawks.com.


Artist:
 Christone "Kingfish" Ingram
Title: 662 (Alligator Records)
You might like if you enjoy: Eric Gales, Buddy Guy, Jimi Hendrix, Gary Clark Jr.
Tell me more: Only 22, Christone "Kingfish" Ingram is already a top-tier vocalist, bona fide guitar hero and true original. Likely the most dynamic blues-rock guitar master of his generation, the Clarksdale, Mississippi native's sophomore album 662 is required listening. Sure his guitar playing will blow you away, but like genre champions ranging from Buddy Guy and Walter Trout to Gary Clark Jr. and Eric Gales, Ingram has found his own voice in ways that impress and dazzle. On the soulful "Another Life Goes By," Ingram uses his expressive baritone to ask: "Where does hate come from and how can we make it stop? / We got to make some changes before somebody else gets shot / We need to pay attention to all the helpless cries / we got to stop the madness before another life goes bye." He turns on a dime for the powerful confessional blues rocker "Not Gonna Lie," an intoxicating track where he notes how his guitar playing was his way out of poverty and an uncertain future; his masterful rhythm and lead guitar playing is flawless and electrifying. On the soul-styled ballads "You're Already Gone" and "That's All It Takes," Ingram's emotive vocals take the listener into a cliche-free immersion into romantic loss  his subtle guitar work makes the listen all the more potent. Those who simply want to revel in his incredible guitar fireworks, listen to "662," "My Bad," "I Got To See You" and "Long Distance Woman." Information: ChristoneKingfishIngram.com.


Artist: 
Aimee Mann
Title: Queens of the Summer Hotel (SuperEgo Records)
You might like if you enjoy: Aimee Mann
Tell me more: Aimee Mann began to craft new music for what would be her latest album Queens of the Summer Hotel back in 2018 after she agreed to write songs for a stage adaptation of "Girl, Interrupted," author Susanna Kaysen's memoir about her psychiatric hospitalization in the late 1960s. The subject matter was perfectly suited to Mann, whose 2017 album was even titled Mental Illness. While the coronavirus pandemic put the "Girl, Interrupted" project on hold, Mann decided to collect the songs into Queens of the Summer Hotel, her 10th studio album. Mann's otherworldly ability to craft songs that are literate, melodic and layered shines across Queens of the Summer Hotel, the album's soundscape bolstered by acoustic piano, strings, woodwinds and horns. The Baroque pop gem "Home By Now," probing "Little Chameleon," sumptuous "Suicide Is Murder," soaring "Burn It Out" and potent "You're Lost" are among the many stellar selections on the album. Information: AimeeMann.com


Artist: 
James McMurtry
Title: The Horses and the Hounds (New West Records)
You might like if you enjoy: John Prine, John Mellencamp, Steve Earle, Warren Zevon
Tell me more: Released back in late August 2021, James McMurtry's The Horses and the Hounds was the singer-songwriter's first new full-length album release in seven years. Filled with songs that are expertly crafted and mine the deepest reaches of the human experience, the mix of wonderful songs includes the lovely "Canola Fields," confessional Americana rocker "If It Don't Bleed," real world-anchored literate tales "Jackie" and "Decent Man," the searing title track (featuring some terrific fret work from guitar master David Grissom) and infectious rocker "What's the Matter." The Horses and the Hounds was worth the wait. Information: NewWestRecords.com.





Artist:
 William Shatner
Titles: Bill (Lets Get It Records / Republic Records)
You might like if you enjoy: William Shatner, Leonard Cohen, Brad Paisley, Joe Walsh, Robert Randolph
Tell me more: William Shatner has released a number of celebrated albums dating back to 1968's The Transformed Man. What's so impressive is that how at the age of 90 the famed actor/director/author returned in 2021 with what is likely his most impressive effort to date. The autobiographical Bill features 14 tracks that collectively chronicle events and challenges of a singular life with compelling candor. The music making equals the cultural icon's ambitious efforts to try and understand the forces at work in his journey; a slew of celebrated artists join in on select tracks recorded during the global pandemic. On the propulsive album opener "I Ride" he taps into the thrill of racing down the road and the freedom that comes with that experience we mostly take for granted. The blues rocker "Made in the Shade" features guitar great Joe Walsh (James GangThe Eagles) in an enticing effort where Shatner raps with buoyant fervor; in "Masks" Shatner explores the enigma of acting and the "masks" that actors assume in their various roles. The chamber pop flavored "Black Horse" chronicles how a champion horse Shatner had was wrongly transformed into a slave — the artist's obvious guilt about the relationship and how it subsequently led to a deep love of horses and their care comes alive in the song. Other gripping tracks include "Monday Night in London" where Shatner revisits the early days of the COVID-19 pandemic amidst a prog rock soundscape, the gospel flavored "Just Forgive" (with pedal steel guitarist Robert Randolph), mortality-focused "What Do We Know" and inspirational "The Bridge." My favorite original of the album is the country-flavored "So Far From the Moon," where Shatner looks back at 1969 when he was hit with the cancellation of "Star Trek," a divorce and was sleeping in the back of his pickup truck in a sleeping bag while doing a tour of dinner theater venues. Nevertheless, he finds strength in the memory knowing that he had met the Apollo 11 astronauts about a year before they successfully landed on the lunar surface. Brad Paisley's flashy lead guitar work and emotive vocals bolster Shatner's reflective reflections on the terrific track. Information: BillTheAlbum.com.


Artist:
 Wesley Stace
Title: Late Style (Omnivore Recordings)
You might like if you enjoy: Steely Dan, Elvis Costello and Burt Bacharach's "Painted from Memory" collaboration in 1998, Chris Stamey & the Fellow Travelers, Steely Dan
Tell me more: Blending the sounds of the past via an intoxicating mix of jazz, baroque pop and soul with an eternally-adventuresome spirit, singer-songwriter Wesley Stace has joined forces with composer David Nagler on the album Late Style. Stace  who has also recorded a number of celebrated albums as John Wesley Harding  is an acclaimed novelist; his faith in joining forces with Nagler was an obvious leap of faith but pays huge dividends across Late Style. Indeed, Stace (a native of England who now lives in Philadelphia) would email lyrics to Nagler (who is based in New York). The parade of dozen wonderful tracks produced by Nagler and long-time Harding collaborator Chris Von Sneidern is a listener's dream. The jazzy opener "Where the Bands Are," melodious "Everything All the Time," euphonious "Come Back Yesterday," romance-themed gem "The Impossible She," soulful "Do Nothing If You Can" (the latter bolstered by some sublime Sneidern electric guitar) and acoustic-flavored "How You All Work Me" are among the timeless tracks on the wonderful and literate Late Style. Information: WesleyStace.com.


Artist: 
Styx
Title: Crash Of The Crown (UMe)
You might like if you enjoy: Styx, Asia, Tommy Shaw
Tell me more: Styx returned in 2021 with Crash Of The Crown, the veteran band's 17th album and first since 2017's brilliant concept album The Mission. The Will Evankovich-produced disc is another ambitious effort filled with a wonderful range of memorable and enticing originals. Styx (singer-guitarist James "JY" Young, singer-guitarist Tommy Shaw, bassist-vocalist Chuck Panozzo, drummer Todd Sucherman, singer-keyboardist Lawrence Gowan, bassist-vocalist Ricky Phillips) wrote the songs for Crash Of The Crown pre-pandemic and subsequently recorded the album during the challenging time of the COVID-19 outbreak. There is a decidedly defiant and uplifting spirit across the 15-track disc and it unquestionably resonates in an era where the U.S. is emerging from a prolonged and devastating pandemic. On the opener "The Fight of Our Lives," lyrics such as "We will not give in / The game is ours to win" and "This is our moment now / This is the fight of our lives" set to driving synth-adorned rock resound to be sure. Highlights abound across the ambitious set. The fearless rocker "A Monster" and psychedelia-tinged "Reveries" are early standouts, showcasing the band's incredible musicianship and intelligent songcraft. The lush "Hold Back the Darkness" is as beautiful and affecting as any track ever recorded by the classic rock troupe. On "Our Wonderful Lives," a rousing melodic chorus mesmerizes with lavish harmonies, Shaw's banjo playing and the deft drumming from Sucherman adding to the magic. The album's parade of strong songs continues with the reflective "Sound the Alarm," triumphant "Long Live the King" and "Coming Out the Otherside," and fanciful closer "Stream." Information: StyxWorld.com.


Artist:
 Toad the Wet Sprocket
Title: Starting Now (Abe's Records)
You might like if you enjoy: Toad the Wet Sprocket, Pete Yorn, Del Amitri
Tell me more: Toad the Wet Sprocket is back with their first new studio album since 2013  the 10-track masterwork Starting Now — that also happens to be one of the finest albums of 2021. The Santa Barbara-spawned heroes don't tinker too much with their signature sound blending folk and alternative rock styles but now that it's 2021 the trio uses its musical voice in the service of songs aimed at the present day. The events of 2020 and 2021 have made most of us rethink our own lives and the world itself and singer-guitarist Glen Phillips, bassist Dean Dinning and lead guitarist Todd Nichols capture and explore those forces brilliantly on Starting Now. Take "Hold On," where singer Phillips delivers a poignant plea: "I need a little bit of hope, one ray of light / need just enough peace to make it through the night." In the glorious title track Phillips delivers a more hopeful message as he sings: "I've wasted years, won't waste another instant / I fed my fears on things that haven't been yet / Well hope don't mean you sit there, just waiting for the changes / It's fighting for the long shot / It's getting in the trenches." The songs are uniformly strong on "Starting Now." The yearning "Transient Whales," Americana-styled "In the Lantern Light," experimental "Dual Citizen," affecting climate change warning-aimed "Fever" and soulful "Best Of Me" (the latter featuring guest vocalist Michael McDonald) are among my other favorites on the terrific return. Information: ToadTheWetSprocket.com.


Artist: 
The War on Drugs
Title: I Don't Live Here Anymore (Atlantic Records)
You might like if you enjoy: Neil Young, Band of Horses, The War on Drugs
Tell me more: The War on Drugs are one of the most original and talented American rock bands to emerge in the 21st century. On the Adam Granduciel-led Philadelphia-spawned troupe's new album I Don't Live Here Anymore the soaring guitar sonics that elevate the group's introspective songcraft and expansive soundscapes are thankfully intact. Co-produced by Granduciel and Shawn Everett, the War on Drugs' fifth full-length album and first since 2017's brilliant A Deeper Understanding  which won the Grammy Award for Best Rock Album at the 60th Annual Grammy Awards  provides an even more nuanced approach for listeners to celebrate. On the anthemic "I Don't Live Here Anymore" (bolstered by indie pop Lucius' luxurious vocals), quiet "Living Proof," buoyant "Harmonia's Dream," daring "I Don't Wanna Wait," melodic "Wasted" and shimmering "Change" and "Occasional Rain" collectively display the astonishing range of Granduciel (lead vocals, lead guitar), David Hartley (bass guitar), Robbie Bennett (keyboards), Charlie Hall (drums), Jon Natchez(saxophone, keyboards) and Anthony LaMarca (guitar). Information: TheWarOnDrugs.net.


Artist:
 Neil Young & Crazy Horse
Title: Barn (Reprise Records)
You might like if you enjoy: Neil Young & Crazy Horse, Nils Lofgren, The War on Drugs
Tell me more: 2021 was a tough year to be sure with a burgeoning death toll from the pandemic, widespread crime, economic uncertainty and skyrocketing inflation among the challenges facing everyday Americans. One bright note was the glorious return of Neil Young & Crazy Horse via the stellar new album Barn. In summer 2021 singer-songwriter/multi-instrumentalist Neil Young, guitarist Nils Lofgren, drummer Ralph Molina and bassist Billy Talbot gathered at a restored 19th century log barn to record over a few days; co-producer Niko Bolas set up an analog mobile recording truck adjacent to the barn and captured the magic with uncommon warmth via one of the year's best new albums.The 10-track collection of loose and inspired material includes the acoustic-flavored "Song Of The Seasons" (bolstered by some accordion work from Lofgren and sublime harmonies), the sweeping countrified rocker "Heading West," the autobiographical "Canerican" (Young's tale of leaving his native Canada for the U.S.), Americana-styled "They Might Be Lost," ferocious aptly-titled rocker "Human Race" and romantic "Thru The Years." Barn is available on vinyl, audio CD, cassette and digitally; there is also a deluxe edition that includes the LP, CD and Blu-ray film. Information: NeilYoungArchives.com.


Honorable Mentions

ABBA, Voyage (Capitol Records)

The ArmoiresIncognito (Big Stir)

Duran Duran, Future Past (BMG)

The Lunar LaughNighthawks! (Big Stir)

Nobody's Girl, Nobody's Girl (Lucky Hound Music)

Pistol AnniesHell of a Holiday (Sony Music Nashville)

Alabama Slim, The Parlor (Cornelius Chapel Records)

Wolf Alice, Blue Weekend (Dirty Hit/RCA Records)

Weezer, Van Weezer (Atlantic/Crush)

Dar Williams, I'll Meet You Here (Renew Records/BMG)




Tuesday, August 10, 2021

New Music: Los Lobos, Cruzados, Divine Horsemen, I See Hawks in L.A., Radio California, Colin Hay

In this column the focus is on six Los Angeles area artists. All have newly-available or soon-to-be released titles definitely worth a listen.


Artist:
 Los Lobos
Title: Native Sons (New West Records)
You might like if you enjoy: Los Lobos, the Mavericks, the Blasters
Tell me more: East Los Angeles-spawned legends Los Lobos revisit the music of a diverse field of their influential musical heroes on the newly-released Native Sons. The quintet (singer-guitarist David Hidalgo, singer-guitarist Louie Pérez, Jr.,singer-guitarist-keyboardist Cesar Rosas, singer-bassist Conrad Lozano and saxophonist-keyboardist Steve Berlinhonors 13 classics by infusing their own signature style into each of the well-crafted remakes. Thinks kick off with an infectious run through of Thee Midniters' "Love Special Delivery" (bolstered by the blend of horns, freewheeling drums and lead guitar). Classic rock favorites from Buffalo Springfield get the dual treatment via Los Lobos' intoxicating take on "Bluebird" and Americana-flavored "For What It's Worth." Other highlights include a beautiful and nuanced version of Jackson Browne's "Jamaica Say You Well," a rousing jump blues reading of Percy Mayfield's "Never No More" and soulful take on The Beach Boys classic "Sail On, Sailor." Long a champion of Chicano rock, mariachi and música norteña, Los Lobos performs a rollicking version of Lalo Guerrero's "Los Chucos Suaves" and the tender ballad "Dichoso." Los Lobos' stunning version of War's "The World is a Ghetto" features several guests, including Little Willie G. (who sang on the title track back in 1972) along with Jacob G. (Willie's son), R&B artist Barrence Whitfield and world class percussionist Camilo Quinones. Los Lobos also ties the thematic journey together via the inclusion of the original "Native Son." Information: LosLobos.org.


Artist:
 Cruzados
Title: She's Automatic (Scamco Records)
You might like if you enjoy: Los Lobos, Billy F Gibbons, Steve Earle, The Doors' "L.A. Woman" album
Tell me more: Signed to Clive Davis' Arista Records in 1983, Los Angeles-based Cruzados released two acclaimed albums featuring an infectious and raucous style of Latin-tinged post-punk hard rock before calling it quits in 1991 (those wanting to see the band in those early years can catch their screen appearance in the 1989 film "Road House" performing "Don't Throw Stones" from the band's After Dark LP). Now, Cruzados are back with She's Automatic (out Aug. 13, 2021 via Scamco Records), an 11-track disc that fully delivers on the band's genuine legacy. Founding bassist-songwriter Tony Marsico, guitarists Loren Molinare and Mark Tremalgia, singer Ron Young and drummer Rob Klonel bring a rootsy power and fun spirit to the songs, with a slew of great guests adding additional wizardry to the tracks.  The classic rock-mining "On The Tilt A Whirl," hard-hitting "Nine Million Tears," heavy Texas blues stomp "Son of the Blues," gentle "Sad Sadie" (featuring guest vocals from John Doe), Southern blues rocker "Let Me Down" (featuring guitarist Dave Alvin and accordion player David Hidalgo) and rowdy "54 Knockouts" (with sax great Steve Berlin of Los Lobos) are among the winning originals on the Cruzados return. The album draws to a killer close with the hypnotic blues rocker "Rock That Boat," featuring some killer blues harp from Jimmy Z and the collective power of all five members of Cruzados. Information: CruzadosBand.com.


Artist:
 Divine Horsemen
Title: Hot Rise of an Ice Cream Phoenix (In the Red Records Records)
You might like if you enjoy: The Flesh Eaters, X, Dinosaur Jr.
Tell me more: On Aug. 20, Los Angeles' Divine Horsemen returns after 33 years to release Hot Rise of an Ice Cream Phoenix. The forthcoming album will mark the band's first release of new music since the "A Handful of Sand" EP was released in January 1988. Chris Desjardins (a.k.a. Chris D.) and Julie Christensen introduced their groundbreaking project via Time Stands Still (released in 1984 via Enigma Records). The end of the duo's marriage around the time of their A Handful of Sand release might have ended the story of Divine Horsemen for good, but the two remained in touch and on good terms. A series of fortuitous events led the two artists to reform Divine Horsemen to record the forthcoming album. The two singers voices blend with the kind of magical allure that draws comparisons with Exene Cervenka and John Doe of X fortified with the heavy rock sweep associated with Crazy Horse and Dinosaur Jr. on select tracks and gentle nuance of the collaborations between Leonard Cohen and Jennifer Warnes on others. A mix of originals and creatively reworked covers fill the album, all potent. The crunchy opener "Mystery Writers" (with terrific lyrics from Chris D.), beautiful acoustic cut "Barefoot in the Streets" (with lyrics by Chris D. and music by Christensen) and snappy indie rocker "Stony Path" are among my faves on the album. The epic "Falling Forward" is striking, a masterful blend of the two singers' voices enhanced by expansive guitar work from Peter Andrus. Information: DivineHorsemen.com


Artist:
 I See Hawks in L.A.
Title: On Our Way (Western Seeds Records)
You might like if you enjoy: Chris Hillman, Gram Parsons, John Doe
Tell me more: While the world has changed in monumental and challenging ways since I See Hawks in L.A. released their previous album Hawks with Good Intentions in September 2019, the Los Angeles troupe's forthcoming album On Our Way (coming Aug. 27, 2021) offers the perfect chance to reconnect with the beauty around us. On the alt country quartet's On Our Way the efforts of singer-guitarist Rob Waller, multi-instrumentalist/backing vocalist Paul Lacques, bassist-vocalist Paul Marshall and percussionist-vocalist Victoria Jacobs to stay connected by songwriting via FaceTime and completing recording remotely during the pandemic astound. This is a beautiful and soul-stirring set of songs that defies the angry shouting heard on 24-hour cable news in favor of songs about "Geronimo, Muhammad Ali, the Faulknerian dilemma, in language sometimes more abstract and mirroring than narration" (according to press notes) as well as "...classic Hawks train beats and country rockers about Marin Wiccans, London mod dub hippie markets and the [un]certainties of love and broken hearts." Indeed, the range of topics is equaled by the musical depth displayed on the collection. From the lovely mandolin- and pedal steel guitar-adorned Americana opening gem "Might've Been Me" and authentic countrified "On Our Way" to the spoken word neo-trance blues of "Mississippi Gas Station Blues" and psychedelia-laced "Kensington Market" and poignant "Geronimo" I See Hawks in L.A. creates songs that tap into authentic country, roots, bluegrass and folk stylings with amazing warmth and might. A number of guest performers help further bring the rich tapestry of songs to life. Information: iseehawks.com





Artist:
 Radio California
Title: Whiskey Sour and a Cheap Motel (Radio California)
You might like if you enjoy: Youth Gone Mad, Hüsker Dü 
Tell me more: Los Angeles area-based Radio California is back with another batch of genre-be-damned originals (Whiskey Sour and a Cheap Motel) pulled from the band's signature sonic stew of art damage, garage rock, punk, spoken word and experimental rock 'n' roll. I'm always amazed where singer--guitarist-lyricist Jesseo and company come up with their truly-original sound; Jesseo's songs and vocal delivery are reflective and emotive even when the sonic sphere around him is awash with various instrumental textures and rhythms. The opener ("Whiskey Sour") is dreamy at its core thanks to some cool Johnny Marr-styled rhythm guitar work even while a driving drum pattern and forceful lead guitar blasts (the latter courtesy of guest player Hank Williams) assure the listener is in for something different. "Over the Top" blends punk and garage rock styles with a clap-along rhythm; spoken word, harmonies and vocal humming along with some evocative lead guitar lines intersect in "URA Wonder." The hard-edged punk rocker "Same Fate" tackles the grim reality that "Your all the same when it comes to the end / No matter what kind of box they put you in" with melodic force. Elsewhere, "My Monet" recalls the approach of The Cure's early work. Information: https://www.facebook.com/Radio-California-429692217119882.


Artist:
 Colin Hay
Title: I Just Don't Know What To Do With Myself (Compass Records)
You might like if you enjoy: Colin Hay, Men At Work, The Beatles
Tell me more: Colin Hay is back with another essential album, this one a full-length disc of incredible covers — I Just Don't Know What To Do With Myself  he makes his own. Indeed, beloved songs from The Beatles, Kinks, Faces and others benefit from the Men At Work front man's meticulous touch. There is so much to celebrate on the 10-track collection. Hay's natural melancholy-rich baritone hits its mark early on via the confessional title track (a Burt Bacharach/Hal David composition), Ray Davies' 1967 favorite "Waterloo Sunset" and The Beatles' "Norwegian Wood (This Bird Has Flown)." In Hay's skilled hands, there is a reflective approach where the songs' melodies and lyrics are thrust center stage sans cliche — just listen to his tearful take on Gerry and the Pacemakers' "Don't Let the Sun Catch You Crying." I've always been disappointed by attempts to cover the Jimmy Webb-penned Glen Campbell classic "Wichita Lineman"; Hay's ethereal take on the song is beautiful and moving. The arrangement is mostly faithful, but Hay's signature vocals envelop each line of the masterwork as it artfully builds to a majestic close. While most of the selections are pulled from the 1960s, Hay effectively reintroduces the Justin Currie-penned mid-'90s Del Amitri masterpiece "Driving with the Brakes On" via a bold rendition that burgeons from its plaintive opening into a glorious finale. Information: ColinHay.com.

Robert Kinsler